I’ve always been fascinated by the strangeness of human character when tested to the limit by overwhelming catastrophe. I’ve always wanted to write a story that brings into stark relief the courage, fear, ambition, tragedy, absurdity, and the ecstatic. In other words, a disaster. And if character is destiny, then an apocalypse maybe the best way to show us who we really are and where we’re going. My debut novel, Delirium focuses on these extremes of character. And after writing it I reached one indelible conclusion: that the human being is the most disturbed creature, but also the most hopeful.
I was first struck by the elegance of this book, its seamless ease in which it moves between time and place, its weird, ghostly beauty, and unsettling nature.
It’s post-apocalyptic but at the same time enchanting. Where else could a troupe of Shakespearean actors and musicians travel in horse-drawn pickup trucks in a post-civilisation dreamscape? I was held all the way through by its understated charm and mystery.
Station Eleven is a welcome change from the usual wail and woe of plague stories.
'Best novel. The big one . . . stands above all the others' - George R.R. Martin, author of Game of Thrones
Now an HBO Max original TV series
The New York Times Bestseller Winner of the Arthur C. Clarke Award Longlisted for the Baileys Women's Prize for Fiction National Book Awards Finalist PEN/Faulkner Award Finalist
What was lost in the collapse: almost everything, almost everyone, but there is still such beauty.
One snowy night in Toronto famous actor Arthur Leander dies on stage whilst performing the role of a lifetime. That same evening a deadly virus touches down in…
Camus’ Stranger brought me to this book and I was once more pulled in by the same direct prose, the same detachment and the same philosophical inquisitiveness.
There’s a feeling that plagues are inevitable, that they will come no matter what we do, and that our efforts to stop them always degenerate into the absurd. But what struck me most was that this is not fatalism, because although the collective effort is largely useless, hope lies in the small acts of kindness between individuals.
“Its relevance lashes you across the face.” —Stephen Metcalf, The Los Angeles Times • “A redemptive book, one that wills the reader to believe, even in a time of despair.” —Roger Lowenstein, The Washington Post
A haunting tale of human resilience and hope in the face of unrelieved horror, Albert Camus' iconic novel about an epidemic ravaging the people of a North African coastal town is a classic of twentieth-century literature.
The townspeople of Oran are in the grip of a deadly plague, which condemns its victims to a swift and horrifying death. Fear, isolation and claustrophobia follow as they…
Keen to rekindle their love of East African wildlife adventures after years of filming, extreme dangers, and rescues, producer Pero Baltazar, safari guide Mbuno Waliangulu, and Nancy Breiton, camerawoman, undertake a filming walking adventure north of Lake Rudolf, crossing from Kenya into Ethiopia along the Omo River, following a herd…
Spare, grim, and minimalist. This is the kind of book I really like, a giant middle finger to the nice, safe suburban sensibilities.
With this disease, which kills all grasses and thus the basic food supply, the thin civilisational veneer is smashed to bits quickly and the England of tea, warm beer, and cricket on the village green is replaced with mass starvation, rapists, murderers, jungle law, atom bombs, and a Hobbesian all-against-all.
This is a story and writing gripping and direct that makes you square up to the fact that you would very likely set aside the moral for the necessary. And it forces you to ask the question: would you kill to save your family?
A thought experiment in future-shock survivalism' Robert MacFarlane
'Gripping ... of all science fiction's apocalypses, this is one of the most haunting' Financial Times
WITH AN INTRODUCTION BY ROBERT MACFARLANE
A post-apocalyptic vision of the world pushed to the brink by famine, John Christopher's science fiction masterpiece The Death of Grass includes an introduction by Robert MacFarlane in Penguin Modern Classics.
At first the virus wiping out grass and crops is of little concern to John Custance. It has decimated Asia, causing mass starvation and riots, but Europe is safe and a counter-virus is expected any day. Except, it turns…
I’ve always preferred those stories of great global catastrophes that remain in a single small location.
In the case of Alas, Babylon the small town of Fort Repose survives the nuclear holocaust because it’s small. Written at the height of the cold war when there were several and very real moments of brinkmanship between the Soviets and Americans.
It’s a great read for another reason: this is a well-informed writer. For instance, here we find that salt is as vital for survival as water? And what good is a doctor if he has no medicine? These are things this little community has to face, but the author is hopeful.
This is one of those books that is a lens into a period in time but is at the same time easily readable and to the point. How Fort Repose deals with nuclear Armageddon is the same story of how all people deal with existential crises, the best they can.
“An extraordinary real picture of human beings numbed by catastrophe but still driven by the unconquerable determination of living creatures to keep on being alive.” —The New Yorker
“Alas, Babylon.” Those fateful words heralded the end. When the unthinkable nightmare of nuclear holocaust ravaged the United States, it was instant death for tens of millions of people; for survivors, it was a nightmare of hunger, sickness, and brutality. Overnight, a thousand years of civilization were stripped away.
But for one small Florida town, miraculously spared against all the odds, the struggle was only just beginning, as the isolated survivors—men and…
In the bigoted milieu of 1945, six days after the official end of World War II, Bess Myerson, the daughter of poor Russian immigrants living in the Bronx, remarkably rises to become Miss America, the first —and to date only— Jewish woman to do so. At stake is a $5,000…
I enjoyed reading this book both as a historical artefact of the 17th century but also because Defoe’s plain, matter-of-fact style makes all the chaos, the shrieking, the death carts, families locked in their houses, health certificates, the delirium, the fear of coming too close, the paranoia, the panic and the madness that surrounds the narrator all the more disturbing.
He is a witness whose curiosity far outweighs his fear. But there’s also the Defoe-like sense of adventure when for instance a group of three escape London and shift for themselves in a countryside whose towns and villages are hostile to strangers. Instructive, disquieting, gripping, indelible.
This retained its curiosity value even on a second reading. A great little book.
The haunting cry of "Bring out your dead!" by a bell-ringing collector of 17th-century plague victims has filled readers across the centuries with cold terror. The chilling cry survives in historical consciousness largely as a result of this classic 1722 account of the epidemic of bubonic plague — known as the Black Death — that ravaged England in 1664–1665. Actually written nearly 60 years later by Daniel Defoe, the Journal is narrated by a Londoner named "H. F.," who allegedly lived through the devastating effects of the pestilence and produced this eye witness account. Drawing on his considerable talents as…
Amazonian River Fever has decimated Prague, forcing the few survivors of the savage pandemic to flee to the uninfected village of Otočka. Doctor Eliška Korbova, having desperately tried to save as many people as she could, is hopeful that the village will be their salvation.
But Otočka is no paradise. The colonel in charge, the doctor’s half-sister, is fast becoming a tyrant, and a new fearful ideology is taking hold. With everyone around her descending into madness and barbarism, Eliška must find a way to stop the colonel and save the village before it’s too late.
This delightful fable about the Golden Age of Broadway unfolds the warm story of Artie, a young rehearsal pianist, Joe, a visionary director, and Carrie, his crackerjack Girl Friday, as they shepherd a production of a musical version of A Midsummer Night's Dream towards opening night.
Pride’s Children is a captivating, contemporary story about love, regret, ambition, and obsession - with a glitzy backdrop. Closer examination reveals a textured and soul-searching novel that serves as a poignant reminder that we are defined by our choices - and their consequences. The treatment of an enigmatic and life-altering…
