Here are 100 books that Girl fans have personally recommended if you like
Girl.
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I grew up in the eighties, and that means I grew up watching movies such as Sixteen Candles, The Breakfast Club, Pretty in Pink, and Say Anything. Thirty years after watching those movies, some iconic scenes have stuck with me: the characters of The Breakfast Club sliding across the hallway to Simple Minds’ song “Don’t You Forget About Me,” John Cusack holding the boombox over his head while blaring Peter Gabriel’s “In Your Eyes,” and the Psychedelic Furs “Pretty in Pink” song playing on the soundtrack of a movie by the same name. The books in this list do a lot with those same ingredients of heartbreak, music, and hope that the characters who so often remind me of myself might find love.
The actor John Cusack brought me to this movie, and I read the book after the movie and loved it. One of the key differences between the movie and the book is that the movie is set in Chicago, and the book in North London. As someone who grew up in the ’80s, I started with Cusack as the nerdy sidekick in Sixteen Candles and became obsessed with his Lloyd Dobler character in Say Anything; you know, the guy who dressed in a trench coat and held a boom box over his head outside a girl’s window.
The narrator of this novel is a record shop owner in London named Rob, and he starts off with his desert island, all-time, top five most memorable breakups, in chronological order. When we’re in the record shop that Rob owns, the guys are always making lists: top 5 guitar solos, top 5…
"I've always loved Nick Hornby, and the way he writes characters and the way he thinks. It's funny and heartbreaking all at the same time."—Zoë Kravitz
From the bestselling author of Funny Girl, About a Boy, A Long Way Down and Dickens and Prince, a wise and hilarious novel about love, heartbreak, and rock and roll.
Rob is a pop music junkie who runs his own semi-failing record store. His girlfriend, Laura, has just left him for the guy upstairs, and Rob is both miserable and relieved. After all, could he have spent his life with someone who has a…
I wrote Leaving the Beach because I was once bulimic and music-obsessed. After seeking help and recovering, I realized I wanted to write a realistic book about a bulimic woman; it was critical that I didn’t unintentionally romanticize any aspects of this insidious, potentially fatal disease.
If you’ve ever wondered if humanity could survive without music, Dave O’Leary’s The Music Book is for you. Set in Seattle during the post-Nirvana/Pearl Jam period, the story follows earnest, likable Rob through nightclubs, strip bars, and a prison on an alcohol-enhanced quest for love and an answer to his question about what music actually means to the world. A truly unique and compelling story.
What does music mean? Can it be more than the sum of its notes and melodies? Can it truly change you? Rob, a musician turned reluctant music critic, poses these questions as everything important in his life appears to be fading—memories of lost love, songs from his old bands, even his hearing. He delves into the music of others to find solace and purpose, and discovers that the chords and repeated phrases echo themes that have emerged in his own life. The music sustains him, but can it revive him?
I wrote Leaving the Beach because I was once bulimic and music-obsessed. After seeking help and recovering, I realized I wanted to write a realistic book about a bulimic woman; it was critical that I didn’t unintentionally romanticize any aspects of this insidious, potentially fatal disease.
All the characters in this story—even the minor ones—are so three-dimensional and human that they must be based at least partly on real people. The protagonist, Via—who lost her parents to gun violence as a child and struggles with substance abuse and other things—isn’t a musician or a die-hard music fan, but music and the Seattle music scene play such a huge role in this story that I was compelled to include it on my list. Ina Zajac’s writing is impeccable. She doesn’t shy away from the gritty side of reality and demonstrates a deep understanding of musicians, the things that make them tick, and the people who love them.
An emotionally-charged urban cautionary tale with quirky characters who will stay with you: including Grandma Daney, a mystical star child who serves up universal inspiration with her milk and cookies.
It’s September when good girl Via Sorenson stumbles into a Seattle strip club, drunk and alone on her twenty-first birthday. Matt and Nick—best friends, bandmates, and bouncers—do their best to shield her from their sadistic cocaine-trafficking boss, Carlos. They don’t realize her daddy issues come with a forty-million-dollar trust fund and a legacy she would do anything to escape.
She is actually Violetta Rabbotino, who had been all over the…
"This novel is a boundary-crosser. Although it is a work of fiction, it is well researched and could pass as a memoir or a work of Holocaust history." —New York Jewish Week (JOFA Journal)
My multi-award-winning book is inspired by the Stermer family and other families who hid underground…
I wrote Leaving the Beach because I was once bulimic and music-obsessed. After seeking help and recovering, I realized I wanted to write a realistic book about a bulimic woman; it was critical that I didn’t unintentionally romanticize any aspects of this insidious, potentially fatal disease.
