Here are 100 books that The Whisky King fans have personally recommended if you like
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True crime stories offer a window into the past, transporting readers to another time and place. They reveal human behaviour at its worst and people striving to do the right thing. And the narrative is always dramatic and compelling, with mysteries to be solved, suspects to be captured, justice to be done. My books profile a Jazz Age con artist, a Victorian Era serial killer, and a gentleman jewel thief of the 1920s. I write a column of true crime stories and book reviews for Ellery Queen’s Mystery Magazine and I teach in the MFA in Creative Nonfiction program at the University of King’s College in Halifax, Nova Scotia.
“I shall die violently,” Sir Harry Oakes once predicted. He was right. In 1943, the sixty-eight-year-old’s battered, burned corpse was found in his villa in the Bahamas. No one was ever convicted of murdering the prospector who struck it rich in Northern Ontario and hobnobbed with the likes of Duke of Windsor, the governor of the Bahamas, and the former King Edward VIII. Gray, Canada’s most acclaimed popular historian, recreates the case and identifies the likely culprit in this deeply researched, vividly told account of a crime so sensational it upstaged news from the battlefields of the Second World War.
In this “engrossing must-read” by “Canada’s most accomplished popular historian” (Ellery Queen Mystery Magazine), the glittering life and brutal murder of Sir Harry Oakes is newly investigated. Murdered Midas is “superior true-crime writing” (The Globe and Mail).
On an island paradise in 1943, Sir Harry Oakes, gold-mining tycoon, philanthropist and one of the richest men in the British Empire, is murdered. The news of his death surges across the English-speaking world, from London, the Imperial centre, to the remote Canadian mining town of Kirkland Lake in the Northern Ontario bush.…
True crime stories offer a window into the past, transporting readers to another time and place. They reveal human behaviour at its worst and people striving to do the right thing. And the narrative is always dramatic and compelling, with mysteries to be solved, suspects to be captured, justice to be done. My books profile a Jazz Age con artist, a Victorian Era serial killer, and a gentleman jewel thief of the 1920s. I write a column of true crime stories and book reviews for Ellery Queen’s Mystery Magazine and I teach in the MFA in Creative Nonfiction program at the University of King’s College in Halifax, Nova Scotia.
What became of Ambrose Small? That’s the mystery at the heart of this riveting story of wealth, lies, and betrayal. The Toronto theatre magnate disappeared in 1919, on the day he made a fortune from the sale of his chain of vaudeville and movie houses. Was he kidnapped and murdered before he could cash in, or did he want to disappear? Daubs explores this century-old cold case and immerses readers in 1920s Toronto, a city with a straitlaced reputation—dubbed “Toronto the Good”—but no shortage of sinners and shady characters. This richly detailed account is as absorbing as any fictional whodunit.
After writing a novel about the toll true crime can take on victims’ loved ones and the risk it runs of glamourizing killers while overshadowing victims, I’ve been on the hunt for true crime books that don’t fall into these traps. The titles on this list showcase beautiful writing and tell compelling stories without dehumanizing the victims or glamourizing the perpetrators.
Gabby Petito. Natalee Holloway. Laci Peterson. These names probably sound familiar. Lauren Cho, Stephany Flores, and Latoyia Figueroa might not. This illustrates what news anchor Gwen Ifill dubbed “missing white woman syndrome,” the disproportionate media coverage in missing persons cases that attractive, upper-middle-class white women receive.
McDiarmid’s moving book illustrates this phenomenon, following the cases of thousands of Indigenous women who have disappeared from a stretch of road in British Columbia dubbed “The Highway of Tears.” For decades, the cases garnered little media attention until a white woman named Nicole Hoar disappeared in 2002, bringing more resources and coverage.
In painstaking detail, this immersive and necessary book follows several of these previously ignored women’s lives, illustrating the systemic issues that failed the victims and their loved ones.
“These murder cases expose systemic problems... By examining each murder within the context of Indigenous identity and regional hardships, McDiarmid addresses these very issues, finding reasons to look for the deeper roots of each act of violence.” —The New York Times Book Review
In the vein of the bestsellers I’ll Be Gone in the Dark and The Line Becomes a River, a penetrating, deeply moving account of the missing and murdered indigenous women and girls of Highway 16, and a searing indictment of the society that failed them.
