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The Creation of Anne Boleyn.
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When I was a child, I was forever drawing pictures of princesses in elaborate medieval and early modern dress. I devoured history books—especially those containing artworks that helped me visualize the people whose names rang out from their pages. Inexplicably, I was passionate about France and French language and culture from my primary school years. Then, in my early twenties, I stumbled onto Umberto Eco’s, The Name of the Rose, which appeared in English translation around 1983. History has been, and remains, my passion (as do whodunits). I have been passionately obsessed with in my research for over two decades—uncovering the truth that lies beneath the spin and the ashes.
Theresa starts our journey into the past life of Catherine of Aragon, whom many regard very mistakenly as a victim, with a pair of shoes, a painting, a rosary, a fur-trimmed baby blanket. She shows us how each of these things took meaning from the ways Catherine experienced and perceived them. Upon these traces and fragments, her portrait of Catherine emerges, and we glimpse her life lived five centuries ago. Engagingly written by Theresa in her clear and elegant prose, her cultural and emotional biography of Catherine truly brings us closer to understanding her life from her own perspective.
Despite her status as a Spanish infanta, Princess of Wales, and Queen of England, few of her personal letters have survived, and she is obscured in the contemporary royal histories. In this evocative biography, Theresa Earenfight presents an intimate and engaging portrait of Catherine told through the objects that she left behind.
A pair of shoes, a painting, a rosary, a fur-trimmed baby blanket-each of these things took meaning from the ways Catherine experienced and perceived them. Through an examination of the inventories listing the few possessions Catherine owned at her death, Earenfight…
After working on the writings of the 15th-century French writer Christine de Pizan for a while I turned to researching the queen of France whom Christine addresses in some of her works. As I read the primary sources, it quickly became clear to me that poor Isabeau of Bavaria’s terrible reputation had been produced by misogynistic and nationalistic nineteenth-century French historians who promulgated images of political women as promiscuous harridans. I was astounded. How could it be that we were still circulating simplistic old narratives of incompetence and debauchery without critically examining what people of the times had to say?
I have been studying the afterlives of infamous noblewomen ever since.
Mariana of Austria (1634-96) has long been underestimated. Regent for her young son, Carlos II, last Habsburg ruler of Spain, she is reputed to have been pig-headed, incompetent, and not very bright. The famous Velasquez painting showing her in a skirt too wide to fit through a door and hair stretching out like an accordion has not helped her reputation. But Silvia Mitchell has mined the archives and produced a wonderful revision of this queen’s regency, showing how, over the course of her regency, Mariana led the Spanish monarchy into transformative military and diplomatic alliances with the English and the Dutch and, through her style of ruling, helped bring about a new political culture. This study makes clear how much our picture of pre-modern politics has been distorted by the failure to take female roles seriously.
When Philip IV of Spain died in 1665, his heir, Carlos II, was three years old. In addition to this looming dynastic crisis, decades of enormous military commitments had left Spain a virtually bankrupt state with vulnerable frontiers and a depleted army. In Silvia Z. Mitchell's revisionist account, Queen, Mother, and Stateswoman, Queen Regent Mariana of Austria emerges as a towering figure at court and on the international stage, while her key collaborators-the secretaries, ministers, and diplomats who have previously been ignored or undervalued-take their rightful place in history.
Mitchell provides a nuanced account of Mariana of Austria's ten-year regency…
I was a stubborn teenager, and growing up, I vocally declared I would never set foot in Spain. The Spanish Empire was oppressive! It was full of religious fanatics! Yet… in college I took a course on Spain’s Golden Age, and for the first time I saw a different side of history, full of paradoxes and contradictions, Inquisitors and female mystics, bumbling priests and powerful nuns, decadence and poverty, emperors, tricksters, artists, pirates, scientists, and everything in between. Spain of the sixteenth through eighteenth centuries was extraordinarily complex and far from one-dimensional. Now, years later, I have travelled to Spain over twenty times, lived in Pamplona, and I am a historian of early modern Spain at Penn State University.