This is the only nonfiction selection on my list. If you live in the Boston area and love music, you’ve probably read Brett Milano’s music reviews in the Boston Globe, Boston Herald, or Phoenix.He’s also written numerous books—both fiction and nonfiction—about various types of music. Vinyl Junkies is a wonderful read, even if you’re not particularly interested in music, because although many people featured in it are well-known in the music and art worlds (Peter Buck, Robert Crumb), on a higher level, the book’s really about collecting and collectors in general. Why do people collect? What’s the difference between simply accumulating stuff and curating a collection? And where does one draw the line?
Not too far away from the flea markets, dusty attics, cluttered used record stores and Ebay is the world of the vinyl junkies. Brett Milano dives deep into the piles of old vinyl to uncover the subculture of record collecting. A vinyl junkie is not the person who has a few old 45s shoved in the cuboard from their days in high school. Vinyl Junkies are the people who will travel over 3,000 miles to hear a rare b-side by a German band that has only recorded two songs since 1962, vinyl junkies are the people who own every copy…
I have been fascinated with mental health since long before I was officially diagnosed with Bipolar I. Even as an elementary schooler, I recognized that I was different from my peers: I thought more deeply and often more darkly, I experienced higher highs and lower lows, often beyond my control, and I very rarely discussed my home life. Writing became a logical and perhaps life-saving outlet as soon as I learned to put words into letters (mostly the wrong letters, but thank God for spell-check).
This coming-of-age novel has everything: love, grunge music, angst, and a slow revelation of past trauma. I don't think I speak for everyone with mental health issues, but I know that having a traumatic childhood is a common, shared factor amongst people with serious diagnoses. I read this one before I understood why I identified so strongly with it.
Charlie lives on the fringes, barely dipping a toe into the social melee that is high school life, yet, with courage and determination, he carves out a place for himself. While his new friendships allow him to find himself, they also allow him the safety to confront the wounds of his past, wounds too large for even his teenage self to come to grips with.
Even though my last manic episode was over sixteen years ago, I am only recently doing the real work of processing and understanding the traumatic experiences…
A modern cult classic, a major motion picture and a timeless bestseller, The Perks of Being a Wallflower is a deeply affecting coming-of-age story.
Charlie is not the biggest geek in high school, but he's by no means popular.
Shy, introspective, intelligent beyond his years, caught between trying to live his life and trying to run from it, Charlie is attempting to navigate through the uncharted territory of high school. The world of first dates and mixed tapes, family dramas and new friends. The world of sex, drugs, and music - when all one requires to feel infinite is that…
I am a lecturer in the School of Media and Communication at the University of Westminster. I write regularly on popular music and culture in scholarly form and as a critic in various publications. I am convinced that popular music can gesture at utopia despite its emergence from within a capitalist market society.
Clover’s book is the first I can remember reading that both takes popular music seriously as a form and understands it as an ideological object. His writing is crisp, and he moves smoothly and convincingly from a world-historical event to a particular riff. I think this is one of those books that teaches us that we can both take our revolutionary commitments seriously and love commercial music, too.
In a tour de force of lyrical theory, Joshua Clover boldly reimagines how we understand both pop music and its social context in a vibrant exploration of a year famously described as 'the end of history'. Amid the historic overturnings of 1989, including the fall of the Berlin Wall, pop music also experienced striking changes. Vividly conjuring cultural sensations and events, Clover tracks the emergence of seemingly disconnected phenomena - from grunge to acid house to gangsta rap - asking if 'perhaps pop had been biding its time until 1989 came along to make sense of its sensibility'. His analysis…
I grew up in a small town full of ghosts. They broke plates in a doctor’s office-turned-restaurant, feuded in a house built by twins, emerged from cornfields to stand in our headlights, and turned headstones blue in a cemetery where tombstones protruded from the ground like jagged teeth. The stories that surrounded me while I was a teen still bleed into my writing. And as reader, I gravitate toward books that are atmospheric, rich in moments of magic or the unreal, and riddled with stories of the past and long-forgotten.
As one of four sisters, I appreciate a good sister story because there’s always something going on under the surface. House of Hollow is no different. There’s the complicated dynamic of the three sisters—the model and fashion designer, the grunge musician, and the loner high school student—revealed when the eldest goes missing and the two younger sisters search for her. And then there’s the twist of something otherworldly—the fact that the girls disappeared for a month as children, reappearing with black eyes, white hair, mysterious scars, and the ability to entrance others with their scent and touch. I couldn’t stop turning the pages.
'A gorgeous, grisly modern fairy tale.' - THE GUARDIAN
'Dark and delicious. House of Hollow hums with malice and mystery. I devoured it whole.' - KIRAN MILLWOOD HARGRAVE
** SHORTLISTED FOR THE YA BOOK PRIZE 2022 **
The Hollow sisters - Vivi, Grey and Iris - are as seductively glamorous as they are mysterious. They have black eyes and hair as white as milk. The Hollow sisters don't have friends - they don't need them. They move through the corridors like sharks, the other little fish parting around them, whispering behind their backs.
