Here are 60 books that Lucrezia Borgia fans have personally recommended if you like
Lucrezia Borgia.
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When I was a child, I was forever drawing pictures of princesses in elaborate medieval and early modern dress. I devoured history books—especially those containing artworks that helped me visualize the people whose names rang out from their pages. Inexplicably, I was passionate about France and French language and culture from my primary school years. Then, in my early twenties, I stumbled onto Umberto Eco’s, The Name of the Rose, which appeared in English translation around 1983. History has been, and remains, my passion (as do whodunits). I have been passionately obsessed with in my research for over two decades—uncovering the truth that lies beneath the spin and the ashes.
Theresa starts our journey into the past life of Catherine of Aragon, whom many regard very mistakenly as a victim, with a pair of shoes, a painting, a rosary, a fur-trimmed baby blanket. She shows us how each of these things took meaning from the ways Catherine experienced and perceived them. Upon these traces and fragments, her portrait of Catherine emerges, and we glimpse her life lived five centuries ago. Engagingly written by Theresa in her clear and elegant prose, her cultural and emotional biography of Catherine truly brings us closer to understanding her life from her own perspective.
Despite her status as a Spanish infanta, Princess of Wales, and Queen of England, few of her personal letters have survived, and she is obscured in the contemporary royal histories. In this evocative biography, Theresa Earenfight presents an intimate and engaging portrait of Catherine told through the objects that she left behind.
A pair of shoes, a painting, a rosary, a fur-trimmed baby blanket-each of these things took meaning from the ways Catherine experienced and perceived them. Through an examination of the inventories listing the few possessions Catherine owned at her death, Earenfight…
After working on the writings of the 15th-century French writer Christine de Pizan for a while I turned to researching the queen of France whom Christine addresses in some of her works. As I read the primary sources, it quickly became clear to me that poor Isabeau of Bavaria’s terrible reputation had been produced by misogynistic and nationalistic nineteenth-century French historians who promulgated images of political women as promiscuous harridans. I was astounded. How could it be that we were still circulating simplistic old narratives of incompetence and debauchery without critically examining what people of the times had to say?
I have been studying the afterlives of infamous noblewomen ever since.
Mariana of Austria (1634-96) has long been underestimated. Regent for her young son, Carlos II, last Habsburg ruler of Spain, she is reputed to have been pig-headed, incompetent, and not very bright. The famous Velasquez painting showing her in a skirt too wide to fit through a door and hair stretching out like an accordion has not helped her reputation. But Silvia Mitchell has mined the archives and produced a wonderful revision of this queen’s regency, showing how, over the course of her regency, Mariana led the Spanish monarchy into transformative military and diplomatic alliances with the English and the Dutch and, through her style of ruling, helped bring about a new political culture. This study makes clear how much our picture of pre-modern politics has been distorted by the failure to take female roles seriously.
When Philip IV of Spain died in 1665, his heir, Carlos II, was three years old. In addition to this looming dynastic crisis, decades of enormous military commitments had left Spain a virtually bankrupt state with vulnerable frontiers and a depleted army. In Silvia Z. Mitchell's revisionist account, Queen, Mother, and Stateswoman, Queen Regent Mariana of Austria emerges as a towering figure at court and on the international stage, while her key collaborators-the secretaries, ministers, and diplomats who have previously been ignored or undervalued-take their rightful place in history.
Mitchell provides a nuanced account of Mariana of Austria's ten-year regency…
I was a stubborn teenager, and growing up, I vocally declared I would never set foot in Spain. The Spanish Empire was oppressive! It was full of religious fanatics! Yet… in college I took a course on Spain’s Golden Age, and for the first time I saw a different side of history, full of paradoxes and contradictions, Inquisitors and female mystics, bumbling priests and powerful nuns, decadence and poverty, emperors, tricksters, artists, pirates, scientists, and everything in between. Spain of the sixteenth through eighteenth centuries was extraordinarily complex and far from one-dimensional. Now, years later, I have travelled to Spain over twenty times, lived in Pamplona, and I am a historian of early modern Spain at Penn State University.
