Here are 100 books that Irish America fans have personally recommended if you like
Irish America.
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My life and work have been profoundly affected by the central circumstance of my existence: I was born into a very large military Catholic family in the United States of America. As a child surrounded by many others in the 60s, I wrote, performed, and directed family plays with my numerous brothers and sisters. Although I fell in love with a Canadian and moved to Canada, my family of origin still exerts considerable personal influence. My central struggle, coming from that place of chaos, order, and conformity, is to have the courage to live an authentic life based on my own experience of connectedness and individuality, to speak and be heard.
Frank McCourt's classic book, the memoir of his childhood, is proof in the pudding that the origin of humor is the suffering of the low-status character. And that’s only one reason why I love it.
He had me at “Above all -- we were wet.” His descriptions of the impossible and undignified conditions of his childhood, where children had absolutely no control over anything and adults were at the mercy of life itself, brought me so close to him that I think I started believing we were actually related and scribbled him into the family tree as a long-lost uncle.
McCourt captures the hapless quality of gullible, unsupervised children let loose on an unforgiving world with a buoyancy that comes through every sentence and rises above the brutal conditions of his childhood.
And the truth he finds in the details, from the brutality of religious authority figures to the abject…
The author recounts his childhood in Depression-era Brooklyn as the child of Irish immigrants who decide to return to worse poverty in Ireland when his infant sister dies.
I started reading classical books at a very young age. Granted, I did not understand a lot of things then. Rereading the same books again after years made me realize that more than what the author was trying to convey, my maturity made a world of difference when reading a book. It was the same text but with entirely different contexts and perspectives. I love old books. Books that take me back a century or more. It gives me an insight into how people lived, thought, and felt back then. It helps me connect with people across centuries.
A book from the 1920s. The Jazz Age. This book will take you back to that age and time. A book about romance, class divide, and the ‘libertine.’
All the people you cheer for will die. And all the people who you don’t want to survive thrive! And yet, when you finish the book, the story will occupy your mind and heart for a long time. That is the impact of this book!
As the summer unfolds, Nick is drawn into Gatsby's world of luxury cars, speedboats and extravagant parties. But the more he hears about Gatsby - even from what Gatsby himself tells him - the less he seems to believe. Did he really go to Oxford University? Was Gatsby a hero in the war? Did he once kill a man? Nick recalls how he comes to know Gatsby and how he also enters the world of his cousin Daisy and her wealthy husband Tom. Does their money make them any happier? Do the stories all connect? Shall we come to know…
I'm a scholar of Irish and Irish-American culture and identities who teaches at the University of Connecticut. After I left Ireland to take up that position, I initially taught only Irish material. However, soon after my arrival, Obama, a Black president of white Protestant Irish maternal ancestry, was elected. This alerted me to the complexity of Irish identities and histories in the Americas. I also began to perceive traces of Irish memory and history in American writers and public figures whose diverse Irish roots are underexamined. The long and varied Irish presence in America and the overlooked concerns with Irish identity and history of many creatives and public figures inspired my new cultural history.
I first encountered Noel Ignatiev’s ground-breaking and hugely influential book, How the Irish Became White, after I moved from Ireland to America to work at UConn.
I was electrified by its thesis and found it very helpful in thinking critically about Irish-American identity and history. After all, that had become my heritage too once I crossed the Atlantic.
Ignatiev opens by outlining how the Irish fled to America from a motherland under British occupation and a colonial caste system that dehumanized them.
He argues that in America the new immigrants embraced a hierarchy based on race, as a result of which the oppressed became the oppressors: for Ignatiev, the Irish assimilated by becoming more brutal in their oppression of African Americans than the nativists, gaining “whiteness” by refusing to make common cause with Black fellow workers.
