100 books like Killing Rage

The definitive account so far of the Syrian civil war, and of the insurgency against the dictatorship of Bashar Assad.  Sam Dagher combines a literary sensibility, deep knowledge of Syria, and acquaintance with the people on the ground, and an ability for tireless and dogged reporting and truth-seeking. The passages dealing with the Assad regime’s slaughter of arrested civilians in its jails are harrowing and are a reminder of the horrifying nature of this regime and the need for it to remain isolated and under pressure. At the same time, Dagher remains a cool and dispassionate analyst of the progress of the conflict, and of the factors which enabled the regime and its allies to prevail.  

In this book, Javier Cercas, a Spanish journalist and novelist, sets off on a journey to discover the truth about his great-uncle, Manuel Mena, who was killed aged 19 at the Battle of the Ebro, during the Spanish Civil war. Cercas is a man of the center-left, but his relative was killed while fighting on the side of General Franco’s nationalist, anti-Communist and anti-democratic insurgency. This book is about the way that conflict and its memory remains present in families over subsequent generations, shaping subsequent lives in myriad ways, sometimes unseen. It is of particular value I think because of the way in which Cercas manages to examine his opposition to the cause with which his great-uncle served, and his deep sense of linkage to his relative, without ever compromising either.  

Naipaul was one of the greatest English language writers of the last century, in my view. In this novel he traces the fortunes of one Willie Chandran, an Indian resident in the UK, who makes his way to India to join a rural Maoist insurgency against the Indian authorities. The book is a fascinatingly original description of and take on insurgent warfare, fascinating precisely because Naipaul is not a writer especially interested in war, or the usual themes that govern literary treatments of it. As a result, the parts of the book dealing with the insurgency succeed in a masterful and haunting description of the people involved and the conditions they are facing, while entirely avoiding the pitfalls of both sentimentality and cliché.  

Max Hastings here describes the fight between the 10th SS Panzer Division and the French resistance forces, assisted by the British Special Operations Executive, in France in the period following D-Day, 1944. Hastings is in my view a peerless writer on conflict and military history, with a deep understanding of the costs of conflict on individuals, and considerable empathy for those caught up in it. I like that this empathy does not result in excessive romanticization of those engaged here in the irregular warfare against the Nazi German forces. Despite the unambiguous and obvious rights and wrongs of the conflict here described, the author never loses sight of the complexity of human motivations among the combatants, and indeed of the tactical errors and sometimes costly foolishness on the allied side as well as the German.  

Say Nothing is nonfiction. Keefe is a first-rate storyteller, an expert researcher, and a writer who can explain complex matters simply and beautifully. 

Even if you’re not interested in the Troubles of Ireland, or in Ireland, this book allows for an understanding of how local war is, how neighbors become enemies, how war breeds war, and how governments don’t work to erase poverty or manage the anger of young people. 

On top all of that, there are the archives at Boston University, which figure in the tale, and, the passage of time, which allows the participants to reflect on their youth. This was the best book that I read in 2018.  

House of Earth and Blood was the first new adult fantasy book that I read that made me fall back in love with the fantasy genre. I had rediscovered my love for reading in my late teens after not reading much for a few years. Bryce Quinlan reminded me a lot of myself. In that, she was the first lead female character who isn’t thin and petite. Rather, Bryce is curvy and different from other women that Sarah J. Maas has written. I instantly felt drawn in by Bryce and her carefree attitude in the first half of the book. Her strength is admirable and authentic. Her story and struggles captured me much like many readers.

Though Bryce does have her struggles as being defined as a “party girl,” she is so much more than the label. Beneath it all, Bryce is someone you can’t help but to root for,… show more.

Agent of the Ministry of Alchemy, Enchantments, and Supernatural Entities, Fatma el-Sha'arawi is the spectacularly well-dressed protagonist tasked with saving the world (again) in an alternate 1912 Cairo. This award-winning novel awed me with its detail and invention. What I loved most was the way the world building relegated the British Empire to relative unimportance. Come to think of it, I loved the Ministry library almost as much.

The bad boy falls in love with the young innocent girl, and for her sake, he fully intends to keep her at a distance. The only problem is she won’t stay away. It’s the heart deep inside of the bad boy that we are always drawn to, that need to protect her, but finding she’s too stubborn for her own good so the only way to protect her is to be with her. 

This National Book Award-winning novel is the story of an unnamed writer negotiating life in a Black skin that pre-empts most people from seeing him as an individual human being. And it has one of the funniest (pee-in-your-pants) first chapters I’ve ever read.

I not only laughed, but I so identified with the writer (and I think most readers will, no matter what your race—that is the genius of this writing), that I lived every moment of this crazy quest to be seen in a world that absolutely refuses to drop its projections.

But ultimately, the person who needs to see this man as a human being, accepting all of his history, hurt, and uniqueness, is the unnamed writer himself. This is a combination of crazy humor and pain.

Many of the women in my family worked in domestic service. I do know that their work lives were not easy and their employers were often quite demanding. Still, each time I wander into the Victorian era where Mrs. Jeffries is housekeeper to Inspector Witherspoon of the Metropolitan Police, I imagine that my grandmother or my aunt is one of the household staff who Mrs. Jeffries organizes to do a “behind the scenes” investigation and provide the Inspector with the right clues to solve his cases.