This older book remains one of my favorites because it challenges a number of easy assumptions about queenship, mental illness, and political strategy. Juana was the third child of Isabella and Ferdinand, trained and educated to marry for diplomatic alliance, but never expected to reign in her own right. Yet early modern dynastic strategy was at the mercy of mortality and fertility, and Juana eventually became the unlikely monarch of Spain and the mother of the powerful line of Habsburg kings of Spain. Juana is typically dismissed as mentally unstable following the death of her husband. This book reexamines this stereotype, arguing that her eccentric behavior may have been strategic given the limitations placed upon her by her family, and deployed intentionally to protect herself and her children’s inheritance.
Born to Isabel and Ferdinand, the Catholic Monarchs whose marriage united the realms of Castile and Aragon, Juana "the Mad" (1479-1555) is one of the most infamous but least studied monarchs of the Renaissance. Conventional accounts of Juana portray her as a sullen woman prone to depression, a jealous wife insanely in love with her husband, and an incompetent queen who was deemed by her father, husband, and son, unable to govern herself much less her kingdoms. But was Juana truly mad or the victim of manipulative family members who desired to rule in her stead? Drawing upon recent scholarship…
After working on the writings of the 15th-century French writer Christine de Pizan for a while I turned to researching the queen of France whom Christine addresses in some of her works. As I read the primary sources, it quickly became clear to me that poor Isabeau of Bavaria’s terrible reputation had been produced by misogynistic and nationalistic nineteenth-century French historians who promulgated images of political women as promiscuous harridans. I was astounded. How could it be that we were still circulating simplistic old narratives of incompetence and debauchery without critically examining what people of the times had to say?
I have been studying the afterlives of infamous noblewomen ever since.
My first three picks are scholarly studies. This book is more popular history in the sense that it lays out Lucrezia’s family and cultural contexts in detail for non-specialists. Bradford brings the period to life and shows the extent to which Lucrezia’s reputation was the inevitable product of the intrigues that surrounded her. She was nothing like the promiscuous, depraved, monstrous creature she is supposed to have been. The contrast that Bradford gives us between the bloodthirsty legend and the cultured and intelligent human being is so stunning that you will never take anything you read about an infamous woman at face value again.
Sarah Bradford's Lucrezia Bogia: Life, Love and Death in Renaissance Italy is the first biography of Lucrezia Borgia for over sixty years
.Lucrezia Borgia - an infamous murderess or simply the victim of bad press? Lucrezia Borgia's name has echoed through history as a byword for evil - a poisoner who committed incest with her natural father, Pope Alexander VI, and with her brother, Cesare Borgia. Long considered the most ruthless of Italian Renaissance noblewomen, her tarnished reputation has prevailed long since her own lifetime. In this definitive biography, a work of huge scholarship and erudition, Sarah Bradford gives a…
Reading Historical Fiction as a youngster led me to study history at university – so the Tudors have been part of my life for about forty years now. After graduating with a Master’s degree, my career choice was easy. Of my thirteen novels, ten are Tudor, covering among others, the lives of Margaret Beaufort, Elizabeth of York, Anne Boleyn, Katheryn Parr, Mary Tudor, and King Henry VIII himself. It isn’t necessarily ‘normal’ to live in such close proximity to the Tudors, but I would be hard pushed to write in a modern setting. Give me an ill-lit chamber, a royal banquet, or even a grisly beheading and I am perfectly at home.
I was immediately drawn to the first book in Karen Heenan’s Tudor trilogy because of the perspective from which it was written. Despite studying the period for more than thirty years, I knew next to nothing about the lives of royal minstrels. I enjoyed stories that are set against the familiar backdrop of Henry VIII’s court and especially liked this one as it is both well-researched and written. I thoroughly recommend this series.
