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I was in the fourth grade when JFK was assassinated. I grew up in the late 1960s as conspiracy theories about ‘who killed Kennedy’ flourished. Jack Ruby’s murder of Oswald made me suspect the mafia played a role. After Oliver Stone’s controversial 1991 JFK film, I convinced a publisher to allow me to reexamine the assassination. I did not expect to solve the case. Halfway through my research, however, I realized there was an answer to ‘who killed Kennedy.’ It was not what I had expected. I discovered that the story of how a 24-year-old sociopath armed with a $12 rifle managed to kill the president was a far more fascinating one than I could have ever envisioned.
Award-winning novelist Thomas Mallon explores the serendipitous world of Ruth Paine, the Quaker who befriended Lee and Marina Oswald in the fateful months leading up to the assassination. In this fast-paced nonfition read, Mallon takes the reader through the tumultuous nine months before the assassination and then along for the often-bizarre years following in which Paine’s largesse is interpreted and twisted by conspiracy theorists to somehow accuse her of being in the middle of a giant plot against Kennedy.
Nearly forty years have passed since Ruth Hyde Paine, a Quaker housewife in suburban Dallas, offered shelter and assistance to a young man named Lee Harvey Oswald and his Russian wife, Marina. For nine months in 1963, Mrs. Paine was so deeply involved in the Oswalds’ lives that she eventually became one of the Warren Commission’s most important witnesses.
Mrs. Paine’s Garage is the tragic story of a well-intentioned woman who found Oswald the job that put him six floors above Dealey Plaza—into which, on November 22, he fired a rifle he’d kept hidden inside Mrs. Paine’s house. But this…
I was in the fourth grade when JFK was assassinated. I grew up in the late 1960s as conspiracy theories about ‘who killed Kennedy’ flourished. Jack Ruby’s murder of Oswald made me suspect the mafia played a role. After Oliver Stone’s controversial 1991 JFK film, I convinced a publisher to allow me to reexamine the assassination. I did not expect to solve the case. Halfway through my research, however, I realized there was an answer to ‘who killed Kennedy.’ It was not what I had expected. I discovered that the story of how a 24-year-old sociopath armed with a $12 rifle managed to kill the president was a far more fascinating one than I could have ever envisioned.
Director Oliver Stone based his 1991 movie JFK on the failed late 1960s JFK assassination probe of New Orleans district attorney, Jim Garrison. In this investigative book, Lambert methodically deconstructs Garrison’s investigation and exposes it as a total fraud. Her prodigious original research both archives and interviews is woven into a faced-paced book that is utterly convincing.
This is, for the first time in its entirety, the story of the arrest and trial of Clay Shaw, charged with conspiracy in the assassination of President John F. Kennedy.
I was in the fourth grade when JFK was assassinated. I grew up in the late 1960s as conspiracy theories about ‘who killed Kennedy’ flourished. Jack Ruby’s murder of Oswald made me suspect the mafia played a role. After Oliver Stone’s controversial 1991 JFK film, I convinced a publisher to allow me to reexamine the assassination. I did not expect to solve the case. Halfway through my research, however, I realized there was an answer to ‘who killed Kennedy.’ It was not what I had expected. I discovered that the story of how a 24-year-old sociopath armed with a $12 rifle managed to kill the president was a far more fascinating one than I could have ever envisioned.
In a similar vein to False Witness, Litwin not only exposes the shortcomings of the Garrison investigation into the JFK murder but in the process uncovers the fraud and false information that are cited to support some of the currently popular conspiracy theories about the assassination. It is filled with new information from Litwin’s own extensive research.
Fred Litwin exposes the truth about Jim Garrison, the New Orleans District Attorney, who ‘solved’ the JFK assassination in 1967.
On the Trail of Delusion shows how Garrison persecuted an innocent gay man in order to spout his crazy conspiracy theories. There is also a touch of bribery and intimidation, the story of his attempt to charge a dead man with being a grassy knoll assassin, the former Marine he believed was a ‘second Oswald,’ several con men who turned the tables and fooled Garrison, the use of truth serum and hypnosis to recover memories, the ugly story of Oliver…
I was in the fourth grade when JFK was assassinated. I grew up in the late 1960s as conspiracy theories about ‘who killed Kennedy’ flourished. Jack Ruby’s murder of Oswald made me suspect the mafia played a role. After Oliver Stone’s controversial 1991 JFK film, I convinced a publisher to allow me to reexamine the assassination. I did not expect to solve the case. Halfway through my research, however, I realized there was an answer to ‘who killed Kennedy.’ It was not what I had expected. I discovered that the story of how a 24-year-old sociopath armed with a $12 rifle managed to kill the president was a far more fascinating one than I could have ever envisioned.
