100 books like The Great Leap Backward

I treat Yang’s book as a bible for understanding China’s Great Famine (1958-1962). This famine remains little known to many people, including China’s younger generations. The Communist regime censors writings about this famine and controls the access to famine-related data and information.

As a senior journalist, Yang had privileged access to archives. He spent about twenty years piecing together the famine. His account of the famine is comprehensive with detail. It is a must-read for anyone who wants to understand China’s Great Famine. It greatly helped my studies in improving China’s food security and in avoiding future famines.

I was shocked when I first came to know this book, the first to unravel the large-scale abnormal death during China’s Great Famine. I was shocked because it was written by a person who was foreign to China and was far away from the famine, not by a person who was from China or someone who lived through the famine.

Also shocking are the book’s many revelations; the most important of which is that the Great Famine was man-made, not due to natural disasters as the Chinese regime always told us.

As a result, this book greatly inspired me to look into the causes and consequences of the famine and how to improve China’s food security to avoid future famines.

Few Western intellectuals are aware of the scale of the atrocities during China’s Great Famine. If they had been and had written more on the famine, there could have been a greater impact on popular consciousness.

Yet, Dikötter cared to painstakingly search through local archives, and with his fine book, depicted the well-hidden human miseries to a much broader global audience. This is another book by a person who is foreign to China that greatly inspired me to look into improving China’s food security.

In this prize-winning book, Dikötter confirms that the famine was the worst man-made human catastrophe, not a natural calamity. Book prize judges regarded it as stunningly original and hugely important.

This book records the memories of the devastation and loss of the famine survivors, providing grass-root evidence of the man-made catastrophe.

Zhou traveled to many provinces to search and interview the survivors, with a focus on nine that were worst hit by the famine. It is emotionally hard for a survivor to recall past miseries. It is even harder, indeed emotionally traumatizing, for a researcher to go through many miseries of the survivors to get this book compiled. I admire her courage and resilience. 

When Chairman Mao initiated the Cultural Revolution in China, Margaret Zhao and her family became enemies of the state. This memoir is full of hope, humor, and love despite the horrific situation of this young girl attempting to survive while many were doing everything to destroy her and her family.

I’m fascinated by how this true story describes the evils of communism in contrast with the opportunities provided by Western Civilization and capitalism. I also find it encouraging that someone could go through such terrible situations, always fearing for the life of herself and her family, and still hold so much optimism that she would one day find her way to America and freedom.

Oral history as a literary form is relatively new in China. When asked why he wrote the book, Mr. Feng replied that it was because of his guilt as a survivor and as a witness. The Cultural Revolution has devastated and scarred generation after generation in China, yet most people are silent about their personal experiences. Feng conducted numerous interviews with ordinary people who had lived through that period and wrote these intimate stories in the collection. Every voice is different and deeply personal; together, they portray one of the most disturbing and tumultuous times in Chinese history. 

I was fortunate to have met Da Chen when he was keynote speaker for our high school’s annual teen writer’s conference. I had read and recommended to my AP World History students his riveting Colors of the Mountain. 

He was warm with students and staff, regaling my class with stories of life in post-Mao China. Da Chen’s interest in people is evident in his engaging Colors of the Mountain. A tale of triumph against all odds, Da Chen’s memoir chronicles how he and his family survived China’s Cultural Revolution (1966-1976).

Despite the harshness of the times, Da Chen tells his story with uncommon grace and humor. I return to his work time and again, not just for preparation in teaching 20th-century China, but also for personal inspiration.

My future husband and I read excerpts of this book as undergraduates—great preparation for our post-graduation trek into China. We were determined to track down his great-aunt in Chengdu—no mean feat in the late 80s, given the absence of cellphones and internet.

A cover blurb notes this book is in the “tradition of Orwell and Solzhenitsyn” but I’d point instead to Heller (Catch-22) for context on China’s Cultural Revolution. “Chairman Mao is a Rotten Egg,” for example, reveals strategies that made sense when we met my then-fiancé’s great aunt. She shared how her husband was thrown in jail given his training as a doctor, and how she responded to the Red Guards who had come for him: “Good! Take him away,” she feigned bravery, “he’s a pain.” They brought him back two days later.

Perspectives on one of the most bewildering and turbulent periods in modern Chinese history – the Great Proletariat Cultural Revolution, in the decade from 1966, by one of contemporary China’s foremost historians. Yang, who has worked on the era of the great famines in China prior to this, is well served by two excellent translators. A book that brings the vastness of this revolution down to the stories of specific people and places, including those who were most involved in creating and directing this seminal event.

How do you tell stories about the people who don’t show up in history’s official records?

That’s the question Vaness Hua explores in Forbidden City, which was inspired by a couple of lines Hua read about Chairman Mao Zedong’s love of ballroom dancing. Party officials would bring young women to the Forbidden Palace to dance with Mao and his party faithful. 

Any more detail about the lives of these young women is lost to history, but recreated with astonishing insight and beauty by Hua in Forbidden City. The main character, Mei Xiang, has to navigate the dangerous world of politics during the beginnings of the brutal and violent Cultural Revolution in China.

I love the questions this book raises about all the unknown women and girls whose stories of survival have been lost to time.