Here are 100 books that More Than Cool Reason fans have personally recommended if you like
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I'm a lot of things. I design games. I study literature and theater. I write novels that are messy fusions of literary and genre fiction. I'm endlessly curious. Each of my books starts with when I hear in my head, the voice of a character asking a question. It's always a silly question, and it's always the one that matters more to them than anything else in the world. "Why does being superintelligent make you evil?" became Soon I Will Be Invincible. "What are people who play video games obsessively really looking for?" became You. Answering the question isn't simple, but of course that's where the fun starts.
A cult novel from the early twentieth century, beloved of everyone from C.S. Lewis to Neil Gaiman to literally Kafka.
It starts at a peaceful suburban garden party, then plunges us into the secret anarchist conspiracy to bring down civilization, and the equally secret police force dedicated to stopping them. Duels, disguises, and mind-blowing revelations ensue, with writing just packed with Edwardian-era wit and charm.
Can you trust yourself when you don't know who you are? Syme uses his new acquaintance to go undercover in Europe's Central Anarchist Council and infiltrate their deadly mission, even managing to have himself voted to the position of 'Thursday'. In a park in London, secret policeman Gabriel Syme strikes up a conversation with an anarchist. Sworn to do his duty, When Syme discovers another undercover policeman on the Council, however, he starts to question his role in their operations. And as a desperate chase across Europe begins, his confusion grows, as well as his confidence in his ability to…
I was born in Montréal, Québec, Canada. French is my first language, but I learned to master English in my teens. My mother taught me to read early and I became a bookworm in primary school. I began writing personal stories at ten and decided to study literature in the hope of perfecting my craft. Unfortunately, so many of the program’s books felt dull and irrelevant to me. But once in a while, an inspiring work of universal quality would come up, and I began building my collection. The books I recommend here are dear to my heart and motivated me to keep reading and writing.
Lewis is mostly known by children for The Chronicles of Narnia and by adults for his brilliant essays on Christianity. Till We Have Faces is what I would consider his most captivating work of fiction for adults. It is, most of all, the story of a bitter, ugly woman, a type of heroine we rarely encounter in literature. Orual, the eldest of three sisters and very protective of the youngest, is heartbroken when her beloved Istra is sent out to the mountain as a human sacrifice to a mysterious entity feared by her people. A highly symbolic tale, Lewis’ creative retelling of the Cupid and Psyche myth is nonetheless accessible to most readers as the human elements are extremely poignant and relatable.
Fascinated by the myth of Cupid and Psyche throughout his life, C. S. Lewis reimagines their story from the perspective of Psyche's sister, Orual.
'I saw well why the gods do not speak to us openly, nor let us answer . . . Why should they hear the babble that we think we mean? How can they meet us face to face till we have faces?'
Till We Have Faces is a brilliant examination of envy, betrayal, loss, blame, grief, guilt, and conversion. In this, his final - and most mature and masterful - novel, Lewis reminds us of our…
My very intelligent, very (self-described) un-literary father taught me all about the complexities and beauty of God. My librarian mother gave me the literature that would introduce me to the most profound descriptions of those complex beauties. As the author of Marvelous Light, numerous metaphor-dependent blog posts, and future allegorical novels, I hope to introduce each of my readers to the divine realities on which I depend daily.
Lewis considered George MacDonald his spiritual father, having never met the man. He said that MacDonald introduced him to the gospel through his stories before he even knew that that’s what was happening. How? Metaphor. George MacDonald knew of God’s love more than most and did his best to share it with the world, deeply hidden in fairy tales, the kind of folklore that Lewis, Tolkien, and the rest of the Inklings loved so dearly.
George MacDonald occupied a major position in the intellectual life of his Victorian contemporaries. This volume brings together all eleven of his shorter fairy stories as well as his essay "The Fantastic Imagination". The subjects are those of traditional fantasy: good and wicked fairies, children embarking on elaborate quests, and journeys into unsettling dreamworlds. Within this familiar imaginative landscape, his children's stories were profoundly experimental, questioning the association of childhood with purity and innocence, and the need to separate fairy tale wonder from adult scepticism and disbelief.
My very intelligent, very (self-described) un-literary father taught me all about the complexities and beauty of God. My librarian mother gave me the literature that would introduce me to the most profound descriptions of those complex beauties. As the author of Marvelous Light, numerous metaphor-dependent blog posts, and future allegorical novels, I hope to introduce each of my readers to the divine realities on which I depend daily.
Sorry that Lewis made my list twice. Honestly, I’m sorry. I didn’t want to do it. But two images in this book have wheedled their way into my brain so deeply that the metaphors have become a part of me. Glimpsing that far-off paradise through the hedge as a child! Only seeing the precariousness of his path in retrospect! Wow! Read it and you’ll understand. These two metaphors will be with me until I die.
