Here are 100 books that Islandborn fans have personally recommended if you like
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As a part of Teatro SEA, promoting and strengthening the cultural identity of young latiné audiences is the main focus of our mission and everyone who works there. We have been around since 1985 as SEA (Society of the Educational Arts, Inc.) and are the premiere Bilingual Arts-in-Education Organization and Latino Children’s Theatre in the United States. We create and produce a combination of educational theater, in-school multidisciplinary arts instruction programs, art & cultural festivals/ events, online educational programming, and Theater Books, all intended to raise self-esteem, strengthen cultural identity, and provide educational advancement for our community of latiné children and youth.
I know I’m not the only one who fell in love with Selena the first time I heard her music.
The story of a young girl chasing her dreams despite the obstacles is universal and warms my heart. That’s what this book is: heartwarming. It’s often hard to talk about the end of Selena’s life, especially with children, but López focuses on the joy and accomplishments in Selena’s life, with just a brief mention of her untimely death.
López is inspiring musicians, fashion designers, performers, and so many more by showing them that it doesn’t matter where you come from-just as long as you put in the work.
From a very early age, young Selena knew how to connect with people and bring them together with music. Sing with Me follows Selena's rise to stardom, from front-lining her family's band at rodeos and quinceaneras to performing in front of tens of thousands at the Houston Astrodome. Young readers will be empowered by Selena's dedication - learning Spanish as a teenager, designing her own clothes, and traveling around the country with her family - sharing her pride in her Mexican-American roots and her love of music and fashion with the world.
As a part of Teatro SEA, promoting and strengthening the cultural identity of young latiné audiences is the main focus of our mission and everyone who works there. We have been around since 1985 as SEA (Society of the Educational Arts, Inc.) and are the premiere Bilingual Arts-in-Education Organization and Latino Children’s Theatre in the United States. We create and produce a combination of educational theater, in-school multidisciplinary arts instruction programs, art & cultural festivals/ events, online educational programming, and Theater Books, all intended to raise self-esteem, strengthen cultural identity, and provide educational advancement for our community of latiné children and youth.
This book instantly warms my heart every time I see it on a shelf. I am instantly transported to being with my abuela as a kid, finding so much enjoyment in doing even the most mundane errands with her.
Not only does the story have a permanent place in my heart, the illustrations are absolutely gorgeous. The Statue of Liberty, New York City Parks, and the New York City Skyline all make an appearance. This is definitely a love letter to multigenerational New York families and how important that bond between an abuela and a grandchild is.
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Abuela
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This book is for kids age
3,
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What is this book about?
A young girl and her grandmother celebrate their home and relationship in this magical story. Winner of the Parents' Choice Award!
Come join Rosalba and her grandmother, her abuela, on a magical journey as they fly over the streets, sights, and people of New York City which sparkles below. The story is narrated in English, and sprinkled with Spanish phrases as Abuela points out places that they explore together. The exhilaration in Rosalba’s and Abuela's story is magnified by the loving bond that only a grandmother and granddaughter can share.
Also available in a Spanish-language edition (ISBN: 978-0-14-056226-2)
As a part of Teatro SEA, promoting and strengthening the cultural identity of young latiné audiences is the main focus of our mission and everyone who works there. We have been around since 1985 as SEA (Society of the Educational Arts, Inc.) and are the premiere Bilingual Arts-in-Education Organization and Latino Children’s Theatre in the United States. We create and produce a combination of educational theater, in-school multidisciplinary arts instruction programs, art & cultural festivals/ events, online educational programming, and Theater Books, all intended to raise self-esteem, strengthen cultural identity, and provide educational advancement for our community of latiné children and youth.
It can be hard growing up to see yourself in politicians, celebrities, and role models in books and media when you’re latiné. This book lays out role model after role model, all Latino and all inspirational.
I wish this book was around when I was growing up. To have a resource of inspirational Latinos at my fingertips would have really helped me to see that I come from a community of trailblazers. This is a book that works to create the next generation of Latino leaders.
Fearless Trailblazers,11 Latinos who made U.S. History,Pioneros Audaces, 11 Latinos que hicieron historia en Los Estados Unidos, is a bilingual book that highlights 11 Latinos who excelled in their professional careers and made U.S. history by accomplishing something that hadn't been done before in their respective fields which include science, sports, the arts and politics. By presenting the true biographical stories of these outstanding Latinos in rhyming verses, young readers will easily follow their journey to success. Each persons biographical story is written in both Spanish and English to encourage and promote bilingual literacy. Some of the men highlighted include…
As a part of Teatro SEA, promoting and strengthening the cultural identity of young latiné audiences is the main focus of our mission and everyone who works there. We have been around since 1985 as SEA (Society of the Educational Arts, Inc.) and are the premiere Bilingual Arts-in-Education Organization and Latino Children’s Theatre in the United States. We create and produce a combination of educational theater, in-school multidisciplinary arts instruction programs, art & cultural festivals/ events, online educational programming, and Theater Books, all intended to raise self-esteem, strengthen cultural identity, and provide educational advancement for our community of latiné children and youth.
