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On The Trail of Delusion.
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I was in the fourth grade when JFK was assassinated. I grew up in the late 1960s as conspiracy theories about ‘who killed Kennedy’ flourished. Jack Ruby’s murder of Oswald made me suspect the mafia played a role. After Oliver Stone’s controversial 1991 JFK film, I convinced a publisher to allow me to reexamine the assassination. I did not expect to solve the case. Halfway through my research, however, I realized there was an answer to ‘who killed Kennedy.’ It was not what I had expected. I discovered that the story of how a 24-year-old sociopath armed with a $12 rifle managed to kill the president was a far more fascinating one than I could have ever envisioned.
Author Priscilla McMillan was at the crossroads of history. She worked as a junior aide for Senator John Kennedy before she went to Moscow as a reporter during the height of the Cold War. There, in 1959, she interviewed an American marine who had recently defected to the Soviet Union. He was Lee Harvey Oswald. After JFK was killed in 1963, McMillan befriended Oswald’s widow, Marina, and spent hundreds of hours interviewing her. The result of McMillan’s unprecedented direct access to the Oswalds is an unmatched personal study of a troubled young man who turned into one of history’s most notorious assassins.
“The single best book ever written on the Kennedy assassination” -- Thomas Mallon, author of Mrs. Paine's Garage: And the Murder of John F. Kennedy
“It is not at all easy to describe the power of Marina and Lee . . . It is far better than any other book about Kennedy . . . Other books about the Kennedy assassination are all smoke and no fire. Marina and Lee burns.” —New York Times Book Review
Marina and Lee is an indispensable account of one of America’s most traumatic events and a classic work of narrative history. In her meticulous—at…
I was in the fourth grade when JFK was assassinated. I grew up in the late 1960s as conspiracy theories about ‘who killed Kennedy’ flourished. Jack Ruby’s murder of Oswald made me suspect the mafia played a role. After Oliver Stone’s controversial 1991 JFK film, I convinced a publisher to allow me to reexamine the assassination. I did not expect to solve the case. Halfway through my research, however, I realized there was an answer to ‘who killed Kennedy.’ It was not what I had expected. I discovered that the story of how a 24-year-old sociopath armed with a $12 rifle managed to kill the president was a far more fascinating one than I could have ever envisioned.
Award-winning novelist Thomas Mallon explores the serendipitous world of Ruth Paine, the Quaker who befriended Lee and Marina Oswald in the fateful months leading up to the assassination. In this fast-paced nonfition read, Mallon takes the reader through the tumultuous nine months before the assassination and then along for the often-bizarre years following in which Paine’s largesse is interpreted and twisted by conspiracy theorists to somehow accuse her of being in the middle of a giant plot against Kennedy.
Nearly forty years have passed since Ruth Hyde Paine, a Quaker housewife in suburban Dallas, offered shelter and assistance to a young man named Lee Harvey Oswald and his Russian wife, Marina. For nine months in 1963, Mrs. Paine was so deeply involved in the Oswalds’ lives that she eventually became one of the Warren Commission’s most important witnesses.
Mrs. Paine’s Garage is the tragic story of a well-intentioned woman who found Oswald the job that put him six floors above Dealey Plaza—into which, on November 22, he fired a rifle he’d kept hidden inside Mrs. Paine’s house. But this…
I was in the fourth grade when JFK was assassinated. I grew up in the late 1960s as conspiracy theories about ‘who killed Kennedy’ flourished. Jack Ruby’s murder of Oswald made me suspect the mafia played a role. After Oliver Stone’s controversial 1991 JFK film, I convinced a publisher to allow me to reexamine the assassination. I did not expect to solve the case. Halfway through my research, however, I realized there was an answer to ‘who killed Kennedy.’ It was not what I had expected. I discovered that the story of how a 24-year-old sociopath armed with a $12 rifle managed to kill the president was a far more fascinating one than I could have ever envisioned.
Director Oliver Stone based his 1991 movie JFK on the failed late 1960s JFK assassination probe of New Orleans district attorney, Jim Garrison. In this investigative book, Lambert methodically deconstructs Garrison’s investigation and exposes it as a total fraud. Her prodigious original research both archives and interviews is woven into a faced-paced book that is utterly convincing.
This is, for the first time in its entirety, the story of the arrest and trial of Clay Shaw, charged with conspiracy in the assassination of President John F. Kennedy.
I was in the fourth grade when JFK was assassinated. I grew up in the late 1960s as conspiracy theories about ‘who killed Kennedy’ flourished. Jack Ruby’s murder of Oswald made me suspect the mafia played a role. After Oliver Stone’s controversial 1991 JFK film, I convinced a publisher to allow me to reexamine the assassination. I did not expect to solve the case. Halfway through my research, however, I realized there was an answer to ‘who killed Kennedy.’ It was not what I had expected. I discovered that the story of how a 24-year-old sociopath armed with a $12 rifle managed to kill the president was a far more fascinating one than I could have ever envisioned.