Bugliosi, the famed former Los Angeles prosecutor of Charles Manson, directs his attention to dismissing the conspiracy theories in the JFK murder in his massive (1648 page) tome. Bugliosi writes with the caustic tone of a prosecutor and covers just about every issue in some detail. It is a great reference book and concludes that Oswald alone killed Kennedy. Published 14 years after Case Closed, I often refer to it as Case Still Closed.
At 1:00 p.m. on November 22, 1963, President John F. Kennedy was pronounced dead, the victim of a sniper attack during his motorcade through Dallas. That may be the only fact generally agreed upon in the vast literature spawned by the assassination. National polls reveal that an overwhelming majority of Americans (75%) believe that there was a high-level conspiracy behind Lee Harvey Oswald. Many even believe that Oswald was entirely innocent. In this continuously absorbing, powerful, ground-breaking book, Vincent Bugliosi shows how we have come to believe such lies about an event that changed the course of history.
When I was a practicing journalist, I preferred getting my stories from the back road—“off the beaten path,” as is said. What I’m drawn to is the way a story is told, and since my game is journalism, I like the true ones. My father was a pretty good storyteller. My brother-in-law is wicked good. I hang with my jaw open, waiting on his next word. It’s like being able to tell a good joke. Few can do it. When it comes to True Crime, forget the blood and body count. Anyone can lay out the facts. It takes master storytelling to deliver us to the army of small truths that brought forth the crime—and the humanity that dissolved along the way.
Oswald’s Tale is a book I’d like to read again. I was born the year after JFK was shot, but the tragedy hung over my family in such a way that each of my older siblings had a portrait of the dead president folded into their baby books.
Mailer depicts someone rootless and restless, hungry and in a hurry to make his mark. Oswald in Russia was the most disturbing to me. I spent nearly two decades in the former Soviet bloc and other so-called developing democracies. Time and again, I ran across aimless Americans who had set up camp abroad, just to be someplace “other.” In search of an identity. They were unsettled and uncomfortably eccentric. I could have run into any number of Oswalds during that long stretch of my life.
This work looks at the life of harvey Lee Oswald. In 1959 he defected to the Soviet Union and was sent to Minsk, where he was kept under constant KGB surveillance on the suspicion that he might be a CIA agent. In 1993 Norman Mailer spent six months in Minsk retracing Oswald's two and a half years in the USSR, interviewing Oswald's former friends and sweethearts. He obtained exclusive interviews with KGB officers and access to KGB surveillance reports. Mailer also provides an account of Oswald's disastrous childhood and of the events leading from his return to the US in…
I’ve always loved novels that reinvent and refresh history and legends. They take these building blocks of culture and make them personal and emotional. These novels breathe new life into ancient tales and historical events, so they resonate with relevance. They reveal hidden depths and connections within familiar stories, transforming them into vibrant tales. This genre makes legend and history feel personal by taking me on one character’s unique journey, transforming the exploration of the past into a deeply engaging experience.
I’ve read countless stories about the JFK assassination, but this novel completely refreshed and reframed this part of history for me. By blending the omniscient knowledge of time travel with the perspective of an ordinary person thrown into one of the greatest moments in American history, this novel created a deeply personal journey.
This intimate journey made the time period, the politics, and the culture resonate with life. The vivid portrayal of the late 1950s and early 1960s immersed me in this era, and the novel’s intricate plot, combined with the emotional depth of the main character’s journey, kept me hooked from start to finish. This novel brilliantly refreshes history, offering a thought-provoking exploration of how the past shapes the future.
Now a major TV series from JJ Abrams and Stephen King, starring James Franco (Hulu US, Fox UK and Europe, Stan Australia, SKY New Zealand).
WHAT IF you could go back in time and change the course of history? WHAT IF the watershed moment you could change was the JFK assassination? 11.22.63, the date that Kennedy was shot - unless . . .
King takes his protagonist Jake Epping, a high school English teacher from Lisbon Falls, Maine, 2011, on a fascinating journey back to 1958 - from a world of mobile phones and iPods to a new world of…
Chicago-born and now living in Spain, I was a community organizer in South America and the US before earning a PhD in sociology and becoming a college professor and author. I’ve written five nonfiction books and articles for publications including The New York Times, The Nation, Counterpunch, etc. Of my collection of short stories,Welcome to My Contri, theNY Times Book Reviewsaid that it “leaves us aware that we are in the presence of a formidable new writer.” In Rabble! I’ve called on my organizing experience as well as analysis and fiction to bring to life the actors in the first worker-run, self-governing society in the modern world.
Librais a chillingly realistic novel that re-imagines the assassination of John F. Kennedy. What particularly delighted me was the very realistic-sounding dialogue of the very dissimilar actors in the rambling, uncoordinated but ultimately successful conspiracy, including right-wing Aryan-nation types, non-ideological drifters desperate to leave a mark on history, and (in this version) mobsters and Cuban exile terrorists who blamed Kennedy for the "loss" of Cuba. DeLillo’s renderings of Jack Ruby’s mobster lingo, the uptight tersely coded grunts of the CIA men, the incoherencies of revolutionary wannabe Lee Harvey Oswald and others, are a model of dialogue for any fiction writer.