This older book remains one of my favorites because it challenges a number of easy assumptions about queenship, mental illness, and political strategy. Juana was the third child of Isabella and Ferdinand, trained and educated to marry for diplomatic alliance, but never expected to reign in her own right. Yet early modern dynastic strategy was at the mercy of mortality and fertility, and Juana eventually became the unlikely monarch of Spain and the mother of the powerful line of Habsburg kings of Spain. Juana is typically dismissed as mentally unstable following the death of her husband. This book reexamines this stereotype, arguing that her eccentric behavior may have been strategic given the limitations placed upon her by her family, and deployed intentionally to protect herself and her children’s inheritance.
Born to Isabel and Ferdinand, the Catholic Monarchs whose marriage united the realms of Castile and Aragon, Juana "the Mad" (1479-1555) is one of the most infamous but least studied monarchs of the Renaissance. Conventional accounts of Juana portray her as a sullen woman prone to depression, a jealous wife insanely in love with her husband, and an incompetent queen who was deemed by her father, husband, and son, unable to govern herself much less her kingdoms. But was Juana truly mad or the victim of manipulative family members who desired to rule in her stead? Drawing upon recent scholarship…
After working on the writings of the 15th-century French writer Christine de Pizan for a while I turned to researching the queen of France whom Christine addresses in some of her works. As I read the primary sources, it quickly became clear to me that poor Isabeau of Bavaria’s terrible reputation had been produced by misogynistic and nationalistic nineteenth-century French historians who promulgated images of political women as promiscuous harridans. I was astounded. How could it be that we were still circulating simplistic old narratives of incompetence and debauchery without critically examining what people of the times had to say?
I have been studying the afterlives of infamous noblewomen ever since.
This book is a delight, from start to finish. I read it in one sitting. Like Lucrezia Borgia, it is both popular and erudite, but it does not recount the titular protagonist’s biography. Instead, it goes through all of the myths that have been floating around this unfortunate queen since her own lifetime. Bordo separates contemporary slander from fact, but then goes on to follow how the legend of Anne Boleyn was developed over the centuries in histories, fiction, and film. This study is also explicitly a study of how a legend takes hold and evolves.
Part biography, part cultural history, The Creation of Anne Boleyn is a fascinating reconstruction of Anne's life and an illuminating look at her afterlife in the popular imagination.
Why is Anne so compelling? Why does she inspire such extreme reactions? And what really was the colour of her hair? And perhaps the most provocative question concerns Anne's death, more than her life: how could Henry order the execution of his once beloved wife? Drawing on scholarship and popular culture, Bordo probes the complexities of one of history's most infamous relationships and teases out the woman behind the myths.
I love to write stories of historical injustice, so this is mainly the genre I read. In recent years, many new novels merely rehashed the same theme, such as the horror show known as Auschwitz or the other camps. Although those are worthy of the people who died there, I’m always on the hunt for a fresh story that has never been told about those tragic years.
I loved learning about what happened in Italy when the Germans occupied it. In this story, a wealthy Italian family becomes too close to the Germans by inviting them to search the secret ruins behind their villa for antiquities. This relationship has deadly consequences years later as members of the family are killed. The book goes back and forth between 1943 and 1955 until we learn why someone is seeking revenge.
From the New York Times bestselling author of Midwives and The Sandcastle Girls comes a spellbinding novel of love, despair, and revenge—set in war-ravaged Tuscany.
