Here are 62 books that In the Hand of the Goddess fans have personally recommended if you like
In the Hand of the Goddess.
Shepherd is a community of 11,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
From a young age, I've been engrossed by the complexities of identity, a theme I explore as an Australian speculative fiction writer. My own identity comes with its quirks—I hold a Bachelor of Music in Composition, spent a decade in admin roles, and the better part of another decade teaching English to adult migrants, refugees, and asylum seekers. This eclectic background enriches my narratives, which blend supernatural elements with grounded realism and diverse representation. Whether it's exploring loneliness or delving into the lives of victims of bullying, my unique lens makes me well-suited to recommend books that tackle intricate themes of identity.
Sabriel by Australian author Garth Nix is a YA dark fantasy that captivated me with its visceral descriptions of Charter magic and the brutal realism of life in the Old Kingdom—where the dead do walk.
The protagonist, Sabriel, is raised in a mundane, magic-less world beyond the Wall but is thrust into a realm teeming with dark magic as she searches for her missing father. This journey forces her to grapple with her identity as she navigates the expectations of others who see her only as her father's successor while she remains steadfast in her determination to find and rescue him.
This struggle for self-definition amidst external pressures is a theme that resonates deeply, making Sabriel a must-read for those who appreciate immersive worlds.
A stunning anniversary gift edition of the second in the bestselling Old Kingdom fantasy series.
Sabriel has spent most of her young life far away from the magical realm of the Old Kingdom, and the Dead that roam it. But then a creature from across the Wall arrives at her all-girls boarding school with a message from her father, the Abhorsen - the magical protector of the realm whose task it is to bind and send back to Death those that won't stay Dead. Sabriel's father has been trapped in Death by a dangerous Free Magic creature.
All the best books have a cat sidekick. Over and over, when people talk to me about my book, they pause in the middle of whatever they were about to say and go, “Oh my gosh, Biscuits,” and then launch into a list of things Biscuits the cat does, and how they are similar to things their cats have done, presumably up to and including throwing hands (paws?) with horrifying monsters that want to eat your heart. Biscuits is the latest in a long and proud tradition of literary feline companions, an essential element of many of my favorite and formative texts growing up.
Diana Wynne Jones understands fundamentally that cats rule and they are also little jerks. Throgmorten is a sacred cat from a temple in another world, which is a very cat lifestyle, and he spends the whole book spitting and scratching and biting people, which is the singularity of focus that I strive for in my life. Diana Wynne Jones is also not afraid to directly transcribe cat noises, by which I mean Throgmorten says “WONG” a lot, which is such an objectively weird way to describe a cat’s yowl until you actually hear a cat make that sound and realize, “Oh wow, yeah, it does sound like he’s saying ‘WONG.’” I’m not saying authors who exclusively say that cats “meow” are cowards, but. I’m not not saying that.
Glorious new rejacket of a Diana Wynne Jones favourite, exploring the childhood of Chrestmanci - now a book with extra bits!
Discovering that he has nine lives and is destined to be the next 'Chrestomanci' is not part of Christopher's plans for the future: he'd much rather play cricket and wander around his secret dream worlds. But he soon finds that destiny is difficult to avoid, and that having more than the usual number of lives is pretty inconvenient - especially when you lose them as easily as he does!
Then an evil smuggler, known only as The Wraith, threatens…
All the best books have a cat sidekick. Over and over, when people talk to me about my book, they pause in the middle of whatever they were about to say and go, “Oh my gosh, Biscuits,” and then launch into a list of things Biscuits the cat does, and how they are similar to things their cats have done, presumably up to and including throwing hands (paws?) with horrifying monsters that want to eat your heart. Biscuits is the latest in a long and proud tradition of literary feline companions, an essential element of many of my favorite and formative texts growing up.
Mr. Cat is a ride-or-die. Mr. Cat walks the line that all cats do in the real world, in that he doesn’t actually have magic powers and he can’t actually talk, he is at the end of the day a little animal that lives in Jenny’s house, but also he would bite a ghost without hesitation. It’s Peter S. Beagle’s complete mastery of voice and tone that enable Jenny and Mr. Cat to walk that line so effortlessly. Because the fantastical is grounded so deeply in the real world, the stakes feel so high that I first read this book in one breathless sitting, afraid to look away.
Arriving in the English countryside to live with her mother and new stepfather, Jenny has no interest in her surroundings until she meets Tamsin. Since her death over 300 years ago, Tamsin has haunted the lonely estate without rest, trapped by a hidden trauma she can't remember, and a powerful evil even the spirits of night cannot name. To help her, Jenny must delve deeper into the dark world than any human has in hundreds of years, and face danger that will change her life forever.