A reconstruction of the events leading up to John Kennedy's assassination. The antihero of the book is, of course, Lee Harvey Oswald, who is as hauntingly real in this novel as he was elusive to us in real life.
One of the reasons I enjoy writing historical novels is because I’ve always loved history. I enjoy creating characters and settings based on real-life incidents. I’m also involved in genealogy and find that kind of history fascinating. Reading about incidents (or like Dragnet’s Joe Friday used to say, "Just the facts, ma’am,") can be dry and boring. When a reader can experience history through fictional characters, history becomes more immersive than the dry accounts of a historical event. It’s entertaining to be able to take oneself back in time to a world with few modern conveniences and fewer distractions of media. While the reader is entertained, they can also learn about history in the process.
While not technically a ‘romance,’ this is the remarkable story of one woman’s quest to uncover her past. In 1963, 25-year-old journalist Christine Lenoir watches in horror as Lee Harvey Oswald is shot live on TV. She has flashbacks and vivid dreams about her life as a young child. Raised by religious sisters in a convent in France, Christine is led to believe that her parents died of the flu. In actuality, she discovers that they and most of the residents of her hometown were slaughtered by the Nazis in June of 1944. It’s a difficult read, but this is an extraordinary book.
Christine Lenoir's early childhood memories are vague. Told that her family perished of influenza, she grows up in the aftermath of World War II believing herself fortunate that her parents at least did not die violently, as so many did, and because she found a good and loving home. But she witnesses the live telecast of Lee Harvey Oswald's murder, strange dreams and terrifying images begin to plague her. As her faint recollections of the horrors of her childhood become stronger, Christine embarks on a quest to discover what her visions mean. She ultimately unearths a history she never knew…
I'm a writer of humorous fiction living in Austin, Texas. I enjoy writing novels about unusual friendships and the healing power that comes when people just shut up and listen to each other. Many of my stories have the odd-couple dynamic on full display and I love to explore what would happen if people with very different backgrounds and opinions are forced to deal with each other. I do have a couple of novels that wouldn’t seem to be humorous on the surface, but there is an element of humor or comedy that runs through all of my work. My next novel, The Codger and the Sparrow, will be published by TCU Press in 2024.
These stories are all surreal, trippy, and many are quite funny. Sort of a mashup of Márquez, Burroughs, and Bukowski, trying to pin down Flores’ actual style is difficult as it is wholly unique: the ultimate compliment for a writer. One story is about a couple who make a sculpture of a baby using their ear wax while the male partner is a writer who also is paid to be a life coach to other writers of lesser talent. Another story is about two men who are neighbors, one of which owns an extraterrestrial shape-shifting cloth, the other is a philosophizing writer prone to drink too much. This collection of short stories is top-notch as well as bizarre and humorous.
No one captures the border-its history and imagination, its danger, contradiction, and redemption-like Fernando A. Flores, whose stories reimagine and reinterpret the region's existence with peerless style. In his immersive, uncanny borderland, things are never what they seem: a world where the sun is both rising and setting, and where conniving possums efficiently take over an entire town and rewrite its history.
The stories in Valleyesque dance between the fantastical and the hyperreal with dexterous, often hilarious flair. A dying Frederic Chopin stumbles through Ciudad Juarez in the aftermath of his mother's death, attempting to recover his beloved piano that…
In 1978, I happened to be the only person present in the cramped office of my college newspaper in Texas, when Kennedy assassination eyewitness Bill Newman entered. It was during the midst of the U.S. House Select Committee on Assassinations’ investigation into the matter. Newman was standing no more than 15 feet from Kennedy when he was shot. His account intrigued me, sending me on a search that has yet to end. I witnessed Kennedy’s funeral in Washington, D.C., as a boy, grew up in Dallas, and even shared the same birthday with him. Several articles I wrote on the assassination and ensuing research have won awards, including a Best in Show Feature Writing Award from the Maryland-Delaware-D.C. Press Association. I have written books on other topics, but this is the one that most consumed me.
The late New Orleans District Attorney Jim Garrison pursued the only criminal case in this controversy that has tried someone for conspiracy to murder Kennedy in court. He faced death threats, prosecution, infiltration, dirty tricks, and more in the late 1960s. He details what he went through and why he mostly blamed U.S. intelligence officials and agents for what he called a “coup d’etat.” His book was a major basis for director Oliver Stone’s 1991 film, JFK, in which Garrison played a minor role as Justice Earl Warren.
The book that inspired the movie JFK recounts Jim Garrison's attempt to solve the Kennedy assassination, and describes how Garrison was harrassed because of his allegations of government involvement in Kennedy's death.