One of C. S. Lewis' works of fiction, or more specifically allegory, this book is clearly modelled upon Bunyan's Pilgrim's Progress, as Lewis cleverly satirizes different sections of the Church.
Written within a year of Lewis' conversion, it characterises the various theological and temperamental leanings of the time. This brilliant and biting allegory has lost none of its freshness and theological profundity, as the pilgrims pass the City of Claptrap, the tableland of the High Anglicans and the far-off marsh of the Theosophists. As ever, Lewis says memorably in brief what would otherwise have demanded a full-length philosophy of religion.
I am a scientist and technologist, trained in theoretical quantum physics, who became an Emeritus Professor of Network Technology from Oslo’s metropolitan university. I’ve strenuously tried to communicate the wonder of science to students and industry throughout my career. I’ve been privileged to know some of the great movers and shakers of science in my lifetime and it always gives me great pleasure to open someone’s mind to new ideas. These books have been an integral part of my own intellectual journey. I hope these recommendations will inspire the youngest and the oldest readers alike.
Linguistics is at the root of so many issues on information science, as well as in biology.
The language of genes is one of symbolic storytelling. This book explains how something as apparently rule-based and human can emerge from completely general evolutionary processes. It was influential for me as a scientist as it underlines the important of linguistics as well as the rich spirit of intellectual curiosity and humour that Deutscher brings to the unfolding of science itself.
This is another book that I admire amongst the best science writing of all time.
Blending the spirit of Eats, Shoots & Leaves with the science of The Language Instinct, an original inquiry into the development of that most essential-and mysterious-of human creations: Language
Language is mankind's greatest invention-except, of course, that it was never invented." So begins linguist Guy Deutscher's enthralling investigation into the genesis and evolution of language. If we started off with rudimentary utterances on the level of "man throw spear," how did we end up with sophisticated grammars, enormous vocabularies, and intricately nuanced degrees of meaning?
Drawing on recent groundbreaking discoveries in modern linguistics, Deutscher exposes the elusive forces of creation…
I’ve been fascinated by (and in love with) language for as long as I can remember; how and why it works, and how slight alterations in phrasing and framing can produce vastly different results in practice. I love looking out for metaphors and phrases that function as tools, directing how we understand and engage with the world. While my research applies these insights to both law and economics, the key takeaways are widely applicable and relevant to all areas of life. I hope you enjoy these books as much as I have.
Shariatmadari writes beautifully, and this book will make you think differently about how we use language and how that language uses and shapes us, both as individual actors and as a society. Our language – those everyday vocabularies and grammars that we deploy without a second thought – is neither original nor value-free; instead, “to speak is ‘to swim in an inherited stream of images and words’”, crafted by generations before us. For small talk, this may not matter so much. But for the bigger, weightier things in life, for the things that really matter, the way we talk can have real consequences on what we are able to understand, and how we are able to respond.
There are languages that change when your mother-in-law is present.
The language you speak could make you more prone to accidents.
Swear words are produced in a special part of your brain.
Over the past few decades, we have reached new frontiers of linguistic knowledge. Linguists can now explain how and why language changes, describe its structures, and map its activity in the brain. But despite these advances, much of what people believe about language is based on folklore, instinct, or hearsay. We imagine a word's origin is it's "true" meaning, that foreign languages…
I’ve always been fascinated by the power of language to propel everything we think—from our values and beliefs, to political views, to what we take for absolute truth. Once I learned there’s a whole field devoted to studying language called “rhetoric”—the field in which I’m now an expert—there was no turning back. Rhetoric has been around for more than 2,000 years, and since its inception, it has taught people to step back from language and appraise it with a more critical eye to identify how it works, why it’s persuasive, and what makes people prone to believe it. By studying rhetoric, we become less easily swayed and more comfortable with disagreement.
This book is a classic. It transformed my perspective on how metaphors imperceptibly guide the way we think.
Typically, we learn about metaphors in literature classes, where they are thought of as stylistic embellishments. This book turns that idea on its head, showing how metaphors guide the way we speak, think, and behave in response to pretty much everything.
Take the example of time. Almost all the ways we talk about it rely on the metaphor of money: I “budget time,” “waste time,” “run out of time,” etc. Speaking this way makes me think of time as something that can be either spent or saved, even though it can’t.
Not only time but a nearly endless number of concepts are structured metaphorically, influencing how we think and act without our noticing.
