Here are 83 books that No One Noticed the Cat fans have personally recommended if you like
No One Noticed the Cat.
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From a young age, I've been engrossed by the complexities of identity, a theme I explore as an Australian speculative fiction writer. My own identity comes with its quirks—I hold a Bachelor of Music in Composition, spent a decade in admin roles, and the better part of another decade teaching English to adult migrants, refugees, and asylum seekers. This eclectic background enriches my narratives, which blend supernatural elements with grounded realism and diverse representation. Whether it's exploring loneliness or delving into the lives of victims of bullying, my unique lens makes me well-suited to recommend books that tackle intricate themes of identity.
Sabriel by Australian author Garth Nix is a YA dark fantasy that captivated me with its visceral descriptions of Charter magic and the brutal realism of life in the Old Kingdom—where the dead do walk.
The protagonist, Sabriel, is raised in a mundane, magic-less world beyond the Wall but is thrust into a realm teeming with dark magic as she searches for her missing father. This journey forces her to grapple with her identity as she navigates the expectations of others who see her only as her father's successor while she remains steadfast in her determination to find and rescue him.
This struggle for self-definition amidst external pressures is a theme that resonates deeply, making Sabriel a must-read for those who appreciate immersive worlds.
A stunning anniversary gift edition of the second in the bestselling Old Kingdom fantasy series.
Sabriel has spent most of her young life far away from the magical realm of the Old Kingdom, and the Dead that roam it. But then a creature from across the Wall arrives at her all-girls boarding school with a message from her father, the Abhorsen - the magical protector of the realm whose task it is to bind and send back to Death those that won't stay Dead. Sabriel's father has been trapped in Death by a dangerous Free Magic creature.
I grew up in suburbia—or urban sprawl—with fairytales and children’s nonfiction series like Lands and Peoples. My passion for reading (and history and art museums) nurtured my sense of wonder and awe at the richness of the world. I was inspired to write nonfiction about heroic people by my own children, whose social studies education lacked dazzle and examples of heroism. I had already been creating educational materials for schools, but I wanted to inspire their wonder about and appreciation of the world. My kids are grown, but I’m still writing for young readers. An avid world traveler and historian, I've always aspired to bring other people, places, cultures, and times to life.
I have never tired of Alice’s outrageous, surreal romp through the world of imagination.
It transports me to the magical strangeness not only of Wonderland but also of this world. I love the way unlikely adventures can happen, how odd friendships can arise, how reality can shift just as fantasy does. It empowers my own imagination and channels it into creativity and wonder.
Alice's Adventures in Wonderland (commonly shortened to Alice in Wonderland) is an 1865 novel by English author Lewis Carroll (the pseudonym of Charles Dodgson). It tells of a young girl named Alice, who falls through a rabbit hole into a subterranean fantasy world populated by peculiar, anthropomorphic creatures. It is considered to be one of the best examples of the literary nonsense genre. The tale plays with logic, giving the story lasting popularity with adults as well as with children.
One of the best-known and most popular works of English-language fiction, its narrative, structure, characters and imagery have been enormously…
The Multiverse had been my deepest passion of interest for a long time. Experiencing crossover stories in various mediums, both official and fan-made, especially fan-made. To see how two different worlds would meet. I spent hours reading fanfictions involving crossovers, as well as conjuring up my own. I considered the multiverse as a grand bedrock to create any story, hence why I wrote The Mariverse, followed by The Mariverse: Guardians, to create my own bedrock for my writing career.
This book explores a parallel world, a familiar world like the protagonist’s but a mixture of a better and worse one, what could keep her there, and wanting to get out.
I watched the adapted film first then read the book, in a way, seeing them both is like looking at two different universes like I’ve been looking at the Other Coraline book. I recommend reading the book if you have seen the film, to spot differences but still enjoy a journey.
And it is a great journey even if the book is your first exploration in the story.
"Sometimes funny, always creepy, genuinely moving, this marvellous spine-chiller will appeal to readers from nine to ninety." - "Books for Keeps". "I was looking forward to "Coraline", and I wasn't disappointed. In fact, I was enthralled. This is a marvellously strange and scary book." - Philip Pullman, "Guardian". "If any writer can get the guys to read about the girls, it should be Neil Gaiman. His new novel "Coraline" is a dreamlike adventure. For all its gripping nightmare imagery, this is actually a conventional fairy story with a moral." - "Daily Telegraph". Stephen King once called Neil Gaiman 'a treasure-house…
All the best books have a cat sidekick. Over and over, when people talk to me about my book, they pause in the middle of whatever they were about to say and go, “Oh my gosh, Biscuits,” and then launch into a list of things Biscuits the cat does, and how they are similar to things their cats have done, presumably up to and including throwing hands (paws?) with horrifying monsters that want to eat your heart. Biscuits is the latest in a long and proud tradition of literary feline companions, an essential element of many of my favorite and formative texts growing up.
