Here are 100 books that The Complete Fairy Tales fans have personally recommended if you like
The Complete Fairy Tales.
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I'm a lot of things. I design games. I study literature and theater. I write novels that are messy fusions of literary and genre fiction. I'm endlessly curious. Each of my books starts with when I hear in my head, the voice of a character asking a question. It's always a silly question, and it's always the one that matters more to them than anything else in the world. "Why does being superintelligent make you evil?" became Soon I Will Be Invincible. "What are people who play video games obsessively really looking for?" became You. Answering the question isn't simple, but of course that's where the fun starts.
A cult novel from the early twentieth century, beloved of everyone from C.S. Lewis to Neil Gaiman to literally Kafka.
It starts at a peaceful suburban garden party, then plunges us into the secret anarchist conspiracy to bring down civilization, and the equally secret police force dedicated to stopping them. Duels, disguises, and mind-blowing revelations ensue, with writing just packed with Edwardian-era wit and charm.
Can you trust yourself when you don't know who you are? Syme uses his new acquaintance to go undercover in Europe's Central Anarchist Council and infiltrate their deadly mission, even managing to have himself voted to the position of 'Thursday'. In a park in London, secret policeman Gabriel Syme strikes up a conversation with an anarchist. Sworn to do his duty, When Syme discovers another undercover policeman on the Council, however, he starts to question his role in their operations. And as a desperate chase across Europe begins, his confusion grows, as well as his confidence in his ability to…
My very intelligent, very (self-described) un-literary father taught me all about the complexities and beauty of God. My librarian mother gave me the literature that would introduce me to the most profound descriptions of those complex beauties. As the author of Marvelous Light, numerous metaphor-dependent blog posts, and future allegorical novels, I hope to introduce each of my readers to the divine realities on which I depend daily.
Lakoff famously contends that metaphor is the crux of all human understanding. This classic academic, literary, philosophical, and sociological text suggests that at the root of what it means to be human is an absolute need to describe all experience and knowledge through comparison. Read More Than Cool Reason to begin gaining an appreciation for the theory of how metaphor makes us who we are and establishes our place in the universe.
"The authors restore metaphor to our lives by showing us that it's never gone away. We've merely been taught to talk as if it had: as though weather maps were more 'real' than the breath of autumn; as though, for that matter, Reason was really 'cool.' What we're saying whenever we say is a theme this book illumines for anyone attentive." - Hugh Kenner, Johns Hopkins University
"In this bold and powerful book, Lakoff and Turner continue their use of metaphor to show how our minds get hold of the world. They have achieved nothing less than a postmodern Understanding…
I was born in Montréal, Québec, Canada. French is my first language, but I learned to master English in my teens. My mother taught me to read early and I became a bookworm in primary school. I began writing personal stories at ten and decided to study literature in the hope of perfecting my craft. Unfortunately, so many of the program’s books felt dull and irrelevant to me. But once in a while, an inspiring work of universal quality would come up, and I began building my collection. The books I recommend here are dear to my heart and motivated me to keep reading and writing.
Lewis is mostly known by children for The Chronicles of Narnia and by adults for his brilliant essays on Christianity. Till We Have Faces is what I would consider his most captivating work of fiction for adults. It is, most of all, the story of a bitter, ugly woman, a type of heroine we rarely encounter in literature. Orual, the eldest of three sisters and very protective of the youngest, is heartbroken when her beloved Istra is sent out to the mountain as a human sacrifice to a mysterious entity feared by her people. A highly symbolic tale, Lewis’ creative retelling of the Cupid and Psyche myth is nonetheless accessible to most readers as the human elements are extremely poignant and relatable.
Fascinated by the myth of Cupid and Psyche throughout his life, C. S. Lewis reimagines their story from the perspective of Psyche's sister, Orual.
'I saw well why the gods do not speak to us openly, nor let us answer . . . Why should they hear the babble that we think we mean? How can they meet us face to face till we have faces?'
Till We Have Faces is a brilliant examination of envy, betrayal, loss, blame, grief, guilt, and conversion. In this, his final - and most mature and masterful - novel, Lewis reminds us of our…
My very intelligent, very (self-described) un-literary father taught me all about the complexities and beauty of God. My librarian mother gave me the literature that would introduce me to the most profound descriptions of those complex beauties. As the author of Marvelous Light, numerous metaphor-dependent blog posts, and future allegorical novels, I hope to introduce each of my readers to the divine realities on which I depend daily.
Sorry that Lewis made my list twice. Honestly, I’m sorry. I didn’t want to do it. But two images in this book have wheedled their way into my brain so deeply that the metaphors have become a part of me. Glimpsing that far-off paradise through the hedge as a child! Only seeing the precariousness of his path in retrospect! Wow! Read it and you’ll understand. These two metaphors will be with me until I die.