One thing I will never get tired of are books about girl power!
What I love so much about this book is its focus on a young girl chasing her dreams of being a Luchadora, which traditionally has been a male-dominated sport. I have a soft spot in my heart for books that encourage young women to go after their dreams despite whatever preconceived gender notions they may have. End then you set it in the world of Lucha Libre–forget about it!
Lucía the Luchadora named one of the Best Books of 2017 by NPR, Kirkus Reviews, Chicago Public Library and more! Lucía zips through the playground in her cape just like the boys, but when they tell her "girls can't be superheroes," suddenly she doesn't feel so mighty. That's when her beloved abuela reveals a dazzling secret: Lucía comes from a family of luchadoras, the bold and valiant women of the Mexican lucha libre tradition. Cloaked in a flashy new disguise, Lucía returns as a recess sensation! But when she's confronted with a case of injustice, Lucía must decide if she…
As the Black American daughter of Jamaican immigrants born and raised in Anchorage, Alaska, I love stories that depict the beauty of being multifaceted human beings. Stories steeped in broad understandings of place and home. Stories that encourage us to delight in being the people we are. I also believe our children are natural poets and storytellers. Lyrical picture books filled with rich language and sensory details encourage the thriving of such creativity. In addition to writing All the Places We Call Home, I'm the author ofAll the Colors We Will See, an essay collection about race, immigration, and belonging.
The Day You Beginis a lovely, lyrical reminder that we all have unique experiences and moments of not belonging, but we find connections through sharing our stories. Jacqueline Woodson’s repetitive phrase, “There will be times,” paired with the use of a 2nd person narrator, instantly draws us into the story. As a result, we feel part of the story as we think of times when we didn’t fit in or people didn’t understand our experience. So powerful!! I am a huge proponent of the power of sharing personal stories, and I often speak to groups about how sharing stories can serve as a bridge that might connect us. The Day You Begin is a glorious reflection of this truth.
There will be times when you walk into a room and no one there is quite like you.
There are many reasons to feel different. Maybe it's how you look or talk, or where you're from; maybe it's what you eat, or something just as random. It's not easy to take those first steps into a place where nobody really knows you yet, but somehow you do it.
Jacqueline Woodson's lyrical text and Rafael Lopez's dazzling art reminds us that we all feel like outsiders sometimes and how brave it is that we go forth anyway. And that sometimes, when…
I write about topics I’m curious about. When a friend’s daughter converted to Islam that piqued my interest in the religion. I started researching Islam, not entirely sure of where the journey would take me. Around that same time, I saw a picture in my minister’s office of a Syrian refugee and her young son. They held a handwritten sign that said, WE ARE FROM SYRIA, CAN YOU HELP US? I started writing a story about a Christian girl whose church is helping a Syrian refugee family. To enrich the book, I sought a Muslim coauthor to tell half of the story. Together, we read LOTS of books by collaborators.
Most of the books I’ve read by collaborators have fairly somber tones, but not Save Me A Seat. This book is laugh-out-loud funny. Joe has lived in the same town all his life. Ravi’s family recently moved from India. The boys seem to have nothing in common until they team up against the biggest bully in their class.
Save Me a Seat joins the Scholastic Gold line, which features award-winning and beloved novels. Includes exclusive bonus content!Joe and Ravi might be from very different places, but they're both stuck in the same place: SCHOOL.Joe's lived in the same town all his life, and was doing just fine until his best friends moved away and left him on his own. Ravi's family just moved to America from India, and he's finding it pretty hard to figure out where he fits in.Joe and Ravi don't think they have anything in…
I’m pretty sure I’m about to die in space. And I just turned twelve and a half.
Blast off with the four winners of the StellarKid Project on a trip to the International Space Station and then to the Gateway outpost orbiting the Moon! It’s a dream come true until…
A summer with relatives in Belgium—a country divided by language and culture—inspired me to travel to Santo Domingo in 1988 to learn Spanish and study the fraught dynamics of two countries speaking different languages but sharing an island. My time in the Dominican Republic and Haiti inspired a lifelong exploration of complex issues using many lenses and stories. Today I write mainly about risk, drawing on psychology, culture, policy, and economics. The third book, The Gray Rhino, calls for a fresh look at obvious, looming threats. My fourth book, You Are What You Risk, explores risk perceptions and attitudes using a comparative, socio-cultural lens like the one I used in Why the Cocks Fight.
The title of this novel took me back to 1989, when I was living in the Dominican Republic they year and Juan Luis Guerra and his band 4-40 released their hit song, "Ojala que llueva café", an homage to rural Dominicans and their hopes; and another iconic song, "Visa para un sueño" (Visa for a Dream). This book is about the Dominicans in those songs: a family saga and the historical and contemporary realities that shaped their lives, aspirations, and disappointment. Its backdrop, unlike the other novels here, is mainly the post-Trujillo era: the brief presidency of Juan Bosch, his overthrow, and the revolution and US invasion that followed, catalyzing a wave of emigration that persists today.