1943: Tucked away in the idyllic hills south of Florence, the Rosatis, an Italian family of noble lineage, believe that the walls of their ancient villa will keep them safe from the war raging across Europe. Eighteen-year-old Cristina spends her days swimming in the pool, playing with her young niece and nephew, and wandering aimlessly amid the estate’s gardens and olive groves. But when two soldiers, a German and an Italian, arrive at the villa…
When I was in 6th grade, and homeschooling, I discovered Ancient Egypt. That year I had some health problems, which ended up essentially cancelling school for that year, and I was allowed to do whatever I wanted. I spent the entire year studying Egypt. My passion for history spiralled from there, and I've spent the interveaning years studying periods of history from Ancient Egypt to the Italian Rennaisance. I always wanted to be a writer and discovering that Historical Fiction as a genre was eye-opening for me. Since then I hardly read anything else (except fantasy) and all my personal works are Historical Fiction.
I read this trilogy out of order but I’ll go ahead and recommend the first book. I found these on my hunt for things to do with the Borgias, and this is an absolutely brilliant set of books for it. Centered on a smart, strong woman in late 15th century Rome, it shows us a side usually left to male characters as she is embroiled in politics, plotting, and murder at the behest of the Borgias during the Papacy of Alexander VI. For anyone who loves to see every possible angle to a period of history, this is certainly one to add to their list. The only sad note is the series is, and seems likely to remain, incomplete, without a satisfactory resolution.
In the simmering hot summer of 1492, a monstrous evil is stirring within the Eternal City of Rome. The brutal murder of an alchemist sets off a desperate race to uncover the plot that threatens to extinguish the light of the Renaissance and plunge Europe back into medieval darkness.
Determined to avenge the killing of her father, Francesca Giordano defies all convention to claim for herself the position of poisoner serving Cardinal Rodrigo Borgia, head of the most notorious and dangerous family in Italy. She becomes the confidante of Lucrezia Borgia and the lover of Cesare Borgia. At the same…
I love to travel, and I’m always interested in the history of where I visit, and what unusual and little known stories I might pick up. I spent twenty-five years working in news and talk radio and I suppose that’s why my fingers itch to get to a keyboard when I hear of an event or someone interesting that I’d like to meet on the pages of one of my books. These days it’s where I spend most of my time, crafting mysteries both national and international and always with sense of suspense, and for good measure, a little whimsey.
When it comes to female heroism and the ultimate sacrifice to save not only lives but those cultural icons that herold times past, I have to say Laura Morelli’s The Night Portrait is top of my list.
Morelli successfully blends two timelines 500 years apart. A 16-year-old girl is mistress to the Duke of Millan and poses for Leonardo da Vinci, in hopes of securing her future.
Five hundred years later, as World War 2 breaks out, another young woman is charged with securing her future by agreeing to see da Vinci’s painting, now in the hands of a Nazi war criminal, is successfully transferred to an American soldier working with the Monuments Men. Security. War. Death. Destruction. Morelli has written it all.
Whether it was 500 years ago or today, Morelli has penned a novel of man’s basic need for peace and security in order to thrive, and of…
The Tattooist of Auschwitz meets Girl with a Pearl Earring in this gripping, dual-timeline historical novel about one of Leonardo da Vinci's most famous paintings and the woman who fought to save it from the Nazis.
'Simply a masterpiece... Fans of Kristin Hannah's Nightingale and Anthony Doerr's All the Light We Cannot See will delight in this epic novel' Lori Nelson Spielman
Between 1939 and 1943, the Nazis attempted to steal every known painting by Leonardo Da Vinci, imprisoning the original owners or worse. This is the story of the most infamous of…
I love Catholic historical romance novels for what they do and don’t include. They feature history, multiple characters, community and faith that together set a rich stage for love stories. The novels don’t include graphic violence or sex scenes. A former journalist, I started writing in the genre because I couldn’t find what I wanted to read. I’m both traditionally and indie published. I’m a member of the Catholic Writers Guild, as are the authors whose books are listed here. Family and community play important roles in my books. They show how a couple is never an isolated pair but always part of a multilayered world. Just like real life.