Diana Wynne Jones understands fundamentally that cats rule and they are also little jerks. Throgmorten is a sacred cat from a temple in another world, which is a very cat lifestyle, and he spends the whole book spitting and scratching and biting people, which is the singularity of focus that I strive for in my life. Diana Wynne Jones is also not afraid to directly transcribe cat noises, by which I mean Throgmorten says “WONG” a lot, which is such an objectively weird way to describe a cat’s yowl until you actually hear a cat make that sound and realize, “Oh wow, yeah, it does sound like he’s saying ‘WONG.’” I’m not saying authors who exclusively say that cats “meow” are cowards, but. I’m not not saying that.
Glorious new rejacket of a Diana Wynne Jones favourite, exploring the childhood of Chrestmanci - now a book with extra bits!
Discovering that he has nine lives and is destined to be the next 'Chrestomanci' is not part of Christopher's plans for the future: he'd much rather play cricket and wander around his secret dream worlds. But he soon finds that destiny is difficult to avoid, and that having more than the usual number of lives is pretty inconvenient - especially when you lose them as easily as he does!
Then an evil smuggler, known only as The Wraith, threatens…
All the best books have a cat sidekick. Over and over, when people talk to me about my book, they pause in the middle of whatever they were about to say and go, “Oh my gosh, Biscuits,” and then launch into a list of things Biscuits the cat does, and how they are similar to things their cats have done, presumably up to and including throwing hands (paws?) with horrifying monsters that want to eat your heart. Biscuits is the latest in a long and proud tradition of literary feline companions, an essential element of many of my favorite and formative texts growing up.
The thing about a pet finding its way into your life at exactly the right time is that it does kind of feel like a divinity sent you a little helper to keep your life from completely falling apart while you are pretending to be a boy so you can become a knight or while you are on a writing deadline and very stressed out, which are two challenges that are equally difficult and noble.
From Tamora Pierce, the second book in the Song of the Lioness Quartet, honored with the Margaret A. Edwards Award.
Alanna, disguised as a boy, becomes a squire to none other than the heir to the throne. Prince Jonathan is not only Alanna’s liege lord, he is also her best friend—and one of the few who knows the secret of her true identity. But when a vicious sorcerer threatens the prince’s life, it will take all of Alanna’s skill, strength, and magical power to protect him, even at the risk of surrendering her dreams…
All the best books have a cat sidekick. Over and over, when people talk to me about my book, they pause in the middle of whatever they were about to say and go, “Oh my gosh, Biscuits,” and then launch into a list of things Biscuits the cat does, and how they are similar to things their cats have done, presumably up to and including throwing hands (paws?) with horrifying monsters that want to eat your heart. Biscuits is the latest in a long and proud tradition of literary feline companions, an essential element of many of my favorite and formative texts growing up.
Mr. Cat is a ride-or-die. Mr. Cat walks the line that all cats do in the real world, in that he doesn’t actually have magic powers and he can’t actually talk, he is at the end of the day a little animal that lives in Jenny’s house, but also he would bite a ghost without hesitation. It’s Peter S. Beagle’s complete mastery of voice and tone that enable Jenny and Mr. Cat to walk that line so effortlessly. Because the fantastical is grounded so deeply in the real world, the stakes feel so high that I first read this book in one breathless sitting, afraid to look away.
Arriving in the English countryside to live with her mother and new stepfather, Jenny has no interest in her surroundings until she meets Tamsin. Since her death over 300 years ago, Tamsin has haunted the lonely estate without rest, trapped by a hidden trauma she can't remember, and a powerful evil even the spirits of night cannot name. To help her, Jenny must delve deeper into the dark world than any human has in hundreds of years, and face danger that will change her life forever.
I have written more than sixty novels, and during the writing of most of them I had a cat by my side. I have three—Mousefur, Firefur, and Peanut Butter. They are rescue cats and my daughter named them. I talk to them, but they only reply with meows. I’ve always fantasised about what it would be like to live with a talking cat, and how those conversations would go. I actually did write a science fiction story many years ago—Dreamer’s Cat—about a man whose sanity is guarded by an imaginary bobcat. I have asked my cats if I should write a sequel, but they just say ‘meow’.
