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When I was a child, I was forever drawing pictures of princesses in elaborate medieval and early modern dress. I devoured history books—especially those containing artworks that helped me visualize the people whose names rang out from their pages. Inexplicably, I was passionate about France and French language and culture from my primary school years. Then, in my early twenties, I stumbled onto Umberto Eco’s, The Name of the Rose, which appeared in English translation around 1983. History has been, and remains, my passion (as do whodunits). I have been passionately obsessed with in my research for over two decades—uncovering the truth that lies beneath the spin and the ashes.
Theresa starts our journey into the past life of Catherine of Aragon, whom many regard very mistakenly as a victim, with a pair of shoes, a painting, a rosary, a fur-trimmed baby blanket. She shows us how each of these things took meaning from the ways Catherine experienced and perceived them. Upon these traces and fragments, her portrait of Catherine emerges, and we glimpse her life lived five centuries ago. Engagingly written by Theresa in her clear and elegant prose, her cultural and emotional biography of Catherine truly brings us closer to understanding her life from her own perspective.
Despite her status as a Spanish infanta, Princess of Wales, and Queen of England, few of her personal letters have survived, and she is obscured in the contemporary royal histories. In this evocative biography, Theresa Earenfight presents an intimate and engaging portrait of Catherine told through the objects that she left behind.
A pair of shoes, a painting, a rosary, a fur-trimmed baby blanket-each of these things took meaning from the ways Catherine experienced and perceived them. Through an examination of the inventories listing the few possessions Catherine owned at her death, Earenfight…
When I was a child, I was forever drawing pictures of princesses in elaborate medieval and early modern dress. I devoured history books—especially those containing artworks that helped me visualize the people whose names rang out from their pages. Inexplicably, I was passionate about France and French language and culture from my primary school years. Then, in my early twenties, I stumbled onto Umberto Eco’s, The Name of the Rose, which appeared in English translation around 1983. History has been, and remains, my passion (as do whodunits). I have been passionately obsessed with in my research for over two decades—uncovering the truth that lies beneath the spin and the ashes.
Carole Levin’s magisterial work has now appeared in its second edition, a testament to its importance. Carole explores the myriad ways the unmarried, childless Elizabeth represented herself and the ways members of her court, foreign ambassadors, and subjects represented and responded to her as a public figure. Like her recently deceased successor, Elizabeth II, Elizabeth Tudor understood that she had to be seen to be believed. She fashioned herself into both the Virgin Queen and the mother of her people. Carole interrogates the gender constructions, role expectations, and beliefs about sexuality that influenced her public persona and the way she was perceived as a female Protestant ruler and points us to paths along which can travel to investigate other female monarchs regardless of time period and on a global scale.
In her famous speech to rouse the English troops staking out Tilbury at the mouth of the Thames during the Spanish Armada's campaign, Queen Elizabeth I is said to have proclaimed, "I may have the body of a weak and feeble woman, but I have the heart and stomach of a king." Whether or not the transcription is accurate, the persistent attribution of this provocative statement to England's most studied and celebrated queen illustrates some of the contradictions and cultural anxieties that dominated the collective consciousness of England during a reign that lasted from 1558 until 1603.
In The Heart…
When I was a child, I was forever drawing pictures of princesses in elaborate medieval and early modern dress. I devoured history books—especially those containing artworks that helped me visualize the people whose names rang out from their pages. Inexplicably, I was passionate about France and French language and culture from my primary school years. Then, in my early twenties, I stumbled onto Umberto Eco’s, The Name of the Rose, which appeared in English translation around 1983. History has been, and remains, my passion (as do whodunits). I have been passionately obsessed with in my research for over two decades—uncovering the truth that lies beneath the spin and the ashes.
This book appeared just as I was on the point of completing my doctoral thesis. It helped me to understand the importance of examining a queen and/or elite premodern woman’s networks—familial, political, diplomatic, friendship and how these networks underpinned her use of both soft and indeed hard power. When the document trail goes cold in the archives, looking more closely at female networks and how they played out is a great way of overcoming gaps and erasures—both deliberate and accidental. It remains a durable and very influential study and a bonus for non-Ibericists as it is in English.
Based on an exhaustive and varied study of predominantly unpublished archival material as well as a variety of literary and non-literary sources, this book investigates the relation between patronage, piety and politics in the life and career of one Late Medieval Spain's most intriguing female personalities, Maria De Luna.