Bugliosi, the famed former Los Angeles prosecutor of Charles Manson, directs his attention to dismissing the conspiracy theories in the JFK murder in his massive (1648 page) tome. Bugliosi writes with the caustic tone of a prosecutor and covers just about every issue in some detail. It is a great reference book and concludes that Oswald alone killed Kennedy. Published 14 years after Case Closed, I often refer to it as Case Still Closed.
At 1:00 p.m. on November 22, 1963, President John F. Kennedy was pronounced dead, the victim of a sniper attack during his motorcade through Dallas. That may be the only fact generally agreed upon in the vast literature spawned by the assassination. National polls reveal that an overwhelming majority of Americans (75%) believe that there was a high-level conspiracy behind Lee Harvey Oswald. Many even believe that Oswald was entirely innocent. In this continuously absorbing, powerful, ground-breaking book, Vincent Bugliosi shows how we have come to believe such lies about an event that changed the course of history.
My love of mysteries began with Nancy Drew books. As I read more mysteries over the years, I finally decided it was time for me to write my own. A setting came to me immediately—New Orleans. I fell in love with the city through the Anne Rice and Julie Smith’s books. To write my cozy mystery series, I read all kinds of books. I read them for pleasure, but to make sure the details are correct in my books, The French Quarter Mysteries. I’m able to enjoy New Orleans through my sleuth, Samantha. It’s the next best thing to being there myself.
No matter where I visit, I always try to buy a book about the town.
I never come home from a trip to New Orleans with one. It doesn’t matter whether it’s non-fiction or fiction, novels or short stories. French Quarter Fiction is a collection of short stories featuring my favorite part of the city, The French Quarter.
The variety of authors and stories is incredible and features such different views and aspects of this amazing neighborhood.
"Branching across every genre, from mystery and romance to flash fiction and prose poetry, this anthology of works by preeminent writers on the heart of New Orleans features a previously unpublished story by Tennessee Williams, as well as stories by Richard Ford, Ellen Gilchrist, Robert Olen Butler, Andrei Codrescu, Barry Gifford, Poppy Z. Brite, Julie Smith, John Biguenet, Nancy Lemann, and Valerie Martin, among others. The characters in these works find themselves everywhere from Sarajevo on the eve of the First World War to Algiers Point just across the Mississippi River, but their stories are all anchored in the French…
Being from Upstate New York I went to college at Cornell University but headed off to New Orleans as soon as I could. By and by I became an instructor at Delgado Community College. Always a big fan of the city’s amazing historic cemeteries, when teaching a world architectural history class, I took the class to the Metairie Cemetery where I could show the students real examples of every style from Ancient Egyptian to Modern American. After coming to Texas State University, San Marcos (30 miles from Austin), I went back to New Orleans on sabbatical in 2013 and wrote The Cemeteries of New Orleans.
This book provides an intimate look at Storyville, the legal New Orleans red-light district that operated in a grid of streets nestled between St. Louis Cemeteries no. 1 and 2 near the French Quarter from 1897 to 1917.
Although the book is a bit dated (it was published in 1974) and includes a few wild and unsubstantiated stories about certain historic New Orleans personalities, such as Marie Laveau, this mostly factual volume is a fascinating and detailed portrait of the "District," as Storyville was often called, and the colorful, sometimes tragic stories of the people who lived and worked there.
A true-to-life impression of Storyville, the only legally established red light district in the US
At the turn of the twentieth-century, there were hundreds of red-light districts in the United States, ranging in size from a discreet “house” or two in or near small towns and cities to block after bawdy block of brothels in larger cities such as Chicago and San Francisco. Storyville, New Orleans: Being an Authentic, Illustrated Account of the Notorious Red Light District seeks to offer the reader a reasonably true-to-life impression of Storyville, the most famous of the large districts and the only such district…
We grew up in predominantly white communities and came of age during the Civil Rights and Black Power movements. As academics, we focused on issues of race in our research and teaching. Yet, despite our reading and writing about race, we still hadn’t made a connection to our own lives and how our white privilege shielded us and made us complicit in perpetuating racial inequities. We didn’t fully see our role in white supremacy until we adopted our sons. Becoming an interracial family and parenting Black sons taught us about white privilege and the myriad ways that Blacks confront racism in education, criminal justice, health care, and simply living day-to-day.
A memoir that haunted both of us about Broom’s love for the New Orleans house she grew up in, her family, and a neighborhood torn apart by the institutional racism embedded in banking practices, zoning laws, highway development, and other corporate and government policies and practices.
Broom’s mother purchased the house in 1961 in a then “promising” neighborhood. Over the years, the neighborhood was cut off from the city by the growth of the interstate highway, which left this largely Black area in decline from years of indifference by New Orleans elected officials. The house was eventually destroyed by Hurricane Katrina.
The book provides a harrowing description of the destructive effects of institutional racism.
