Here are 100 books that Catherine of Aragon fans have personally recommended if you like
Catherine of Aragon.
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When I was a child, I was forever drawing pictures of princesses in elaborate medieval and early modern dress. I devoured history books—especially those containing artworks that helped me visualize the people whose names rang out from their pages. Inexplicably, I was passionate about France and French language and culture from my primary school years. Then, in my early twenties, I stumbled onto Umberto Eco’s, The Name of the Rose, which appeared in English translation around 1983. History has been, and remains, my passion (as do whodunits). I have been passionately obsessed with in my research for over two decades—uncovering the truth that lies beneath the spin and the ashes.
With this excellent and seamlessly co-authored study, Christine and Tracy have Adams delve into the creation of the post of the royal significant other—an often-overlooked category of premodern female power and influence. They move beyond the salacious to an intellectual understanding of the complementarity of gendered premodern political power.
Kings throughout medieval and early modern Europe had extraconjugal sexual partners. Only in France, however, did the royal mistress become a quasi-institutionalized political position. This study explores the emergence and development of the position of French royal mistress through detailed portraits of nine of its most significant incumbents: Agnes Sorel, Anne de Pisseleu d'Heilly, Diane de Poitiers, Gabrielle d'Estrees, Francoise Louise de La Baume Le Blanc, Francoise Athenais de Rochechouart de Mortemart, Francoise d'Aubigne, Jeanne-Antoinette Poisson, and Jeanne Becu.
Beginning in the fifteenth century, key structures converged to create a space at court for the royal mistress. The first was…
After working on the writings of the 15th-century French writer Christine de Pizan for a while I turned to researching the queen of France whom Christine addresses in some of her works. As I read the primary sources, it quickly became clear to me that poor Isabeau of Bavaria’s terrible reputation had been produced by misogynistic and nationalistic nineteenth-century French historians who promulgated images of political women as promiscuous harridans. I was astounded. How could it be that we were still circulating simplistic old narratives of incompetence and debauchery without critically examining what people of the times had to say?
I have been studying the afterlives of infamous noblewomen ever since.
Mariana of Austria (1634-96) has long been underestimated. Regent for her young son, Carlos II, last Habsburg ruler of Spain, she is reputed to have been pig-headed, incompetent, and not very bright. The famous Velasquez painting showing her in a skirt too wide to fit through a door and hair stretching out like an accordion has not helped her reputation. But Silvia Mitchell has mined the archives and produced a wonderful revision of this queen’s regency, showing how, over the course of her regency, Mariana led the Spanish monarchy into transformative military and diplomatic alliances with the English and the Dutch and, through her style of ruling, helped bring about a new political culture. This study makes clear how much our picture of pre-modern politics has been distorted by the failure to take female roles seriously.
When Philip IV of Spain died in 1665, his heir, Carlos II, was three years old. In addition to this looming dynastic crisis, decades of enormous military commitments had left Spain a virtually bankrupt state with vulnerable frontiers and a depleted army. In Silvia Z. Mitchell's revisionist account, Queen, Mother, and Stateswoman, Queen Regent Mariana of Austria emerges as a towering figure at court and on the international stage, while her key collaborators-the secretaries, ministers, and diplomats who have previously been ignored or undervalued-take their rightful place in history.
Mitchell provides a nuanced account of Mariana of Austria's ten-year regency…
I was a stubborn teenager, and growing up, I vocally declared I would never set foot in Spain. The Spanish Empire was oppressive! It was full of religious fanatics! Yet… in college I took a course on Spain’s Golden Age, and for the first time I saw a different side of history, full of paradoxes and contradictions, Inquisitors and female mystics, bumbling priests and powerful nuns, decadence and poverty, emperors, tricksters, artists, pirates, scientists, and everything in between. Spain of the sixteenth through eighteenth centuries was extraordinarily complex and far from one-dimensional. Now, years later, I have travelled to Spain over twenty times, lived in Pamplona, and I am a historian of early modern Spain at Penn State University.