When I was a child, I was forever drawing pictures of princesses in elaborate medieval and early modern dress. I devoured history books—especially those containing artworks that helped me visualize the people whose names rang out from their pages. Inexplicably, I was passionate about France and French language and culture from my primary school years. Then, in my early twenties, I stumbled onto Umberto Eco’s, The Name of the Rose, which appeared in English translation around 1983. History has been, and remains, my passion (as do whodunits). I have been passionately obsessed with in my research for over two decades—uncovering the truth that lies beneath the spin and the ashes.
I recommend this book not on the basis of my co-editorship with Lisa but rather on the basis that the essays contained in it speak to the unexceptionality of premodern female power and influence in both the fantasy fiction world and in historiography and how these sometimes reflect one another—without forcing the issue. The germ of the idea for the essay collection came with the screening of the sixth series HBO television cultural phenomenon when all of a sudden the female characters started to emerge as leaders and belligerents in the quest for the Iron Throne and all that that entailed.
Is the world of George R. R. Martin's A Song of Ice and Fire and HBO's Game of Thrones really medieval? How accurately does it reflect the real Middle Ages? Historians have been addressing these questions since the book and television series exploded into a cultural phenomenon. For scholars of medieval and early modern women, they offer a unique vantage point from which to study the intersections of elite women and popular understandings of the premodern world. This volume is a wide-ranging study of those intersections. Focusing on female agency and the role of advice, it finds a wealth of…
I prefer to write historical fiction because so many fascinating stories have already happened in the past, and these tales are filled with real-life characters with rich backstories and personalities. I try to find the best historical figures and scenarios I can through exhaustive research and then stitch them together into thrillers that mesh seamlessly with the history I researched. My books are written to educate and entertain, and nothing makes me prouder than when readers follow the breadcrumb trails I leave behind for further research. I hope you enjoy the hunt!
If you’ve ever been a fan of the James Bond books or movies, spy-thrillers, or anything involving MI6, this book is about where it all began: the golden age of English espionage. Filled with captivating plots and characters straight out of history, this book was the bedrock that I built my story upon. Please check it out. You will never look at English history the same way again.
Sir Francis Walsingham's official title was principal secretary to Queen Elizabeth I, but in fact this pious, tight-lipped Puritan was England's first spymaster. A ruthless, fiercely loyal civil servant, Walsingham worked brilliantly behind the scenes to foil Elizabeth's rival Mary Queen of Scots and outwit Catholic Spain and France, which had arrayed their forces behind her. Though he cut an incongruous figure in Elizabeth's worldly court, Walsingham managed to win the trust of key players like William Cecil and the Earl of Leicester before launching his own secret campaign against the queen's enemies. Covert operations were Walsingham's genius; he pioneered…
I love Paris. It is one of my favorite cities on Earth. One of the reasons I adore it so much is because it has such a palpable sense of enchantment. There is magic in its cathedrals and catacombs, its pâtisseries and feal markets, its rich tradition of art and joie de vivre. You can feel it in your soul as you walk through the city, under the gazes of its gargoyles and the charm of its cafes. Thus, I’ve always been drawn to stories that take this one step further—exploring a Paris that harbors actual magic.
This story is set in one of the most intriguing periods of Parisian history, starting at the cusp of the French Revolution. I loved how Gita Trelease introduced magic into the court of Louis XVI and Marie Antoinette.
Every detail, from the dresses to the pastries, is imbued with enchantments, while the darkness of the impending revolution serves as a taut backdrop.
A compellingly beautiful tale of magic, intrigue and deception, set against the backdrop of eighteenth-century Paris on the cusp of revolution.
Paris in 1789 is a labyrinth of twisted streets, filled with beggars, thieves, revolutionaries - and magicians . . . When seventeen-year-old Camille is left orphaned, she has to provide for her frail sister and her volatile brother. In desperation, she survives by using the petty magic she learnt from her mother. But when her brother disappears Camille decides to pursue a richer, more dangerous mark: the glittering court of Louis XVI and Marie Antoinette.
The French court has fascinated me since boyhood visits to Blois and Versailles. The appeal of its unusually dramatic history is heightened by the prominence of women, by the number and brilliance of courtiers’ letters and memoirs, and by its stupendous cultural patronage: Even after writing seven books on the French court, from Louis XIV to Louis XVIII, I remain enthralled by Versailles, Fontainebleau, and Paris where, as the new science of court studies expands, there is always more to see and learn. The power and popularity of the French presidency today confirm the importance of the French monarchy, to which it owes so much, including its physical setting, the Elysée Palace.
Born a German princess, married to Louis XIV’s gay younger brother, ‘Liselotte’, as the Duchesse d’Orleans was often known, was an outsider who also, by her rank, was an insider. She put her venom and her frustrations into her letter-writing, denouncing the French court’s morals, policies, and personnel to her German relations. Versailles made her prefer dogs to people: she called Madame de Maintenon, the king’s second wife, ‘the old whore’. Her letters make us feel we are living at Versailles, when it was at the heart of European politics and culture.