I have written more than sixty novels, and during the writing of most of them I had a cat by my side. I have three—Mousefur, Firefur, and Peanut Butter. They are rescue cats and my daughter named them. I talk to them, but they only reply with meows. I’ve always fantasised about what it would be like to live with a talking cat, and how those conversations would go. I actually did write a science fiction story many years ago—Dreamer’s Cat—about a man whose sanity is guarded by an imaginary bobcat. I have asked my cats if I should write a sequel, but they just say ‘meow’.
Niffy is a beautiful smoky grey cat, just the right colour to hide in dim and dark places. Niffy guides a young prince through the perils of ruling and loving in this award-winning author’s enchanting and sophisticated fairy tale for adults and intelligent children alike. I first read this book twenty years ago and have reread it several times. I love it. It’s a great story to read with your children.
After the death of wise old Mangan, the Regent of Esphania, many of the
regent's skills and qualities seem to have been transferred to his beautiful and
intelligent cat, Niffy, who at once attaches herself to the new ruler, Prince
Jamas. When the king of a neighboring kingdom seems keen to forge an alliance
with Jamas by allowing the prince to marry his niece, the real danger is Yasmin,
the wicked queen wife, who poisons everyone she dislikes or suspects of
interfering with her ambitions. Now, Niffy must guide Jamas through a thicket of
difficulties to save the Prince Jamas…
“Hope in dark places” has been the theme of my life, beginning at age 17 when my parents disowned me for my faith. I’ve walked through the “valley of the shadow of death” twice, battling cancer, and endured many other struggles, which everyone faces at some time in their lives. Reading Dragonsong by Anne McCaffrey as a teen gave me the courage to face the darkness, and so the characters in the stories I write and prefer to read do likewise.
I confess, I was a bit nervous when I began this book because the main character was not very sympathetic. But Hette’s situation is so heart-wrenching (literally, because a sorcerer has stolen her heart) I kept reading to see what happened. Her journey to recover her heart is much more than a physical adventure, though I could taste the grit and mud, shivered with cold, and sweated from the unbearable heat she struggled through. It was a joy watching this young queen learn important life lessons in totally unexpected places. I felt as if I was learning and growing along with Hette, making the reading of this book a completely satisfying experience.
Come to Germania, where a clockwork heart rules and a fool advises–and a laugh can bring both to their knees.
When Princess Hette refuses a sorcerer's proposal, he retaliates by stealing her heart—literally.
Desperate to resist his influence, Hette makes herself emotionless, stifling all feelings until she can find her heart and win it back. Only Konrad, the despised Court Fool, knows where to find the sorcerer, and he has his own curse to battle.
Riddles and magic plague their path, including a memory stealing witch, an unbeatable knight, and a magic book that would as soon drown them as…
I remember the night it happened. I was lying next to my son in bed, reading to him. It was already well past his bedtime, but when we came to the end of the chapter, he begged me: “Just one more chapter, Dad! Pleeeease!” That was the moment I knew I wanted to write novels for kids. And ever since then, I’ve been passionate about helping young people learn to love reading by introducing them to books they’ll truly love—even if they’re what some might call, “reluctant readers.” That’s what’s behind the books I recommend and will always be behind the books I write.
This was my first experience with Jonathan Auxier and it made me into an instant and always fan of his books. Its fairytale-like feel and enthralling story of Peter Nimble, a blind orphan and master thief, was so wonderful to read, I experienced some serious book withdrawal when I reached the end. (Luckily, we get to spend more time in Peter’s world in Sophie Quire and the Last Storyguard!) This book’s story and characters are so beautifully crafted, you’ll probably want to read this one more than once—like I did!
From the New York Times bestselling author of The Night Gardener, Peter Nimble and His Fantastic Eyes is the utterly beguiling tale of a ten-year-old blind orphan who has been schooled in a life of thievery. One fateful afternoon, he steals a box from a mysterious traveling haberdasher a box that contains three pairs of magical eyes. When he tries the first pair, he is instantly transported to a hidden island where he is presented with a special quest: to travel to the dangerous Vanished Kingdom and rescue a people in need. Along with his loyal sidekick a knight who…
I have loved books where the main character goes from his/her own ordinary existence into another world, with inspiration from The Lion, The Witch, and the Wardrobe by C.S. Lewis, who was a tutor in English Literature. Since I love history, there’s nothing more fun for me than historical time travel, and I wonder how difficult it might be for a modern woman or man, well-versed in the history and literature of the time, to navigate the customs, etiquette, language, clothing, and politics in 1344.
Are you fascinated by knights in shining armor? This is the illustrated book for you.
Yes, it’s a book essentially for kids, but I found it incredibly useful for my research on everything from jousting to armory, from swords to riding armed on horseback. It also has a useful timeline in the back that gives useful dates from Charlemagne’s use of mounted warriors to the use of squires, crusades, tournaments, and the end of the era in the 1600s.
Enter the world of chivalrous horseback warriors and learn what it takes to become a knight.
