Here are 94 books that Valleyesque fans have personally recommended if you like
Valleyesque.
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During my 25-year journalism career and now, in my books, I’ve specialized in telling powerful, human stories that are often humorous and sometimes laugh-out-loud funny. To me, humor is an essential part of life. Real stories might make us cry, but just as often, they make us laugh. That’s the balance I try to achieve with all my writing.
Humor often comes from putting normal people in absurd situations. That’s what Kevin Wilson does here—setting the lovable loser Lillian in her rich friend’s home, where she’s asked to care for her two young children. Children who, when agitated, tend to burst into flames. This frightens everyone but leaves the kids unhurt.
I found myself laughing and caring at the same time. That’s a neat trick for any author.
A New York Times Bestseller • A Read with Jenna Today Show Book Club Pick!
Named a Best Book of the Year by The New York Times Book Review, The Washington Post, People, Entertainment Weekly, USA Today, TIME, The A.V. Club, Buzzfeed, and PopSugar
“I can’t believe how good this book is.... It’s wholly original. It’s also perfect.... Wilson writes with such a light touch.... The brilliance of the novel [is] that it distracts you with these weirdo characters and mesmerizing and funny sentences and then hits you in a way you didn’t see coming. You’re laughing so hard you…
I'm a writer of humorous fiction living in Austin, Texas. I enjoy writing novels about unusual friendships and the healing power that comes when people just shut up and listen to each other. Many of my stories have the odd-couple dynamic on full display and I love to explore what would happen if people with very different backgrounds and opinions are forced to deal with each other. I do have a couple of novels that wouldn’t seem to be humorous on the surface, but there is an element of humor or comedy that runs through all of my work. My next novel, The Codger and the Sparrow, will be published by TCU Press in 2024.
Ranging from very short to very bizarre, these stories are out there. One story is about a melancholy octopus who travels to the White House. Other stories are about ants, mice, birds, dogs, sharks, and whales doing mundane things or experiencing existential crises. Weird, surreal, and whacky, Zac Smith is on a mission to have fun with his stories. This book may not be for everyone. But, if it does tickle your fancy, then you’ll be glad you immersed yourself in Zac Smith’s unique mind.
Everything is Totally Fine is a collection of surreal and inventive stories ranging from six sentences to eight pages. Even though its main themes seem to be despair, depression, boredom, confusion, and fear, readers may find themselves smiling, laughing, excited, startled, moved, and inspired while reading it.
Animals in this book include ants, mice, birds, dogs, octopuses, sharks, whales. Settings include kitchens, bathrooms, camping grounds, gas stations, graveyards, rocket ships, golf courses. Activities include driving, converting files, setting things on fire, eating pizza, showering, planking, and visiting the White House.
I'm a writer of humorous fiction living in Austin, Texas. I enjoy writing novels about unusual friendships and the healing power that comes when people just shut up and listen to each other. Many of my stories have the odd-couple dynamic on full display and I love to explore what would happen if people with very different backgrounds and opinions are forced to deal with each other. I do have a couple of novels that wouldn’t seem to be humorous on the surface, but there is an element of humor or comedy that runs through all of my work. My next novel, The Codger and the Sparrow, will be published by TCU Press in 2024.
This novel of literary fiction is a ribald and adventurous mixture of humor, magical realism, Old West historical fact, and dream-like self-reflection. Main character Didier Rain, who is a drunken yet poetic lout, is hired to deliver a baby named Virtue to a Mormon prophet, who has been chosen as his future bride. (!!!) He is accompanied by a band of talking animals. Virtue miraculously grows into a young woman during the trip. It’s hard to categorize this novel but one thing is for sure, it is delightfully bizarre and laugh-out-loud funny in parts.
A magnet for trouble. A dubious destiny. His quest for true love could succeed, if only his moral compass didn’t point South.
The American West, 1850. Former French dandy Didier Rain’s weakness for saloon girls, money, and whiskey keep derailing his plan to join the pantheon of epic poets. So, when he’s approached by holy men claiming he’s part of a prophecy, he agrees to transport an infant bride for a soul-selling sum of $30,000. But to fulfill his foretold role, he’ll have to succeed at two tasks at which he's always failed: keeping the cork in the bottle and…
I'm a writer of humorous fiction living in Austin, Texas. I enjoy writing novels about unusual friendships and the healing power that comes when people just shut up and listen to each other. Many of my stories have the odd-couple dynamic on full display and I love to explore what would happen if people with very different backgrounds and opinions are forced to deal with each other. I do have a couple of novels that wouldn’t seem to be humorous on the surface, but there is an element of humor or comedy that runs through all of my work. My next novel, The Codger and the Sparrow, will be published by TCU Press in 2024.
Named one of Kirkus Reviews' Best Books of 2018, this indie novel proposes that a beer-guzzling car enthusiast can also be a philosopher about time and Einstein’s incorrect (!!!) theory of relativity. Main character Selraybob (also the author of this fictitious novel) is left astray by his wife. When she walks out the door, he notices two clocks that are off by seven minutes. He has an epiphany: time is simply a count! Beer is consumed, the nature of time is pondered, and a picaresque adventure begins, one that will have you laughing until the end.
