Fans pick 100 books like Girl Targeted

I read this as a teenager, just as I was diving into the horror genre. I already knew at this point that I wanted to be a storyteller. What struck me while reading It was the jumping back and forth between time periods.

I had never read a book structured that way, and it seemed that every chapter ended on a cliffhanger, forcing me to keep reading. There aren’t many books that I would say I had a hard time putting down (I get bored easily), but It was certainly one of them!

The author of this book did an incredible job of using a horrifying villain and shocking moments to showcase the power of identity and the struggles that can come from not knowing your own identity. I feel the power of the mind and how the manipulations of others cause these moments of self-doubt and mistrust are crucially tied to the theme of identity.

I loved the exploration of mental health and how those who suffer from it are far more likely to be victims than perpetrators. It is a big theme in this book, which plays well with the themes of my novel greatly. The idea that identity can be changed or played with by others is one of the more chilling themes that makes this novel stand out so much.

I love any genre that incorporates noir thrillers, bringing that iconic 40’s era detective mystery that showcases the mysterious figures and identities that the detective has to uncover. That was the promising theme that brought me to this book by Alan McGill. The author greatly impressed me with this story, as the futuristic, sci-fi setting only helped elevate the noir storytelling style.

The clown killers in this story haunted me as they came up against the protagonist, and the identity of the mysterious woman hanging on the edge of the main character’s periphery will add a depth of personal conflict that I, as a reader, found so engaging.

A form of Identity I love to see explored in thrillers is the classic suburban thriller or the domestic thriller. That’s why this recently released book was next on my list. I just loved the adult suspense of it all, with the mystery behind the former owners of the home and their ties to this world of seductive “adult parties” that this neighborhood became known for, giving me a twisted give and pull behind the mystery of these characters. 

The power dynamics between the couples in this cul-de-sac and the tension that mounts as the protagonists are drawn into the neighbor’s world kept my adrenaline pumping—all earmarks of a great story.

For me, this is another masterful interweaving of historical fact and wildly creative imagination. It’s a prime example of in-depth research wielded to tangibly ground the reader in the book’s world; you learn about everything from 19th-century psychological theory and forensics to quilt-making and housecleaning techniques.

Part of what I really love about the novel, though, is that unlike in The Handmaid’s Tale, here Atwood deliberately blurs the lines between “good” and “evil” and “victim” and “villain.” Grace isn’t entirely likable, and she’s pretty much entirely unreliable. So, embodying her perspective as a reader is a continual guessing game of whether or not she’s telling the truth about her role in the murders at the book’s center. At the same time, it’s also a kind of ethical guessing game, for even if Grace is guilty, Atwood makes the role society and class play in her downfall so painfully clear… show more.

In this cozy mystery Mable and Violet are fast friends and have odd adventures. I think everyone needs a partner in crime, so to speak. This is a series; each book has a different theme, which I like. This story is set in a theatre, a one-act play competition in small town Saskatchewan, Canada. From my experience in little theatre odd things do happen. Like in my writing, this story has humour, intrigue, and enduring friendship. The added bonus, a theatre critic who has it coming. I like figuring out who had the biggest axe to grind and what motives each character is hiding.

To begin with, I was immediately drawn to this novel because (bless the author) it is located in my own hometown. For those in New York or Paris, this may not be a big deal; but if you live in a relatively small Canadian city, that’s quite exciting. The main character, Joanne Kilbourn, was also named for me. And yes, I have thanked Gail Bowen for this gift. 

All right, that’s not actually true, but one can dream. Joanne is a strong but gentle cozy detective with intense motherly instincts and an extremely sharp mind. I adore her.

I inhaled this gripping thriller in one sitting! It really made me go, wait, what? The author did a phenomenal job keeping me focused on certain details, while twirling other important details in the background. So when it all pieced together, I was truly in awe.

The twists in the book kept me hooked all through. Just when I thought, ah, I think I know where this is going, the very next chapter would make me change my mind. The pacing of this book added to the thrills.

I loved the writing and the characterization. This book, to me, is a great example of combining a most-loved genre while representing important voices and exploring and debunking assumptions. The main character is Filipino-American and I loved reading about the experience through the character’s eyes and told over many years so there’s a clear arc of the changes that time has brought… show more.

Written in the style of M.C. Beaton, this book is a perfect English murder mystery.

The idea of a village fete itself has always been alluring to me. I put myself in the story and I’m right at home in the village and celebration at Berrywick House. I blame my British DNA. As in any good cozy, the most irritating member of the community ends up dead, and no exception here.

The main character, Julia, is not only concerned with a murder—or two, but she’s also afraid their peaceful village will be forever ruined. Like all great amateur sleuths, she gets involved. Bird paints a picture of a perfect English village. Add a dog, her Labrador, Jake, and well, sign me up.

My husband (who is a woodturner) convenes a writing group for people who write about craft. I think that group should read this novel, set in a seventh-century monastic community, pretty well on a very large rock (Skellig Michael), for its detailed accounts of living on next to nothing and yet engaging, almost unaware, in meticulous daily craftsmanship. 

That isn’t what the book is about, exactly: it’s mostly about an extreme and obsessively self-denying way of life; it’s about how even a tiny handful of men fall into master and underling roles; it’s about how fear of the unknown leads to the creation of monsters in people’s minds, which in turn leads to tragedy. A hard book, in many senses. But amazing.