Here are 76 books that Once Upon A Fairytale fans have personally recommended if you like
Once Upon A Fairytale.
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Hello! I am Jane Yolen, author of almost 450 books. I write picture books and novels, poetry, and graphic novels–mostly for children. I have published books about just about every subject imaginable. But I’ve always loved fantasy books especially. I grew up on the Alice in Wonderland books and the Arthurian legends. I, of course, carried that love into my writing life–having written about monsters, mermaids, and unicorns. I’m fascinated by fairies; they show up in a lot of what I write. Give me a real kid and a mythical creature of some sort, sprinkle in a bit of magic–I’m in!
In this silly romp, a little girl, despite her obnoxiously doubting brother, goes in search of fairies and gets more than she bargains for. My favorite line was: “Then a mermaid arrived. She brought her own ocean…” There are ogre boogers (yes, you read that correctly), and the brother eventually becomes a reluctant believer.
I don’t read books with explicit scenes, and I don’t write them either. I’ve read hundreds of novels in this genre and written several of my own. I believe closed-door romances can be just as tension-filled and fun as those with spice. I love the closed-door romance community and have a passion for sharing books that make me laugh, cry, and swoon.
I absolutely loved the way that Emma wrote these characters. I related to Seraphina and fell for Rafe’s charm time and time again. They’re a couple that’s perfect for each other.
Some book couples you read and think they may not make it past the last page, but I could see these two together forever. The whole book made me swoon and laugh.
I’ve always had an interest in art, growing up a military brat and constantly moving, left me time to doodle and read. I spent the first part of my life as an art professor and artist. I began writing three years ago when my manuscript was chosen for RWA’s Ramp program in 2021. With my art, my interest leans more towards the bizarre and unexplained. I believe the romance stories I write follow suit, dark and gothic romance my primary interest, but always with spiritual and hopeful undertones. I also write some non-fiction for a local magazine where I live, The Greenville Stroll and on substack a newsletter for romance writers.
This is what fairy tales would look like if they were gothic, so I love this book.
I read it a few years ago and fell in love with it. I purchased the print copy because I wanted the illustrations in front of me to look at too. Almost any story you read comes from a myth or a fairy tale if you deconstruct it, so reading this book keeps your brain tuned into this idea, but you don't need to be a writer to find delight in this book.
Once upon a time fairy tales weren't meant just for children, and neither is Angela Carter's Book of Fairy Tales. This stunning collection contains lyrical tales, bloody tales and hilariously funny and ripely bawdy stories from countries all around the world- from the Arctic to Asia - and no dippy princesses or soppy fairies. Instead, we have pretty maids and old crones; crafty women and bad girls; enchantresses and midwives; rascal aunts and odd sisters.
This fabulous celebration of strong minds, low cunning, black arts and dirty tricks could only have been collected by the unique and much-missed Angela Carter.…
I’ve always read Sci-Fi and Fantasy. It’s my comfort place and haven’t we all needed that in the roaring '20s? It took a long while to clock that the books that stuck with me longest were all in that odd space where fantasy and sci-fi collide, (like Helliconia or Fire Upon the Deep or Dune) When I started writing, the ideas just poured out of me but after I realised I’d written a book like those I loved to read.
I love, love, love this book, for so many reasons. My top two are: 1) It sits squarely in that odd ‘fantasy in a technological world’ niche (Imagine 1984’s world filled with fairies!) 2) It has an odd, dark humour feel to a book that I like (think Gaiman or Pratchett) And oh! The characters? Funny, clever, nuanced. Bum that was three wasn’t it? I’ll come in again.
"What would happen if Terry Pratchett, Neil Gaiman, Emma Newman and K.E. Mills (in her Accidental Sorcerer mode) got together and had a fairy tale themed writathon? This, my friend, is probably what would happen."
Bea is a lowly cabbage fairy, but she dreams of being an official fairy godmother. Of course, no one thinks a cabbage fairy could run a story, least of all the other fairy godmothers. Until, one day, someone offers Bea a chance to prove herself. One heroine, one week, one marriage at the end of it. Easy, right?
