Here are 67 books that Blood Dazzler fans have personally recommended if you like
Blood Dazzler.
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As a teacher, I often talk with my students about current events and highlight how disasters can spiral. Wildfire seasons are worsening, storms are getting stronger, wars are starting and never-ending, and sometimes, my students express some despair in the face of such cycles. Though it’s not a cure-all for this anxiety, I encourage my students to try and create something from this existential worry. Rather than scrolling through all the bad things that cross our screens, creativity can help us imagine a better world to work towards. Poetry about disasters can help us see them through.
The poems in this book made me feel glad to be alive in a world that feels like it’s ending. I loved how Jones situated personal grief within disasters of national and international scale; grieving a mother is as monumental as grieving a world.
I also found it compelling how Jones consistently maintains a musical quality to the poems’ language. The first two lines of, 'Saeed, How Dare You Make Your Mother into a Prelude', are: "And then, night neons itself inside me / and I begin missing you in loud new ways.”
Multisensory with pleasing consonance, these lines are a small sample of Jones’s linguistic verve. Full of wit and sincerity, these poems made me want to write my own defiant love letter to the apocalypse.
Pierced by grief and charged with history, this new poetry collection from the award-winning author of Prelude to Bruise and How We Fight for Our Lives confronts our everyday apocalypses.
In haunted poems glinting with laughter, Saeed Jones explores the public and private betrayals of life as we know it. With verve, wit, and elegant craft, Jones strips away American artifice in order to reveal the intimate grief of a mourning son and the collective grief bearing down on all of us.
Drawing from memoir, fiction, and persona, Jones confronts the everyday perils of white supremacy with a finely tuned…
As a teacher, I often talk with my students about current events and highlight how disasters can spiral. Wildfire seasons are worsening, storms are getting stronger, wars are starting and never-ending, and sometimes, my students express some despair in the face of such cycles. Though it’s not a cure-all for this anxiety, I encourage my students to try and create something from this existential worry. Rather than scrolling through all the bad things that cross our screens, creativity can help us imagine a better world to work towards. Poetry about disasters can help us see them through.
If there are two things I love, it’s persona poems and a sustained concept throughout a collection. Like Blood Dazzler by Patricia Smith above, this book has both things.
A book of persona poems imagining the 2011 tsunami that devastated Japan as a series of monsters battling against the 50 employees who remained on-site after the tsunami, the collection weaves seamlessly between languages and comic book-like sound effects that create a heroic narrative in a sparse style.
This collection is one I return to when I think of trying to combat apocalyptic despair; if 50 people can face down a fatal situation, then I can live through another, less catastrophic day.
Named a "Best Book of 2019" by the New York Public Library Finalist for the 2020 Lambda Literary Award in Lesbian Poetry Society of Midland Authors Honoree in Poetry
In March 2011, a tsunami caused by an earthquake collided with nearby power plant Fukushima Daiichi, causing the only nuclear disaster in history to rival Chernobyl in scope. Those who stayed at the plant to stabilize the reactors, willing to sacrifice their lives, became known internationally as the Fukushima 50.
In tsunami vs. the fukushima 50, Lee Ann Roripaugh takes a piercing, witty, and ferocious look into the heart of the…
As a teacher, I often talk with my students about current events and highlight how disasters can spiral. Wildfire seasons are worsening, storms are getting stronger, wars are starting and never-ending, and sometimes, my students express some despair in the face of such cycles. Though it’s not a cure-all for this anxiety, I encourage my students to try and create something from this existential worry. Rather than scrolling through all the bad things that cross our screens, creativity can help us imagine a better world to work towards. Poetry about disasters can help us see them through.
What I love most about this collection is how it begins with an ending: printed on the inside jacket flap of the book is the end poem, 'The End of Poetry,' which demands an end to the intangibles of poetic clichés and calls instead for physical sensation.
The intense desire to be touched is heightened with the COVID-19 pandemic hanging over each poem; the pandemic is never named, but I felt the ache of social distancing. The pandemic is another kind of catastrophe, one that is tenderly and vividly captured in this book.
An astonishing collection about interconnectedness-between the human and nonhuman, ancestors and ourselves-from National Book Critics Circle Award winner, National Book Award finalist and U.S. Poet Laureate Ada Limon.
"I have always been too sensitive, a weeper / from a long line of weepers," writes Limon. "I am the hurting kind." What does it mean to be the hurting kind? To be sensitive not only to the world's pain and joys, but to the meanings that bend in the scrim between the natural world and the human world? To divine the relationships between us all? To perceive ourselves in other beings-and…
As a teacher, I often talk with my students about current events and highlight how disasters can spiral. Wildfire seasons are worsening, storms are getting stronger, wars are starting and never-ending, and sometimes, my students express some despair in the face of such cycles. Though it’s not a cure-all for this anxiety, I encourage my students to try and create something from this existential worry. Rather than scrolling through all the bad things that cross our screens, creativity can help us imagine a better world to work towards. Poetry about disasters can help us see them through.
What I love most about this book is the strident, confident way the poems tackle our expectations about prose and poetic genres. Right from the collection's first poem, the book says that language is only the beginning; it still has its limits, though it can achieve longevity in the right conditions.