She came from nothing. One false note could send her back.
Ten-year-old Bess is only good at one thing—singing, which has no place in her family’s bleak existence. When her father sells her to the king of England, she balances the loss of all she’s known against a world of music and plenty, and builds a new life as a royal minstrel, earning the nickname the king's songbird.
Bess comes of age in the dangerous Tudor court, where the stakes are always high, and where politics, heartbreak, and disease threaten everyone from the king to the lowliest musician.
Tracy Borman is a historian and novelist specialising in the Tudor period and has written a number of best-selling books, including The Private Lives of the Tudors, Thomas Cromwell, and Elizabeth’s Women. She is also a popular broadcaster and has presented numerous history documentaries, including Channel 5’s The Fall of Anne Boleyn and Inside the Tower of London. Alongside this, she is the joint Chief Curator of Historic Royal Palaces and Chief Executive of the Heritage Education Trust.
There is no doubt that the sixteenth century was a man’s world. Women were treated as second-class citizens and viewed as inferior in every single respect: mentally, physically and emotionally. Yet it was also the era of powerful female sovereigns, consorts and regents. Sarah Gristwood’s beautifully written and well-researched study follows the varying fortunes of some of the period’s most formidable matriarchs, from Isabella of Castile to the six wives of Henry VIII.
A BBC History magazine Book of the Year and an amazon.com Best Book of the Month
As religion divided sixteenth-century Europe, an extraordinary group of women rose to power. They governed nations while kings fought in foreign lands. They ruled on behalf of nephews, brothers and sons. They negotiated peace between their warring nations. For decades, they ran Europe. Small wonder that it was in this century that the queen became the most powerful piece on the chessboard.
From mother to daughter and mentor to protegee, Sarah Gristwood follows the passage of power from Isabella of Castile and Anne de…
I’m Natalia Richards and I have written two novels on Anne Boleyn. My passion for Tudor stuff began over 50 years ago after watching the film Anne of the Thousand Days. I’d always loved the Tudors and by the 1980’s had a go at writing a novel about her. Sadly, it descended into a bodice ripper. It was a first try though, and I still have it if ever I want a good laugh. It took me until the new millennium to start seriously writing and I’m sure there is not a single book out there that I have not read about Anne!
I have read this expertly written book a dozen times, as well as having it on audio. It’s one of those works that flows brilliantly as it tells the true story of Jane Parker, the girl who married George Boleyn, Anne Boleyn’s brother.
Scrupulously researched, it’s a gripping tale of how a young, innocent girl with a dazzling life ahead of her became embroiled in a complete nightmare at the Tudor Court. I love the easy style of writing, the drama, and the tragedy of her riveting story. I find it both fascinating and horrifying that Jane’s life took such a bad turn.
The story of Henry VIII's queens - as seen through the eyes of Jane Rochford, sister-in-law to Anne Boleyn and cousin to Katherine Howard. 'Outstanding ... fascinating and moving' Amanda Foreman, bestselling author of THE DUCHESS
Jane Rochford was sister-in-law to Anne Boleyn and Lady of the Bedchamber to Katherine Howard, whom she followed to the scaffold in 1542. Hers is a life of extraordinary drama as a witness to, and participant in, the greatest events of Henry's reign.
She arrived at court as a teenager when Katherine of Aragon was queen. Even before Henry's marriage to Anne, her own…
I was born within sight of Pembroke Castle, the birthplace of Henry Tudor, who later became King Henry VII and began the Tudor Dynasty, so I’ve always had an interest in his story. I found several biographies, but no novels which brought the truth of his story to life. The idea for the Tudor Trilogy occurred to me when I realised Henry Tudor could be born in book one, ‘come of age’ in book two, and rule England as king in book three. Since then, I’ve continued to follow the Tudor ‘thread’ all the way from Owen Tudor’s first meeting with Catherine of Valois to the death of Queen Elizabeth I.