I’ve always adored romance books—there’s nothing like the thrill of meeting characters that you know you’re going to fall in love with just as much as they’re going to fall in love with each other. I didn’t start out intending to write about rock stars. But when I was sitting down in front of that first blank screen looking for inspiration, it was a rock star that took shape in my mind. There is something so inherently appealing about the artistic, tortured souls of musicians. Relationships in the spotlight come with very special challenges, and I love exploring how characters navigate these while still developing passionate, soul-deep emotional bonds.
Paula Dombrowiak writes non-traditional rock star romances that will absolutely touch your heart. This is the first book in her Blood & Bone series and tells the story of middle-aged rock star Jack, who is being interviewed by Erin about the rise and fall of his nineties grunge band, including his tumultuous relationship with his former bandmate and collaborator, Mia. Paula paints a vividly realistic picture of the nineties grunge scene, skillfully mixing past and present to tell Jack’s heartbreaking story. This book is a beautifully written and emotional look at the good, the bad, and the ugly of the rock star life.
A steamy, exciting, and emotional rock star romance with a bit of a slow burn, a love triangle and a '90s grunge aesthetic.
Two Days, One Interview, Twenty-Five Years of Rock 'N Roll. Telling his story might just repair past relationships and ignite new ones.
Jack O’Donnell is a middle-aged rock star with a long history of bad decisions. When unimaginable circumstances bring Jack and journalist Erin Langford, together, the two embark on a journey through Jack’s past where he recounts the rise and fall of his band and the profound bond he shared with his former bandmate and collaborator.…
Where does that dark passage really lead?
Could that crazy drainage area really be a secret base for small aliens?
Just walking down the streets as a child these were the kinds of thoughts that would swirl through my mind. I would see passages to parallel worlds, or the signs of a hidden world everywhere I looked. They really were all around us, kept out of our perception by some spell or grand camouflage device.
Part of being a writer I really enjoy is creating secret, hidden worlds, alternate realities, exploring the possibilities, and looking at all the dark passageways to see if there is a portal there.
An absent-minded, modern-day scientist is pulled out of time, finding himself in a medieval England of a parallel universe. He is mistaken for a sorcerer and starts using his knowledge to make a name for himself.
I know all of that may sound cliche, the story is anything but.
I was especially drawn to the big bad of the story, who is so powerful that he can hear that narrator and start to argue with him in some great fourth-wall-breaking moments that turn out to be more than just humorous exchanges.
I found this to be a fun series that really plays around with some common fantasy concepts and has fun with it all, not taking itself too seriously.
Magic Is Alive, Science Is Afoot….Trying to discover time travel, absent-minded genius Dr. Marvin Brewster accidentally transports himself to a parallel universe where magic really works … a land that resembles medieval England, but is populated by leprechauns, virgin-hating unicorns, coffee drinking beatnik vampire elves, rapping Rastafarian grunge dwarves, philosophically musing dragons, ambulatory vegetation, bumbling outlaws, gorgeous brigand queens, cursed were-princes and evil wizards. In a world where science is unknown, Brewster’s knowledge results in his being mistaken for a sorcerer … but the real sorcerers have a powerful, exclusive guild, and Brewster’s not a member. As he searches for…
As an author of historical fiction, I have a number of time periods that I go back to again and again. Both the 1960s (specifically, the late 1960s) and the 1990s are two of those eras that I just can’t get enough of. The parallels between these two time periods are very compelling: both were times of political upheaval and amazing music, with young people leading the charge, hoping to create a better world than the one they were disenchanted with.
This non-fiction work is the definitive grunge memoir, told in stark – sometimes funny, sometimes heartbreaking – detail.
Lanegan is candid and honest about his own struggles as well as those of his music colleagues and friends like Layne Staley, Kurt Cobain, and others, always keeping their humanity at the forefront.
A must-read for anyone interested in the grunge scene of the Seattle ‘90s.
"Mark Lanegan-primitive, brutal, and apocalyptic. What's not to love?" Nick Cave
"A stoned cold classic" Ian Rankin
"Powerfully written and brutally, frighteningly honest" Lucinda Williams
From the back of the van to the front of the bar, from the hotel room to the emergency room, onstage, backstage, and everywhere in between, Sing Backwards and Weep reveals the abrasive reality beneath one of the most romanticized decades in rock history-from a survivor who lived to tell the tale.
When Mark Lanegan first arrived in Seattle in the mid-1980s, he was just "an arrogant, self-loathing redneck waster seeking…
