Here are 100 books that Peace Warrior fans have personally recommended if you like
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I started reading romance because I wanted to drown myself in stories of women stepping into their power and getting everything they wanted. Romance is a genre often looked down upon because of the happy-ever-afters, but I think that’s part of why it can be so deliciously subversive. Most (but not all) romance novels are centered on women, their voices, their sexuality, their desires, and their victories. In a world that’s often cruel, escaping into a world where dreams and fantasies are possible can be liberating. I started writing romance because I wanted to be a part of these stories and craft a world for others to escape into.
No, this isn't the title of a B-movie—it's the fun, sexy, and surprisingly sweet start of a series with wonderful world-building and likable characters.
This book is about how a group of human women abducted by evil aliens crash-land on a planet full of hunky, endearing aliens and the adventures they share.
I loved how the aliens cherished and celebrated the women in this story instead of reviling their humanity, as I've seen in other sci-fi stories. The spicy scenes are hot, and the heroine is a natural leader who doesn't passively wait around to be rescued.
This is a dual-POV story, and the alien hero's confusion over human quirks is quite funny. Escapism at its best!
You'd think being abducted by aliens would be the worst thing that could happen to me. And you'd be wrong. Because now, the aliens are having ship trouble, and they've left their cargo of human women - including me - on an ice planet.
And the only native inhabitant I've met? He's big, horned, blue, and really, really has a thing for me...
I’m an Irish writer who is completely hooked on anything sci-fi related. I used to race home from school to do my homework as fast as possible so I could watch Star Trek: The Next Generation. The first character I ever wrote about began his life in my head as part of the Star Trek: TNG world before deciding he was too big and created his own. It’s still an area I am passionate about. Shows like Firefly, Dark Matter, Picard, etc are on my favourites list. I just love the endless possibilities with the genre. Endless exploration, hi or low tech, and incredible ships. What’s not to love?
Reading this book was a no-brainer for me. First – it has Maul in it. Actually, that’s enough of a reason. Who doesn’t love Maul?
As far as I’m concerned he’s the ultimate bad guy. You don’t mess with him, he kicks serious ass, and he looks wow! My kind of hero/anti-hero. Dark, brooding, commanding, and can stop a conversation with just one look.
He’s the type of anti-hero you can’t help but root for and this book didn’t let me (or Maul) down. Imprisoned in hell, he has to complete his mission while staying alive against seemingly insurmountable odds. Plenty of deep stares, lots of kicking-ass, and a great plot that kept me up early into the morning.
From the mind of Joe Schreiber, New York Times bestselling author of Star Wars: Death Troopers, comes the delirious follow-up to last year's Darth Plagueis. In a tale of retribution and survival set before the events of The Phantom Menace, Darth Plagueis and Darth Sidious dispatch Sith apprentice Darth Maul on a secret mission to infiltrate a criminal empire operating from inside Cog Hive Seven--a hidden prison teeming with the galaxy's most savage criminals. There, he must contend against the scummiest and most villainous in gladiatorial death matches while carrying out his masters' clandestine commands. Failure is not an option;…
I’m an Irish writer who is completely hooked on anything sci-fi related. I used to race home from school to do my homework as fast as possible so I could watch Star Trek: The Next Generation. The first character I ever wrote about began his life in my head as part of the Star Trek: TNG world before deciding he was too big and created his own. It’s still an area I am passionate about. Shows like Firefly, Dark Matter, Picard, etc are on my favourites list. I just love the endless possibilities with the genre. Endless exploration, hi or low tech, and incredible ships. What’s not to love?
I read this because it mentioned space pirates. Who doesn’t love space pirates? It’s also got a kick-ass heroine and an equally kick-ass hero. Both characters have a history and aren’t particularly fond of each other. Then she’s tasked with shipping the wronged hero back to Earth on her pirate ship, but someone doesn’t want him to stand trial. Being stuck together on her ship together makes for some interesting situations. Three guesses how that goes.
Space pirate, Melissa Stark, will take on just about any job as long as the price is right. But this particular job she would gladly do for free, because Captain Zachary Knight has been a thorn in her side ever since she stole his starship ten years ago.
Back then, he was a genuine hero and poster boy for the army's hybrid breeding program. Now things have changed. Zach has been accused of a massacre on the planet of Talmare and is being shipped to Earth to stand trial. But certain influential people want to make sure Zach never reaches…
I’m an Irish writer who is completely hooked on anything sci-fi related. I used to race home from school to do my homework as fast as possible so I could watch Star Trek: The Next Generation. The first character I ever wrote about began his life in my head as part of the Star Trek: TNG world before deciding he was too big and created his own. It’s still an area I am passionate about. Shows like Firefly, Dark Matter, Picard, etc are on my favourites list. I just love the endless possibilities with the genre. Endless exploration, hi or low tech, and incredible ships. What’s not to love?
