Here are 100 books that The Hurting Kind fans have personally recommended if you like
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As a teacher, I often talk with my students about current events and highlight how disasters can spiral. Wildfire seasons are worsening, storms are getting stronger, wars are starting and never-ending, and sometimes, my students express some despair in the face of such cycles. Though it’s not a cure-all for this anxiety, I encourage my students to try and create something from this existential worry. Rather than scrolling through all the bad things that cross our screens, creativity can help us imagine a better world to work towards. Poetry about disasters can help us see them through.
The poems in this book made me feel glad to be alive in a world that feels like it’s ending. I loved how Jones situated personal grief within disasters of national and international scale; grieving a mother is as monumental as grieving a world.
I also found it compelling how Jones consistently maintains a musical quality to the poems’ language. The first two lines of, 'Saeed, How Dare You Make Your Mother into a Prelude', are: "And then, night neons itself inside me / and I begin missing you in loud new ways.”
Multisensory with pleasing consonance, these lines are a small sample of Jones’s linguistic verve. Full of wit and sincerity, these poems made me want to write my own defiant love letter to the apocalypse.
Pierced by grief and charged with history, this new poetry collection from the award-winning author of Prelude to Bruise and How We Fight for Our Lives confronts our everyday apocalypses.
In haunted poems glinting with laughter, Saeed Jones explores the public and private betrayals of life as we know it. With verve, wit, and elegant craft, Jones strips away American artifice in order to reveal the intimate grief of a mourning son and the collective grief bearing down on all of us.
Drawing from memoir, fiction, and persona, Jones confronts the everyday perils of white supremacy with a finely tuned…
As a teacher, I often talk with my students about current events and highlight how disasters can spiral. Wildfire seasons are worsening, storms are getting stronger, wars are starting and never-ending, and sometimes, my students express some despair in the face of such cycles. Though it’s not a cure-all for this anxiety, I encourage my students to try and create something from this existential worry. Rather than scrolling through all the bad things that cross our screens, creativity can help us imagine a better world to work towards. Poetry about disasters can help us see them through.
This book is the blueprint. From the concept—persona poems and scenes from New Orleans, told from the perspective of Hurricane Katrina—to the flawless execution of that concept, this book is a must-read for understanding disasters.
I loved the sustained attention to the storm and the people and the way that Smith finds fresh ways to create the scenes before, during, and after the storm. I loved Katrina the persona, too, as much as I feared her destructiveness. Her rage and vengeance felt entirely real, and the poems made me want to walk the earth as if every step would shatter the ground. This book lives up to its succinct, evocative title.
In minute-by-minute detail, Patricia Smith tracks Hurricane Katrina as it transforms into a full-blown mistress of destruction. From August 23, 2005, the day Tropical Depression Twelve developed, through August 28 when it became a Category Five storm with its "scarlet glare fixed on the trembling crescent," to the heartbreaking aftermath, these poems evoke the horror that unfolded in New Orleans as America watched it on television. Assuming the voices of flailing politicians, the dying, their survivors, and the voice of the hurricane itself, Smith follows the woefully inadequate relief effort and stands witness to families held captive on rooftops and…
As a teacher, I often talk with my students about current events and highlight how disasters can spiral. Wildfire seasons are worsening, storms are getting stronger, wars are starting and never-ending, and sometimes, my students express some despair in the face of such cycles. Though it’s not a cure-all for this anxiety, I encourage my students to try and create something from this existential worry. Rather than scrolling through all the bad things that cross our screens, creativity can help us imagine a better world to work towards. Poetry about disasters can help us see them through.
If there are two things I love, it’s persona poems and a sustained concept throughout a collection. Like Blood Dazzler by Patricia Smith above, this book has both things.
A book of persona poems imagining the 2011 tsunami that devastated Japan as a series of monsters battling against the 50 employees who remained on-site after the tsunami, the collection weaves seamlessly between languages and comic book-like sound effects that create a heroic narrative in a sparse style.
This collection is one I return to when I think of trying to combat apocalyptic despair; if 50 people can face down a fatal situation, then I can live through another, less catastrophic day.
Named a "Best Book of 2019" by the New York Public Library Finalist for the 2020 Lambda Literary Award in Lesbian Poetry Society of Midland Authors Honoree in Poetry
In March 2011, a tsunami caused by an earthquake collided with nearby power plant Fukushima Daiichi, causing the only nuclear disaster in history to rival Chernobyl in scope. Those who stayed at the plant to stabilize the reactors, willing to sacrifice their lives, became known internationally as the Fukushima 50.