I have a passion for fairy tale stories especially ones for adults because they are often the first stories we learned as kids. The ability to look back at how we interpreted them and how our understanding changes over time and culture makes for something that is truly timeless, and therefore like a beloved trope is never the exact same thing twice. Each time only builds on our enjoyment and the many possibilities we can imagine. Not only in worlds of magic, but our own.
Sometimes you simply want all, I get it. That’s part of the reason why so many fairy tale characters know each other in my series, so why not try a brand-new fantasy romance anthology? Featuring 20 different short stories and authors, Once Upon A Forbidden Desire is bound to be magical. If you are anything like me, you have a long to-do list and there never seems like enough time. Short stories are the perfect thing for that in my opinion. I always savor them like an advent calendar’s candy.
When it comes to true love, rules are meant to be broken …
Dark forests and locked doors, poisoned apples and forbidden lovers ... Bold heroines and swoon-worthy heroes break all the rules in this enchanting anthology of the fairy tales you thought you knew.
Once Upon A Forbidden Desire features 20 enticing fairy tale retellings by a diverse selection of fantasy romance authors. From sweet true love’s kisses to sizzling passion, from modern streets to enchanted forests, and from a mage Rapunzel to a winged Prince Charming ...
If you enjoy captivating romance, enthralling new worlds, and stories with…
I have been fascinated by the richness of fairy tales since I was a child. The fantasy writing offers endless possibilities to nourish my mind’s eye and pearls of wisdom that I can transfer to real life. I remember from childhood that I cried reading the Little Mermaid by Hans Christian Andersen. This childhood memory never left me. Fantasy writing is interwoven with the realm of nature and beings other than humans that offer a tapestry for the tradition of storytelling and nature writing, which I found a fascinating field to explore. I hope you can find the same in the books on this list.
This book is a classic story that transported me to a realm where fairies come alive—I felt I could be there dancing with them, too.
I love the story's initial opening with the magical expression, “Once upon a time.” It’s like opening a gateway to my mind’s eye, imagining life in that country that was very close to Fairy Land, guided by the exquisite illustrations in the book.
I like also very much the simplicity of the names of the characters, like for example, “Princess Niente (Princess Nobody) and of the structure of the story divided into three chapters.
The end is sweet: “Journeys end in lovers meeting, and so do stories.” And offered me a pearl with the quote of Apuleius and the poem.
I’ve been reading fantasy since before I could read (thanks, Mom and Dad!). I certainly never outgrew my love of fairy tales. But over the years, I discovered I also love historical romance. Then, I stumbled across books that combined the two. They were the best of both worlds. The comfort of a well-fitted waistcoat with the whimsy of an enchanted jewel. Naturally, I gravitated to writing what I loved: books full of magic and manners, castles and balls, romance and intrigue.
I am a sucker for fairy tale retellings. Beauty and the Beast especially. Throw in the fae, magic based on a flower language, and an assassin who just wants to be a very proper lady, and it’s really no wonder that I was hooked.
The characters are what really made this book shine. I may not be languishing alone in a sentient castle or trying to find my place in high society, but I could still relate to Briannis and the fae king. A perfect romance to showcase that, sometimes, proper manners are the villain.
Killing a fae king is hard. Doing so politely is even harder.
Briannis Iavi – well-bred lady and accidental assassin – is so close to securing the life of her dreams. All she needs to do is complete one last job: make her way into fae territory, sneak into the enchanted halls of Rosethorn Keep, and kill the king of Faerie.
But her plan goes disastrously wrong, and Briannis finds herself a captive at her target’s mercy instead.
Cursed to a life of loneliness and slow decay, the monstrous fae king seems hell-bent on revenge – and if he can’t…
As a life-long lover of fairy tales, I believe the reason these timeless stories resonate so deeply is because they speak to an unquenchable desire in the center of each of our souls: the hope for a grand romantic adventure that will change our lives from the inside out. As an author, I strive to create those kinds of soul-speaking stories, crafting characters my readers relate to as friends... and respect as heroes. When my readers adventure alongside these fictional friends, I hope they are encouraged to bravely face the real-life challenges of our modern world, while being emboldened toward acts of everyday and exceptional heroism.
