Here are 100 books that Kristy's Great Idea fans have personally recommended if you like
Kristy's Great Idea.
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I write both fiction and nonfiction for kids and with Eat Bugs, I got to combine both loves.The book was inspired by two real-life female entrepreneurs, who literally cooked up an edible bug business in their college dorm room. After I watched them land a deal on Shark Tank, we met and I reimagined their story as if they’d started their business in sixth grade. I’ve always been fascinated by entrepreneurs who have the courage and tenacity to follow their dreams–no matter how wacky the idea may seem.
Third-grader J.D. has the entrepreneurial and problem-solving spirit I adore. Great at cutting hair, he starts a barbershop in his bedroom! But when the town barbershop loses business because J.D’s charging less than they do, they challenge him to a barber battle. The story made me laugh out loud and cheer for J.D.
Eight-year-old J.D. turns a tragic home haircut into a thriving barber business in this hilarious new illustrated chapter book series
J.D. has a big problem--it's the night before the start of third grade and his mom has just given him his first and worst home haircut. When the steady stream of insults from the entire student body of Douglass Elementary becomes too much for J.D., he takes matters into his own hands and discovers that, unlike his mom, he's a genius with the clippers. His work makes him the talk of the town and brings him enough hair business to…
My novel choices were part of the Afterschool Literacy & Building Modules for an organization called LitShop. It encourages growth in literacy, making, building, and leadership in girls ages 10-15 in St. Louis, Missouri. I’m honored to lead the writing classes. All of the LitShop books feature strong girls who believe they can make and build their way to a better world, and I aim to include similar characters in my stories. Stories can provide us with motivation, inspiration, and companionship, and all of these books have done just that… for the girls of LitShop as well as myself.
This pick has the distinguished honor of convincing me to try cricket flour. It also manages to present a layered storyline, one that combines an almost classic mystery plot with a traumatized character’s journey of self-healing. This book serves as a powerful reminder that we are more than the incidents that victimized us. And yes, even an insect hater like me enjoyed learning so much about the many uses of crickets!
"[A] deftly layered mystery about family, friendship, and the struggle to speak up." - Laurie Halse Anderson, bestselling author of Speak and Shout
From acclaimed author Kate Messner comes the powerful story of a young girl with the courage to make her voice heard, set against the backdrop of a summertime mystery.
When Mia moves to Vermont the summer after seventh grade, she's recovering from the broken arm she got falling off a balance beam. And packed away in the moving boxes under her clothes and gymnastics trophies is a secret she'd rather forget.
I write both fiction and nonfiction for kids and with Eat Bugs, I got to combine both loves.The book was inspired by two real-life female entrepreneurs, who literally cooked up an edible bug business in their college dorm room. After I watched them land a deal on Shark Tank, we met and I reimagined their story as if they’d started their business in sixth grade. I’ve always been fascinated by entrepreneurs who have the courage and tenacity to follow their dreams–no matter how wacky the idea may seem.
I had so many lemonade stands when I was a kid but mine never became a million-dollar business (not even close!)! If only I’d had Mikaela’s book (and determination) back then... I loved her story of being a kid entrepreneur and her relatable advice for building a purpose-driven, bug-based company. Like the women my book Eat Bugs is based upon, Mikaela got a deal on Shark Tank too.
A business memoir from lemonade entrepreneur and one of TIME Magazine's Top 30 Most Influential Teens, Mikaila Ulmer, and her advice for life and business--now in paperback!
When Mikaila Ulmer was four, she was stung by a bee--twice in one week. She was terrified of going outside, so her parents encouraged her to learn more about bees so she wouldn't be afraid. It worked. Mikaila didn't just learn what an important role bees play in our ecosystem, but she also learned bees are endangered, and set out to save them. She started by selling cups of lemonade in front of…
I write both fiction and nonfiction for kids and with Eat Bugs, I got to combine both loves.The book was inspired by two real-life female entrepreneurs, who literally cooked up an edible bug business in their college dorm room. After I watched them land a deal on Shark Tank, we met and I reimagined their story as if they’d started their business in sixth grade. I’ve always been fascinated by entrepreneurs who have the courage and tenacity to follow their dreams–no matter how wacky the idea may seem.
In this purr-fectly irresistible graphic novel, twelve-year-old Katie wants to earn money so she can go to summer camp with her best friend and starts a catsitting business for her mysterious upstairs neighbor. The problem? The woman has 217 cats! And that’s not all...the cats have superpowers! And the neighbor may be a notorious supervillian! Talk about a tough job! I laughed, cheered, and crossed my fingers for Katie!
Calling all Raina Telgemeier fans! Introducing an irresistible new middle-grade graphic novel series about growing up, friendship, heroes, and cats (lots of cats!)--perfect for fans of Guts, Awkward and Real Friends (not to mention anyone who loves cats!)
