Here are 90 books that London fans have personally recommended if you like
London.
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As Iago says in Shakespeare’s Othello, “I am nothing if not critical,” and regardless of what he meant, it applies to me - my intelligence works best at scrutinizing things for their significance. I studied science, worked in the financial sector, read fiction, watched cinema, and developed a sense of the interconnectedness of things. If the connections existed, I thought, there could be no one way of approaching anything; all intellectual paths were valid and the only criterion of value was that it must be intelligent. My book tries to stick to this since a writer may hold any opinions, but he or she must show intelligence.
JL Borges is, in my view, the greatest literary mind of the 20th Century.
This is a book of stories, philosophical essays and parables, but even when he is writing fiction, his favoured form is that of the mock critical essay about a non-existent book or writer.
What I especially love about him is his wit, subtle and easily missed since it often takes the shape of philosophical rumination when he is actually debunking something held very highly. My natural mode of expression is irony, and Borges’s irony is inimitable.
The groundbreaking trans-genre work of Argentinian writer Jorge Luis Borges (1899-1986) has been insinuating itself into the structure, stance, and very breath of world literature for well over half a century. Multi-layered, self-referential, elusive, and allusive writing is now frequently labeled Borgesian. Umberto Eco's international bestseller, The Name of the Rose, is, on one level, an elaborate improvisation on Borges' fiction "The Library," which American readers first encountered in the original 1962 New Directions publication of Labyrinths.
This new edition of Labyrinths, the classic representative selection of Borges' writing edited by Donald A. Yates and James E. Irby (in translations…
Loads of people want to be writers and the dream can come true! It did for me. So, I want to tell people about the books that have helped to turn me into a novelist. Initially, I wrote journalistic pieces about bizarre leisure activities for various British newspapers and magazines: I lay on a bed of nails, walked on red hot coals, met people who collect bricks as a hobby...and even lost my underpants while performing on the flying trapeze! (No kidding!) But my ultimate goal was always to become a novelist. Then, one day, I discovered the subject I just had to turn into a novel. And the result was...Death and Mr. Pickwick.
This book’s magic comes from its plot. I would say it is the most unputdownable book I have ever read. But once again, it deals with a simple human experience—in this case, of a young man obsessed by a woman. There are times when you feel like shouting at the main male character: “Don’t do it! Don’t do it!” And of course he does do it, and you want to find out what happens. I remember that I recommended this novel to a friend, who didn’t believe it could be so unputdownable—but he found himself staying up until the early hours of the morning, unable to stop reading this novel. In a way, I think Of Human Bondagewill influence me more as a writer in the future than it has so far—because one day I would like to write a heavily plot-driven…
Selected by the Modern Library as one of the 100 best novels of all time
"It is very difficult for a writer of my generation, if he is honest, to pretend indifference to the work of Somerset Maugham," wrote Gore Vidal. "He was always so entirely there."
Originally published in 1915, Of Human Bondage is a potent expression of the power of sexual obsession and of modern man's yearning for freedom. This classic bildungsroman tells the story of Philip Carey, a sensitive boy born with a clubfoot who is orphaned and raised by a religious aunt and uncle. Philip yearns…
I enjoyed writing The Karma Kaper. Just as there's tragedy and comedy in every aspect of our lives there's humor in crime. It's fun bringing that humor to my audience. I also believe in justice for all. Sadly, as American courts are currently more concerned with criminals' rights than victims' rights there are no guarantees victims will receive the justice they deserve. No one can predict if a jury of 12 will find a defendant who has committed a crime guilty. Then, there's the highest court of appeal - fiction! Between the covers of a novel, a crafty writer can ensure just verdicts and devise macabre punishments for the bad guys! It doesn't get any better!
Samuel Pickwick Esq., G.C.M.P.C., is just one of Charles Dicken's delightful retinue of characters.
He was a portly little man shaped like a bowling pin with an unquenchable thirst for knowledge who was nominated to lead three bumbling Pickwickians (members of Pickwick's eponymous Pickwick Club in London) on a tour of the English countryside to learn about life outside of London then report back to a full meeting of the Club post haste.
Through their ineptitude, Pickwick and his retinue manage to tumble into a series of unimaginable yet hilarious intrigues.
No matter their travails, Dickens through his alter-ego Samuel Pickwick always sides with what is just and fair. If you believe in Providence you'll find all of Dickens' novels a joy to read.