Wolves and Roses is a fun and snarky start to a big series in which humans exist in a modern world alongside shifters, witches, and fairies. Sounds fun, right?
Bryar Rose is expected to follow the Sleeping Beauty story template for her life. Unfortunately, something glitched in her personality, because no part of that story appeals to who she truly is, or what she wants out of life. When Bryar meets Knox, a powerful werewolf shifter in the midst of his own identity crisis, sparks fly.
If you enjoy strong, rebellious female leads and bad-boy heroes (yes, please!), this book has all those vibes, plus intrigue, witty banter (my fave), and action. Fans of alternate-history fantasy, paranormal romance, and modern-set fairy tale retellings should add this book to their TBR.
Seventeen-year-old Bryar Rose has a problem. She’s descended from one of the three magical races—shifters, fairies, or witches. That makes her one of the Magicorum, and Magicorum always follow a fairy tale life template. In Bryar’s case, that template should be Sleeping Beauty.
Should being the key word.
Trouble is, Bryar is nowhere near the sleeping beauty life template. Not even close. She doesn’t like birds or woodland creatures. She can’t sing. And she certainly can’t stand Prince Philpot, the so-called “His Highness of Hedge Funds” that her aunties want her to…
My very intelligent, very (self-described) un-literary father taught me all about the complexities and beauty of God. My librarian mother gave me the literature that would introduce me to the most profound descriptions of those complex beauties. As the author of Marvelous Light, numerous metaphor-dependent blog posts, and future allegorical novels, I hope to introduce each of my readers to the divine realities on which I depend daily.
Lewis considered George MacDonald his spiritual father, having never met the man. He said that MacDonald introduced him to the gospel through his stories before he even knew that that’s what was happening. How? Metaphor. George MacDonald knew of God’s love more than most and did his best to share it with the world, deeply hidden in fairy tales, the kind of folklore that Lewis, Tolkien, and the rest of the Inklings loved so dearly.
George MacDonald occupied a major position in the intellectual life of his Victorian contemporaries. This volume brings together all eleven of his shorter fairy stories as well as his essay "The Fantastic Imagination". The subjects are those of traditional fantasy: good and wicked fairies, children embarking on elaborate quests, and journeys into unsettling dreamworlds. Within this familiar imaginative landscape, his children's stories were profoundly experimental, questioning the association of childhood with purity and innocence, and the need to separate fairy tale wonder from adult scepticism and disbelief.
Soap operas may have no actual relation to soap—the term comes from radio dramas that were sponsored by soap companies—but they’re certainly related to opera, full of melodrama and grandiosity. With my second novel, a multi-generational family saga, my goal was to write a literary soap opera. I wanted it to be finely crafted, attuned to language and characterization, but also dishy, riddled with heightened drama, vivid personalities, and theatrical events. Below are five literary soap operas I studied while writing my own.
The same way hearing “soap opera” used as a pejorative upsets me so much I want to fake my own death, frame my estranged father for murder, and wrest control of his business empire, hearing “fairy tale” used that way makes me want to wave a wand and turn the detractors of science fiction and fantasy into horny toads.
John Crowley’s Little, Big, winner of the World Fantasy Award, is not only a fairy tale with actual fairies, but also one that’s an actual tale. So many novels described as literary forget to tell a story. This is not one of them. In Little, Big, you’ll meet the charismatic Drinkwater family; I would say more, but it’s best if you see for yourself where this tale takes them.
Edgewood is many houses, all put inside each other, or across each other. It's filled with and surrounded by mystery and enchantment: the further in you go, the bigger it gets.
Smoky Barnable, who has fallen in love with Daily Alice Drinkwater, comes to Edgewood, her family home, where he finds himself drawn into a world of magical strangeness.
Crowley's work has a special alchemy - mixing the world we know with an imagined world which seems more true and real. Winner of the WORLD FANTASY AWARD, LITTLE, BIG is eloquent, sensual, funny and unforgettable, a true Fantasy Masterwork.