How the Irish Became White challenges the dominant story of how the Irish succeeded…
'...from time to time a study comes along that truly can be called 'path breaking,' 'seminal,' 'essential,' a 'must read.' How the Irish Became White is such a study.' John Bracey, W.E.B. Du Bois Department of Afro-American Studies, University of Massachussetts, Amherst
The Irish came to America in the eighteenth century, fleeing a homeland under foreign occupation and a caste system that regarded them as the lowest form of humanity. In the new country - a land of opportunity - they found a very different form of social hierarchy, one that was based on the color of a person's skin.…
I'm a scholar of Irish and Irish-American culture and identities who teaches at the University of Connecticut. After I left Ireland to take up that position, I initially taught only Irish material. However, soon after my arrival, Obama, a Black president of white Protestant Irish maternal ancestry, was elected. This alerted me to the complexity of Irish identities and histories in the Americas. I also began to perceive traces of Irish memory and history in American writers and public figures whose diverse Irish roots are underexamined. The long and varied Irish presence in America and the overlooked concerns with Irish identity and history of many creatives and public figures inspired my new cultural history.
Like many Irish women, my mother and grandmother were obsessed with movie star Grace Kelly (who became Princess Grace of Monaco in 1956) and passed on that fascination to me.
I have long thought that important public women of Irish America such as Jackie Kennedy and Grace have not been given due consideration in surveys of Irish America, which tend to emphasize public men. Therefore, I love the biography, High Society: The Life of Grace Kelly, because it takes its glamorous subject seriously.
Spoto’s book goes beyond biographers’ usual emphasis on the glitter of Grace’s rise to princess to provide an intimate, respectful, and sympathetic portrait of the woman, the actor, the mother, the wife, and the very able representative of a small principality on the world stage.
Many assume that the Philadelphia-born Kelly was elite, but Spoto lays out that she was the granddaughter of a poor Mayo man…
Drawing on his unprecedented access to Grace Kelly, bestselling biographer Donald Spoto at last offers an intimate, honest, and authoritative portrait of one of Hollywood’s legendary actresses.
In just seven years–from 1950 through 1956–Grace Kelly embarked on a whirlwind career that included roles in eleven movies. From the principled Amy Fowler Kane in High Noon to the thrill-seeking Frances Stevens of To Catch a Thief, Grace established herself as one of Hollywood’s most talented actresses and iconic beauties. Her astonishing career lasted until her retirement at age twenty-six, when she withdrew from stage and screen to marry a European monarch…
I love exploring the theme of family legacies and learning the stories, even if fictionalized, of our ancestors who helped build America for future generations. I explored this theme with my Ellis Island series, but truly it influences everything I write. It began with my interest in my own genealogy and my love of research. Along with writing my own books, I host a blog on historical fiction called Novel PASTimes and am co-founder of the Faith & Fellowship Book Festival with the aim of connecting readers with really good books.
This is a gritty story of the peril young Irish immigrants faced when coming to America, along with the hardships they were escaping back in Ireland. The fact that others were waiting to abuse and exploit the immigrants is certainly historically accurate. However, B.J. Hoff’s stories are always filled with hope and shine a light on hope in God. It’s Christian fiction, so readers should be aware of that. Also, this new edition includes two stories, a great deal. B.J. Hoff passed away in 2021 but left a long legacy of inspirational historical fiction.
The mysteries of the past confront the secrets of the present in bestselling author BJ Hoff's magnificent "Song of Erin" saga. In her own unique style, Hoff spins a panoramic story that crosses the ocean from Ireland to America, featuring two of her most memorable characters. In this tale of struggle and love and uncompromising faith, Jack Kane, the always charming but sometimes ruthless titan of New York's most powerful publishing empire, is torn between the conflict of his own heart and the grace and light of Samantha Harte, the woman he loves, whose own troubled past continues to haunt…
I like to write more than I like to read, but when I do read, I want to learn about other places and times besides my own. Since my own novels are contemporary fiction, it makes sense that historical fiction is my favorite category to read. Likewise, my interest in romance isn’t from unrequited love, but rather, a desire to explore the difficulties of choosing a life partner in our complicated world. (Even my detective novels contain romance!) But I don’t like sappy introspective thought processes, a variation of teen angst, and most readers of historical romance have this same aversion. So none of my recommendations will be that way.