Married in 1672, at 19, to Louis XIV's bisexual brother, the Duke of Orleans, Liselotte began her voluminous and fascinating correspondence from the Court of Versailles which she continued until her death 50 years later, making her the greatest chronicler of her day. Feared for her sharp tongue and her bluntness, Liselotte refused to be drawn into the viscious life at the Sun King's Court, of which she was outspokenly critical and her letters, collected here in this volume, describe the bawdy, spontaneous and idiosyncratic personages and life of Louis XIV's corrupt court.
As an author and a lifelong lover of books, I read all genres. My favorites are set in fantastical worlds with unique settings. The mash-up of history and fantasy is endlessly compelling to me, and I always want to see a romantic subplot (or main plot!) in the books I read. I want a happily-ever-after even when the strange world and its villains are conspiring against the main characters.
Set in the mid-1400s in France, this series starter contains action, court intrigue, romance, and assassin nuns! I read it years ago and it remains a favorite, not only for the beautiful language, but for the strong heroine, Ismae, and her journey from following the rules and doing as she’s been told, to learning how to discern right from wrong and follow the guidance of her own moral compass. This is a book I would loveto watch as a movie, not only for the action, but the costumes.
Seventeen-year-old Ismae escapes from the brutality of an arranged marriage into the sanctuary of the convent of St. Mortain, where the sisters still serve the gods of old. Here she learns that the god of Death Himself has blessed her with dangerous gifts—and a violent destiny. If she chooses to stay at the convent, she will be trained as an assassin and serve as a handmaiden to Death. To claim her new life, she must destroy the lives of others. Ismae’s most important assignment takes her straight into the high…
Although the books on my list all delve into the history of Queen Marie
Antoinette and her family, they also provide an understanding of the
chaotic period leading up to the French Revolution. I’ve always been
fascinated by the historical drama, controversy, and tragedy of her
personal life, but the readings on my list also explore the social
changes in manners, clothing styles, and class distinctions that
accompanied the political unrest.
Weber’s biography of Marie Antoinette offers a unique take on the foreign queen’s story. Using fashion as a tool to explore her life at the tumultuous court of Versailles, Weber craftily paints a vivid picture of her flaws and her role in the tragic end of the monarchy.
Having researched Marie Antoinette for my own books, I felt that Weber’s biography did the best job of transporting me into her world. As a history buff, I was amazed at the importance of the queen’s wardrobe, hair, and accessories. It was also an introduction to her hairdresser and her milliner, two important characters who made the queen the fashion icon of Europe at the time.
A Washington Post Book World Best Book of the Year
When her carriage first crossed over from her native Austria into France, fourteen-year-old Marie Antoinette was taken out, stripped naked before an entourage, and dressed in French attire to please the court of her new king. For a short while, the young girl played the part.
But by the time she took the throne, everything had changed. In Queen of Fashion, Caroline Weber tells of the radical restyling that transformed the young queen into an icon and shaped the future of the nation. With her riding gear, her white furs,…
Strangely as an English writer who loves skiing, the one place in the world in which I feel most at home is the old town of Istanbul. I’ve been there so many times and every visit inspires me to write. One trip provided the opening sentences of my first novel, another the middle chunk of my second novel, Copper Trance & Motorways, and yet another a suite of poems. Despite the historical sites it’s not a particularly beautiful city but it has a vitality like an electric charge and the hospitality of most Turks is amazing. When I’ve been struggling with writer’s block it's taking off to Istanbul that’s unstuck me.
Just as reading the Cadfael novels of Ellis Peters primes so many people to want to see Shrewsbury so too do the murders and intrigues investigated by Jason Goodwin’s Ottoman administrator, the eunuch Yashim, provide the same incentive to walk around Istanbul. The old city encompassed by the Byzantine walls still has so many of the buildings which feature as the 1836 setting for the first of this series of unusual historical detective novels and Yashim’s creator is so obviously both a knowledgeable historian and a great storyteller. And you are going to fall in love with Yashim and his cronies – that’s a given!
This first book in the Investigator Yashim series is a richly entertaining tale, full of exotic history and intrigue, introduces Investigator Yashim: In 1830s Istanbul, an extra-ordinary hero tackles an extraordinary plot that threatens to topple the Ottoman Empire
It is 1836. Europe is modernizing, and the Ottoman Empire must follow suit. But just before the Sultan announces sweeping changes, a wave of murders threatens the fragile balance of power in his court. Who is behind them? Only one intelligence agent can be trusted to find out: Yashim Lastname, a man both…
