Here are 65 books that Harry Potter and the Cursed Child fans have personally recommended if you like
Harry Potter and the Cursed Child.
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My name is Annemarie and I’ve been reading stories almost as soon as I was taught how to read. I’ve also been writing them. My fascination with the supernatural came about, I guess because an active imagination for a small child comes almost naturally from a fear of the dark. The dark held many terrors for me, and in a perverse contrariness, this prompted an interest in supernatural beings. As far as I’m concerned, it’s all real, and the more we know about them, the better. Or at least, that’s what I deduce from my never flagging interest, and I guess that’s why there’s always an element of the supernatural/paranormal in all my stories.
I picked this book up from a second-hand street bookshop. It was the wisteria that did it. Something about those climbing vines made me fall right into the world of Lestat and Louis, and I’ve never fallen out again. Also, I love love, and there’s nothing more intriguing than three unrelated people/beings managing to stay together for sixty-five years.
Of course, there was murder and mayhem, but the love endured, and my secret romantic heart ate that shit up.
From #1 New York Times bestselling author Anne Rice, this sensuously written spellbinding classic remains 'the most successful vampire story since Bram Stoker's Dracula' (The Times)
In a darkened room a young man sits telling the macabre and eerie story of his life - the story of a vampire, gifted with eternal life, cursed with an exquisite craving for human blood.
When Interview with the Vampire was published the Washington Post said it was a 'thrilling, strikingly original work of the imagination . . . sometimes horrible, sometimes beautiful, always unforgettable'. Now, more than forty years since its release, Anne…
Maurice Sendak said, "Children do live in fantasy and reality, they move back and forth very easily in a way we no longer remember how to do." In other words, children do the impossible. Growing up, stories where the real and imagined collided were like fresh air when I felt like I couldn't breathe. They've always been important to me, and for many reasons, hold a special place in our literature. Now, as a full-time teacher, writer, and daddy, I get to be on the other side of that joy equation, guiding new readers and writers as they become travelers of the fantastic.
This book is brain candy. Rick’s writing style immediately pulled me into the story. First-person is hard to do right without going overboard, but Rick set the perfect balance of action and internal voice. It also helps that the relationship between Percy’s stepfather and mine was as close to identical as a fantasy novel can get.
And while I know it’s not the first to do it, this was the first middle-grade book I read where the main character was neurodivergent and dealing with a lot of the same issues that I did and that many of my students do as well.
The Lightning Thief: the First book in Rick Riordan's Percy Jackson series.
The first bestselling book in Rick Riordan's phenomenally successful Percy Jackson series.
Look, I didn't want to be a half-blood. I never asked to be the son of a Greek God. I was just a normal kid, going to school, playing basketball, skateboarding. The usual. Until I accidentally vaporized my maths teacher. That's when things started really going wrong. Now I spend my time fighting with swords, battling monsters with my friends, and generally trying to stay alive.
I have had a love of sci-fi and fantasy since I was twelve, and I have been an avid reader since then. I have always had an obsession with all things space and the mysteries that reside out there, and it was my dream to create a story that intermixed that with the fantasy worlds I grew up adoring. Since I released my debut book, I have broken into the indie social scene across multiple platforms. I am part of a sixteen-person author group where we share our passion and ideas for one another’s writing, and I have been on numerous BookTube channels and podcasts discussing the craft.
I recommend this book because, like many kids, it was one of my first introductions to the world of fiction. And given its popularity, it is a story I have always thought back on when thinking about my own writing. What elements of it are a reason for its popularity that I could establish in my own work?
The big one I took away was how the story is intermixed with our reality. I think contemporary urban fantasies, or those in the magical realism realm, I think a big part of the appeal is that readers find it believable and more relatable because it is set in our “reality." Of course, to reach such a status as Harry Potter, it needs to be a great story, but that was an element I tried to mimic, albeit in a space opera sense. This is the first book in the series…
Galloping gargoyles ... 2022 is the silver anniversary of J.K. Rowling's magical classic Harry Potter and the Philosopher's Stone!