However, my favorite poem of the collection is 'Shakespeare Doesn't Care,' a poem where Dove imagines Shakespeare’s confident, coy response to comments on his prolific, inimitable career. In doing so, she highlights how his work points the finger of judgment through time. Dove does this, too.
This is not a book of portents, nor is it strictly a celebration or mourning of an apocalyptic world; instead, it highlights the strange echoes of history.
In her first volume of new poems in twelve years, Rita Dove investigates the vacillating moral compass guiding the world's experiments in democracy.
Whether depicting the first Jewish ghetto in sixteenth-century Venice or Black Lives Matter, this extraordinary poet never fails to connect history's grand exploits to the triumphs and tragedies of individual lives-the simmering resentment of a lift operator, an octogenarian's exuberant mambo, the mordant humour of a philosophising cricket.
Audaciously playful yet grave, alternating poignant meditations on mortality and acerbic observations of injustice, Playlist for the Apocalypse takes us from the smallest moments of redemption to apocalyptic failures…
When I was eight years old, I read a book titled Dar Tellum: Stranger from a Distant Planet, by James R. Berry. It told the story of a boy who communicates with an alien intelligence to save the Earth from… global warming. That was in 1973, and it was the first time I’d heard about “the greenhouse effect”. Some things haven’t changed since then: I still read (and write) sci-fi, and I still have Dar Tellum on my bookshelf. But our climate is changing, and I’ve chosen four books of science fiction and one of science facts that help us think about the future—and present—of our planet.
In the wake of super-hurricanes and the deadly pandemic that follows, New Orleans has been quarantined from the rest of the United States, and those who seek to cross the border wall are killed. Narrator Fen, a member of the clan-based culture that has developed behind the wall, tells the story of her people and her personal quest for freedom in a dialect voice that is both beautifully rendered and brutally honest.
After a string of devastating hurricanes and a severe outbreak of Delta Fever, the Gulf Coast has been quarantined. Years later, residents of the Outer States are under the assumption that life in the Delta is all but extinct…but in reality, a new primitive society has been born.
Fen de la Guerre is living with the O-Positive blood tribe in the Delta when they are ambushed. Left with her tribe leader’s newborn, Fen is determined to get the baby to a better life over the wall before her blood…
I am an Australian writer living in Europe. Returning to my hometown on the East Coast of Australia post-COVID, I confronted relentless rain and king tides threatening the beach promenade cafes. Witnessing the potential demise of these familiar spots sparked the idea for my novel. Opening with a dystopian scene of future tourists exploring submerged coastal cafes with snorkels, my work delves into the realm of "cli-fi" (climate fiction). Against the backdrop of imminent climate danger, my characters, a lovable yet obstinate Australian ensemble, navigate a world profoundly altered by the impacts of climate change. I hope what I have written is an exaggeration. I fear it may not be.
Humans can be brave, and humans can be stubborn. Abdulrahman Zeitoun is both.
Refusing to leave New Orleans as Hurricane Katrina built strength out at sea in 2005, he stays and finds himself stranded in an eerily flooded city, seemingly alone and without help. He paddles the watery “streets” in an old kayak and finds others who could not or did not leave, offering help, and for his efforts, is arrested as a suspected terrorist and looter.
This book is not a simple tale of an everyday hero. We meet a character that downplays the dangers of a brewing storm but, despite his stubbornness, is also capable of great selflessness and bravery. The negligence of the institutions we expect to protect us is an insidious theme that runs throughout.
WINNER OF THE AMERICAN BOOK AWARD AND THE LA TIMES BOOK AWARD
'Masterly. Brilliantly crafted, powerfully written and deftly reported' Guardian
The urgent and unforgettable true story of post-Katrina New Orleans . . .
In August 2005, as Hurricane Katrina blew in, the city of New Orleans has been abandoned by most citizens. But resident Abdulrahman Zeitoun, though his wife and family had gone, refused to leave. For days he traversed an apocalyptic landscape of flooded streets by canoe. But eventually he came to the attention of those 'guarding' this drowned city. Only then did Zeitoun's nightmare really begin.
Like many, I am a sucker for a Happy Ever After. I want to drift upon the clouds of peaceful surrender. But let's face it, we hurdle back to reality and face plant. And because of that, I write romance with the heartache of truth. I gravitate toward contemporary romance because of the tough topics characters face as they find love. I’ve written seven romance novels and one YA. I run three writing groups and work for Munchkin Lane developing/designing Early Childhood Readers. I have a master’s degree in creative writing with an emphasis in Young Adult and a bachelor's in creative writing.
With the unusual title, this book was recommended to me by a bubbly store book clerk. Afraid to tell her no, thank you. I paid for the book and fled the store. I was hooked from the first line of the book to the last. As LJ takes the stage full of suspicion, Andra is on edge yet stoic. They seem an unlikely pairing. The unfolding of the story is like a long-awaited date night. Hopeful, warm, with the promise of more. This story is a reminder that odds can be overcome if you are strong enough to stand alone when others want you to sit down.
