Fans pick 100 books like More from Less

Many believe the planet's energy needs can be provided carbon-free, with solar, wind, and water carrying the load. Coal, oil, and natural gas use will fade away. It’s an appealing vision. But the numbers don’t back it up for seven billion people, many looking in on the comfortable lifestyles of the wealthy countries and thinking: “What about us?”. Humanity needs a mix of energy sources, and nuclear energy is a carbon-free power source that can deliver at scale. I’m a nuclear physicist by training, recently retired from North Carolina State University, with interests in cosmology, energy research and policy, science education, and neutron and neutrino physics. 

We are the academic and creative directors at the Stanford d.school. Our students study design, but they really hope to navigate a world of unknowns and make their way to a better future. We believe the best way to do that is not to limit yourself to a single domain or area but to find new possibilities in the overlaps, patterns, and discoveries that linger between ideas. We love books that stretch us beyond the design domain and into new places of inspiration and investigation. The ones on our list have all delighted us with their ability to reframe our thinking about design, even though none are squarely about the topic.

As an economist at the European Commission, Adjunct Professor in Paris, former fellow at the Harvard Kennedy School of Government, and now a first-time author, I thrive at the intersection of academia, think-tanks, and policy-making. My academic soul leads me to seek answers to the big questions: what is economic growth and how does it relate to the success of civilization, to science and technology, to people’s wellbeing, and to nature. My practical focus leads me to draw the policy implications of all this for how we ought to fight climate change. My critics accuse me of being an optimist. I take it as a compliment: the future of humanity is in our hands.

As an economist at the European Commission, Adjunct Professor in Paris, former fellow at the Harvard Kennedy School of Government, and now a first-time author, I thrive at the intersection of academia, think-tanks, and policy-making. My academic soul leads me to seek answers to the big questions: what is economic growth and how does it relate to the success of civilization, to science and technology, to people’s wellbeing, and to nature. My practical focus leads me to draw the policy implications of all this for how we ought to fight climate change. My critics accuse me of being an optimist. I take it as a compliment: the future of humanity is in our hands.

I’m an economist, now in my fiftieth year as a professor at Harvard. While much of my work has focused on economic policy – questions like the effects of government budget deficits, guidelines for the conduct of U.S. monetary policy, and what actions to take in response to a banking or more general financial crisis – in recent years I’ve also addressed broader issues surrounding the connections between economics and society. Several years ago, in The Moral Consequences of Economic Growth, I examined the implications of our economy’s growth, or stagnation, for the social, political, and ultimately moral character of our society. My most recent book explores the connections between economic thinking and religious thinking.

My fascination and emotional connection with animals have been lifelong. However, it wasn't until my second year as an undergrad student that I realized that human-animal relationship could be examined from philosophical, historical, and anthropological perspectives. Over the past couple of decades, the conversations around the roles of non-human animals in diverse cultural, social, and material contexts have coalesced under the interdisciplinary field known as Animal Studies. I draw upon this literature and use my training in law and PhD in the history of science to explore the ties between knowledge and ethics in the context of animal law.  

Besides my studies of history and philosophy and my work as a theatre writer, I have been active in the global justice movement for a long time, opposing neoliberal assaults on social rights and the biosphere. However, I felt that neoliberalism was just the most recent phase of a much older system, which is, by its very structure, incompatible with the survival of humanity, as it is based on eternal growth and accumulation – an impossibility on a finite planet. So I set out to dig deeper and explore the fundamental institutions and structures of the Megamachine that we must overcome in order to allow for a decent human life in the future. We need a shift from an economy based on private profit to an economy for the common good, a shift from the paradigm of control, domination, and exploitation of nature to new forms of cooperation with complex living systems.

I am a philosopher, neuroscientist, geostrategist, and futurologist. My work at the Geneva Centre for Security Policy, St. Antony’s College, and the World Economic Forum (as a member of the Global Future Council on the Future of Complex Risks) focuses on transdisciplinarity, with an emphasis on the interplay between philosophy, neuroscience, strategic culture, applied history, technology, and global security. I am particularly interested in the exponential growth of disruptive technologies, and how they have the potential to both foster and hinder the progress of human civilization. My mission is rooted in finding transdisciplinary solutions to identify, predict and manage frontier risks, both here on earth and in Outer Space.

In sixth grade, I got into an argument with my neighbor, Billy. We were in his backyard, looking at the stars through his new telescope. “I see Orion,” said Billy. “What do you see?” “A bunch of stars.” “I aimed it at Orion. See him?” ”I see a bunch of stars.” “Don’t you see his belt? His sword?” Billy got more agitated. “Everybody knows that’s Orion. I can’t believe you can’t see him.” “It’s not actually Orion – it was just a bunch of stars until someone told a story about it and gave it meaning.” That compelled me to write, to construct a meaning for what I experienced, and try to make sense of it.

As a writer, artist, and actor throughout my life, I’ve explored and enjoyed many artistic forms. While I appreciate books across many genres, I elevate to the highest level those works that manage to break conventional boundaries and create something original. In my own work, I have always challenged myself to create something unique with a medium that has never been done before. At the same time, I have sought to discover a process and resulting work that inspires readers’ own creativity and challenges them to expand their imagination.