Here are 65 books that Plague-Busters! Medicine's Battles with History's Deadliest Diseases fans have personally recommended if you like
Plague-Busters! Medicine's Battles with History's Deadliest Diseases.
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I have always been fascinated by the history of medicine, particularly the more macabre details. While researching my family lineage, I became especially interested in medieval medicine and the lives of English monarchs. I was honored to be asked to write a book on medicine in the middle ages, and I dove into the research head first. I have been lucky enough to write for several other publications, and I have self-published on Amazon. I enjoy writing historical fiction and my novel, Sleeping with the Impaler, was a book I truly enjoyed writing. I hope the books I recommended spark your interest as they will stay with me forever.
The Great Mortality was a key tool in my research for my book. John covered the Black Death in every country it devastated, such as England, Italy, and France. He touches on the effect the Black Death had on the church and the great lengths that were taken to protect the pope. He goes into morbid detail about the plague, and you get a real understanding of what these people went through. I can not recommend this book enough.
“Powerful, rich with details, moving, humane, and full of important lessons for an age when weapons of mass destruction are loose among us.” — Richard Rhodes, Pulitzer Prize-winning author of The Making of the Atomic Bomb
The Great Plague is one of the most compelling events in human history—even more so now, when the notion of plague has never loomed larger as a contemporary public concern.
The plague that devastated Asia and Europe in the 14th century has been of never-ending interest to both scholarly and general readers. Many books on the plague rely on statistics to tell the story:…
I’ve always been fascinated by the strangeness of human character when tested to the limit by overwhelming catastrophe. I’ve always wanted to write a story that brings into stark relief the courage, fear, ambition, tragedy, absurdity, and the ecstatic. In other words, a disaster. And if character is destiny, then an apocalypse maybe the best way to show us who we really are and where we’re going. My debut novel, Delirium focuses on these extremes of character. And after writing it I reached one indelible conclusion: that the human being is the most disturbed creature, but also the most hopeful.
I enjoyed reading this book both as a historical artefact of the 17th century but also because Defoe’s plain, matter-of-fact style makes all the chaos, the shrieking, the death carts, families locked in their houses, health certificates, the delirium, the fear of coming too close, the paranoia, the panic and the madness that surrounds the narrator all the more disturbing.
He is a witness whose curiosity far outweighs his fear. But there’s also the Defoe-like sense of adventure when for instance a group of three escape London and shift for themselves in a countryside whose towns and villages are hostile to strangers. Instructive, disquieting, gripping, indelible.
This retained its curiosity value even on a second reading. A great little book.
The haunting cry of "Bring out your dead!" by a bell-ringing collector of 17th-century plague victims has filled readers across the centuries with cold terror. The chilling cry survives in historical consciousness largely as a result of this classic 1722 account of the epidemic of bubonic plague — known as the Black Death — that ravaged England in 1664–1665. Actually written nearly 60 years later by Daniel Defoe, the Journal is narrated by a Londoner named "H. F.," who allegedly lived through the devastating effects of the pestilence and produced this eye witness account. Drawing on his considerable talents as…
As an author of a dual-timeline thriller series set in Venice in the present-day and 16th century, I’ve spent countless hours researching the world’s most mesmerizing city. I’ve been there three times, including on a research trip. I’ve worked with historians and experts on various aspects and have explored the ancient streets and buildings first-hand. I’ve also read dozens of books set in Venice.
While not as famous as Thomas Mann or Anne Rice, Marina Fiorato well deserves her place on this list with The Venetian Bargain. It’s another superbly researched and beautifully written piece of historical fiction set in 1576 during the plague. Grounded in fact, it follows a young Turkish girl, scorned in her homeland, who sneaks aboard a boat bound for Venice. She soon discovers the ship's illicit cargo in the hold—and the sultan’s horrific plan—a man infected with bubonic plague. The man infects the entire city within days. This book is much more than a historical account. It’s a gripping story with compelling characters. What’s more, much of what the world has gone through with Covid-19, from masks to quarantine, was invented by the Venetians and it's covered in The Venetian Bargain through the eyes of wonderful characters.
Venice, 1576. Five years after the defeat of the Ottoman Empire at the Battle of Lepanto, a ship steals unnoticed into Venice bearing a deadly cargo. A man, more dead than alive, disembarks and staggers into Piazza San Marco. He brings a gift to Venice from Constantinople. Within days the city is infected with bubonic plague―and the Turkish Sultan has his revenge.
But the ship also holds a secret stowaway―Feyra, a young and beautiful harem doctor fleeing a future as the Sultan's concubine. Only her wits and medical knowledge keep her alive as the plague ravages Venice.
Although I come from a family with a number of medical professionals, I am not one myself. My interest in medical thrillers is a three-strand braid that combines my learning and experiences in the fields of sociology, literature, and storytelling. Horrific as the stories on this list are, they share both a hopefulness that mankind is capable of overcoming whatever challenge nature presents, or they themselves conjure and a warning to get ourselves right before the next one comes along. At a time when it is tempting to despair over the human condition, I hope these books inspire your faith in mankind’s resourcefulness and ability to endure.