This older book remains one of my favorites because it challenges a number of easy assumptions about queenship, mental illness, and political strategy. Juana was the third child of Isabella and Ferdinand, trained and educated to marry for diplomatic alliance, but never expected to reign in her own right. Yet early modern dynastic strategy was at the mercy of mortality and fertility, and Juana eventually became the unlikely monarch of Spain and the mother of the powerful line of Habsburg kings of Spain. Juana is typically dismissed as mentally unstable following the death of her husband. This book reexamines this stereotype, arguing that her eccentric behavior may have been strategic given the limitations placed upon her by her family, and deployed intentionally to protect herself and her children’s inheritance.
Born to Isabel and Ferdinand, the Catholic Monarchs whose marriage united the realms of Castile and Aragon, Juana "the Mad" (1479-1555) is one of the most infamous but least studied monarchs of the Renaissance. Conventional accounts of Juana portray her as a sullen woman prone to depression, a jealous wife insanely in love with her husband, and an incompetent queen who was deemed by her father, husband, and son, unable to govern herself much less her kingdoms. But was Juana truly mad or the victim of manipulative family members who desired to rule in her stead? Drawing upon recent scholarship…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
After working on the writings of the 15th-century French writer Christine de Pizan for a while I turned to researching the queen of France whom Christine addresses in some of her works. As I read the primary sources, it quickly became clear to me that poor Isabeau of Bavaria’s terrible reputation had been produced by misogynistic and nationalistic nineteenth-century French historians who promulgated images of political women as promiscuous harridans. I was astounded. How could it be that we were still circulating simplistic old narratives of incompetence and debauchery without critically examining what people of the times had to say?
I have been studying the afterlives of infamous noblewomen ever since.
My first three picks are scholarly studies. This book is more popular history in the sense that it lays out Lucrezia’s family and cultural contexts in detail for non-specialists. Bradford brings the period to life and shows the extent to which Lucrezia’s reputation was the inevitable product of the intrigues that surrounded her. She was nothing like the promiscuous, depraved, monstrous creature she is supposed to have been. The contrast that Bradford gives us between the bloodthirsty legend and the cultured and intelligent human being is so stunning that you will never take anything you read about an infamous woman at face value again.
Sarah Bradford's Lucrezia Bogia: Life, Love and Death in Renaissance Italy is the first biography of Lucrezia Borgia for over sixty years
.Lucrezia Borgia - an infamous murderess or simply the victim of bad press? Lucrezia Borgia's name has echoed through history as a byword for evil - a poisoner who committed incest with her natural father, Pope Alexander VI, and with her brother, Cesare Borgia. Long considered the most ruthless of Italian Renaissance noblewomen, her tarnished reputation has prevailed long since her own lifetime. In this definitive biography, a work of huge scholarship and erudition, Sarah Bradford gives a…
After working on the writings of the 15th-century French writer Christine de Pizan for a while I turned to researching the queen of France whom Christine addresses in some of her works. As I read the primary sources, it quickly became clear to me that poor Isabeau of Bavaria’s terrible reputation had been produced by misogynistic and nationalistic nineteenth-century French historians who promulgated images of political women as promiscuous harridans. I was astounded. How could it be that we were still circulating simplistic old narratives of incompetence and debauchery without critically examining what people of the times had to say?
I have been studying the afterlives of infamous noblewomen ever since.
This book is a delight, from start to finish. I read it in one sitting. Like Lucrezia Borgia, it is both popular and erudite, but it does not recount the titular protagonist’s biography. Instead, it goes through all of the myths that have been floating around this unfortunate queen since her own lifetime. Bordo separates contemporary slander from fact, but then goes on to follow how the legend of Anne Boleyn was developed over the centuries in histories, fiction, and film. This study is also explicitly a study of how a legend takes hold and evolves.
Part biography, part cultural history, The Creation of Anne Boleyn is a fascinating reconstruction of Anne's life and an illuminating look at her afterlife in the popular imagination.
