Here are 100 books that Garner fans have personally recommended if you like
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When I was growing up, I had no idea that New York State had 200 years of slavery. And when I realized that my Dutch American ancestors had been some of the most fervent enslavers, I knew I had to know more. It wasn’t until I met Eleanor Mire, a woman who is descended from the very people that my family enslaved, that my story became fuller. We realized that, through rape, we shared ancestors, which makes us “linked descendants.” Rather than turning away from the upsetting history, we became friends who knew we needed to keep learning and tell the stories of those who had been lost.
What does it mean to enslave another human being? Sometimes a novel is the only way for me to get at the emotional heart of a horrible truth. That’s why I loved this book–an imaginary region of Virginia before the Civil War introduced me to Henry Townsend, a freed Black man who owned an entire plantation of other Black men, women, and children.
I couldn’t stop thinking of Moses, Augustus, Celeste, and all of the people who fought their way through to, finally, emancipation. Some people compare Edward P. Jones’ work to Faulkner's in the way he creates a complete and completely convincing world.
Masterful, Pulitzer-prize winning literary epic about the painful and complex realities of slave life on a Southern plantation. An utterly original exploration of race, trust and the cruel truths of human nature, this is a landmark in modern American literature.
Henry Townsend, a black farmer, boot maker, and former slave, becomes proprietor of his own plantation - as well as his own slaves. When he dies, his widow, Caldonia, succumbs to profound grief, and things begin to fall apart: slaves take to escaping under the cover of night, and families who had once found love beneath the weight of slavery…
I started my academic life with two passions: listening to those I was researching and writing in ways that were accessible to all readers. I wasn’t willing to bow down to orthodoxies that would stifle my capacity to think and to write and make my way into new and emergent ideas and practices. Questions of ethics threaded their way through it all, not the kind of rule-based nonsense of university ethics committees, but ethics that enabled me to consider how matter matters and to re-think what we are in relation to each other and to the Earth.
There is a purity and grace about this book that is deeply moving; it tells me about the love of a good man, as he explores his own life in the face of death. All he has to leave his small son is not money but the possibility of dedicating oneself to a good life.
It is set in middle America, in 1956, when I, as it happens, was ten years old. Everything that matters to me is captured here in this exquisite book. It is written beautifully, not ever weighed down by mind-numbing cliches. If only everyone would read this book, I thought as I sobbed my way through it, there would be no wars, and there would be time and inspiration for healing the planet. I take it with me wherever I go.
WINNER OF THE PULITZER PRIZE FOR FICTION and THE NATIONAL BOOK CRITICS CIRCLE AWARD
AN OPRAH'S BOOK CLUB PICK
In 1956, towards the end of Reverend John Ames's life, he begins a letter to his young son: 'I told you last night that I might be gone sometime . . . You reached up and put your fingers on my lips and gave me that look I never in my life saw on any other face besides your mother's. It's a kind of furious pride, very passionate and stern. I'm always a little surprised to find my eyebrows unsinged after…
I believe that we betray the past when we treat it as the past, and we abandon our ancestors, actual and spiritual, when we dehumanize them as denizens of history, as fundamentally different from us in terms of their lusts and appetites and political nuances and strange senses of humor and nose picking and dance moves and love. Novels, I think, are a powerful mode for understanding and perhaps even undoing the cultural patterns that would have us believe that history is behind us and that the past is not part of the forever dance of the present.
Incredible. Like a great Russian novel, this book asks its readers for effort, time, and patience, but it all pays off one thousand times over. It is a story about how quiet lives come up against the sky-high pile of debris known as history, the beauty of art, and kindness amidst the wreckages and catastrophes of human politics.
"In a single year, my father left us twice. The first time, to end his marriage, and the second, when he took his own life. I was ten years old."
Master storyteller Madeleine Thien takes us inside an extended family in China, showing us the lives of two successive generations-those who lived through Mao's Cultural Revolution and their children, who became the students protesting in Tiananmen Square. At the center of this epic story are two young women, Marie and Ai-Ming. Through their relationship Marie strives to piece together the tale of her fractured family in present-day Vancouver, seeking answers…
I believe that we betray the past when we treat it as the past, and we abandon our ancestors, actual and spiritual, when we dehumanize them as denizens of history, as fundamentally different from us in terms of their lusts and appetites and political nuances and strange senses of humor and nose picking and dance moves and love. Novels, I think, are a powerful mode for understanding and perhaps even undoing the cultural patterns that would have us believe that history is behind us and that the past is not part of the forever dance of the present.