This book features a calico cat who reminds me very much of my own cat, Peanut Butter. But Conrad the cat is a very special cat—he talks! And he helps retired police detective Lulu Lewis solve crimes. Lulu lives on a canal boat in Little Venice, which has always been a dream of mine. I gather this is the first in a series of Conrad the cat cosy crime mysteries, and I can’t wait for the next one!
The Cat Who Caught a Killer by L T Shearer is a charming cosy crime read for fans of Richard Osman's The Thursday Murder Club and S. J. Bennett's The Windsor Knot.
'Charming and original. This book is the cat's whiskers' - Anthony Horowitz, author of The Twist of a Knife
Meet Conrad. Conrad is a cat. You've never met a detective like him before.
Neither has Lulu Lewis, until he walks into her life one summer's day. Mourning the recent death of her husband, the former police detective had expected a gentle retirement, quietly enjoying life on her new…
I have written more than sixty novels, and during the writing of most of them I had a cat by my side. I have three—Mousefur, Firefur, and Peanut Butter. They are rescue cats and my daughter named them. I talk to them, but they only reply with meows. I’ve always fantasised about what it would be like to live with a talking cat, and how those conversations would go. I actually did write a science fiction story many years ago—Dreamer’s Cat—about a man whose sanity is guarded by an imaginary bobcat. I have asked my cats if I should write a sequel, but they just say ‘meow’.
A cat called Joe Grey discovers that he can speak and at the same time he witnesses a murder. But the murderer knows that Joe has seen him, so all of his nine lives are on the line. Joe meets another cat, Dolcie who can also talk. They team up to discover who the killer is. The story is written from the point of view of the cats, which I love! There is a whole series of Joe Grey mysteries, and I love them. The author has won eleven Cat Writers' Association Muse Medallion Awards for best cat novel of the year.
It's been quite a week for Joe Grey. First the large, powerfulfeline discovers that, through some strange, inexplicable phenomenon, he now has the ability to understand human language. Then he discovers he can speak it as well! It's a nightmare for a cat who'd prefer to sleep the day away carefree, but Joe can handle it. That is, until he has the misfortune to witness a murder in the alley behind Jolly's Deli -- and worse, to be seen witnessing it. With all of his nine lives suddenly at risk, Joe's got no choice but to get to the bottom…
Like Matasha, my eleven-year-old heroine, I am the product of a big-city Midwestern 1970s childhood. I was a rabid reader who always felt that books made the world make more sense. Now as then, I am drawn to characters who are allowed to be complicated and to endings that don’t tie things up with a tidy bow. I believe “unlikeability” in fiction is a myth. I love children’s books that show kids thinking and feeling deeply.
An elderly man goes in search of a cat to make him and his wife less lonely. He comes home with not one but millions of them: how to choose which to keep? The cats solve the problem by fighting among themselves until “they must have eaten each other all up.” But one unexpected little kitten is left….
I couldn’t have articulated this when I first sat raptly turning its pages, but Ga’g’s fable, with its handwritten text and charming 1928 black-and-white drawings, acknowledges both the ferocious and the vulnerable in children’s natures.
An American classic with a refrain that millions of kids love to chant: Hundreds of cats, thousands of cats, millions and billions and trillions of cats.
Once upon a time there was an old man and an old woman who were very lonely. They decided to get a cat, but when the old man went out searching, he found not one cat, but millions and billions and trillions of cats! Unable to decide which one would be the best pet, he brought them all home.
How the old couple came to have just one cat to call their own is…
I am a former journalist, currently a freelance writer and editor, book blogger, and author. I’ve spent my entire life voraciously reading. I majored in history in college and spent many years covering Congress and politics in Washington, D.C., before turning to writing books.
I remember really enjoying this book as a kid. Jason and his talking cat, Gareth, embark on a series of time travel adventures, from Ancient Egypt to the Revolutionary War. Alexander was probably best known for his Chronicles of Prydain fantasy series, but Time Cat is less a fantasy story than a series of time travel episodes. I’ve always been more interested in stories that involve time travel back to the past rather than into a hypothetical future, probably because I love history.
Gareth doesn't have nine lives, but he is definitely not an ordinary cat. For one thing, he can talk. For another, he has magical powers that Jason never dreamed of. "Anywhere, any time, any country, any century"―Gareth tells Jason he can take them traveling through time. And in the wink of a very special cat's eye, they're off. From ancient Egypt to Japan, from the land of young Leonardo da Vinci to the town of a woman accused of witchcraft, Jason and Gareth are whisked from place to place and friend to foe. This fantastic tale grabs the imagination and…
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