Why is Anne so compelling? Why does she inspire such extreme reactions? And what really was the colour of her hair? And perhaps the most provocative question concerns Anne's death, more than her life: how could Henry order the execution of his once beloved wife? Drawing on scholarship and popular culture, Bordo probes the complexities of one of history's most infamous relationships and teases out the woman behind the myths.
When I was a child, I was forever drawing pictures of princesses in elaborate medieval and early modern dress. I devoured history books—especially those containing artworks that helped me visualize the people whose names rang out from their pages. Inexplicably, I was passionate about France and French language and culture from my primary school years. Then, in my early twenties, I stumbled onto Umberto Eco’s, The Name of the Rose, which appeared in English translation around 1983. History has been, and remains, my passion (as do whodunits). I have been passionately obsessed with in my research for over two decades—uncovering the truth that lies beneath the spin and the ashes.
Carole Levin’s magisterial work has now appeared in its second edition, a testament to its importance. Carole explores the myriad ways the unmarried, childless Elizabeth represented herself and the ways members of her court, foreign ambassadors, and subjects represented and responded to her as a public figure. Like her recently deceased successor, Elizabeth II, Elizabeth Tudor understood that she had to be seen to be believed. She fashioned herself into both the Virgin Queen and the mother of her people. Carole interrogates the gender constructions, role expectations, and beliefs about sexuality that influenced her public persona and the way she was perceived as a female Protestant ruler and points us to paths along which can travel to investigate other female monarchs regardless of time period and on a global scale.
In her famous speech to rouse the English troops staking out Tilbury at the mouth of the Thames during the Spanish Armada's campaign, Queen Elizabeth I is said to have proclaimed, "I may have the body of a weak and feeble woman, but I have the heart and stomach of a king." Whether or not the transcription is accurate, the persistent attribution of this provocative statement to England's most studied and celebrated queen illustrates some of the contradictions and cultural anxieties that dominated the collective consciousness of England during a reign that lasted from 1558 until 1603.
In The Heart…
Marriage and Fatherhood in the Nazi SS
By
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
When I was a child, I was forever drawing pictures of princesses in elaborate medieval and early modern dress. I devoured history books—especially those containing artworks that helped me visualize the people whose names rang out from their pages. Inexplicably, I was passionate about France and French language and culture from my primary school years. Then, in my early twenties, I stumbled onto Umberto Eco’s, The Name of the Rose, which appeared in English translation around 1983. History has been, and remains, my passion (as do whodunits). I have been passionately obsessed with in my research for over two decades—uncovering the truth that lies beneath the spin and the ashes.
This book appeared just as I was on the point of completing my doctoral thesis. It helped me to understand the importance of examining a queen and/or elite premodern woman’s networks—familial, political, diplomatic, friendship and how these networks underpinned her use of both soft and indeed hard power. When the document trail goes cold in the archives, looking more closely at female networks and how they played out is a great way of overcoming gaps and erasures—both deliberate and accidental. It remains a durable and very influential study and a bonus for non-Ibericists as it is in English.
Based on an exhaustive and varied study of predominantly unpublished archival material as well as a variety of literary and non-literary sources, this book investigates the relation between patronage, piety and politics in the life and career of one Late Medieval Spain's most intriguing female personalities, Maria De Luna.
When I was a child, I was forever drawing pictures of princesses in elaborate medieval and early modern dress. I devoured history books—especially those containing artworks that helped me visualize the people whose names rang out from their pages. Inexplicably, I was passionate about France and French language and culture from my primary school years. Then, in my early twenties, I stumbled onto Umberto Eco’s, The Name of the Rose, which appeared in English translation around 1983. History has been, and remains, my passion (as do whodunits). I have been passionately obsessed with in my research for over two decades—uncovering the truth that lies beneath the spin and the ashes.