Eyewitness Knight follows the journey of a knight in making, from being a page or a squire at an early age undergoing rigorous training before making it to the ceremony of dubbing. With this book, you can learn what knights wore into battle, from heavy mail to plate armor and gauntlets. You will also enter a gallery of swords and other weapons that were an important part of a knight’s armory.
Ride along with these warriors on their horses that were used not only…
Life is stories, man. Telling stories. Listening to stories. One day, somebody had the brilliant idea to start writing these stories down. And that’s what we’ve been doing ever since. Trading yarns. Figuring things out. Reading and writing. I wrote my first story in middle school. My first novel in college. My first published novel (This Way Madness Lies) in my late twenties. Now it’s thirty years, twenty-five novels, fifty short stories, and three books of poetry later, and I’m still as obsessed with and passionate about storytelling as I was as a young buck backpacking around Europe with a notebook and a beat-up copy of Down and Out in London and Paris stuffed into my leather satchel.
I was on an extended trip to Eastern Europe, back when Eastern Europe was not such a dandy place to visit, and I found myself with nothing to read. In a used bookstore in Prague, I found a tattered paperback, translated into English, of this next pick. It was falling apart, the pages stained by coffee and God knows what else. I bought it anyway.
And over the next few weeks, I was, for the third time, blown away by words on a page, by an author’s imagination. It’s been said that Don Quixote, written around 1600, was the first novel ever written. It may also be the greatest novel ever written. Adventure. Humor. Pathos. Crazy amounts of imagination. The Whole Damn Human Condition.
WITH AN INTRODUCTION BY HAROLD BLOOM. Widely regarded as the world's first modern novel, and one of the funniest and most tragic books ever written, Don Quixote chronicles the famous picaresque adventures of the noble knight-errant Don Quixote de La Mancha and his faithful squire, Sancho Panza, as they travel through sixteenth-century Spain. Unless you read Spanish, you've never read Don Quixote.
I’m a lifelong fantasy reader, but all too often, I find myself grousing at the characters: “Listen! You could solve all your problems with a really confident lie!” Or: “...by revealing the truth in a public campaign before the villain gets you!” Or: “May I suggest a well-placed arrow?” Or: “Is he really the villain? The infrastructure seems pretty sound, and you have no expertise in governance!” Every now and then, I’m delighted to find characters as pragmatic as I am (or as I would be if I were a fantasy hero). These are my favorites.
In this series, the paladins are generally noble, honest, and wholesome – they are paladins, after all, even if their god is dead. But I don’t read these books for the paladins. What I most adore are the backdrop machinations of the Temple of the White Rat, a religious order interested in saving the world in the most sensible of all ways: with lawyers, doctors, social workers, and a sound understanding of economics.
At least once per book, the delightful – and very, dangerously practical–Bishop Beartongue will turn up to throw a wrench into events, and it delights me every time. I hope she gets her own book someday. Even if she doesn’t, I will continue to eat up this series like the most scrumptious chocolates.
Stephen’s god died on the longest day of the year…
Three years later, Stephen is a broken paladin, living only for the chance to be useful before he dies. But all that changes when he encounters a fugitive named Grace in an alley and witnesses an assassination attempt gone wrong. Now the pair must navigate a web of treachery, beset on all sides by spies and poisoners, while a cryptic killer stalks one step behind…
From the Hugo and Nebula Award winning author of Swordheart and The Twisted Ones comes a saga of murder, magic, and love on the far…
I’m a writer of historical novels and primary literacy books, and a poet. I was born in Trinidad and live in London. So why am I writing about the magic of castles? I’ve loved visiting them since I was a child, when I’d run round them and imagine what had happened there. Back home, I’d immerse myself in reading legends and fairy stories—at bedtime, lying in my top bunk, I'd make up stories to entertain my sister in her bottom bunk. So it was natural to move on to writing fiction—the novel I’ve just completed is about King Canute. I’ve written primary literacy books for Collins, Oxford, and Ransom.
This is a vivid, dramatic and well-paced version of the story of King Arthur and the Knights of the Round Table. It is set in a legendary time full of castles such as Tintagel, or as here: "Meanwhile Sir Lancelot had lain six days and six nights prisoned in the vault below Sir Meliagraunce’s castle, and every day there came a maiden who opened the trap and let food and drink down to him on the end of a silken cord. And every day she whispered to him, sweet and tempting…" I love the resonance of Sutcliff’s writing; rereading it just now, I couldn’t resist reading it out loud just for the beauty of the sound of the language—something I’m very conscious of because I write poetry.
Rooted in folklore, medieval ideals of chivalry, and the last gallant strugglesof the British against the Saxon invaders, the legends of King Arthur have been told in song and story since the middle ages.
The Sword and the Circle tells of the birth of Arthur, the gift of Excalibur, the forming of the Round Table and the first noble quests of its knights until the arrival of Percival . . .