Mark Twain meets Vonnegut in this witty and uplifting redemption romp that Kirkus Reviews (starred review) called "funny, wise and poignant”. BlueInk Review (starred review) called it “quirky and picaresque” and said “Selraybob is lovable and easy-to-root-for.”
Ne’er-do-well Selraybob is beaten down and uninspired. He spends his days on his lounger, drinking quarts of beer and talking to his buddy on the phone. Until, during his fed-up wife’s long overdue kiss-off speech, Selraybob notices two clocks. They’re seven minutes off. And he has an epiphany. Time, he decides, is a count. It’s only a count.
I’m a philosopher fascinated by science and its relationship to society, who science benefits and who it harms; why scientists get some things right and some things wrong; and which scientific results make their way into the physician’s office, the courtroom, and the school textbook. Science impacts all facets of our lives: our health, our relationships with others, and our understanding of our place in our community and in the universe. I’ve spent decades investigating this relationship between science and society; these are some of the books I’ve found most influential in thinking about how we, as humans, impact the environment around us, which in turn circles back and impacts us.
In 1973, Smeltertown was razed to the ground. For the vibrant community of Mexican Americans who had lived there for generations, that meant abandoning their homes, their social gathering spaces, and their way of life.
Smeltertown was destroyed because public health research revealed that the industrial smelter around which the town formed was spewing tons of toxic lead into the air and poisoning the developing brains of the Mexican-American children who lived there.
This book tells the heartbreaking story of how that community first took shape on the Texas-Mexico border, how it grew to become a bustling suburb of El Paso, and how the lead poisoning ultimately spelled its destruction. The concept of environmental racism wouldn’t come along until decades later; but in hindsight, this town was a textbook example of how environmental threats to health disproportionately impact communities of color.
Company town. Blighted community. Beloved home. Nestled on the banks of the Rio Grande, at the heart of a railroad, mining, and smelting empire, Smeltertown--La Esmelda, as its residents called it--was home to generations of ethnic Mexicans who labored at the American Smelting and Refining Company in El Paso, Texas. Using newspapers, personal archives, photographs, employee records, parish newsletters, and interviews with former residents, including her own relatives, Monica Perales unearths the history of this forgotten community. Spanning almost a century, Smeltertown traces the birth, growth, and ultimate demise of a working class community in the largest U.S. city on…
I’m a scholar of gender and state violence, and I live and work at the US-Mexico border. For the past several years, I’ve worked collaboratively with large teams of Latinx-identified students to study the impacts of US immigration policies on migrants from Mexico and Central America. We realized that even though about half of immigrants are women, around 95% of deportees are men. So, we started to think about how US policies criminalize immigrant men. I became especially interested in how immigration enforcement (at the border and beyond) intersects with mass incarceration. In the list, I pick up books that trace the multinational reach of the carceral apparatus that comes to treat migrants as criminals.
Muehlmann’s beautiful, gripping book reveals how cartels and drug violence are not separate from everyday life, but instead interwoven with almost all facets of life on the Mexican side of the US-Mexico border.
In a narrative style, she traces how everyday people unwittingly get into supporting the drug trade, or find themselves wrapped up in supporting traffickers without their knowledge. She also illustrates how the figure of the “narco” (drug trafficker) gets idealized in the borderlands. An incredible read for anyone interested in the complexity of the US-Mexico border.
When I Wear My Alligator Boots examines how the lives of dispossessed men and women are affected by the rise of narcotrafficking along the U.S.-Mexico border. In particular, the book explores a crucial tension at the heart of the "war on drugs": despite the violence and suffering brought on by drug cartels, for the rural poor in Mexico's north, narcotrafficking offers one of the few paths to upward mobility and is a powerful source of cultural meanings and local prestige. In the borderlands, traces of the drug trade are everywhere: from gang violence in cities to drug addiction in rural…
I have always been a seeker, fascinated by all cultures, philosophies, and spiritual perspectives. Although the concept is often different—for some, it’s a place of refuge, feeling safe or sheltered from pursuit, danger, or trouble; for others, it’s a state of being, an inner peace, I’ve found that the search for sanctuary—safe-haven—elsewhere—has ancient roots and contemporary reverberations. My novel, Guesthouse for Ganesha, further heightened my interest in this subject, for my protagonist, Esther Grünspan, both deeply wounded and unsafe, was compelled to seek sanctuary. As a first-time novelist with an 18-year journey to publication, I fully immersed myself in this topic’s study and comprehension.
In Debra Thomas’s compassionately rendered Luz, her protagonist’s (Alma) border crossing from Mexico into the United States is relayed in painful, harrowing, and often shocking detail. It is a powerful and, at times, difficult read. Yet an important one. I often forgot that this is a work of fiction, as the story Thomas so deftly portrays is all too common and all too real, especially for a resident of Southern California, which I am. However, it is one filled with hope and determination and the unwavering spirit of a young, passionate girl in search of answers.