A NEW YORK TIMES BESTSELLER WINNER OF THE NATIONAL BOOK AWARD FOR NONFICTION
'A major book that I suspect will come to be considered among the essential memoirs of this vexing decade' New York Times Book Review
In 1961, Sarah M. Broom's mother Ivory Mae bought a shotgun house in the then-promising neighborhood of New Orleans East and built her world inside of it. It was the height of the Space Race and the neighborhood was home to a major NASA plant - the postwar optimism seemed assured. Widowed, Ivory Mae remarried Sarah's father Simon Broom; their combined family would…
Laura Freeman is a Coretta Scott King Illustrator Honoree. Her work has been recognized with an NAACP Image Award, reached the New York Times Best Seller List, been honored by the Society of Illustrators, the Georgia Center For The Book, and in the Annuals for Communication Arts and American Illustration. She has illustrated over thirty children’s books, most of them biographies.
This brilliant book tells the story of a lesser-known piece of African American history. Congo Square in New Orleans was a place where slaves were free to set up an open market, sing, dance, and play music...but only on Sundays for half a day. If you ever feel down this is a reminder of how indomitable the human spirit can be in the face of unspeakable adversity.
Winner of a Caldecott Honor and a Coretta Scott King Illustrator Honor A Kirkus Reviews Best Book of 2016 A School Library Journal Best Book of 2016: Nonfiction Starred reviews from School Library Journal, Booklist, Kirkus Reviews, and The Horn Book Magazine A Junior Library Guild Selection
This poetic, nonfiction story about a little-known piece of African American history captures a human's capacity to find hope and joy in difficult circumstances and demonstrates how New Orleans' Congo Square was truly freedom's heart.
Being from Upstate New York I went to college at Cornell University but headed off to New Orleans as soon as I could. By and by I became an instructor at Delgado Community College. Always a big fan of the city’s amazing historic cemeteries, when teaching a world architectural history class, I took the class to the Metairie Cemetery where I could show the students real examples of every style from Ancient Egyptian to Modern American. After coming to Texas State University, San Marcos (30 miles from Austin), I went back to New Orleans on sabbatical in 2013 and wrote The Cemeteries of New Orleans.
I discovered and used The World That Made New Orleans as a source for my book.
Upon opening the book, I was gleefully surprised to discover what an informative, interesting, and fun read it is. Sublette describes the French origins of the city in the early 1700s which involved wild parties, debauchery, tragic exploratory expeditions, and a massive Ponzi scheme that used Louisiana and the fictional gold mines there to defraud most every rich person in France, eventually crashing the entire French economy.
He then took me on a thrilling journey through the Spanish and early American periods to quadroon balls, Congo Square, and so many other fascinating places. I knew the city’s history was interesting, but reading The World That Made New Orleans blew me away.
Named one of the Top 10 Books of 2008 by The Times-Picayune. Winner of the 2009 Humanities Book of the Year award from the Louisiana Endowment for the Humanities. Awarded the New Orleans Gulf South Booksellers Association Book of the Year Award for 2008.
New Orleans is the most elusive of American cities. The product of the centuries-long struggle among three mighty empires--France, Spain, and England--and among their respective American colonies and enslaved African peoples, it has always seemed like a foreign port to most Americans, baffled as they are by its complex cultural inheritance.
I have written widely on themes related to race, slavery, 19th-century politics, the Civil War, and its aftermath. The Reconstruction era has sometimes been called America’s “Second Founding.” It is imperative for us to understand what its architects hoped to accomplish and to show that their enlightened vision encompassed the better nation that we are still striving to shape today. The great faultline of race still roils our country. Our forerunners of the Reconstruction era struggled to bridge that chasm a century and a half ago. What they fought for still matters.
This is a fitting companion to Ball’s earlier book Slaves in the Family, a meticulous account of his paternal ancestors’ slave-owning history and their biracial progeny.
In this book, Ball, a talented and engaging writer, dives deep into the buried story of a maternal forbearer in New Orleans, Constant Lecorgne, a working-class white creole. With novelistic flair, Ball takes us along with Lecorgne in his peregrinations through Louisiana’s violent and chaotic reactionary politics in the 1860s and 1870s. Ball faced a daunting challenge: to humanize Lecorgne without either sugarcoating his reprehensible behavior or forgiving him for it.
Few books I’ve read have so vividly captured the mentality of outspoken white supremacist “foot soldier.” I was often repelled by Lecorgne, but I wanted to keep reading. This is an essential book if we’re to begin to understand why ordinary white men were willing, even eager, to participate in the racist counter-revolution…
"A haunting tapestry of interwoven stories that inform us not just about our past but about the resentment-bred demons that are all too present in our society today . . . The interconnected strands of race and history give Ball’s entrancing stories a Faulknerian resonance." ―Walter Isaacson, The New York Times Book Review
A 2020 NPR staff pick | One of The New York Times' thirteen books to watch for in August | One of The Washington Post's ten books to read in August | A Literary Hub best book of the summer| One of Kirkus Reviews' sixteen best books…
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