The boy wizard Harry Potter has been casting a spell over young readers and their families ever since 1997. Now the first book in this unmissable series celebrates 25 years in print! The paperback edition of the tale that introduced us to Harry, Ron and Hermione has been updated and dressed in silver to mark the occasion. It's time to take the magical journey of a lifetime ...
Harry Potter has never even heard of Hogwarts when the letters start dropping…
My favorite fantasy novels tend to be rather complex. Winding plotlines, mysteriously interconnected characters, whimsical settings, and intricate, thoughtful worldbuilding combine to create immersive stories that stick in the mind like overworn folklore. Time travel or interworld travel lend additional layers of intrigue and mystery, forcing the inescapable contemplation of a more thrilling, alternate reality. And if it’s all packaged in artful, breathtaking prose that breeds full-color images, audible noises, indelible flavors, nose-crumpling odors, and tangible textures, I will happily lose myself in the pages, truly forgetting about the strictures of everyday life… at least until I get hungry and remember I need to consume more than books to survive.
An Heir of Realms tells the tale of two young heroines—a dragon rider and a portal jumper—who fight dragon-like parasites to save their realms from extinction.
Rhoswen is training as a Realm Rider to work with dragons and burn away the Narxon swarming into her realm. Rhoswen’s dream is to Ride, but her destiny will pit her against her uncle and king, who have scorned her since before her birth.
In the Exchange, the waystation between realms, Emmelyn fights the G’Ambit, a gambling ring with members more intent on lining their pockets than protecting the realms—or their own lives.
Realm-devouring parasites threaten all existence. The Exchange is desperate to destroy them. But could their radical plans endanger the realms, too?
Soul-sucking parasites are overwhelming the realms.
Rhoswen of Stanburh is of age to train as a Realm Rider—a defender of the realms. Riders and their dragons work together to burn away infiltrating Narxon as they swarm in through tears in a realm’s fabric. But it’s not an easy battle: the mere touch of the smoky, dragon-like adversaries can reduce the lively winged beasts—and their Riders—to ash.
Becoming a Realm Rider is Rhoswen’s dream, but she carries far more responsibility…
I am an avid fantasy reader and writer. I have been writing for many years and love to craft detailed worlds and complex characters that surprise and delight readers. Stories are about challenges, overcoming the barriers that are put in front of us, and growing in the process. Characters do not have to be good or bad; they can be both, a mixture, just like real people. I strive to create characters that make people stop and think, make them question their assumptions, or relate to them in ways that they had not expected. Fantasy is about bringing real emotions to readers through an imaginary setting, and I love it.
Where to start? Lord of the Rings contains countless unlikely heroes. From Frodo and Sam, simple hobbits who have to undergo an impossible task to save the entire world, to Theoden or Faramir, the books are full of tales of valor and strength as the good of the world strives to overcome an impossible evil.
The books are written with the key theme that even ordinary people can do great good, and that is reflected in the Hobbits. They are an ordinary race, unimportant for most of history, but they possess the courage and the heart to save their world. I love these books above all else, and the characters are all inspiring and loveable.
This brand-new unabridged audio book of The Fellowship of the Ring, the first part of J. R. R. Tolkien's epic adventure, The Lord of the Rings, is read by the BAFTA award-winning actor, director and author, Andy Serkis.
In a sleepy village in the Shire, a young hobbit is entrusted with an immense task. He must make a perilous journey across Middle-earth to the Cracks of Doom, there to destroy the Ruling Ring of Power - the only thing that prevents the Dark Lord Sauron's evil dominion.
Thus begins J. R. R. Tolkien's classic tale of adventure, which continues in…
I’ve always had a passion for wounded heroes and strong heroines. My earliest memories are reading books where the heroine saves the day. I’ve never wanted the heroine to need the hero in order to make her life complete. Even as a child, when my dad read me books at night—one of my favorite memories—I preferred stories where the heroine saved the day. As an adult, I’ve loved to read stories where the hero is brave enough to show his vulnerable side, and when I decided to become a writer, those were the books I wanted to write.