I’ve read all of this series, but this was my favourite. I have a thing for kick-ass heroes who have a vulnerable side. I love characters who can be strong and fight to protect what’s theirs but can also be damaged, flawed, not perfect. I think it makes them far more interesting. Coal hits the mark on this. Big and strong, but seriously damaged. It helps keep me more invested in his story and development. And yes – it does help that this book is hot!
*** THIS IS A RERELEASE OF A PREVIOUSLY PUBLISHED BOOK ***
Jill has learned the hard way that men can’t be trusted and sex only causes pain. In the lawlessness of space, women are a sexual commodity—to be used and abused. She’s doing a man’s job, with only her father’s brutal reputation and three androids to help keep her alive when she sees a massive, handsome cyborg chained to a freight table. The abusive crew plans to sell him to fight in gruesome death matches. It’s stupid, it’s insane, but Jill can’t leave him to such a horrible fate.
Virtually my entire professional life has involved the Middle East and North Africa (MENA). As an author, teacher, public speaker, and historian, I’ve worked with everyone from school children to retirees, via university students and hundreds of American and British diplomats. One era I'm still in thrall to is the first half of the Twentieth century in Egypt, from Cairo to the Sahara. In part because of European involvement in the country at this time, this was a very important period for the country, the wider Middle East, and the post-war trajectory of the region. Taken together, the five books I recommend offer different but complementary sides of a fascinating, multi-faced place and time.
Cairo in the War, 1939–1945 is a brilliant, fast-moving, narrative-driven piece of historical writing focussed on the British ruling elite in Egypt, before they won the war and subsequently lost this once vital North African imperial land-holding. The cast of characters reads like a Who’s Who of mid-century literary heavyweights, political operators, and military strategists, including everyone from Lawrence Durrell (whose Alexandria Quartet is also set in this period), Evelyn Waugh, Fitzroy Maclean, Olivia Manning, the brilliant Alexandrian Greek poet C.P. Cavafy, and Paddy Leigh Fermor. While much of the rest of the world burned, the British elite in Cairo partied, and in the process managed to annoy many American, Australian, and New Zealand allies and Egyptian foes alike, while sowing the seeds of an anti-monarchical feeling that eventually saw King Farouk toppled in 1952.
For troops in the desert, Cairo meant fleshpots or brass hats. For well-connected officers, it meant polo at the Gezira Club and drinks at Shepheard's. For the irregular warriors, Cairo was a city to throw legendary parties before the next mission behind enemy lines. For countless refugees, it was a stopping place in the long struggle home.
The political scene was dominated by the British Ambassador Sir Miles Lampson. In February 1942 he surrounded the Abdin Palace with tanks and attempted to depose King Farouk. Five months later it looked as if the British would be thrown out of Egypt…
I’m fascinated by long stories where things aren’t exactly as they seem. Most crime fiction is secrets and lies and their eventual uncovering but most ‘literary’ fiction is too. For what it’s worth, I was a book reviewer for all the posh UK papers for about 15 years, including crime fiction critic for The Observer for twelve (so I’ve read far more crime novels than is healthy for anyone!). I’m a voracious reader and writer and I love making things more complicated for myself (and the reader) by coming up with stuff that I’ve then somehow got to fit together.
Not crime although there are crimes in it. The narrative structure of the quartet was a major influence on structuring my trilogy. The first three present different versions of the same events and characters in Alexandria, Egypt before and during the Second World War. In Book 1, a self-absorbed, pretentious narrator, Darley, presents an account of an intense love affair. In book 2, Balthazar shows how ignorant he was about what was really going on about him. Mountolive widens the political context and shows both earlier narrators were looking through the wrong end of a telescope. Book 4 manages to tease out yet more solutions to mysteries thought resolved.
Rediscover one of the twentieth century's greatest romances in Lawrence Durrell's seductive tale of four tangled lovers in wartime Egypt that is 'stunning' (Andre Aciman) and 'wonderful' (Elif Shafak)
'A masterpiece.' Guardian
'A formidable, glittering achievement.' TLS
'One of the great works of English fiction.' Times
'Dazzlingly exuberant ... Superb.' Observer
'Brave and brazen ... Lush and grandiose.' Independent
'Legendary ... Casts a spell ... Reader, watch out!' Guardian
'Lushly beautiful ... One of the most important works of our time.' NYTBR
Alexandria, Egypt. Trams, palm trees and watermelon stalls lie honey-bathed in sunlight; in darkened bedrooms, sweaty lovers unfurl.…
I am fascinated by the question, “Where is home?” Is it the place you were born, among the people who raised you? Or is it the place you most come alive? Growing up, fiction taught me there were other worlds than the one I inhabited, and historical fiction taught me how they came to be. Travels in England, Europe, Africa, and South America opened up worlds and cultures I had only read about and drove me to write a novel about how one may find "home" in the most unlikely times and places.
I am fascinated by stories that encapsulate a whole life, usually from the perspective of a character looking back, assessing, wondering, and coming to terms with all that has transpired, both personally and globally. I am particularly fascinated by multi-dimensional female characters.