I especially love this novel as Camus applies his background in existential philosophy to elevate the medical thriller genre into the realm of the metaphysical.
I love how the novel uses the plot device of an outbreak of the plague to force me as a reader to move beyond the surface questions of “What?” “When?” and “Where?” to ask the deeper question of “Why?” and “What now?”
“Its relevance lashes you across the face.” —Stephen Metcalf, The Los Angeles Times • “A redemptive book, one that wills the reader to believe, even in a time of despair.” —Roger Lowenstein, The Washington Post
A haunting tale of human resilience and hope in the face of unrelieved horror, Albert Camus' iconic novel about an epidemic ravaging the people of a North African coastal town is a classic of twentieth-century literature.
The townspeople of Oran are in the grip of a deadly plague, which condemns its victims to a swift and horrifying death. Fear, isolation and claustrophobia follow as they…
I became fascinated with 16th-century and 17th-century Europe after reading Don Quixote many years ago. Since then, every novel or nonfiction book about that era has felt both ancient and contemporary. I’m always struck by how much our environment has changed—transportation, communication, housing, government—but also how little we as people have changed when it comes to ambition, love, grief, and greed. I doubled down my reading on that time period when I researched my novel, Dulcinea. Many people read in the eras of the Renaissance, World War II, or ancient Greece, so I’m hoping to introduce them to the Baroque Age.
I was introduced to Brooks’ writing by a fellow journalist because I very much wanted to read a novel by a reporter turned fiction writer.
The writing and the plot of the 1666 plague in this book didn’t disappoint. It was like sinking into a time and place so different from my own, but at the same time so familiar because Brooks is what I call a surround-sound writer. She is able to totally immerse you in a foreign world.
From the Pulitzer Prize-winning author of 'March' and 'People of the Book'.
A young woman's struggle to save her family and her soul during the extraordinary year of 1666, when plague suddenly struck a small Derbyshire village.
In 1666, plague swept through London, driving the King and his court to Oxford, and Samuel Pepys to Greenwich, in an attempt to escape contagion. The north of England remained untouched until, in a small community of leadminers and hill farmers, a bolt of cloth arrived from the capital. The tailor who cut the cloth had no way of knowing that the damp…
I grew up on the Northern Plains, visiting Indian Reservations where my mother was a social worker. The poverty, hopelessness, and general lack of medical care and schooling made a profound impact on me. It led me to Graduate School and the study of American Indians. Of my twelve books, two have been finalists for the Pulitzer Prize, and several others have won minor prizes. As a historian, I realize that we can turn things around. We can strive to better understand the past, and prepare our children and grandchildren for the future. But this will never happen by banning books. We must face the brave, new world that is upon us.
As a historian, some books just keep coming back to you. McNeill’s Plagues and Peoples is just such a book.
He is really the first historian to outline the dramatic impact that infectious diseases have had on human history. He outlines the spread of smallpox, diphtheria, Yellow Fever, Malaria, the Plague, and many others, as they originate mostly in Africa and come into the Mediterranean Ocean, to produce cycles of death.
But the people who lived on the edge of that ocean soon came to develop antibodies, and ultimately, master the impact of such terrible diseases.
Unfortunately, those diseases were soon transferred to the Americas, where perhaps a hundred million American Indians died from them. They had no immunities!
Had such a calamity not occurred, the two western hemispheric continents might easily be dominated by Natives, who spoke a different language and prayed to a different God.
Upon its original publication, Plagues and Peoples was an immediate critical and popular success, offering a radically new interpretation of world history as seen through the extraordinary impact--political, demographic, ecological, and psychological--of disease on cultures. From the conquest of Mexico by smallpox as much as by the Spanish, to the bubonic plague in China, to the typhoid epidemic in Europe, the history of disease is the history of humankind. With the identification of AIDS in the early 1980s, another chapter has been added to this chronicle of events, which William McNeill explores in his new introduction to this updated editon.…
Decades ago, I fell madly, gladly, and giddily in love with Italian. This passion inspired La Bella Lingua: My Love Affair with the World’s Most Enchanting Language, which became a New York Times best-seller and won an Italian knighthood for my contributions to promoting Italy’s language. Intrigued by the world’s most famous portrait, I wrote Mona Lisa: A Life Discovered, an Amazon Best Book of the Year, translated into seven languages. My most recent journeys through Italian culture are La Passione: How Italy Seduced the World and ‘A’ Is for Amore, an e-book written during the pandemic and available free on my website.
During a plague that killed a quarter of Florence’s citizens, Boccaccio crafted an exuberant, entertaining, death-defying work of literature. In this book, seven young women and three young men taking refuge in a country villa swap 100 tales of love, lust, mischief, and treachery.
