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Choosing philosophy at 18 raised a few eyebrows: friends and family thought I was a bit mad and a little lost. Later, when I decided to write philosophical stories and essays, I heard the same refrain: “Most people are afraid of philosophy.” But those voices never swayed me. Deep down, I knew that thinking is a powerful tool for healing, a way to mend what’s broken within us and in the world. Ideas, I believe, can spark change and make the world a better place.
This book is like a forbidden fruit, tempting and dangerous. But it came to my rescue when I’d lost sight of my own dreams for a little while. Sure, Ayn Rand’s philosophy has many simplistic flaws, but in this novel, she channels a Nietzschean spirit that jolts you awake. It was a call to never forget to embrace my ambition and to continue to forge my own writing path even when readers seem indifferent.
In a world full of compromises, there’s power in refusing to settle for less than your own extraordinary potential.
Choosing philosophy at 18 raised a few eyebrows: friends and family thought I was a bit mad and a little lost. Later, when I decided to write philosophical stories and essays, I heard the same refrain: “Most people are afraid of philosophy.” But those voices never swayed me. Deep down, I knew that thinking is a powerful tool for healing, a way to mend what’s broken within us and in the world. Ideas, I believe, can spark change and make the world a better place.
This book isn’t just ink and paper; it’s a lifeline. I’ve witnessed its power to pull someone back from the edge.
For me, as a teenager, it was an awakening. Zarathustra’s spirit resonated with my own zest for life, a stark contrast to the negativity that often surrounds us. It ignited a spark within me, an echo of the boundless creativity I felt as a child, eager to shape new worlds. A reminder that within each of us lies the potential for greatness, waiting to be unleashed.
'Enigmatic, vatic, emphatic, passionate . . . Nietzsche's works together make a unique statement in the literature of European ideas' A. C. Grayling
Nietzsche was one of the most revolutionary thinkers in Western philosophy, and Thus Spoke Zarathustra remains his most influential work. It describes how the ancient Persian prophet Zarathustra descends from his solitude in the mountains to tell the world that God is dead and that the Superman, the human embodiment of divinity, is his successor. With blazing intensity, Nietzsche argues that the meaning of existence is not to be found in religious pieties or meek submission, but…
Choosing philosophy at 18 raised a few eyebrows: friends and family thought I was a bit mad and a little lost. Later, when I decided to write philosophical stories and essays, I heard the same refrain: “Most people are afraid of philosophy.” But those voices never swayed me. Deep down, I knew that thinking is a powerful tool for healing, a way to mend what’s broken within us and in the world. Ideas, I believe, can spark change and make the world a better place.
In a world obsessed with schedules and statistics, I found myself drawn to this whimsical tale about a man who rolls a dice to make life's big decisions. It mirrored my own youthful spirit–a time when I lived very spontaneously, even writing novels as experiments in happenstance. It was a time of unexpected adventures, an antidote to dull routines.
Nowadays, over-planning and seriousness sometimes creep in. But thankfully, I have my children to remind me of the simple, healing joy of play–life doesn’t always have to be so meticulously planned.
The cult classic that can still change your life...Let the dice decide! This is the philosophy that changes the life of bored psychiatrist Luke Rhinehart-and in some ways changes the world as well. Because once you hand over your life to the dice, anything can happen. Entertaining, humorous, scary, shocking, subversive, The Dice Man is one of the cult bestsellers of our time.
Choosing philosophy at 18 raised a few eyebrows: friends and family thought I was a bit mad and a little lost. Later, when I decided to write philosophical stories and essays, I heard the same refrain: “Most people are afraid of philosophy.” But those voices never swayed me. Deep down, I knew that thinking is a powerful tool for healing, a way to mend what’s broken within us and in the world. Ideas, I believe, can spark change and make the world a better place.
Descartes’ ability to reject dogma and academic jargon, focusing instead on his own thought process to find truth, amazed me. As a writer, this is crucial: avoid parroting others and find your unique voice and personal worldview. At the same time, Descartes’ radical doubt felt risky. I don’t want to become overly critical of reality.
I see his work as a guide to intellectual empathy. It’s a way to understand ourselves and others through our shared human need for meaning.