I was taken from page one by how well this story transitioned through different perspectives to offer a kaleidoscopic view of a life lived by a strong, unapologetic, complicated woman.
Claudia Hampton is dying. As memories crowd in, she re-creates the mosiac of her life, her own story enmeshed with those of her brother, her lover and father of her daughter, and the centre of her life, Tom, her one great love both found and lost in the "mad fairyland" of war-torn Egypt.
Virtually my entire professional life has involved the Middle East and North Africa (MENA). As an author, teacher, public speaker, and historian, I’ve worked with everyone from school children to retirees, via university students and hundreds of American and British diplomats. One era I'm still in thrall to is the first half of the Twentieth century in Egypt, from Cairo to the Sahara. In part because of European involvement in the country at this time, this was a very important period for the country, the wider Middle East, and the post-war trajectory of the region. Taken together, the five books I recommend offer different but complementary sides of a fascinating, multi-faced place and time.
Khan al-Khalili is a famous bazaar in the historic heart of Cairo, and the setting of this powerful and thought-provoking novel by Naguib Mahfouz. One of the most important Egyptian and Arab authors of the Twentieth century, in 1988, Mahfouz became the first Arabic-language writer to be awarded the Nobel Prize in Literature. Mahfouz spent much of his life in and around Khan al-Khalili, which gives this novel an intimacy and sense of place akin to Dicken's writing about Victorian London. It is 1942, and Egypt is tense as the war moves closer and closer to the capital, and Cairenes from different generations thrust together in the crowded neighborhood variously argue for and against tradition, modernity, religious faith, and secularism. This is a great read, and even better if you’re able to read it while sitting in a café in Khan al-Khalili.
Khan al-Khalili, by Egyptian Nobel Laureate Naguib Mahfouz, portrays the clash of old and new in an historic Cairo neighborhood as German bombs fall on the city. The time is 1942, World War II is at its height, and the Africa Campaign is raging along the northern coast of Egypt. Against this backdrop, Mahfouz’s novel tells the story of the Akifs, a middle-class family that has taken refuge in Cairo’s colorful and bustling Khan al-Khalili neighborhood. Believing that the German forces will never bomb such a famously religious part of the city, they leave their more elegant neighborhood and seek…
I grew up during the war years and remembered the backouts, ration cards, and the newscasts from the front and worrying about my cousins who were in the middle of it. My cousin Gerald always made sure I had a model airplane kit every Christmas, even though he was fighting in Europe. As a journalist, I was lucky to work with a few war correspondents that covered Dieppe and D-Day and heard what they went through. One of those people was Bill Anderson who died two years ago. I recorded a video interview of him when he was still 97 about his experiences in Canada and Europe
The war in Africa, where Rommel’s tanks seem unstoppable, sets the stage for this novel of intrigue and spies, with Egypt and The Suez Canal the prize. Follett is a master of suspense and he makes great use of it here as two secret agents lock horns. The German agent with a wonderfully appropriate name, The Spinx, enlists the wiles of a belly dancer and the British agent, seeks the help of a beautiful young Jewish woman, who plays a key role in unmasking the German agent and the final defeat of Rommel. I always love reading Follett. You’re never sure what.
Ken Follett's The Key to Rebecca took readers and critics by storm when first published forty years ago. Today, it remains one of the best espionage novels ever written.
A brilliant and ruthless Nazi master agent is on the loose in Cairo. His mission is to send Rommel's advancing army the secrets that will unlock the city's doors. In all of Cairo, only two people can stop him. One is a down-on-his-luck English officer no one will listen to. The other is a vulnerable young Jewish girl. . . .
I am a successful published author of military history nonfiction and fiction with 44 titles in print and have been a lifelong obsessive on the subject of WWII which was my parents’ war. I started on a diet of black & white war movies, then epics such as Tobruk, Raid on Rommel et al. I have been lecturing on the subject at the former Centre for Lifelong Learning at Newcastle University (Now the ‘Explore’ Programme) for 25 years. I am also an experienced and much travelled WWII Battlefield tour guide, with experience of guiding all the major Western Front campaigns. I’m a lifelong historical interpreter and re-enactor.
A good modern account of the battle with a well-researched and detailed context. The authors are primarily journalists and the story is fully fleshed out with a good, well-paced contextual analysis and their version makes an interesting comparison/contrast with the more traditional, often hagiographic accounts of the Battle and of Montgomery as a general.
'Excellent ... a remarkable achievement and ought to be recognised as one of the most successful histories of the Western Desert and North African fighting yet to have appeared' John Keegan, Daily Telegraph
For the British, the battle fought at El Alamein in October 1942 became the turning point of the Second World War. In this study of the desert war, John Bierman and Colin Smith show why it is remembered by its survivors as a 'war without hate'. Through extensive research the authors provide a compellingly fresh perspective on the see-saw campaign in which the two sides chased each…