In The Pickwick Papers we are introduced not just to one of the greatest writers in the English language, but to some of fiction's most endearing and memorable characters, starting with the 'illustrious, immortal and colossal-minded' Samuel Pickwick himself. It is a rollicking tour de force through an England on the brink of the Victorian era. Reform of government, justice and commercial life are imminent, as are rail travel, social convulsion and the death of deference, but Pickwick sails through on a tide of delirious adventure, fortifying us for the future - whatever it might throw at us.
Loads of people want to be writers and the dream can come true! It did for me. So, I want to tell people about the books that have helped to turn me into a novelist. Initially, I wrote journalistic pieces about bizarre leisure activities for various British newspapers and magazines: I lay on a bed of nails, walked on red hot coals, met people who collect bricks as a hobby...and even lost my underpants while performing on the flying trapeze! (No kidding!) But my ultimate goal was always to become a novelist. Then, one day, I discovered the subject I just had to turn into a novel. And the result was...Death and Mr. Pickwick.
This book made me realise that a great novel could be largely plotless. The Tree of Man simply describes the lives of a husband and wife in Australia—a sort of echo of the Garden of Eden set in the Outback. I can’t claim that I remember many details about it now—I read it years and years ago, but I do know that it made me feel that I too could write a plotless book, based on simple, everyday human experiences.
Stan Parker, with only a horse and a dog for company journeys to a remote patch of land he has inherited in the Australian hills. Once the land is cleared and a rudimentary house built, he brings his wife Amy to the wilderness. Together they face lives of joy and sorrow as they struggle against the environment.
In a previous life, I was a City trader and as such have always been fascinated by the ridiculous and the absurd. Now a full-time writer and poet, I live on the west coast of Ireland and have written a number of books including A Curious Guide to London, A Splendidly Smutty Dictionary of Sex, and The Men Who Stare At Hens. I also have a blog on all matters arcane.
An interesting but idiosyncratic overview of the history and the resultant growth of London. The result is a book full of interesting insights, amusing anecdotes, and historical highlights.A vivid celebration of the city, but also an elegy for its decline, bubbling with statistics and anecdotes, from Boadicea to Betjeman.
This dazzling and yet intimate book is the first modern one-volume history of London from Roman times to the present. An extraordinary city, London grew from a backwater in the Classical age into an important medieval city, a significant Renaissance urban center, and a modern colossus. Roy Porter paints a detailed landscape--from the grid streets and fortresses of Julius Caesar and William the Conqueror to the medieval, walled "most noble city" of churches, friars, and crown and town relationships. Within the crenelated battlements, manufactures and markets developed and street-life buzzed.
When I was growing up, our neighbours used to have weekly garden bonfires that filled our house with choking smoke. Around this time, I did a school project on air pollution that opened my eyes to the horrors of breathing toxic air. All this must have made an impact because, 40-odd years later, after taking a science degree and working for a decade as an environmental campaigner, I decided to write an eye-opening, easy-to-read book about why air pollution still kills millions of people each year—and what we can do to put that right.
Most of us think air pollution's a relatively recent problem that started back in the Industrial Revolution, but as Peter Brimblecombe demonstrates in this wonderfully readable book, it's a much older problem with deeper roots, linked to broader trends in how humans have used and abused the planet. I generally hate history, but I loved this book: it's superbly scholarly but also riveting and well-written, and tiny telling details make what could have been a very dull subject really fascinating. It was originally published in 1987, so it doesn't cover recent history, but it's still worth reading nevertheless.
First published in 1987, Peter Brimblecombe's book provides an engaging historical account of air pollution in London, offering a fascinating insight into the development of air pollution controls against a changing social and economic background. He examines domestic and industrial pollution and their effects on fashions, furnishings, buildings and human health. The book ends with an intriguing analysis of the dangers arising from contemporary pollutants and a glimpse of what the future may hold for London.
In 1972, I enrolled in Professor Alfred D. Chandler's Business History course at Harvard Business School, exploring the business strategies and organization structures of U.S. businesses during the late 19th and early 20th centuries. Chandler impressed upon me the value of examining businesses' strategies and their outcomes. His lessons ignited my interest in the Industrial Revolution in Britain, the prequel to the American story. Combining a business background and proclivity for historical knowledge, I discovered that the period's successes depended on more than just production technology. Effective marketing, control systems, and logistics played key roles, while on a national scale, the scientific method and commercial competition were also crucial.
Men of Iron examines the Crowley Iron Works, one of the eighteenth century’s foremost industrial enterprises.