I didn’t realize Playing By Heart was a Young Adult book until I finished reading. I was too engrossed in the story about a musical prodigy in 18th century Italy. The romance arc is central but subdued, as the heroine is still a young teenager when this coming-of-age story begins. Her behavior is shaped by family, faith and cultural restrictions. The story placed me in the world of Italian nobility as I followed the heroine and her sisteras they received above-average educations for their time. (Their father has a reason.) Mature adults will enjoy this book. At least I did! I was delighted to learn the main character and her sister are based on real sisters who were 18th century Italian musical and academic prodigies.
Emilia Salvini dreams of marrying a man who loves music as much as she does. But in 18th-century Milan, being the "second sister" means she'll likely be sent to a convent instead. Emilia's only hope is to prove her musical talents crucial to her father's quest for nobility. First, though, she must win over her music tutor, who disdains her simply for being a girl. But before she can carry out her plan, a tragedy sends the family into mourning.
In her sorrow, Emilia composes a heartrending sonata that causes the maestro to finally recognize her talent. He begins teaching…
I love my family. I can’t do without them. I have three siblings, and I’m the oldest. My father is a hard-working Texas man who I like to compare to Gus from Lonesome Dove. My mother is a lady. Like Jackie. She’s a classic. This made for interesting suppers. We were expected to behave like royalty while our father wanted us to “pull his finger”. I can’t tell you the mischief that went on in my house. And the fanciness. Oh, my heavens, the fanciness. My mother has so many teapots. My family is the reason I can tell stories, and I applaud any author who makes family come alive.
Slightly Dangerous is a Regency romance, and it’s book 6 in the Slightly series. Wulfric Bedwyn is the hero, and I would compare him to Fitzwilliam Darcy. To understand Wulfric, to see him as he truly deserves, you should read the first 5 books in the series, as well. You will discover a family of six stubborn, risk-taking, highly intelligent siblings, headed by Wulfric. And Wulfric is, without a doubt, the most misunderstood. And the most brilliant. My heart pounds every time he speaks. I can’t tell you how much I longed for his family to learn how much he cares. And he cares deeply. The Bedwyns are a rowdy bunch. You’ll adore them!
All of London is abuzz over the imminent arrival of Wulfric Bedwyn, the reclusive, cold-as-ice Duke of Bewcastle, at the most glittering social event of the season. Some whisper of a tragic love affair. Others say he is so aloof and passionless that not even the greatest beauty could capture his attention. But on this dazzling afternoon, one woman does catch the duke's eye - and she is the only female in the room who isn't even trying. Christine Derrick is intrigued by the handsome duke...all the more so when he invites her to become his mistress.
I’m an author of over seventy romance books and have been a romance reader all my life. I think the first book I wrote (at the age of eight) featured a kiss. Yes, I was precocious, but in my defense, I was spying on my much older sister and her boyfriend at the time. Reading and writing romance is my passion, and I love spending my days creating independent, intelligent, and feisty heroines and hot, smart, modern men. I’m lucky enough to spend my days doing what I love. I hope you love the books on my list, and that they bring you as much pleasure (and an escape from reality) as they did me.
We’ve all watched The Bridgetons on Netflix, but the books are better!
This is Anthony’s story, and my favourite of Quinn’s Bridgerton series. It’s witty and wonderful, with a strong heroine and a swoony hero! Anthony had made up his mind to wed Kate’s sister, but Kate’s not having any of it!
In her opinion, reformed rakes are not good husband material! Kate and Anthony’s rocky road to love is brilliant, witty, and wonderful.
The inspiration for season two of BRIDGERTON, a series created by Shondaland for Netflix, from #1 New York Times bestselling author Julia Quinn: the story of Anthony Bridgerton in the second of her beloved Regency-set novels featuring the charming, powerful Bridgerton family.
ANTHONY'S STORY
This time the gossip columnists have it wrong. London's most elusive bachelor Anthony Bridgerton hasn't just decided to marry-he's even chosen a wife! The only obstacle is his intended's older sister, Kate Sheffield-the most meddlesome woman ever to grace a London ballroom. The spirited schemer is driving Anthony mad with…
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