In tsunami vs. the fukushima 50, Lee Ann Roripaugh takes a piercing, witty, and ferocious look into the heart of the…
As a teacher, I often talk with my students about current events and highlight how disasters can spiral. Wildfire seasons are worsening, storms are getting stronger, wars are starting and never-ending, and sometimes, my students express some despair in the face of such cycles. Though it’s not a cure-all for this anxiety, I encourage my students to try and create something from this existential worry. Rather than scrolling through all the bad things that cross our screens, creativity can help us imagine a better world to work towards. Poetry about disasters can help us see them through.
What I love most about this book is the strident, confident way the poems tackle our expectations about prose and poetic genres. Right from the collection's first poem, the book says that language is only the beginning; it still has its limits, though it can achieve longevity in the right conditions.
However, my favorite poem of the collection is 'Shakespeare Doesn't Care,' a poem where Dove imagines Shakespeare’s confident, coy response to comments on his prolific, inimitable career. In doing so, she highlights how his work points the finger of judgment through time. Dove does this, too.
This is not a book of portents, nor is it strictly a celebration or mourning of an apocalyptic world; instead, it highlights the strange echoes of history.
In her first volume of new poems in twelve years, Rita Dove investigates the vacillating moral compass guiding the world's experiments in democracy.
Whether depicting the first Jewish ghetto in sixteenth-century Venice or Black Lives Matter, this extraordinary poet never fails to connect history's grand exploits to the triumphs and tragedies of individual lives-the simmering resentment of a lift operator, an octogenarian's exuberant mambo, the mordant humour of a philosophising cricket.
Audaciously playful yet grave, alternating poignant meditations on mortality and acerbic observations of injustice, Playlist for the Apocalypse takes us from the smallest moments of redemption to apocalyptic failures…
I’ve been fascinated fairy tales, folklore, and horror since I was a child, drawn to these strange stories in which wondrous and terrifying things happen. In many of these tales, the women often lack a sense of agency or control over their lives and work for a better life within the limitations of their situation. The act of retelling these stories provides space to explore this lack of power and how these women might find clever or unusual ways to reclaim it. In particular, I’m interested in the ways characters might make use of the danger or darkness around them to carve their own path in the world.
In her stunning poetry collection, Brute, Emily Skaja navigates the dark corridors of trauma at the end of an abusive relationship. Exploring the intersections of both love and violence, these poems have a mythic quality to them, with the narrator seemingly struggling to survive the brutality of a fairy tale world longing to gobble her up. At the same time, the fantastical elements of these poems are balanced by the present moment, with cell phones, social media, and other current technologies evoking a kind of modern magic that holds sway over our lives. The poems in this collection take the reader on a journey from sorrow to rage, guilt, hope, self-discovery, and reinvention.
Selected by Joy Harjo as the winner of the Walt Whitman Award of the Academy of American Poets
Emily Skaja’s debut collection is a fiery, hypnotic book that confronts the dark questions and menacing silences around gender, sexuality, and violence. Brute arises, brave and furious, from the dissolution of a relationship, showing how such endings necessitate self-discovery and reinvention. The speaker of these poems is a sorceress, a bride, a warrior, a lover, both object and agent, ricocheting among ways of knowing and being known. Each incarnation squares itself up against ideas of feminine virtue and sin, strength and vulnerability,…
I'm the author of Penelope’s Purple Passions. I've been in love with writing poetry since I was a little girl. I would go under the bunk bed at night with my flashlight and write all these poems about love, not that I knew anything about love, but what I did know was how writing poetry made me feel. I believe love is truly the most valuable gift we can give to another soul in our lifetime. I want my poetry to empower people and be that beacon of light in people’s lives. Poetry is the avenue where I can spread love and hope globally to anyone who picks up my books.
This book was chosen because of the deep, profound love that is displayed throughout the book. It speaks to how vulnerable a person makes themselves when they love deeply and how scary that can be. It also speaks to how you can feel so totally lost in loving another person that you forget to love yourself. I could identify with loving so intensely also and having my heart broken. I also identified with the journey of coming to loving oneself again and with that being open to finding someone better.
In the spirit of her bestselling series, Pillow Thoughts, Courtney Peppernell returns with a new, empowering collection of poetry and prose. From heartbreak to dreaming of and finding a new love to healing the heart to ultimately finding peace, the themes in this book are universal but also uniquely individual to readers.
Just as moving and endearing as Peppernell's previous books, I Hope You Stay is a reminder of the resilience and hope needed after heartache and pain. The book is divided into five sections, with poems ranging from free verse to short form. These words are a light in…
I have created art from an early age. Years later, my studies in civil engineering allowed me to combine my love for the arts with my belief in an orderly world. Meanwhile, reading and writing have always been my favorite pursuits. While collaborating as an editor with other authors, assisting them in their writing endeavors, in 2014, I wrote and published my first book. Sharing my writing on Instagram gave birth to the idea of my first poetry book, something like, published in 2018. Since then, two more poetry collections have been published: A TriAngle in 2019 and something like in reverse in 2020.