Katie is dreading the boring summer ahead while her best friends are all away at camp--something that's way out of Katie and her mom's budget, UNLESS Katie can figure out a way to earn the money for camp herself. But when Katie gets a job catsitting for her mysterious upstairs neighbor, life get interesting. First, Madeline has 217 cats (!) and they're…
“You spend your first 18 years as a sponge and the rest of your life using those early years as material.” Martin Short said this to me when I collaborated with him on his memoir,I Must Say: My Life As a Humble Comedy Legend. My own writing bears this out. My nonfiction books The United States of Arugulaand Sunny Daysare not first-person books, but they examine two significant cultural movements that defined my formative years: the American food revolution led by the likes of Julia Child and Alice Waters and the children’s-TV revolution defined bySesame Streetand Mister Rogers’ Neighborhood. Much of my journalism finds me chasing down the cultural figures who captured and shaped my young imagination, e.g., Sly Stone, Johnny Cash, Charles Schulz.
My curveball choice. In the late 1970s, Stamaty drew a brilliant, phantasmagoric, visually dense comic strip for The Village Voice that captured the chaos, charm, and entropic scuzziness of Manhattan in that era. His protagonist, a bearded nerd named Malcolm Frazzle, travels on a very funny Joseph Campbell-like hero’s journey that involves a talking cow, the Zen of dishwashing, and overpacked subway cars. I’ve spent the last 40 years revisiting this compendium of Stamaty’s strips, whose every page is a loony, trippy world to fall into.
A collection of legendary absurdist comic strips about life in 1970s New York City, now available in print for the first time in over thirty years.
Every week, from 1978 to 1980, The Village Voice brought a new installment of Mark Alan Stamaty's uproarious, endlessly inventive strip MacDoodle St. Centering more or less on Malcolm Frazzle, a blocked poet struggling to complete his latest lyric for Dishwasher Monthly, Stamaty's creation encompassed a dizzying array of characters, stories, jokes, and digressions. One week might feature the ongoing battle between irate businessmen and bearded beatniks for control of a Greenwich Village coffee…
I especially love books for children that capture city life in a way that feels both unique and child scaled. I have set most of my books in cities because I love the story possibilities that exist in what are almost entirely human-made environments. Paradoxically, city settings make any kind of connection to the natural world or animals even more important. On this list are all books I feel show a particularly special aspect of city life for children.
I love recognizing Central Park, The Met, The Museum of Natural History, the subway, Chinatown, and more in this story of Bolivar, a dinosaur on the loose In Manhattan. The author has a clear affection as well as a keenly observing eye for all details of a contemporary NYC setting, and the story is fun. Everything from rooftop elements to his depiction of subway mosaic tile is lovingly observed and rendered as a rich backdrop to the rollicking storyline.
Going extinct isn't for everyone. Sybil knows that there is something off about her next door neighbor, but she can't seem to get anyone to believe her. Everyone is so busy going about their days in the busy streets of New York City that they don't notice Bolivar. They don't notice his odd height, his tiny arms, or his long tail. No one but Sybil sees that Bolivar is a dinosaur. When an unlikely parking ticket pulls Bolivar into an adventure from City Hall to New York's Natural History Museum, he must finally make a choice: Bolivar can continue to…
I’m an Eisner-nominated and award-winning graphic novel and comics writer, editor, and book packager. I've worked on staff at the Los Angeles Times Syndicate, Disney Publishing, DC Comics, Nickelodeon Magazine, and Platinum Studios. My sequential art book, The Bramble, won the 2013 Moonbeam Gold Medal for Picture Books, and I created a new way to read comics with BirdCatDog, a 2015 Eisner Awards nominee, that received the 2015 Moonbeam Spirit Award Gold Medal for Imagination, and was chosen by Kirkus Reviews as one of the best children’s books of 2014. SheHeWe, the third book in the series, was a 2016 Eisner Award nominee for Best Publication for Early Readers.
In 1997, Peter Kuper knocked my socks off with The System, a wordless book that exposes the underbelly of New York City as an airbrushed wonderland of strippers, druggies, the homeless, dirty cops, killers, taggers, sleaze-balls, muggers, and—oh, yes—there’s a terrorist with a bomb who wants to blow things up. Never was anything so bright and colorful so decadently revealing.