Descartes's Meditations on First Philosophy remains one of the most widely studied works of Western philosophy. This volume is a refreshed and updated edition of John Cottingham's bestselling 1996 edition, based on his translation in the acclaimed three-volume Cambridge edition of The Philosophical Writings of Descartes. It presents the complete text of Descartes's central metaphysical masterpiece, the Meditations, in clear, readable modern English, and it offers the reader additional material in a thematic abridgement of the Objections and Replies, providing a deeper understanding of how Descartes developed and clarified his arguments in response to critics. Cottingham also provides an updated…
I am eternally fascinated by the way in which a string of words can take on a life of its own. With a mere 26 letters, a good writer can have a reader believe anything. When realist fiction first became a category in the 18th century in England, there was a lot of handwringing over whether readers were being lied to. Of course, they were! That is the point of fiction. My own work has always played with the boundary of realist fiction, fairytale, and truth. I’m interested in the way a story can make meaning—and the more hijinks, the better!
I set out very determined to despise this first book of Knausgard’s series. Knausgard’s life is no more fascinating than anyone’s. This is not necessarily his life but some reasonable facsimile that dips in and out of reverie, philosophy, and the hardcore reality of cleaning up after an alcoholic parent dies. Hoarding, self-loathing, and Nordic landscape are all features. I mean, what is NOT to love about that?
My lust for this book is not so much what it is about, though, as how it does this thing of drawing me along in its unadorned vocabulary to wholesale belief in everything that is put down. It is a supreme hoax that I am grateful to have encountered.
A New York Times bestseller, My Struggle: Book 1 introduces American readers to the audacious, addictive, and profoundly surprising international literary sensation that is the provocative and brilliant six-volume autobiographical novel by Karl Ove Knausgaard.
It has already been anointed a Proustian masterpiece and is the rare work of dazzling literary originality that is intensely, irresistibly readable. Unafraid of the big issues—death, love, art, fear—and yet committed to the intimate details of life as it is lived, My Struggle is an essential work of contemporary literature.
Very little Scottish history or culture was taught in school when I was growing up in the 1950s and 1960s. When I began to read books on the subject from the local library and then studied Scottish literature at Edinburgh University, I realised what my brother and sister Scots had missed out on, and was determined to rectify that by writing accessible books which would both inform and entertain as well as enrich their lives and change the way they perceived their culture. I love their reaction to my work and the influence my books have had.
This is just one of several books by these brilliant academics who have done so much to make people aware of the huge Scottish presence in Europe and the incredible influence they had on their host nations. I use many stories gleaned from Steve in my own book.
Steve points out that while many Scots served in the Swedish army in the 17th century as professional soldiers, they were not merely content to be part of the military élite. Their penetration into the exclusive field of diplomacy is revealed by the negotiations between Sweden and Denmark-Norway to end the Kalmar War in 1613. Representing the Danish side was Robert Anstruther, on the Swedish side was James Spens. No only were they both Scots, they were half-brithers from the East Neuk of Fife! They did quite literally ken each ither’s faither!
Migration is a fundamental feature of human experience. This extraordinary collection of essays focuses on a particularly intriguing sequence of migrations: those of Scots during the period 1600-1800. As Professor T.C. Smout says in his Foreword, "The present volume is a breakthrough, surely the biggest advance in the field for a hundred years."
Mihoko and Anne first met at the University of Miami, where Mihoko was a specialist in early modern England and Anne, in early modern Spain. Sharing their interests in gender studies, literature, and history, and combining their expertise, they team-taught a popular course on early modern women writers. Anne’s publications range from studies of women in Cervantes’ Don Quixote, female rogues, and religious women to early modern Habsburg queens. Mihoko has published on the figure of Helen of Troy in classical and Renaissance epic; and women and politics in early modern Europe, especially in the context of the many civil wars that upended the political and social order of the period.
Christina of Sweden, known today primarily through Greta Garbo’s portrayal of her in the 1933 film, became queen at age six when her father was killed in battle; she received the education of a prince, including the study of statecraft, for which she read the Latin biography of Elizabeth I. Initially deemed a boy at birth, Christina’s habit of crossdressing, her refusal to marry, and her romantic attachments to both women and men bespeak her ambiguous sexuality. Veronica Buckley’s biography does justice to this idiosyncratic and controversial figure who abdicated her throne, converted to Catholicism, and moved to Rome. Although she took Alexander the Great as her model and sought to rule Naples and Poland-Lithuania after her abdication, she revealingly recorded in her memoirs her thoughts concerning the predicament she faced as a female sovereign: “Women should never be rulers... Women who rule make themselves ridiculous one way or the…
The groundbreaking biography of one of the most progressive, influential and entertaining women of the seventeenth century, Christina Alexandra, Queen of Sweden.