Evocative and atmospheric, the second book in Natalia Richards' series on the life of Anne Boleyn covers her time in France. Often skimmed over by historians, understandably keen to move on to the tragedy of Anne's later life, this immersive, first-person narrative places the reader firmly in Anne's shoes. I particularly enjoyed Natalia's description of the sights (and smells) of medieval Paris, and to find myself at The Field of Cloth of Gold, where King Henry VIII met King François I of France.
Anne Boleyn's life is threatened, intrigue, gossip and treachery abound, and her destiny is finally revealed.
A young Anne Boleyn and her sister are sent to Paris to attend Mary Tudor, the new Queen of France. Unclear where her loyalties should lie, Anne soon makes an enemy of the queen. When the widowed Mary returns to England, Anne stays on in France to serve the new queen, Claude, but Anne's sister's actions put the girls' new court career at risk.
A dangerous love affair follows and Anne finds an unlikely ally in the French king's mistress.
By day, I am a freelance grant writer for impactful nonprofits…but by night I indulge a passion for the Tudor era I have harbored since I was eight years old and my parents let me stay up late to watch The Six Wives of Henry VIII and Elizabeth R. My Seymour Saga took me deep into one of the era’s central families – and now I am working on my follow up Regina trilogy, exploring Elizabeth’s journey from bastard to icon. I also run a blog where I post interesting takes on the Tudors – I need somewhere to share all the fascinating tidbits I can’t cram into my books!
This is non-fiction that reads as smoothly as fiction (except it’s all true); there is also a “sequel” about his children that is well worth a read. Lately, Weir has been writing novels set in the period, but I don’t like her fiction nearly as much as I love her non-fiction!
One of the most powerful monarchs in British history, Henry VIII ruled England in unprecedented splendour.
In this remarkable composite biography, Alison Weir brings Henry's six wives vividly to life, revealing each as a distinct and compelling personality in her own right. Drawing upon the rich fund of documentary material from the Tudor period, The Six Wives of Henry VIII shows us a court where personal needs frequently influenced public events and where a life of gorgeously ritualised pleasure was shot through with ambition, treason and violence.
'At last we have the truth about Henry VIII's wives. This book is…
It was during the epistemological craziness around the year 2000 that I christened myself a truth warrior. I was already a scientist. Yet I knew there were other important truths, not of the mind but of the heart, truths we discover and marvel over in the realm of art. So as a biology professor I was granted a sabbatical to write the second of three of my novels, about Pliny the Elder. It is through literature, some of my own making, that I find new ways of seeing and experiencing the world: and of discovering and validating what is true, and what is not.
Though I did enjoy the earlier Wolf Hall I found Bring Up the Bodies more readable and compelling.
Hilary Mantel paints intimate word pictures of Henry VIII, Anne Boleyn, Jane Seymour, and especially Thomas Cromwell, struggling to make his way through the minefield of political intrigue at Henry’s court. Though it is against almost every principle he holds dear, Cromwell charts a course which one step at a time ultimately brings Anne Boleyn down.
Finding himself in an almost impossible situation, he agonizes over every decision, looking at it from many sides: legal, political, ethical, spiritual, and religious. Meanwhile not far in the background we see the Church’s Pope Clement trying desperately, like Oz’s man behind the curtain, to control events.
Mantel’s genius was her ability to transform dry history into compelling, character-driven stories.
The second book in Hilary Mantel's award-winning Wolf Hall trilogy, with a stunning new cover design to celebrate the publication of the much anticipated The Mirror and the Light
An astounding literary accomplishment, Bring Up the Bodies is the story of this most terrifying moment of history, by one of our greatest living novelists.
'Our most brilliant English writer' Guardian
Bring Up the Bodies unlocks the darkly glittering court of Henry VIII, where Thomas Cromwell is now chief minister. With Henry captivated by plain Jane Seymour and rumours of Anne Boleyn's faithlessness whispered by…
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