Alma Cruz wishes her willful teenage daughter, Luz, could know the truth about her past, but there are things Luz can never know about the journey Alma took to the US to find her missing father.
In 2000-three years after the disappearance of her father, who left Oaxaca to work on farms in California-Alma sets out on a perilous trek north with her sister, Rosa. What happens once she reaches the US is a journey from despair to hope.
Timeless in its depiction of the depths of family devotion and the blaze of first love, Luz conveys, with compassion and…
As someone who studies and writes about Latin American anarchism for a living, I’ve encountered no shortage of influential historical accounts written by scholars and activists writing in Spanish, Portuguese, and English during the past sixty years. My “best of” list includes English-language histories that reflect important shifts in how people began to study and write about anarchism beginning in the 1990s. Before then—and continuing up to today to some extent—historians often focused on the role of anarchists in a country’s labor movement. Today, historians increasingly explore both the cultural and transnational dimensions of Latin American anarchism. In these studies, authors frequently explore the roles of and attitudes toward women in anarchist politics.
Hernández’s book is one of the latest to pick up on the growing trend of studies about or that include anarchist women activists. What is particularly alluring about her book is its transnational focus as she explores how Mexican women agitated for anarchism in the decades preceding, during, and following the violence of the Mexican Revolution. Hernández focuses on one woman in particular: Caritina Piña Montalvo, an anarcho-syndicalist whose fight for gender equity linked anarchists on both sides of the border. Besides its important focus on gender and women’s issues, Hernández’s study illustrates how so much of the writing about Latin American anarchism has become transnational in focus as activists crossed borders—either physically or through correspondence—to promote the anarchist ideal.
Caritina Pina Montalvo personified the vital role played by Mexican women in the anarcho-syndicalist movement. Sonia Hernandez tells the story of how Pina and other Mexicanas in the Gulf of Mexico region fought for labor rights both locally and abroad in service to the anarchist ideal of a worldwide community of workers. An international labor broker, Pina never left her native Tamaulipas. Yet she excelled in connecting groups in the United States and Mexico. Her story explains the conditions that led to anarcho-syndicalism's rise as a tool to achieve labor and gender equity. It also reveals how women's ideas and…
I became passionate about the Mexico/US border question after meeting someone who is now a close friend, a Mexican academic who introduced me to some of the issues. She helped me write Saint Death as a way to explore the politics of ultra-capitalism, in the form of multinational business, and the action of drug cartels.
I wanted to include a book here on ‘Holy Death’ herself, Santa Muerte, but there simply isn’t a good one. There’s a terrible one published by a once respectable academic publisher, but I can’t recommend it. Instead, there are some passages on Santa Muerte in this huge and significant piece of work: Lomnitz’s encyclopedic book digs into Mexico’s deep roots to explore the long relationship the country has with Death, of which the still growing ‘cult’ of Santa Muerte is but one emanation.
Death and the Idea of Mexico is the first social, cultural, and political history of death in a nation that has made death its tutelary sign. Examining the history of death and of the death sign from the sixteenth-century holocaust to contemporary Mexican American identity politics, anthropologist Claudio Lomnitz’s innovative study marks a turning point in understanding Mexico’s rich and unique use of death imagery. Unlike contemporary Europeans and Americans, whose denial of death permeates their cultures, the Mexican people display and cultivate a jovial familiarity with death. This intimacy with death has become the cornerstone of Mexico’s national identity.…
I’m a journalism historian who sees an old newspaper the way Alice saw the looking glass, as a portal to a place where things wind up beyond the imaginable. In comparing English- and Spanish-language journalism, I examine how people from the same time and place live distinct constructed realities, separated by their news source looking glass. I aim to recenter the journalism of marginalized groups in the American experience and in media history. After more than 20 years at major U.S. news organizations and 10 years in academia, often as the first or only Mexican American—I’ve honed the ability to see from both sides of the glass.
Lee & Low, the book’s publisher, describes Shame the Stars as a YA Romeo & Juliet story. This piece of historical fiction is so much more.
It draws on true stories of how Texas Rangers lynched and pillaged Mexican Americans in South Texas. These are stories that my parents heard growing up in San Antonio, Texas, and that were often orally passed on in families, though not so often in the history books of that era.
This novel is on my list because it flips the camera angle on images of Mexican Americans in media, with characters taking to the printing press to assert their rights and tell their stories. One such journalist/protagonist is the father of the character Juliet/Dulceña, who illuminates the misdeeds of the Rangers in his news accounts.
Without giving too much away, I’ll merely hint that the book draws inspiration from the long overlooked crusading Mexican…
Eighteen-year-old Joaquin del Toro's future looks bright. With his older brother in the priesthood, he s set to inherit his family s Texas ranch. He s in love with Dulcena and she s in love with him. But it s 1915, and trouble has been brewing along the US-Mexico border. On one side, the Mexican Revolution is taking hold; on the other, Texas Rangers fight Tejano insurgents, and ordinary citizens are caught in the middle.
As tensions grow, Joaquin is torn away from Dulcena, whose father s critical reporting on the Rangers in the local newspaper has driven a wedge…