In 1654, to the astonishment and dismay of her court, Christina Alexandra announced her abdication in favour of her cousin, Charles. Instrumental in bringing the Thirty Years War to a close at the age of 22, Christina had become one of the most powerful monarchs in Europe. She had also become notorious for her extravagant lifestyle.
Leaving the narrow confines of her homeland behind her, Christina cut a remarkable path across Europe. She acted as mediator in the…
Like most people I know, I have always been fascinated with serial killers, and more importantly why they do what they do. What makes one man murder multiple victims while another with a similar upbringing sells white goods and wouldn’t attract a traffic ticket. In my books, I am as interested in showing my readers why a killer kills, as I am in the hunt to catch him. My goal is to not so much get the reader to ‘like’ the antagonist but to understand, and dare I say even feel sorry for him. We are all products of our environment and upbringing, yet some of us murder others for fun.
Henning Mankell (RIP) was the master of the ‘troubled detective’ Kurt Wallander, who is trying to find a murderer while his own life is in tatters. This hunt for a serial killer who scalps his victims, is a rich tapestry of character development, police procedure, and a deeply disturbed killer. This is one of the finest stories of the dark Scandinavian crime thriller genre, and spawned a major TV series starring Kenneth Branagh.
Midsummer approaches, and Inspector Kurt Wallander prepares for a holiday with the new woman in his life, hopeful that his wayward daughter and his ageing father will cope without him.
But his restful summer plans are thrown into disarray when a teenage girl commits suicide before his eyes, and a former minister of justice is butchered in the first of a series of apparently motiveless murders. Wallander's desperate hunt for the girl's identity and his furious pursuit of a killer who scalps his victims will throw him and those he loves most into mortal danger.
I came into the world telling stories. From the age of four you could often find me surrounded by a little cluster of friends, amusing them with a story I was spinning on the spot. When I was nine, I began telling my sisters about a Martian who was living on Earth and who loved his comfy chairs. This Martian eventually became Alou, and it has been such a joy to share his world through my picture book Alou: The Martian Agent and its sequels. One thing I’m passionate about is sparking the potent imagination bottled up inside all our little ones and I hope my books can encourage that.
Make-believe was one of my favorite pastimes as a little girl. When I wasn’t writing a story, chances were, I was off with a sister in a world of imagination. And when I was there, it was as if my fancy was reality. I think that’s why I identify with this charming picture book so much. The main character’s potent imagination pulls his surroundings into his play reality. But the ending leaves us to ponder, along with Baby Ben’s mama…can his imagination conjure things into the tangible world? This translation from the original Swedish expertly converted the rhymes, and the pictures add so very much to the adventure. If you have a little adventurer in your life, this is a must-read!
I’ve always enjoyed murder mysteries, with spy novels coming a very close second. I like the puzzle aspect of the story and the unravelling thereof. From early in my childhood I have written and it has never occurred to me to write in any other genre than Crime Fiction. I do like, however, both in my own output and that which I read, to gain an insight into other people’s lives and histories. I like to learn about the surroundings in which the stories are set. Also, for me a must, the characters have to be rounded and three dimensional.
I thoroughly enjoyed this book. It’s set in Sweden and takes the reader to Latvia during the disintegration of the Soviet Union, so it touches on another genre that I like to dip into—spy novels. The hero is Kurt Wallander, a sympathetic character, who’s just trying to do his job which, in this case, means dealing with the bodies of two torture victims that have been discovered on the Swedish Coast. Now read on …
Sweden, winter, 1991. Inspector Kurt Wallander and his team receive an anonymous tip-off. A few days later a life raft is washed up on a beach. In it are two men, dressed in expensive suits, shot dead.
The dead men were criminals, victims of what seems to have been a gangland hit. But what appears to be an open-and-shut case soon takes on a far more sinister aspect. Wallander travels across the Baltic Sea, to Riga in Latvia, where he is plunged into a frozen, alien world of police surveillance, scarcely veiled threats, and lies.
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