One of C. S. Lewis' works of fiction, or more specifically allegory, this book is clearly modelled upon Bunyan's Pilgrim's Progress, as Lewis cleverly satirizes different sections of the Church.
Written within a year of Lewis' conversion, it characterises the various theological and temperamental leanings of the time. This brilliant and biting allegory has lost none of its freshness and theological profundity, as the pilgrims pass the City of Claptrap, the tableland of the High Anglicans and the far-off marsh of the Theosophists. As ever, Lewis says memorably in brief what would otherwise have demanded a full-length philosophy of religion.
I’ve always had an interest in art, growing up a military brat and constantly moving, left me time to doodle and read. I spent the first part of my life as an art professor and artist. I began writing three years ago when my manuscript was chosen for RWA’s Ramp program in 2021. With my art, my interest leans more towards the bizarre and unexplained. I believe the romance stories I write follow suit, dark and gothic romance my primary interest, but always with spiritual and hopeful undertones. I also write some non-fiction for a local magazine where I live, The Greenville Stroll and on substack a newsletter for romance writers.
This is what fairy tales would look like if they were gothic, so I love this book.
I read it a few years ago and fell in love with it. I purchased the print copy because I wanted the illustrations in front of me to look at too. Almost any story you read comes from a myth or a fairy tale if you deconstruct it, so reading this book keeps your brain tuned into this idea, but you don't need to be a writer to find delight in this book.
Once upon a time fairy tales weren't meant just for children, and neither is Angela Carter's Book of Fairy Tales. This stunning collection contains lyrical tales, bloody tales and hilariously funny and ripely bawdy stories from countries all around the world- from the Arctic to Asia - and no dippy princesses or soppy fairies. Instead, we have pretty maids and old crones; crafty women and bad girls; enchantresses and midwives; rascal aunts and odd sisters.
This fabulous celebration of strong minds, low cunning, black arts and dirty tricks could only have been collected by the unique and much-missed Angela Carter.…
I’m an American author and writing teacher both at Harvard and Oxford’s online programs. I've mostly written poetry and nonfiction, then in 2021 I published my first novel, She Never Told Me about the Ocean. I started writing the book when my daughter was born as a way to explore the complicated feelings and fears that suddenly washed over me. The book—like a daughter—outgrew my plans and expectations for it. It became, unexpectedly, a mythology of mothers and daughters. For two decades I've studied fairy tales and myths. Fairy tales deal in fears and the stories we tell ourselves to feel safe—which is why I read them and use them in my writing.
I just discovered this book and want to teach it in every one of my classes! Folkis a series of stories about the villagers in a tiny, closed-off island filled with strange rituals and a cacophony of alliances and grudges. Her language is simply thrilling, and the fairy tales are shocking in all different ways. We hear a different perspective in each story, so the book results in a fairy tale about how small communities work and what the ‘folk’ in them must do—and believe—in order to get along.
A captivating, magical and haunting debut novel of breathtaking imagination, from the winner of the 2014 Costa Short Story Award
LONGLISTED FOR THE 2019 INTERNATIONAL DYLAN THOMAS PRIZE
'That rare thing: genuinely unique' OBSERVER
'Will win you over ... Magical' THE TIMES
'Absolutely stunning. I loved it' MADELINE MILLER, AUTHOR OF CIRCE
On the remote island of Neverness, the villagers' lives are entwined with nature: its enchantments, seductions and dangers. There is May, the young fiddler who seeks her musical spirit; Madden Lightfoot, who flies with red kites; and Verlyn Webbe, born with a wing for an arm. Over the…
I’ve always read Sci-Fi and Fantasy. It’s my comfort place and haven’t we all needed that in the roaring '20s? It took a long while to clock that the books that stuck with me longest were all in that odd space where fantasy and sci-fi collide, (like Helliconia or Fire Upon the Deep or Dune) When I started writing, the ideas just poured out of me but after I realised I’d written a book like those I loved to read.
I love, love, love this book, for so many reasons. My top two are: 1) It sits squarely in that odd ‘fantasy in a technological world’ niche (Imagine 1984’s world filled with fairies!) 2) It has an odd, dark humour feel to a book that I like (think Gaiman or Pratchett) And oh! The characters? Funny, clever, nuanced. Bum that was three wasn’t it? I’ll come in again.
"What would happen if Terry Pratchett, Neil Gaiman, Emma Newman and K.E. Mills (in her Accidental Sorcerer mode) got together and had a fairy tale themed writathon? This, my friend, is probably what would happen."