Another wounded hero book, but I’m choosing this one because not only is it one of my favorites from the series, but Lynn Kurland packs so much emotion into every page that I cry and laugh and live the book while I’m reading it and long after.
It’s time travel (but they always seem to bring chocolate with them ☺ ) and the love is so strong. Her stories are like catnip.
From Lynn Kurland, the New York Times bestselling author of the Nine Kingdom series.
Set near the Scottish border at a rugged castle on the edge of the sea, this is the story of a courageous lord who lost everything he held dear. Of a strong young woman willing to sacrifice everything for happiness. Two lost souls who find in each other a reason to live again, to laugh again, and to love for the first time...
As a brainy, bullied Queer theater kid, I was 14 before I ever saw anyone like myself onstage or onscreen. Then—Wham—in June of 1980 I sawA Chorus Lineon Broadway and Fame at the movies. But there weren’t any books that showed the theater life as it was actually lived. When I published my love letter to my high school theater friends in 2004, no one had written a novel about our kind. Today, as someone who’s managed to make a living as a writer-director of musicals, I strive to share the whole truth with the young artists I mentor.
Everything that can wrong in live theatre happened to Spiderman: Turn Off the Dark—and on the biggest scale possible. How Glen Berger, the only non-rich and famous person on the creative team ofThe Lion Kingdirector Julie Taymor and U2 rockers Bono and The Edge, managed to tell all without being sued is a mystery. Maybe it’s because the fights, failures, and firings are all just another day at work on Broadway—as are the accidents. Every outrageous incident Berger relates I have personally experienced in the musicals I’ve written—from on Broadway to Off-Off-Broadway and around the globe. ReadingSong of Spider-Man prepared me for the worst, from producers applying Mafia-style pressure to witnessing an actor plummet to the stage like a dead weight.
As you might imagine, writing a Broadway musical has its challenges. But it turns out there are challenges one can't begin to imagine when collaborating with two rock legends and a superstar director to stage the biggest, most expensive production in theatre history. Renowned director Julie Taymor picked playwright Glen Berger to co-write the book for a $25 million Spider-Man musical. Together-along with U2's Bono and Edge-they would shape a work that was technically daring and emotionally profound, with a story fuelled by the hero's quest for love...and the villains' quest for revenge. Or at least, that's what they'd hoped…
Since adolescence I’ve written scripts, stories, and songs. For ten years I wrote songs and sketches for NPR’s Morning Edition as “Moe Moskowitz and the Punsters.” Among my young-adult novels, my favorite remains Alex Icicle: A Romance in Ten Torrid Chapters, a literate howl of romantic obsession by an over-educated and under-loved madman. I think my funniest comedy novel is Who’s Killing the Great Writers of America?that not only kills off some famous writers, but simultaneously parodies their style. And, of course, Stephen King ends up solving the whole crazy conspiracy. I taught writing for many years, and I’m pleased to report that my students taught me more than anything I ever taught them.
While the prose style of Act One is a little fussy, florid, and overly eager to impress, this is still a moving, funny, and emotional biography of a talented, ambitious young man who is determined to make his mark as a Broadway playwright. And, at the end, when he single-handedly turns his out-of-town failure (co-written with George S. Kaufman) into a hit, you want to stand up and cheer.
Moss Hart's Act One, which Lincoln Center Theater presented in 2014 as a play written and directed by James Lapine, is one of the great American memoirs, a glorious memorial to a bygone age filled with all the wonder, drama, and heartbreak that surrounded Broadway in the early twentieth century. Hart's story inspired a generation of theatergoers, dramatists, and readers everywhere as he eloquently chronicled his impoverished childhood and his long, determined struggle to reach the opening night of his first Broadway hit. Act One is the quintessential American success story.
I’ve enjoyed dark fiction ever since I picked up Dracula for school. But I mostly avoided crime and thriller fiction. I couldn’t relate to a rogue detective with an alcohol problem or an FBI agent on the heels of the next Hannibal Lector. Police procedural books just aren’t my thing. But then Gone Girl came out and changed the genre. The domestic suspense subgenre has exploded over the last decade, and now there’s an abundance of books centered around the dangers within our family and friendship circle. And isn’t that the scariest part of life? Serial killers are rare, but domestic violence is, unfortunately, not rare. Where is more dangerous than in our own homes?