With her first novel, Angie Cruz established herself as a dazzling new voice in Latin-American fiction. Junot Diaz called her "a revelation" and The Boston Globe compared her writing to that of Gabriel García Márquez. Now, with humor, passion, and intensity, she reveals the proud members of the Colón family and the dreams, love, and heartbreak that bind them to their past and the future. Esperanza did not risk her life fleeing the Dominican Republic to live in a tenement in Washington Heights. No, she left for the glittering dream she saw on television: JR, Bobby Ewing, and the crystal…
I’m a language scientist and a writer, but most of all, a person who is smitten with language in all its forms. No doubt my fascination was shaped by my early itinerant life as a child immigrant between Czechoslovakia to Canada, with exposure to numerous languages along the way. I earned a PhD in linguistics and taught linguistics and psychology at Brown University and later, the University of Calgary, but I now spend most of my time writing for non-academic readers, integrating my scientific understanding of language with a love for its aesthetic possibilities.
This book calls itself a novel, but it is deeply intertwined with the author’s own life and experiences as a second-generation immigrant from Pakistan. The chapters often read more like incisive personal essays than segments advancing the plot of a conventional novel, as the author grapples with the economic obsessions and spiritual poverty of contemporary American culture, the experience of everyday racism and the rage it provokes, and the feelings of alienation that many immigrants feel from both their country of origin and their adopted home.
The central preoccupation of the book is the difficulty of living as a complete, nuanced, self-contradictory individual in a world that forces you to choose—between cultures in conflict with each other, between absolutist world views that permit no ambivalence, between economic success and authenticity. It is a tension that may be especially pronounced in an immigrant’s life, but one that entraps everyone and results…
This "beautiful novel . . . has echoes of The Great Gatsby": an immigrant father and his son search for belonging—in post-Trump America, and with each other (Dwight Garner, New York Times).
One of the New York Times 10 Best Books of the Year One of Barack Obama's Favorite Books of 2020 A Best Book of 2020 * Entertainment Weekly * Washington Post * O Magazine * New York Times Book Review * Publishers Weekly * NPR * The Economist * Shelf Awareness * Library Journal * St. Louis Post-Dispatch * Slate Finalist for the 2021 Andrew Carnegie Medal for…
I grew up in a large extended family in a rural district in Trinidad. Frequently, as a young boy, I sought escape in the forested area at the back of the house. There, I would craft childish stories and fantasize about becoming a writer. This wish was granted after I moved to Canada in the 1990s. As an immigrant writer here, most of my books are about movement, dispossession, and finding a home. So, in a sense, I have always been running away from, while at the same time, searching for a home. This tension has given birth to most of my books.
In these stripped-down stories, the minute observations are just as significant as the broader strokes the writer uses to depict the lives of refugees, people at the margins. Told mostly from the perspective of a Laotian adolescent, the characters are each trying to understand the steps they must take to fit into their new barricaded lives. In spite of the claustrophobia that encloses the characters, the stories are funny and tender.
WINNER OF THE SCOTIABANK GILLER PRIZE
'Spellbinding' i
'Breathtaking' Elle
'Powerhouses of feeling and depth' Mary Gaitskill
'Sharp and vital' Daisy Johnson
An ex-boxer turned nail salon worker falls for a pair of immaculate hands; a mother and daughter harvest earthworms in the middle of the night; a country music-obsessed housewife abandons her family for fantasy; and a young girl's love for her father transcends language. In this stunning debut, Souvankham Thammavongsa captures the day-to-day lives of immigrants and refugees in a nameless city, illuminating hopes, disappointments, love affairs, and above all, the pursuit of a place to belong
The summer holidays have finally arrived and Scout can’t wait for her adventure in the big rig with Dad. They’re on a mission to deliver donations of dog food to animal rescue shelters right across the state. There’ll be dad-jokes, rock-collecting, and a brilliant plan that will make sure everyone’s…
I’m the child of immigrants and my role in the family was to be my parents’ American expert and translator. I learned my expertise by living, of course, but my understanding of the interior life and thoughts of Americans often came from reading American novels. Immigration-themed novels are catnip to me because they remind me, often with warmth, of my own childhood and parents.
This book is a true labor of love, an oral history about a community of Eastern European Jewish chicken ranchers that lived in Petaluma, California for decades. The voices ring with the cadence and language of my own childhood although the era is older and the political leanings of those interviewed are different than those in my own neighborhood. What distinguishes this book from many is that the community has no wish to assimilate.
Given its tumultuous history, one would hardly have expected Petaluma, California, to become transformed into the San Francisco bedroom suburb that it is today. It had been a small-town agricultural community, where Jewish chicken ranchers and radicals enjoyed a vigorous Yiddish cultural life, maintained intense political commitments, and took part in sharp conflicts among themselves and with the society beyond.
In this unique work of oral history, Kenneth Kann has ingeniously arranged and edited interviews with more than two hundred people, some of them telling their life stories in their own Yiddishized English. We meet an array of striking characters…