I recommend this book not on the basis of my co-editorship with Lisa but rather on the basis that the essays contained in it speak to the unexceptionality of premodern female power and influence in both the fantasy fiction world and in historiography and how these sometimes reflect one another—without forcing the issue. The germ of the idea for the essay collection came with the screening of the sixth series HBO television cultural phenomenon when all of a sudden the female characters started to emerge as leaders and belligerents in the quest for the Iron Throne and all that that entailed.
Is the world of George R. R. Martin's A Song of Ice and Fire and HBO's Game of Thrones really medieval? How accurately does it reflect the real Middle Ages? Historians have been addressing these questions since the book and television series exploded into a cultural phenomenon. For scholars of medieval and early modern women, they offer a unique vantage point from which to study the intersections of elite women and popular understandings of the premodern world. This volume is a wide-ranging study of those intersections. Focusing on female agency and the role of advice, it finds a wealth of…
Even in childhood, I was struck by the sheer horror and tragedy of Henry VIII’s wives, women who had a place at the heart of power and managed, some more so than others, to influence the politics of their time, yet were powerless to save themselves when the wind changed. It was a fascinating and turbulent period that saw England rise from a provincial backwater to become an important player in European politics, bringing the social and cultural changes that sewed the seeds of our modern world. Exploring the period through the prism of women’s lives is a major aim of all my six novels.
No list of books about Henry VIII’s wives is complete without one of Philippa Gregory’s. She has written numerous fictional accounts of these women, most famously The Other Boleyn Girl, which was adapted into a feature film starring Scarlett Johansson. I have chosen this one as it tells the fascinating story of Catherine of Aragon, Henry's first wife, who was also married to his older brother Arthur. Gregory, in her typically arresting style, depicts the child bride, a pawn in European politics, brought over from Spain to marry the heir to the English throne, only to be widowed within months, and the impossible political situation she found herself in.
Splendid and sumptuous historical novel from this internationally bestselling author, telling of the early life of Katherine of Aragon. We think of her as the barren wife of a notorious king; but behind this legacy lies a fascinating story. Katherine of Aragon is born Catalina, the Spanish Infanta, to parents who are both rulers and warriors. Aged four, she is betrothed to Arthur, Prince of Wales, and is raised to be Queen of England. She is never in doubt that it is her destiny to rule that far-off, wet, cold land. Her faith is tested when her prospective fahter-in-law greets…
I grew up thinking that being adopted didn’t matter. I was wrong. This book is my journey uncovering the significance and true history of adoption practices in America. Now, in the wake of the U.S. Supreme Court’s overturning of Roe v. Wade, the renewed debate over women’s reproductive rights places…
I’m Natalia Richards and I have written two novels on Anne Boleyn. My passion for Tudor stuff began over 50 years ago after watching the film Anne of the Thousand Days. I’d always loved the Tudors and by the 1980’s had a go at writing a novel about her. Sadly, it descended into a bodice ripper. It was a first try though, and I still have it if ever I want a good laugh. It took me until the new millennium to start seriously writing and I’m sure there is not a single book out there that I have not read about Anne!
This book is considered by many to be ‘the bible’ for all Anne Boleyn fans and I imagine it is the number one go-to book. Covering her life from birth to death, it is so scholarly that I use it constantly as a reference book.
What is good is that it fully exposes the circumstances that led to Anne’s death, and you can clearly see how it came about – and why the king had to get rid of her. But it is not a dry textbook. Everyone can enjoy it as it’s easy to read, hard to put down, and immaculately researched.
If you are thinking about writing about Anne Boleyn this must be your first reference book. In fact, if you buy only one book about Anne, this is it.
This definitive biography of Anne Boleyn establishes her as a figure of considerable importance and influence in her own right.
A full biography of Anne Boleyn, based on the latest scholarly research.
Focusses on Anne's life and legacy and establishes Anne as a figure of considerable importance and influence in her own right.
Adulteress or innocent victim? Looks afresh at the issues at the heart of Anne's downfall.
Pays attention to her importance as a patron of the arts, particularly in relation to Hans Holbein.
Presents evidence about Anne's spirituality and her interest in the intellectual debates of the period.…