Gone Girl started the domestic suspense trend and showed us that suspense can be driven by family/household dynamics. Louise Candlish takes this to another level in Our House when the main character comes home to find another family moving into her house. She soon discovers that her husband has sold the house from under her feet and disappeared. This is a fantastic, slow-burn literary thriller with a great ending.
On a bright morning in the London suburbs, a family moves into the house they've just bought on Trinity Avenue. Nothing strange about that. Except it's your house. And you didn't sell it. 'If 2018 brings a better book than Our House I will eat my hat. Addictive, twisty and oh so terrifyingly possible' Clare Mackintosh, author of I See You
'Property-porn looks set to become a staple of crime fiction and Our House is an excellent example of this burgeoning subgenre. Husband and wife pass the narrative baton between them in this masterfully plotted, compulsive page-turner' Laura Wilson, Guardian…
I have been a Broadway fan since I discovered the 60’s vinyl cast albums my parents collected. Seeing them in person added another level to the magic, and after every show, while still basking in the creative spark, I’m already planning my next visit! Sharing a list of books instead of a playlist is my way of sharing a deeper view of the world we Broadway fans love so much. It’s also the list I used as the basis for my research, while writing my new series (which follows the journey of a fictional Broadway musical from script to opening night)!
Woolford describes his book as a prenatal guide for musicals and it is indeed just that. He breaks down the process from idea to opening night for a thorough examination of what goes into each part of writing a musical. From the tickle of inspiration—and everything that went into its construction after that point, including the steps back and sideways, trying to find the right formula for success—there isn’t much left out. Warning: You might be inspired to try your hand at writing once you finish this book!
I felt as if I’d taken a college-level theatre course at the end of How Musicals Work, with an instructor who revels in the complicated chaos that is musicals! It opens up a whole extra level to watching/experiencing a musical.
Musicals are the most popular form of stage entertainment today, with the West End and Broadway dominated by numerous long-running hits. But for every Wicked or Phantom of the Opera, there are dozens of casualties that didn't fare quite so well. In this book, Julian Woolford explores the musical-theatre canon to explain why and how some musicals work, why some don't, and what you should (and shouldn't) do if you're thinking of writing your own. Drawing on his experience as a successful writer and director of musicals, and as a lecturer in writing musicals at the University of London, Woolford…
I have been a Broadway fan since I discovered the 60’s vinyl cast albums my parents collected. Seeing them in person added another level to the magic, and after every show, while still basking in the creative spark, I’m already planning my next visit! Sharing a list of books instead of a playlist is my way of sharing a deeper view of the world we Broadway fans love so much. It’s also the list I used as the basis for my research, while writing my new series (which follows the journey of a fictional Broadway musical from script to opening night)!
Full disclosure—Fiddler of the Roof is one of my favorite musicals of all time. I love the story, the music, the stage version, the movie, the various soundtracks…all of it. So it was an absolute pleasure to read this deep dive into the history of the show and understand the trials and tribulations that went into the journey to get it made.
Warning: This will incite you to listen to the soundtrack(s) and definitely want to watch the movie version (as of the writing of this piece, it was on Netflix!). You’ll be listening and watching with a new perspective of how Fiddler was an unexpected but well-earned hit.
In 1960, Sheldon Harnick sent a copy of Sholom Aleichem's novel, Wandering Stars, to his long-time collaborator, Jerry Bock, suggesting it might make a good musical and Fiddler on the Roof was born. Barbara Isenberg interviewed the men and women who created the original production, the film and significant revivals - Harold Prince, Sheldon Harnick, Joseph Stein, Austin Pendleton, Joanna Merlin, Norman Jewison, Topol, Jerry Zaks, Harvey Fierstein, etc. - to produce a lively, popular chronicle of the making of Fiddler. Published for the 50th anniversary of Fiddler's opening night on Broadway, Tradition! is the book for everyone who loves…