It has been many years since I first read this book yet I still remember how successful the author was in recreating the atmosphere presented by the movie, Gone with the Wind. She was so successful that this book is advertised as a sequel to Margaret Mitchell’s original work. If you want to know how civilian life was in the South during the American Civil War, you won’t be disappointed with this work. And of course, there is the tumultous relationship between Scarlett and Rhett Butler.
Discover the phenomenal #1 bestselling sequel to Gone With the Wind: "true to Scarlett's spirit," this inventive novel beautifully continues Margaret Mitchell's timeless tale (Chicago Tribune). The most popular and beloved American historical novel ever written, Gone With the Wind is unparalleled in its portrayal of men and women at once larger than life but as real as ourselves. Now Alexandra Ripley brings us back to Tara and reintroduces us to the characters we remember so well: Rhett, Ashley, Mammy, Suellen, Aunt Pittypat, and, of course, Scarlett. As the classic story, first told over half a century ago, moves forward,…
I am interested in immigration for both personal and professional reasons. A native of Dublin, Ireland, I did my undergraduate work in Edinburgh, Scotland, completed my graduate degree in New York City, moved to Austin, Texas for my first academic job and to Boston for my second job, and then returned to New City York to take up my current position at NYU, where I teach US immigration history and run Glucksman Ireland House, an interdisciplinary center devoted to the study of Irish history and culture. The key themes in my work—migration and diaspora—have been as central to my life journey as to my research and teaching.
To understand the history of Irish immigrants in America, you first need to study the country they left.
Breandán Mac Suibhne’s The End of Outrage examines traditions of rural violent protest in nineteenth-century Donegal, the county where many of the Molly Maguires of Pennsylvania originated. Intriguingly, MacSuibhne also uncovers a significant degree of reverse migration and cultural influence from Pennsylvania to Ireland.
His title contains a triple pun: the word “end” refers to the goal of Irish agrarian protest, the termination of that tradition by the famine and mass emigration, and the failure of subsequent generations to acknowledge what happened.
From the time that the blight first came on the potatoes in 1845, armed and masked men dubbed Molly Maguires had been raiding the houses of people deemed to be taking advantage of the rural poor. On some occasions, they represented themselves as 'Molly's Sons', sent by their mother, to carry out justice; on others, a man attired as a woman, introducing 'herself' as Molly Maguire, demanding redress for wrongs inflicted on her children. The raiders might stipulate the maximum price at which provisions were to be sold, warn against the eviction of tenants, or…
For nearly 7 years I watched my father decline from Alzheimer’s. It was perhaps the most difficult journey I’ve ever taken. My book, My Father’s Brain, is a memoir of my relationship with my father as he succumbed to his disease, but it is also a scientific and historical inquiry into the fragility of the brain. In the book, I set my father’s descent into dementia alongside my own journey, as a doctor, writer, and son, toward understanding this mysterious and devastating disease.
Thomas’s 2015 novel revolves around Eileen Leary, a tough Irish American nurse yearning to break the middle-class mold in which her life is set when her husband, Ed, a neuroscientist, develops early-onset Alzheimer’s.
Thomas describes his slow deterioration and the ravages inflicted on Eileen and their son, Connell, in drawn-out moments and exquisite detail. In an especially harrowing scene, Eileen stays up all night watching her once brilliant husband struggle with the simple task of tabulating the final grades in his community college class.
Though the narrative sometimes gets bogged down in minutiae, it is as unsparing an account of Alzheimer’s as I have ever read.
SHORTLISTED FOR THE JAMES TAIT BLACK PRIZE LONGLISTED FOR THE GUARDIAN FIRST BOOK AWARD NOMINATED FOR THE FOLIO PRIZE NAMED A NOTABLE BOOK OF THE YEAR BY THE NEW YORK TIMES
A stunning, heartbreaking debut - 'We Are Not Ourselves' is both the intimate story of a family and an epic of the American Century.