Bea is a lowly cabbage fairy, but she dreams of being an official fairy godmother. Of course, no one thinks a cabbage fairy could run a story, least of all the other fairy godmothers. Until, one day, someone offers Bea a chance to prove herself. One heroine, one week, one marriage at the end of it. Easy, right?
As a life-long lover of fairy tales, I believe the reason these timeless stories resonate so deeply is because they speak to an unquenchable desire in the center of each of our souls: the hope for a grand romantic adventure that will change our lives from the inside out. As an author, I strive to create those kinds of soul-speaking stories, crafting characters my readers relate to as friends... and respect as heroes. When my readers adventure alongside these fictional friends, I hope they are encouraged to bravely face the real-life challenges of our modern world, while being emboldened toward acts of everyday and exceptional heroism.
Wolves and Roses is a fun and snarky start to a big series in which humans exist in a modern world alongside shifters, witches, and fairies. Sounds fun, right?
Bryar Rose is expected to follow the Sleeping Beauty story template for her life. Unfortunately, something glitched in her personality, because no part of that story appeals to who she truly is, or what she wants out of life. When Bryar meets Knox, a powerful werewolf shifter in the midst of his own identity crisis, sparks fly.
If you enjoy strong, rebellious female leads and bad-boy heroes (yes, please!), this book has all those vibes, plus intrigue, witty banter (my fave), and action. Fans of alternate-history fantasy, paranormal romance, and modern-set fairy tale retellings should add this book to their TBR.
Seventeen-year-old Bryar Rose has a problem. She’s descended from one of the three magical races—shifters, fairies, or witches. That makes her one of the Magicorum, and Magicorum always follow a fairy tale life template. In Bryar’s case, that template should be Sleeping Beauty.
Should being the key word.
Trouble is, Bryar is nowhere near the sleeping beauty life template. Not even close. She doesn’t like birds or woodland creatures. She can’t sing. And she certainly can’t stand Prince Philpot, the so-called “His Highness of Hedge Funds” that her aunties want her to…
I have a passion for fairy tale stories especially ones for adults because they are often the first stories we learned as kids. The ability to look back at how we interpreted them and how our understanding changes over time and culture makes for something that is truly timeless, and therefore like a beloved trope is never the exact same thing twice. Each time only builds on our enjoyment and the many possibilities we can imagine. Not only in worlds of magic, but our own.
Sometimes you simply want all, I get it. That’s part of the reason why so many fairy tale characters know each other in my series, so why not try a brand-new fantasy romance anthology? Featuring 20 different short stories and authors, Once Upon A Forbidden Desire is bound to be magical. If you are anything like me, you have a long to-do list and there never seems like enough time. Short stories are the perfect thing for that in my opinion. I always savor them like an advent calendar’s candy.
When it comes to true love, rules are meant to be broken …
Dark forests and locked doors, poisoned apples and forbidden lovers ... Bold heroines and swoon-worthy heroes break all the rules in this enchanting anthology of the fairy tales you thought you knew.
Once Upon A Forbidden Desire features 20 enticing fairy tale retellings by a diverse selection of fantasy romance authors. From sweet true love’s kisses to sizzling passion, from modern streets to enchanted forests, and from a mage Rapunzel to a winged Prince Charming ...
If you enjoy captivating romance, enthralling new worlds, and stories with…
Soap operas may have no actual relation to soap—the term comes from radio dramas that were sponsored by soap companies—but they’re certainly related to opera, full of melodrama and grandiosity. With my second novel, a multi-generational family saga, my goal was to write a literary soap opera. I wanted it to be finely crafted, attuned to language and characterization, but also dishy, riddled with heightened drama, vivid personalities, and theatrical events. Below are five literary soap operas I studied while writing my own.
The same way hearing “soap opera” used as a pejorative upsets me so much I want to fake my own death, frame my estranged father for murder, and wrest control of his business empire, hearing “fairy tale” used that way makes me want to wave a wand and turn the detractors of science fiction and fantasy into horny toads.
John Crowley’s Little, Big, winner of the World Fantasy Award, is not only a fairy tale with actual fairies, but also one that’s an actual tale. So many novels described as literary forget to tell a story. This is not one of them. In Little, Big, you’ll meet the charismatic Drinkwater family; I would say more, but it’s best if you see for yourself where this tale takes them.
Edgewood is many houses, all put inside each other, or across each other. It's filled with and surrounded by mystery and enchantment: the further in you go, the bigger it gets.
Smoky Barnable, who has fallen in love with Daily Alice Drinkwater, comes to Edgewood, her family home, where he finds himself drawn into a world of magical strangeness.
Crowley's work has a special alchemy - mixing the world we know with an imagined world which seems more true and real. Winner of the WORLD FANTASY AWARD, LITTLE, BIG is eloquent, sensual, funny and unforgettable, a true Fantasy Masterwork.
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