People use metaphors every time they speak. Some of those metaphors are literary - devices for making thoughts more vivid or entertaining. But most are much more basic than that - they're "metaphors we live by", metaphors we use without even realizing we're using them. In this book, George Lakoff and Mark Johnson suggest that these basic metaphors not only affect the way we communicate ideas, but actually structure our perceptions and understandings from the beginning. Bringing together the perspectives of linguistics and philosophy, Lakoff and Johnson offer an intriguing and surprising guide to some of the most common metaphors…
When I first thought about crime writing I was probably too lazy to do the research on police procedures so decided instead to feature an “ordinary” character with no official role but who still intervenes when evil seems to be triumphing and nobody is paying attention. Key elements of this are reflected in my list—the importance of stories and storytelling, some great thrillers, and thoughtful consideration of why someone would put themselves in jeopardy for others. Having worked with many criminals and victims I have seen that ordinary people can make a difference. In a way my books ask the question, “What would you do in David Hidalgo’s shoes?”
Brooks is interested in what makes for a good society and how we as individuals can lead moral, principled lives that benefit others. This must be a subject of interest to everyone but I think has a particular application for writers trying to portray men and women of character and moral purpose. In Brooks’ metaphor the first mountain consists of career, family, wealth, reputation, and everything you would put into your CV. The second mountain is what they might say about you after you die when none of that matters anymore. The issue now is character not achievements. Were you kind, hospitable, generous, compassionate, and humble in your outlook, or ego-centric and proud? For any one trying to write a character with character this is fascinating reading.
#1 NEW YORK TIMES BESTSELLER • Everybody tells you to live for a cause larger than yourself, but how exactly do you do it? The author of The Road to Character explores what it takes to lead a meaningful life in a self-centered world.
“Deeply moving, frequently eloquent and extraordinarily incisive.”—The Washington Post
Every so often, you meet people who radiate joy—who seem to know why they were put on this earth, who glow with a kind of inner light. Life, for these people, has often followed what we might think of as a two-mountain shape. They get out of…
I became interested in metaphor and analogy as a graduate student in philosophy of science in the 1970s. Important scientific ideas such as natural selection and the wave theories of sound and light were built from metaphors and made to work by analogical thinking. In the 1980s, I started building computational models of analogy. So when I got interested in balance because of a case of vertigo in 2016, I naturally noticed the abundance of balance metaphors operating in science and everyday life. Once the pandemic hit, I was struck by the prevalence of the powerful metaphor of making public health decisions while balancing lives and livelihoods.
In the 1980s and 1990s, Keith Holyoak and I collaborated on a series of articles and books about analogy, which is the underpinning of complex metaphors. His new book is a delightfully insightful discussion of metaphors in poetry, drawing not only on his deep knowledge of cognitive psychology but also on his experience as a highly published poet. Through analysis of great poems by Walt Whitman, Emily Dickinson, and many others, he illuminates how metaphors contribute to beautiful poems and to creativity in general.
An examination of metaphor in poetry as a microcosm of the human imagination—a way to understand the mechanisms of creativity.
In The Spider's Thread, Keith Holyoak looks at metaphor as a microcosm of the creative imagination. Holyoak, a psychologist and poet, draws on the perspectives of thinkers from the humanities—poets, philosophers, and critics—and from the sciences—psychologists, neuroscientists, linguists, and computer scientists. He begins each chapter with a poem—by poets including Samuel Taylor Coleridge, Sylvia Plath, Walt Whitman, Emily Dickinson, Robert Frost, Theodore Roethke, Du Fu, William Butler Yeats, and Pablo Neruda—and then widens the discussion to broader notions of metaphor…
As a writer my storylines almost always develop out of the characters and settings I first create. As a reader, I enjoy a book as much (sometimes more!) for the characters and setting in it as I do for the plot itself. My favorite reads have always featured a quirky or bigger-than-life character and a setting that in some instances may seem ordinary but the circumstances of how the character ended up there are far from that. I love the middle-grade novels on my list because the main characters are brave and resourceful and each has an unusual and intriguing path that has led them to where their story takes place.
Sheila Turnage’s brilliant, snappy writing makes this gem of a mystery one of my all-time favorites. There’s a lot going on in Tupelo Landing where Mo LoBeau washed ashore as a baby after a hurricane. Now being raised by the Colonial and Lana who run the best (and only) Café in town, Mo and her BFF Dale try to solve a murder in which her loved ones may be implicated. Loads of funny and fun in this series. Sidenote: I was elated when a School Library Journal reviewer said this about my novel Lizzy and the Good Luck Girl “. . .delightful details create a similar air to recent quirky classics such as Sheila Turnage’s Three Times Lucky.…”. Swoon!!!!
Rising sixth grader Miss Moses LoBeau lives in the small town of Tupelo Landing, NC, where everyone's business is fair game and no secret is sacred. She washed ashore in a hurricane eleven years ago, and she's been making waves ever since. Although Mo hopes someday to find her "upstream mother," she's found a home with the Colonel - a cafe owner with a forgotten past of his own - and Miss Lana, the fabulous cafe hostess. She will protect those she loves with every bit of her strong will and tough attitude. So when a lawman comes to town…
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