For decades, Indigenous women and girls have gone missing or been found…
True crime stories offer a window into the past, transporting readers to another time and place. They reveal human behaviour at its worst and people striving to do the right thing. And the narrative is always dramatic and compelling, with mysteries to be solved, suspects to be captured, justice to be done. My books profile a Jazz Age con artist, a Victorian Era serial killer, and a gentleman jewel thief of the 1920s. I write a column of true crime stories and book reviews for Ellery Queen’s Mystery Magazine and I teach in the MFA in Creative Nonfiction program at the University of King’s College in Halifax, Nova Scotia.
Wallace—a history professor, librarian, and bookseller—was one of Canada’s first true crime writers. This collection of sixteen stories of murder and mayhem, first published in 1931, is a trove of long-forgotten tales. Some of the crimes he chronicles made international headlines. Harry and Dallas Hyams, identical twin brothers from New Orleans, were accused of killing an employee in Toronto in 1893 to collect on insurance policies. Adelard Delorme, a Catholic priest in Montreal, stood trial four times for the 1922 murder of his brother and was ultimately set free. Wallace apologized for straying from mainstream history into the realm of the gruesome and sensational to record, as he put it, “what God in His wisdom saw fit to permit to happen.”
In my life, I have always loved visiting the unsung places: villages rather than cities, places where I am the only tourist. In both reading and writing, I’m drawn to the quietly dramatic times, the moments before important events, or the aftermaths. I want to see how real characters live in real places dealing with real problems, even if all three are invented. I spent most of my childhood getting lost in books, emerging only long enough to return to the library to discover more places and times where I could snuggle between the covers of a story. As a writer, I hope I can do this for other readers.
We all need rock stars to idolize, and mine is Alice Munro, a Canadian writer whose books are mostly short story collections about the quietly intense lives of farmers and townspeople in rural Canada.
I’m from a generation of writers who learned about writing through the stories of Alice Munro, Anton Chekhov, and Raymond Carver, among others. Choosing my favorite Munro book is a challenge—for decades I read them all over and over—but if I had to, I’d say it’s Dance of the Happy Shades.
No one understands better what it’s like to be an adolescent girl than Alice Munro, and no one is more gifted at portraying it, particularly in the stories “An Ounce of Cure” and “Red Dress—1946,” with such generous characterizations and courageous honesty.
In these fifteen short stories--her eighth collection of short stories in a long and distinguished career--Alice Munro conjures ordinary lives with an extraordinary vision, displaying the remarkable talent for which she is now widely celebrated. Set on farms, by river marshes, in the lonely towns and new suburbs of western Ontario, these tales are luminous acts of attention to those vivid moments when revelation emerges from the layers of experience that lie behind even the most everyday events and lives.
"Virtuosity, elemental command, incisive like a diamond, remarkable: all these descriptions fit…
I live in England but grew up in Canada, where my Grade 5 Social Studies teacher filled my head with stories of people and places, including the Vikings. In the early 1960s, I learned about the excavations at L’Anse aux Meadows in Newfoundland featured in Canadian newspapers. My first job was in Denmark, and I subsequently travelled in the Nordic homelands and settlement areas, including the Faeroes, Iceland, and Greenland, visiting museums and archaeological sites at every opportunity. Norse America is my 26th book, but it is both the one with the deepest roots in my own past and the one most engaged with contemporary concerns about race.
The discovery of artefacts from a Viking grave in northern Ontario in 1936 was a sensation, and their subsequent display in the Royal Ontario Museum added a new dimension to the colonial history of Canada. The exposure of the discovery as a hoax in 1956 damaged the reputation of the Museum and its director. Hunter’s account, which is securely anchored in archival evidence, is skillfully assembled as an unfolding drama. In this book, the Beardmore hoax has received its definitive treatment by a scholar who writes brilliantly for a general audience.
In 1936, long before the discovery of the Viking settlement at L'Anse aux Meadows, the Royal Ontario Museum made a sensational acquisition: the contents of a Viking grave that prospector Eddy Dodd said he had found on his mining claim east of Lake Nipigon. The relics remained on display for two decades, challenging understandings of when and where Europeans first reached the Americas. In 1956 the discovery was exposed as an unquestionable hoax, tarnishing the reputation of the museum director, Charles Trick Currelly, who had acquired the relics and insisted on their authenticity. Drawing on an array of archival sources,…
Most of my public success has been as a novelist. My MFA, from the Iowa Writers Workshop, is in poetry. When I grow up, I want to be a short story writer. The dirty truth is, though, I’ve been making trouble with stories since I was a kid. During my first attempt in 10th grade, I wrote a story that got me suspended for two weeks. No explanation. No guidance. Just a conference between my parents, teachers, and principal (I wasn’t present), and they came out and banished me. I dropped out of school shortly after. I reckon that experience, both shameful and delicious, shaped my life and love of narrative.