Eileen Leary wants more. Raised in a downtrodden area of new York by hard-drinking, Irish immigrant parents, she dreams of another life: a better job, a bigger house, more respectable friends, a happy family. When she meets Ed Leary, a brilliant young scientist, she thinks…
Some years ago, I believed that after I had read the “famous” 19th-century novelists Jane Austen at the beginning of the century, the Brontes, Thomas Hardy and Charles Dickens more or less in the middle, and Henry James, Mark Twain, and Edith Wharton at the end, I had “done” the century and was disappointed that there was no more of worth to entertain me. Wrong, of course. Maria Edgeworth (Anglo-Irish) was a revelation; Catherine Maria Sedgewick (American) opened my eyes to New England; Margaret Oliphant (Scottish) combined the “weird,” spiritual, and a ruthless realism about family dysfunction. So I'm still reading. The 19th-century novels of Great Britain and America are an avocation and a passion.
I love primary sources and histories that reproduce them. Here is another amazing feat of historical detection. “Details have been taken from eye-witness accounts; original Certificates of Registration, paintings, and contemporary lithograph drawings have been reproduced,” may sound dry but this book is alive with the voices of immigrants telling both tragic and triumphant tales. Anyone whose Irish ancestors came to North America between 1846 and 1851 will want to examine the numerous passenger lists that Laxton includes. I think of this book and all it taught me when I visit my hometown and stop by the monument commemorating Irish immigrants on the shore of Lake Ontario.
Between 1846 and 1851, more than one-million people--the potato famine emigrants--sailed from Ireland to America. Now, 150 years later, The Famine Ships tells of the courage and determination of those who crossed the Atlantic in leaky, overcrowded sailing ships and made new lives for themselves, among them the child Henry Ford and the twenty-six-year-old Patrick Kennedy, great-grandfather of John F. Kennedy. Edward Laxton conducted five years of research in Ireland and interviewed the emigrants' descents in the U.S. Portraits of people, ships, and towns, as well as facsimile passenger lists and tickets, are among the fascinating memorabilia in The Famine…
When my family moved from sunny Florida to the cold, rugged mountains of Montana when I was in eighth grade, I thought I would hate it. Instead, I fell in love with Montana and its arresting landscape, especially Glacier National Park, which was only about a half-hour drive from our small town. When I began writing crime novels, I considered setting before plot or character because landscape was so central to me. I decided to place my stories in and around Glacier National Park where the backdrop is stunning, stark, and sometimes haunting. The following books allow you to luxuriate in atmosphere while being propelled by dynamic characters and interesting plots.
Hemingway once said that a writer should “convey everything to the reader so that he remembers it not as a story he had read but something that happened to himself.” As a reader, I don’t always need to feel like the story has happened to me, but when a book is written in first-person narrative, I do enjoy feeling like it really happened to the narrator. I love it when the main character sounds authentic and the author fades to the background, making it seem like a memoir. Such a book is Faith, by Jennifer Haigh. AlthoughFaithisn’t categorized as crime-fiction, it involves an Irish Catholic family in Boston in 2002 during the height of the church’s pedophile scandals. As the narrator navigates her family dynamics after her half-brother is accused of sexual assault, she becomes a woman caught between faith and doubt, and she explores this limbo…
One woman's search for the truth after scandal rocks her family, and the explosive family secrets she uncovers, in this complex, moving novel from award-winning author Jennifer Haigh.
In Faith, Jennifer Haigh explores the repercussions of one family's history of silence, when a priest's sex scandal forces his family's untold past to surface. Art, Sheila, and Mike are siblings in a large extended Irish-American family from the Boston suburbs. Though their father is a non-believer, their mother is lace curtain Irish-Catholic, having raised her children to keep family secrets just that - secret - in a home where most subjects…