100 books like Highway of Tears

In 2015, Chanel Miller was sexually assaulted outside a party on Stanford’s campus. The media gave her assailant a name and a backstory—Brock Turner, the Stanford Swimmer—while she was quickly reduced to a nameless victim—Emily Doe.

Her beautifully written memoir and her victim impact statement, which went viral when published on BuzzFeed, are a reclamation of identity. Despite its subject matter, Know My Name manages to be as hopeful as it is heartbreaking. This comes partly from her vivid, clear prose and partly from Miller’s own resilience.

“I shall die violently,” Sir Harry Oakes once predicted. He was right. In 1943, the sixty-eight-year-old’s battered, burned corpse was found in his villa in the Bahamas. No one was ever convicted of murdering the prospector who struck it rich in Northern Ontario and hobnobbed with the likes of Duke of Windsor, the governor of the Bahamas, and the former King Edward VIII. Gray, Canada’s most acclaimed popular historian, recreates the case and identifies the likely culprit in this deeply researched, vividly told account of a crime so sensational it upstaged news from the battlefields of the Second World War. 

Rocco Perri, Canada’s most notorious gangster of the Jazz Age, built an Ontario-based bootlegging and vice empire with his wife, Bessie. Cole, an award-winning novelist, tells the story of this Al Capone wannabe who grabbed headlines, eliminated rivals, and evaded the law for years as he smuggled booze into the Prohibition-parched United States. And to add a twist, the story of Perri’s rise to underworld power is told in tandem with the efforts of Frank Zaneth, an undercover Royal Canadian Mounted Police officer, to bring the kingpin to justice.

What became of Ambrose Small? That’s the mystery at the heart of this riveting story of wealth, lies, and betrayal. The Toronto theatre magnate disappeared in 1919, on the day he made a fortune from the sale of his chain of vaudeville and movie houses. Was he kidnapped and murdered before he could cash in, or did he want to disappear? Daubs explores this century-old cold case and immerses readers in 1920s Toronto, a city with a straitlaced reputation—dubbed “Toronto the Good”—but no shortage of sinners and shady characters. This richly detailed account is as absorbing as any fictional whodunit.

Wallace—a history professor, librarian, and bookseller—was one of Canada’s first true crime writers. This collection of sixteen stories of murder and mayhem, first published in 1931, is a trove of long-forgotten tales. Some of the crimes he chronicles made international headlines. Harry and Dallas Hyams, identical twin brothers from New Orleans, were accused of killing an employee in Toronto in 1893 to collect on insurance policies. Adelard Delorme, a Catholic priest in Montreal, stood trial four times for the 1922 murder of his brother and was ultimately set free. Wallace apologized for straying from mainstream history into the realm of the gruesome and sensational to record, as he put it, “what God in His wisdom saw fit to permit to happen.”

As a Harvard undergrad, Cooper hears a story about an anthropology professor who murdered a female graduate student with whom he was having an affair, burning her body with cigarette butts and surrounding her in red ochre.

This “macabre legend” illustrates a common critique of true crime—a victim provided no name and no identity beyond the way she was brutalized. A former New Yorker editorial staff member, Cooper performed meticulous research on the 1969 murder, debunking the affair rumor and instead exploring a more interesting story about memory, institutional power, and misogyny in academia.

She also excavates the story of the crime’s victim, 23-year-old Jane Britton. Full of twists and turns, this real-life whodunit provides an exacting portrait of who Jane was and what her loved ones lost.

While on assignment for the Cleveland Plain Dealer, Connors was raped by a man recently released from prison. Before, he lets her go, he tells her not to contact the police, warning her, “[…] I will find you.”

The phrase becomes the through line of Connors’ book, which is both about her quest to find a way forward after the assault and about her journey to uncover her assailant’s past and the reasons he might have committed this crime. The result is a poignant look at both the trauma left in crime’s wake as well as the societal influences that cause crime to occur in the first place.

In 1991, a maintenance worker at a Pennsylvania rest area discovered a man’s head in a trash barrel.

Even though he hadn’t touched blood, people suggested the worker should take an AIDS test. Green’s exceptional book opens with this moment, dropping the reader into early ‘90s AIDS panic and the brutal murders of a string of gay and bisexual men from Manhattan.

Green fleshes out the victims’ lives, showing how homophobia was their constant companion, even in the way the police and media treated their eventual murders. Diligently researched and compassionately written, Green’s book is a page-turner that never dehumanizes its victims or glorifies their killer.

This heart-wrenching historical novel won the prestigious Costa Book of the Year award. Set in 1867 in Dove River, a tiny settlement in the Northern Territory, this tale is told by several narrators. Often, that technique is used ineffectively, but Penney has made each voice so distinct that the book transcends the genre of murder mystery to become a reflection upon how people perceive the same event very differently. When Mrs. Ross discovers the murdered body of the trapper Laurent Jammett, her worst nightmare comes true: her seventeen-year-old son Francis has disappeared and has been named the primary suspect. Searchers set out from Dove River, following his tracks across the snow, ultimately discovering the truth behind the murder. This tale compellingly explores themes of justice and redemption. 

I read this book twice, cover-to-cover and back-to-back. First, to find out what happens to our feisty Métis hero, Joan of Arcand, and then again to savor Dimaline’s lyrical writing. When Mere (her grandmother) is murdered by a wolfish shape-shifting creature—a rogarou—we find ourselves trapped in a mythic Métis world. “A dog, a man, a wolf. He was clothed, he was naked in his fur, he wore moccasins to jig.” Carrying a ground-up salt bone for protection, Joan ventures into the Empire of Wild to slay the rogarou who killed Mere and reclaim her husband. Like her hero, Dimaline is brave and fearless, pouring history, politics, and religion into her cauldron, then stirring with a branch of magic realism and psychological terror. Dimaline is my hero.