AN AMAZON BEST ROMANCE OF THE MONTH BOOKLIST TOP 10 ROMANCE OF 2019
What could two troubled souls from different walks of life have in common? Maybe everything.
Andra Lawler lives isolated at her family’s horse ranch, imprisoned by the memories of an assault in college. When she needs help training her foals, she hires a Haitian-Creole cowboy from New Orleans with a laugh as big as the Montana sky.
LJ Delisle can’t stand the idea that Andra might be lonely—or eating frozen TV dinners. He bakes his way into her kitchen with a lemon velvet cake, and offers her…
I’ve always enjoyed the intrigue of the mystery and the constant back and forth of the twists and turns offer in a well-written novel. The tremor of my nerves at the base of my neck as I try to figure out the culprit and their intentions, has always enticed my imagination. To, me, those sensations are mind stimulating, and are only born through reading.
The Tin Roof Blowdown shows us New Orleans, and the surrounding areas the days after Katrina raged havoc. Taking into account the lives that have been traumatized as crime and murders increased nine-fold. Detective David Robicheaux of Iberia Parish finds himself in the midst of a murder in an old-time neighborhood, as he tries to figure out if the murder of a local black boy during a robbery was racially motivated or not. The details and stories of this horrific tragedy show the bleakness of the aftermath and that not only did many reach their deaths, but how many who survived died also. No order exists as Robicheaux tries to unravel his latest mystery.
Hurricane Katrina has transformed New Orleans into a violent wasteland. Criminals capitalise on the devastation as survivors wait for help that never comes.
David Robicheaux - his city in ruins -- is tasked with investigating the murder of a pair of looters: is it a simple case of 'stand-your-ground', or something altogether darker? The dead men's accomplice holds the key but he has disappeared to escape the people hunting him.
As Robicheaux uncovers a brutal catalogue of greed, torture and murder, his own family is threatened, and the ravaged city provides the perfect…
I love reading complicated women. Messy, difficult, sarcastic, strong, clever, unusual, prickly women—works in progress who don’t always make good decisions and defy expectations. Characters shaped by their circumstances—good or bad—who use their considerable talents to figure their way out of difficult situations. I crave books that make me look anew at familiar genres or subjects. An element of mystery is the secret ingredient that makes me fall hard for a story; add a memorable female lead, and you’ve got the perfect book. It wasn’t long before I switched from reading female-led mysteries to writing them. I haven’t looked back.
Claire DeWitt is a troubled detective hired to solve a disappearance in post-Katrina New Orleans.
She learned her craft by studying the teachings of an elusive French detective, and was set on her career path after failing to find her missing friend as a teenager. She is haunted by disappearances of all kinds, and through this fascinating main character Gran weaves an atmospheric, compelling mystery.
The first time I read this book a hidden door in my writing brain unlocked—detective novels can be more than the classic setup of a talented sleuth following the clues. They can be messy and enigmatic and unsettling—in fact, Gran convinced me that they should be.
New Orleans, and Vic Willing, Assistant District Attorney for the prosecutors' office, has been missing since Hurricane Katrina hit. Called in from San Francisco is Claire DeWitt, a detective whose expertise and methods derive from some unique sources.
What Claire discovers takes us into the heart of the crime-ravaged, deeply wounded city, where those who can afford it live behind fences and those who can't are slain daily on the streets. And it's there she discovers that the only thing worse than an unsolved case, maybe, is a solved one.
From the acclaimed author of Dope and Come Closer, City…
We moved to New Orleans in July 2005. We had six weeks in our first home, filling it with furniture, buying a new car, and taking advantage of my first job. When Hurricane Katrina collapsed the levees holding back the nearby lakes, our home – and those of 80% of the city – filled with water. As I waited for FEMA and insurance to help us, I saw instead it was our friends, friends of friends, and faith-based organizations that helped us get back on our feet. Using our own experiences as a start, I traveled to India and Japan to study how communities around the world survived and thrived during shocks.
As someone who lived in New Orleans before, during, and after Hurricane Katrina, I often wondered why different communities bounced back from that terrible flooding. Mark van Landingham finds that, despite low levels of English fluency, education, and income, the Vietnamese and Vietnamese-American community of Village De L’Est brought back more people and businesses than any other part of the city. Within a year they were back to 90% capacity of pre-Katrina levels. This community's residents – connected to each other through Catholicism and a shared language and history – worked collectively to help evacuees who had scattered across the country. Through collective action, they rebuilt their community even better, adding in new schools, medical centers, and even urban farms.
In 2005, Hurricane Katrina devastated New Orleans. The principal Vietnamese-American enclave was a remote, low-income area that flooded badly. Many residents arrived decades earlier as refugees from the Vietnam War and were marginally fluent in English. Yet, despite these poor odds of success, the Vietnamese made a surprisingly strong comeback in the wake of the flood. In Weathering Katrina, public health scholar Mark VanLandingham analyzes their path to recovery, and examines the extent to which culture helped them cope during this crisis.
Contrasting his longitudinal survey data and qualitative interviews of Vietnamese residents with the work of other research teams,…
