Fans pick 100 books like Shock City

This is probably the “youngest” book on my list, but it’s one that’s very close to my heart. It is in the back of my mind every time I see a bat; I wouldn’t be the person I am today without this picture book. I grew up reading it, so it’s the only non-contemporary book on this list, but I think its story of self-discovery is an evergreen one.

It’s a love letter to bats, moms, and people who may not quite fit in. The illustrations are gorgeous and stand the test of time. It's the perfect short and sweet-rumination on the importance of being yourself, even if you’re a creepy critter.

I wish I was a bug so I could live in this world. Knetzger’s book is a gorgeously illustrated graphic chapter book that clearly loves the natural world and refuses to talk down to young readers. The bugs in question are beautifully drawn, cartoony versions of themselves—Rhino-B and Stag-B live in a colorful world filled with both realistic bug facts and a quietly fantastic reality where different bugs coexist harmoniously.

A case in point: the boys regularly visit their friend and librarian, Dome Spider, who often makes comments about eating "meat" but never actually tries to eat the pair. The stakes in their world are not quite naturally realistic, but the emotions are always resonant. The boys experience a range of days—beautiful ones, sad ones, days they fight, and everything in between.

I’d love to give this book to an early reader to teach them that empathy should extend to… show more.

I do NOT want to be a bug in this world, but I’m glad cartoon ant Rubi is here to walk us through it. The author is a real-life biologist, and it shows—this comic takes readers through the realistic world of ants, the things that ants eat, and the creatures that eat ants. There’s poop, bug dismemberment, and an unsettling amount of talk about parasites—but it’s all conveyed through the charming antics of a cute little cartoon storyteller.

This book gives me strong Calvin and Hobbes vibes, and I don’t make that comparison lightly. The humor and heart of the storytelling, paired with scientific detail, make it a rare find. Despite the slightly grotesque content, the playful tone and cartoonish style keep it light and engaging.

I think this book could turn even the most bug-averse kid into an entomologist-in-training! Early readers might need some assistance to get through it,… show more.

As an animal lover who’s also lived in cities for half my life, I can’t help but love even the critters that typically get the “pest” label. This book’s author and artist are clearly on my side with this charming graphic novel. It’s a book about anthropomorphic raccoons, but it tackles some pretty wonderful social topics—in a quest to dive the perfect dumpster, the characters go up against the specter of corporate food waste.

While a topic like that might sound like a lot for a kid, the book is incredibly playful. I love any book that loves a raccoon, but they definitely get extra points for being anti-capitalist raccoons. I’d read this one with any kid who loves a pop-punk attitude—just keep some snacks on hand for when the critters finally get their garbage. Gardner makes it look tasty!

My curveball choice. In the late 1970s, Stamaty drew a brilliant, phantasmagoric, visually dense comic strip for The Village Voice that captured the chaos, charm, and entropic scuzziness of Manhattan in that era. His protagonist, a bearded nerd named Malcolm Frazzle, travels on a very funny Joseph Campbell-like hero’s journey that involves a talking cow, the Zen of dishwashing, and overpacked subway cars. I’ve spent the last 40 years revisiting this compendium of Stamaty’s strips, whose every page is a loony, trippy world to fall into.

I love recognizing Central Park, The Met, The Museum of Natural History, the subway, Chinatown, and more in this story of Bolivar, a dinosaur on the loose In Manhattan. The author has a clear affection as well as a keenly observing eye for all details of a contemporary NYC setting, and the story is fun. Everything from rooftop elements to his depiction of subway mosaic tile is lovingly observed and rendered as a rich backdrop to the rollicking storyline.

In 1997, Peter Kuper knocked my socks off with The System, a wordless book that exposes the underbelly of New York City as an airbrushed wonderland of strippers, druggies, the homeless, dirty cops, killers, taggers, sleaze-balls, muggers, and—oh, yes—there’s a terrorist with a bomb who wants to blow things up. Never was anything so bright and colorful so decadently revealing.

Who doesn’t love Kristy, Claudia, Mary Anne, and Stacey and their babysitting adventures? I was also an in-demand suburban babysitter when I was their age and I only wish I’d thought to join forces with my friends when I was scrambling for a new way to stop a kid from crying or fresh ideas to make bedtime fun. This is the ultimate best-friends-who-start-a-business book! And as a full-color graphic novel, the drama and the humor soar to new heights.

Unlike the other books on this list, this isn’t primarily a reprint collection of early-twentieth-century comics. Rather, Art Spiegelman (whose essential memoir Maus was the first comic to win a Pulitzer Prize), re-introduces old comics characters in a very personal story of the 9/11 attacks and the political fallout. Figures like the Happy Hooligan, Jiggs and Maggie, Little Nemo, and Krazy Kat and Ignatz float through these stories like New York City’s awakened ghosts. Spiegelman also adds a masterful essay on comics and curates a few selections of the original strips. No work better demonstrates how the early cartoonists can speak through the rubble of history with vitality and humor.

This slim but dense book chronicles the ups and (mostly) downs of a young woman’s life in Montréal and New York in the 80s and early 90s, a scuzzy time capsule full of sex, drugs, and rock & roll. Doucet’s maximalist, punk-inflected art packs each and every claustrophobic panel to bursting, a perfect fit for this tale of a suffocating, toxic relationship playing out in the shadow of the Cold War. It’s no exaggeration to say that Doucet, who recently won the Angouléme Festival's Grand Prix, is one of the most important figures in modern comics, she was one of the first women to break into the boys’ club of the alt comix scene and rewrote the rules of the medium. She remains not only a giant in the history of Quebec comics but of the entire graphic novel art form.