Fans pick 90 books like Jesus Out to Sea

I did not take to this book right away. Both main characters seemed rigid and selfish in ways that put me off initially. When I came back to the novel some years (decades?) later, I could better see and appreciate the complexity of building a life in racist America of the 1920s. The rigidity that had initially put me off seemed much more understandable as a defense mechanism in a society that was largely hostile to them as women of color.

Giving the book another go, I’ve come to admire the way Larsen uses her characters’ decisions (about whether to pass as white, have children, trust the men they’ve chosen to live with, etc.) to explore complicated ideas surrounding color and race. There are also some scathing indictments of whites, particularly white men that raise some pretty big questions about how race and gender work together, even in our own… show more.

I was introduced to this book through Tavernier’s brilliant adaptation, Clean Slate (Coup de Torchon, 1981). Set in Texas, Thompson’s novel was published in 1964, during the Civil Rights Movement, and it offers a portrait of petty-minded racism in the continuing aftermath of slavery. Tavernier’s adaptation transposes the story to 1930s French colonial West Africa. I remain haunted by the ways the two settings illuminate each other. Tavernier’s blending of a deadly serious historical crisis with touches of comedy—slapstick even—brings both eras and the novel itself to life in enjoyable and instructive ways.

On his way into exile on Elba in HMS Undaunted, Napoleon Bonaparte, remarked on the conduct of British sailors, how silently and efficiently they went about their duties. It is true that discipline on British warships was strict, and punishment for offenders was harsh from flogging to hanging. However, contrary to some opinions, British seamen on the whole were happy with their lot. They were well-fed and were fairly treated. The maxim ‘train hard fight easy’ was prevalent with British sailors, this novelette undoubtedly reflects this attitude.

The Billy Budd story, set aboard HMS Bellipotent, is a microcosm of life in general; Duty, Patriotism, Envy, Camaraderie, Conspiracy, Jealousy, Justice, and Punishment. I have faced a similar dilemma that faced Captain Vere myself, although not a life and death decision, but having the choice of turning a blind eye to an offence against the Discipline Regulations or prosecuting the offender resulting in… show more.

For my money, Shakespeare is the greatest writer who ever lived; anything he has to say will be interesting, profound, and stated as well as anyone can state it. His portrayal of the Macbeths rivals Homer’s portrayal of Achilles in the understanding of trauma. For Macbeth, this is the trauma of military violence. For Lady Macbeth, this is the trauma of the loss of a child.

Humans can be brave, and humans can be stubborn. Abdulrahman Zeitoun is both.

Refusing to leave New Orleans as Hurricane Katrina built strength out at sea in 2005, he stays and finds himself stranded in an eerily flooded city, seemingly alone and without help. He paddles the watery “streets” in an old kayak and finds others who could not or did not leave, offering help, and for his efforts, is arrested as a suspected terrorist and looter.

This book is not a simple tale of an everyday hero. We meet a character that downplays the dangers of a brewing storm but, despite his stubbornness, is also capable of great selflessness and bravery. The negligence of the institutions we expect to protect us is an insidious theme that runs throughout.

As someone who lived in New Orleans before, during, and after Hurricane Katrina, I often wondered why different communities bounced back from that terrible flooding. Mark van Landingham finds that, despite low levels of English fluency, education, and income, the Vietnamese and Vietnamese-American community of Village De L’Est brought back more people and businesses than any other part of the city. Within a year they were back to 90% capacity of pre-Katrina levels. This community's residents – connected to each other through Catholicism and a shared language and history – worked collectively to help evacuees who had scattered across the country. Through collective action, they rebuilt their community even better, adding in new schools, medical centers, and even urban farms.

The Tin Roof Blowdown shows us New Orleans, and the surrounding areas the days after Katrina raged havoc. Taking into account the lives that have been traumatized as crime and murders increased nine-fold. Detective David Robicheaux of Iberia Parish finds himself in the midst of a murder in an old-time neighborhood, as he tries to figure out if the murder of a local black boy during a robbery was racially motivated or not. The details and stories of this horrific tragedy show the bleakness of the aftermath and that not only did many reach their deaths, but how many who survived died also. No order exists as Robicheaux tries to unravel his latest mystery.

A memoir that haunted both of us about Broom’s love for the New Orleans house she grew up in, her family, and a neighborhood torn apart by the institutional racism embedded in banking practices, zoning laws, highway development, and other corporate and government policies and practices.

Broom’s mother purchased the house in 1961 in a then “promising” neighborhood. Over the years, the neighborhood was cut off from the city by the growth of the interstate highway, which left this largely Black area in decline from years of indifference by New Orleans elected officials. The house was eventually destroyed by Hurricane Katrina.

The book provides a harrowing description of the destructive effects of institutional racism.

Hurricane Katrina was one of the most transformative events in our relationship with cats and dogs. This book charts some of the incredible rescues that took place in the aftermath of this epic disaster. Heartwarming and heartbreaking in equal measure, it will inspire those who care about animals to care even more—and perhaps even volunteer themselves.

This book is the blueprint. From the concept—persona poems and scenes from New Orleans, told from the perspective of Hurricane Katrina—to the flawless execution of that concept, this book is a must-read for understanding disasters.

I loved the sustained attention to the storm and the people and the way that Smith finds fresh ways to create the scenes before, during, and after the storm. I loved Katrina the persona, too, as much as I feared her destructiveness. Her rage and vengeance felt entirely real, and the poems made me want to walk the earth as if every step would shatter the ground. This book lives up to its succinct, evocative title.