I don’t remember when or how or where I came across Diane Schomperlen. She’s Canadian, and I very much like attending the Stratford Shakespeare Festival in the middle of Ontario. It’s likely that I found her in a bookstore there. I don’t remember. I do however remember my immediate and deep love of her work. At once experimental—pushing against the boundaries of traditional story format—and fiercely human. Real people struggling to connect with, to stay connected with, each other. Real people. Beautifully flawed. And full of dignity.
A collection of short fiction by the author of Our Lady of the Lost and Found presents twenty-one tales, written over the past twenty years, that include "Losing Ground," a perceptive coming-of-age story, and "The Man of My Dreams," in which the realities of a dissolving relationship become intertwined with the narrator's dream world. Original.
I have always had a fondness for the quirky heroine because I find her so relatable! As a child, I was overly sensitive and obsessed with animals. I liked to read and draw, but was dreadful at organized sports, and for the most part I didn't feel as if I fit in with the expected social norms of my peers. The quirky heroines in books and literature comforted me, and showed me that first, I wasn't alone, and second, that I could find love and acceptance in a world with which I often felt out-of-step.
One of the wonderful things about Young Adult books is that many authors understand the longing that young female readers have for heroines with real personality who overcome the challenges of their times or particular situations. Such stories move to the pinnacle of my “oh-my-gosh-I-loved-this!” list when they include a romance and by the end, the heroine is acknowledged as an equal to her partner. While L.M. Montgomery is known best for her unforgettable Anne of Green Gables (who could have been on this list), my particular favorite quirky heroine of hers is Valancy Stirling in The Blue Castle.
The romance in this book is just as unconventional as Valancy herself, there’s a marriage of convenience, a beautiful setting for introverts, an island cabin and cats. What’s not to love?
From L.M. Montgomery, author of Anne of Green Gables, comes another beloved classic and an unforgettable story of courage and romance.
Valancy Stirling is 29 and has never been in love. She's spent her entire life on a quiet little street in an ugly little house and never dared to contradict her domineering mother and her unforgiving aunt. But one day she receives a shocking, life-altering letter―and decides then and there that everything needs to change. For the first time in her life, she does exactly what she wants to and says exactly what she feels.
I have loved history since I was a child, and very early on, I realized that history was not something that was made only by famous people. My own relatives had migrated, worked at different jobs, served in wars, etc., and ordinary people like them have been the most important drivers of events. I had a chance to study in Mexico in my early twenties and rapidly fell in love with its people and history. Yet, ever since I was a child, I have been interested in the history of wars. My work on the Mexican-American War combines all of these passions.
I grew up in upstate New York near the Canadian border, and one of the crucial battles of this war was fought there. When I was growing up, we were told this war was a successful one for the United States, and Taylor shows how this was true in some ways but not very true at all in others.
This is a sprawling tale with a huge cast of characters, and it includes the perspectives of ordinary people from various groups.
In the early nineteenth century, Britons and Americans renewed their struggle over the legacy of the American Revolution, leading to a second confrontation that redefined North America. Pulitzer Prize-winning historian Alan Taylor’s vivid narrative tells the riveting story of the soldiers, immigrants, settlers, and Indians who fought to determine the fate of a continent. Would revolutionary republicanism sweep the British from Canada? Or would the British contain, divide, and ruin the shaky republic?
In a world of double identities, slippery allegiances, and porous boundaries, the leaders of the republic and of the empire struggled to control their own diverse peoples.…
I had a rotten childhood. Stuck in bed with asthma, I couldn’t do sports; but I could roam space and time with books, especially science fiction. Yet when I tried to re-read my beloved sci-fi titles as an adult, I got a shock. The books with sound science had terrible writing; the well-written books were full of scientific schlock. I realized that if I wanted sci-fi that was both technically astute and rewarding to read, I’d have to write it myself. And so I did.
Great adventure doesn’t always mean jungles, star-wastes, or derring-do. The human heart – what one poet called "the wilderness behind the eyes" – can be as electrifying as any firefight. In this tradition, Alice Munro won the 2013 Nobel Prize in Literature. Lives of Girls and Women is her second novel, and like all great adventure stories will tell you more about yourself than you ever suspected. As Sir Walter Scott said of Jane Austen: "That young lady has a talent for describing the involvements and feelings and characters of ordinary life."
Through the women and men she encounters, Del becomes aware of her own potential and the excitement of an unknown independence. Alice Munro's previous books include "Dance of the Happy Shades" and "The Beggar Maid", which was nominated for the 1980 Booker Prize.