I read a translation of The Decameron during a sabbatical in Italy and was swept back in time. In every village, I’d look around a piazza and see characters straight from its pages: wily merchants, corrupt politicians, clever wives, henpecked husbands, bumbling fools. This book still resonates in the 21st century—a tribute to Boccaccio’s skill as a spell-weaver. Some of his stories are shamelessly, laughably bawdy. But all remind us that, even as everything changes, our shared humanity remains the same.
In the summer of 1348, as the Black Death ravages their city, ten young Florentines take refuge in the countryside...
Taken from the Greek, meaning 'ten-day event', Boccaccio's Decameron sees his characters amuse themselves by each telling a story a day, for the ten days of their confinement - a hundred stories of love and adventure, life and death, and surprising twists of fate. Less preoccupied with abstract concepts of morality or religion than earthly values, the tales range from the bawdy Peronella, hiding her lover in a tub, to Ser Cepperallo, who, despite his unholy effrontery, becomes a Saint.…
I discovered science fiction at age nine with Rocketship Galileo and Red Planet and have never lost my love for speculative worlds, even after growing up to follow a career teaching and writing about the history of cities and city planning. In recent years, I’ve also begun to write about the field of SF. So it is one-hundred-percent natural for me to combine the two interests and explore science fiction cities. I try to look beyond the geez-whiz technology of some imagined cities to the ideas of human-scale planning and community that might make them fun places to visit or live in if we could somehow manage to get there.
For much of my academic career, I’ve battled the stereotype that cities are dangerous and deadening places, and certainly not where you want to be caught after plague decimates the population.
Pat Murphy is on my side. She imagines a post-plague San Francisco where the few remaining residents are artists, not bunkered survivalists. Her city “not long after” a plague is a place of creative eccentrics who defend themselves against outsiders with performance art.
Without the excitement of cities, there would be few new ideas, and it is great to find a science fiction book that agrees.
Jax and Danny-Boy, scrambling to get by in a near-future San Francisco ravaged by plague, become fellow artists in their united struggle to stop a tyrannical general from taking over
Science fiction for grownups not only means avoiding magic and supernatural elements but grounding the stories’ “what-ifs” in hard science and/or narrative anthropology. When we (readers) are invited to a story, we come with a willing suspension of disbelief, and I have as strong a suspension of disbelief as anyone—what if dinosaurs could be grown from ancient DNA, or what if an asteroid struck the earth? However, the ground rules of what-ifs should be laid out and should not include a sweeping suspension of the laws of physics, nature, and common sense. So, no hundred-and-ten-pound woman, with toothpick arms and dressed in cleavage-revealing spandex, beating up twelve burly guys.
I love anthropology, so what could be better than an alien anthropologist who visits 1350 Earth to study the Black Plague, hoping to find clues to help her civilization respond to a different plague?
Anthropological principles presented through narrative storytelling define science fiction for grownups.
In medieval Italy, Niccolucio, a young Florentine Carthusian monk, leads a devout life until the Black Death kills all of his brothers, leaving him alone and filled with doubt. Habidah, an anthropologist from an alien world racked by plague, is overwhelmed by the suffering. Unable to maintain her neutrality, she saves Niccolucio from the brink of death. Habidah discovers that neither her home's plague nor her assignment on Niccolucio's ravaged planet are as she's been led to believe. Suddenly the pair are drawn into a worlds-spanning conspiracy to topple an empire larger than the human imagination can contain.
Storytelling has been a passion of mine since fifth grade. I’ve always loved the way authors can put you inside of a world and introduce you to a cast of characters who feel as real as the people around you. The characters you meet inside these books become a part of you, and the best way to connect a reader to these charming and brave characters is to let them tell their story. Tell it from all of their perspectives and let the reader come to know and love each of them. Why read a book and only love one character when you could find an entire found family within those pages?
Legend is one of those books that feels nostalgic when you read it. It perfectly mixes all of the elements from the 2010 dystopian classics, with a wonderful dual narration. In Legend we read the story through Day and June’s eyes. Both are from completely opposite parts of society, which makes the story twice as interesting. It even has elements of enemies to lovers! What this book does so well with its dual narration, is it lets you see more of the world that the author has created, which we wouldn’t normally get had she chosen to tell the book from one of these characters. Personally, I preferred Day’s POV, and the arc his story took.
Legend is the much-anticipated dystopian thriller debut from US author, Marie Lu.
THE must-read dystopian thriller fiction for all teen fans of The Hunger Games by Suzanne Collins and Divergent by Veronica Roth. A brilliant re-imagining of Les Miserables, the series is set to be a global film sensation as CBS films have acquired rights to the trilogy. The Twilight Saga producers, Marty Bowen and Wyck Godfrey, will produce.
Los Angeles, California Republic of America
He is Day. The boy who walks in the light.
She is June. The girl who seeks her brother's killer.
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