Sir Ambrose Crowley founded it and used his understanding of the period’s logistics to undercut competitors by setting up a nailery in Sunderland, moving to Winlaton in 1691. There he could import bar iron from Sweden and ship products by sea to a London warehouse complex, avoiding the era’s slow and muddy roads.
With the good fortune of two lengthy wars, he built a major military supply business, with 1,500 employees, becoming a City of London Alderman and a Tory MP. At Winlaton, he established the “Law Book of the Crowley Iron Works” which instituted enlightened personnel policies and an old-age pension scheme.
Crowley’s life shows that the Industrial Revolution, which included new techniques of HR and logistics management as much as steam engines, was already stirring before 1700.
Last published in 1962, this renowned work of industrial and social history is now made available to a new generation by the Land of Oak & Iron, thanks to the kind permission of the author's sons, Mark and Hugh Flinn.Until the Land of Oak & Iron Project brought the site to public attention, the fact that Winlaton, Winlaton Mill and Swalwell had been the site of the largest early ironworks in Europe was largely forgotten.We may never know why Sir Ambrose Crowley chose the Derwent Valley as the manufacturing and distribution centre for his London-based company, but what we do…
I have written four books on London and its railway network. As well as Cathedrals of Steam, there is The Subterranean Railway, a history of the London Underground, and more recently, The Crossrail Story, which sets out the background to London’s newest and best railway that is due to open in 2022, and also, Down The Tube, the story of the way the London Underground was part-privatised and then taken back into state ownership. I have written a dozen other books on railways which are not technical tomes, nor aimed at trainspotters, but rather try to explain how railways were the catalyst for creating the modern world. The books on London combine my passion for the capital where I have lived all my life and my passion for the railways which has been a lifelong interest.
There are many books on individual London stations but this is by far the best. It explains the architectural background to the station as well as the story of why two major and rival railway stations were built next door to each other.
In 1866 the ancient churchyard of St Pancras was excavated for the new Midlands Railway line into London. Both the train shed and the Midland Grand Hotel, the constituent parts of the new station, are outstanding structures: the train shed for its structural daring and drama, the hotel for its heroic attempt to adapt Gothic architecture for the requirements of modernity. In 2002 more of the churchyard was excavated as part of the station's transformation for the Channel Tunnel terminus. The work, to be finished in 2007, will reinvent St Pancras as the main hub for rail travellers between the…
The North of England is home. I was born here, I work here and it’s where I will see out my days. It’s a place with its own character, a place largely forged on hard industrial work and one trying to find a new purpose after decades of financial neglect. My home city of Hull captures this in miniature as we’ve shared a journey over the last decade via my novels from 'UK Crap Town of the Year’ to ‘UK City of Culture.’ Tied in with my background in studying Social Policy and Criminology, I’ll continue to map the city and the region’s trials and tribulations.
Published in 1970, it’s a touchstone crime novel for all writers wanting to explore the small towns and cities of the industrial north. Leaving London to return home to Scunthorpe, Jack Carter is a man on a revenge mission and wants to know who murdered his brother. With a keen eye for social attitudes and lives in a one-horse town, the novel transcends the page, and under the title of Get Carter, it gives us one of the great crime films of the 20th century. More than that, the novel’s Humber setting taught me I could also write about my neglected home city of Hull.
Many years ago, when I’d read my first medieval mystery, I decided I wanted to write my own. But mine would be as realistic as I could manage; I wanted the reader to smell medieval London and to be there with me. A lot had been written about Kings and Queens but not much about ordinary life so that became the center of my academic study leading eventually to my Master's Degree in medieval medicine. As well as my novels I now write popular factual books and I’m pleased to say people have taken the time to say how much they enjoy the fine details I share.
This is the second Matthew Shardlake adventure from the pen of a master craftsman, set at the time of Henry VIII.
I was embroiled in danger alongside the lawyer as he fights to save a girl accused of murder from the hangman’s noose and recover a long-lost ancient secret. I learned that the intriguing machinations going on in a Tudor court of law are as shifty and tangled as those at the royal court in Whitehall.
I visited many a seedy London tavern with side-kick Barak during that searing hot summer of 1540, smelling the sour stink of sweaty humanity as the body count increased and met Shardlake’s nemesis, Richard Rich. Brilliant stuff!
When a friend's niece is charged with murder and threatened with torture for her refusal to speak, 1540 lawyer Matthew Sharklake is granted an unexpected two-week reprieve to investigate the case if he will also accept a dangerous assignment to find a legendary weapon of mass destruction. By the author of Dissolution. 25,000 first printing.