Pillow Thoughts is a collection of poetry and prose about heartbreak, love, and raw emotions. It is divided into sections to read when you feel you need them most.
When writing about friendships, it was important for me to highlight the highs and the lows of friendships. This approach takes the reader on a journey with the main character as she remembers the good times while she navigates through the tough times. By sprinkling in humor, a story that could sway to the serious side and stay there is suddenly entertaining and balanced, giving the main character’s plight depth and the reader an engrossing experience.
This book has such an intriguing and powerful premise.
Molly is best friends with three women who are seemingly different. These three frenemies have only one thing in common and that is their mutual friend Molly.
When Molly passes away, her last wish is for these women to meet for brunch once a month for a year.
It’s the mysterious gifts Molly leaves each of them that leads them on a journey of self-discovery and exhibits how much Molly understood each of her friends.
And a standing brunch date may be more beneficial than they think.
"Poignant, funny, and smart, Brunch and Other Obligations is a must-have for contemporary women's fiction shelves. Readers will want to watch for what Nugent does next."
-Booklist
"A thoroughly upbeat and fully entertaining novel from cover to cover."
-Midwest Book Review
"Brunch and Other Obligations is women's fiction at its finest! A tender, witty, heartfelt novel that had me laughing out loud in one chapter and reaching for tissues in the next. With humor, heart, and hope, Nugent reminds us that, once in a lifetime, if we're very, very lucky, we just might find a friend who knows us better…
I grew up in the 1980s when there wasn’t consideration for representation or diversity in literature or media. If I wanted to read about a Girl of Color, inevitably, she was a slave. If I wanted to watch a TV show featuring women (of any color), they were inevitably rescued in the climactic moment by a man. As such, I grew into a reader who loves kickbutt girls of all stripes. Give me a chance to cheer on a female who’s looking for her happy ending and not about to let the world dictate how she finds that happiness (and with whom), and boy, you got me!
I love this book so much, I blurbed it! In a world where women are often asked to be quiet, to make themselves small, Nafiza Azad’s unapologetically feminist book is breathtaking. Readers journey with Paheli and her collection of girls—the Wild Ones—helping to save girls from the pain they had to endure. On their journey, they seek Taraana, a boy with stars in his eyes, who once saved Paheli and now needs saving. While The Wild Ones is a fantasy, it is an unflinching look into the #MeToo movement, the tragedies and pain of being female, the saving grace of sisterhood, and the audacious power of resilience and hope.
From William C. Morris Finalist Nafiza Azad comes a thrilling, feminist fantasy about a group of teenage girls endowed with special powers who must band together to save the life of the boy whose magic saved them all.
We are the Wild Ones, and we will not be silenced.
We are girls who have tasted the worst this world can offer. Our story begins with Paheli, who was once betrayed by her mother, sold to a man in exchange for a favor. When Paheli escaped, she ran headlong into Taraana-a boy with stars in his eyes, a boy as battered…
The 14th century had it all: the 100 Years' War, near-constant famines, and, of course, the Black Plague. As a medievalist studying the art of the time, I was struck by the representations of Death that emerged from this near-perfect storm of misery. Yes, Death was often portrayed accompanied by demons and devils, lumped willy-nilly with evil. But it was more often portrayed in the Danse Macabre as a skeletal partner, leading everyone—Pope and Emperor, Lord and Laborer—on a merry dance. I know it was meant as a warning, but I found the Danse Macabre to be oddly comforting, a vision of an ultimate democracy, with Death the final partner and companion to us all.
Leavitt’s story is a fairytale and like all good fairytales, there is a handsome prince except this one is played by Lord Death himself.
I love Keturah. She is brave enough not to be afraid and big-hearted enough to see beyond Death’s terrifying purpose to the underlying sadness of the feared and hated outsider. Through the course of the book, she also comes to appreciate the meaning he brings to life.
“It was Death who…made her see the sun in the blue sky and hear the trees in a spring wind. He made her see how much she loved her friends…Made her love the breath in her lungs. She knew she had never been truly alive as when she met him. Never so happy and content with her lot until she was touched by the sorrow of him.”
A young woman makes a bargain with Death himself-and only true love can set her free-in this spellbinding YA fantasy romance for fans of Robin McKinley.
For most of her sixteen years, beautiful Keturah Reeves has mesmerized the villagers with her gift for storytelling. But when she becomes hopelessly lost in the king's forest, her strength all but diminished, she must spin the most important of tale of life. With her fate hanging in the balance, she charms Death himself-a handsome, melancholy, and stern lord-with a story of a love so true that he agrees to…