It has been said that the flutter of insect wings in the Indian Ocean can send a hurricane crashing against the shores of the American Northeast, and such a premise lies at the core of The System, a wordless graphic novel created and painted by award-winning illustrator Peter Kuper. A sleazy stockbroker is lining his pockets, a corrupt cop is shaking down drug dealers, a mercenary bomber is setting the timer, a serial killer is stalking strippers, a political scandal is about to explode, the planet is burning, and nobody’s talking. Told without captions or dialogue, this piece of art…
I’m an American-born cartoonist who’s been living and working in Montreal since 2015. My mother is from Quebec, and when I immigrated here I was looking to reconnect with my cultural roots. Reading graphic novels from here was a huge part of how I got to know my adopted community. I might be a bit biased, but I have to say Quebec has one of the world’s most vibrant comic arts scenes; a blend of American comic books mixed with Franco-Belgian bande dessinée. With more and more graphic novels from Quebec getting translated into English you’re sure to find something you’ll dig, whether you’re looking for slice-of-life or science fiction.
This slim but dense book chronicles the ups and (mostly) downs of a young woman’s life in Montréal and New York in the 80s and early 90s, a scuzzy time capsule full of sex, drugs, and rock & roll. Doucet’s maximalist, punk-inflected art packs each and every claustrophobic panel to bursting, a perfect fit for this tale of a suffocating, toxic relationship playing out in the shadow of the Cold War. It’s no exaggeration to say that Doucet, who recently won the Angouléme Festival's Grand Prix, is one of the most important figures in modern comics, she was one of the first women to break into the boys’ club of the alt comix scene and rewrote the rules of the medium. She remains not only a giant in the history of Quebec comics but of the entire graphic novel art form.
'My New York Diary' documents the events in Doucet's life during a six-month period in 1991. At that time, she packed her bags and moved to New York and waiting for her was her new boyfriend, an aspiring cartoonist himself who took Julie to his apartment.
I was walking across the country in 1986 when I met a journalist named Mike Sager who showed me that writing can also be an adventure. Since then, I’ve edited an alternative weekly newspaper and written books about zydeco, Hurricane Katrina, comics, and old Kodachrome photos. So far, most everything I write seems to be centered in some way around my adopted home state of Louisiana, a place that never seems to run out of stories. Also, I still like to walk.
Unlike the other books on this list, this isn’t primarily a reprint collection of early-twentieth-century comics. Rather, Art Spiegelman (whose essential memoir Mauswas the first comic to win a Pulitzer Prize), re-introduces old comics characters in a very personal story of the 9/11 attacks and the political fallout. Figures like the Happy Hooligan, Jiggs and Maggie, Little Nemo, and Krazy Kat and Ignatz float through these stories like New York City’s awakened ghosts. Spiegelman also adds a masterful essay on comics and curates a few selections of the original strips. No work better demonstrates how the early cartoonists can speak through the rubble of history with vitality and humor.
For the Pulitzer Prize-winning author of Maus, the terrorist attacks of September 11th were both highly personal and intensely political. In the Shadow of No Towers is a masterful and moving account of the events and aftermath of that tragic day.
Spiegelman and his family bore witness to the attacks in their lower Manhattan neighborhood: his teenage daughter had started school directly below the towers days earlier, and they had lived in the area for years. But the horrors they survived that morning were only the beginning for Spiegelman, as his anguish was quickly displaced by fury at the U.S.…
I grew up in rural Southern Maryland, watching the bats wheel overhead at night. There were bugs under every rock, snakes winding their way through the small creek at the bottom of our backyard, and frogs that would suddenly jump up onto the glass window in the laundry room and scare the ever-living daylights out of you. I kept pet rats and caught jars full of fireflies. I live in a city now, on the opposite end of the continent, but my heart lives back home in the woods. This list is for the kids & kids at heart who love the creepy critters, the creechies who get a bad rap.
Alexovitch’s earlier work was a huge influence on my development as an artist—reading Serenity Rose at just the right time knocked my world sideways—so I would be remiss not to include this new book aimed at the 8-12 set. There aren’t any regular animals in this book, but that doesn’t mean it isn’t chock full of creepy creatures; sweet little Sunny Von Shock is one of the creepies herself. Sunny’s enthusiasm for scary things is infectious for the reader but not for her rightfully freaked-out friend, Milo.
Their budding friendship is sweet, their world is extremely cool, and the scares are actually scary—Alexovich used to work on Invader Zim, and it shows. This is the most “mature” book on my list, but I think a particularly brave little reader would still get a big kick out of it.
“Equal parts nightmarish and outrageously funny, this graphic novel adventure is a thrilling joyride through an electrifying world!”—Max Brallier, #1 New York Times bestselling author of The Last Kids on Earth
When shy, anxious Milo rings the doorbell of the forbidden Shock City castle on a dare, he gets more than he bargained for when peppy young monster Sunny answers the door and labels herself Milo's new BFF. But when Milo returns to tell Sunny he—and the rest of the town's residents—are moving out of the crumbling Shock City, his monster pal refuses to accept it. She soon convinces Milo…