This book is, on its face, a sardonic, strange, delightful, and wild retelling of the story of John Brown from the perspective of a formerly enslaved teenager, who John Brown half rescues, half kidnaps, and who is bullied by the Old Man into pretending he is a girl. The story is phenomenally researched and brilliantly told, and the tone accomplishes the magnificent feat of being simultaneously iconoclastic and generous—perhaps even irreverent and reverent. This is a must-read.
Now a Showtime limited series starring Ethan Hawke and Daveed Diggs
Winner of the National Book Award for Fiction
From the bestselling author of The Heaven & Earth Grocery Store, Deacon King Kong (an Oprah Book Club pick) and The Color of Water comes the story of a young boy born a slave who joins John Brown’s antislavery crusade—and who must pass as a girl to survive.
Henry Shackleford is a young slave living in the Kansas Territory in 1856--a battleground between anti- and pro-slavery forces--when legendary abolitionist John Brown arrives. When an argument between Brown and Henry's master turns…
I have a passion for the family story, and I have been blessed with a plethora of them. My mother grew up in Appalachia during the Great Depression and faced shame because her mother left the family to commit a felony. Her accounts of a childhood without and sleeping in an abandoned log cabin have been seared into my soul. My father, one of fourteen children during the Great Depression, worked on neighboring farms from the age of seven. History has two parts, the facts and details, but the telling of the story wrangles the purpose and sacrifice of those involved.
Sometimes people are given a horrible position at birth either by economics, environmental conditions, or bad luck. The Four Winds helped me understand some of the great migrations that have occurred in this country and the motivations that inspired the move.
I came to root for Elsa, the flawed main character, who sincerely did the best she could for her son. I felt her pain, agony, and frustration when a series of bad events happened along her journey.
It wasn’t an easy read, but a necessary one to understand resilience, courage, strength, and doing what you have to do when given no other choice.
"The Bestselling Hardcover Novel of the Year."--Publishers Weekly
From the number-one bestselling author of The Nightingale and The Great Alone comes a powerful American epic about love and heroism and hope, set during the Great Depression, a time when the country was in crisis and at war with itself, when millions were out of work and even the land seemed to have turned against them.
“My land tells its story if you listen. The story of our family.”
Texas, 1921. A time of abundance. The Great War is over, the bounty of the land is plentiful, and America is on…
I’m a historical novelist originally from Ohio. In Civil War lessons at school, we learned about battles and generals and read The Red Badge of Courage and other books centering on men’s experiences. With the exception of Florence Nightingale, women were largely absent from the discussions. I want to know about the women. As an adult, I lived in Roswell, Georgia, where I learned of the mill workers, mostly women and children, who, in 1864, were arrested and sent north by Federal forces for making Confederate cloth. Their fates largely remain a mystery, and I wrote my book in order to imagine what we may never know.
I love stories about ordinary women living through extraordinary times. In this story, the protagonist, Joetta, a North Carolina yeoman farmer who does not share the Confederacy’s view on slavery, attempts to stay neutral during the Civil War despite the ever-growing costs.
I admired the way Everhart deals with the relationship between Joetta and her teenage sons, boys old enough to assert their independence and choose their own way, no matter how much she may wish they chose differently.
From the author of The Saints of Swallow Hill, an evocative, morally complex novel set in rural 19th century North Carolina, as one woman fights to keep her family united, her farm running, and her convictions whole during the most devastating and divisive period in American history, perfect for readers of Cold Mountain by Charles Frazier and Enemy Women by Paulette Jiles.
Talk of impending war is a steady drumbeat throughout North Carolina, though Joetta McBride pays it little heed. She and her husband, Ennis, have built a modest but happy life for themselves, raising two sons, fifteen-year-old Henry, and…
Because of the presence of my four beloved grandparents throughout my growing up years, (all four of my grandparents even attended my wedding), I’ve always enjoyed relationships with older people. My comfort with older people translates into my friendships where many of the women in my life are quite a bit older than me. These intergenerational relationships offer wisdom and experience that informs my own life. I hold an M.F.A. in Creative Writing and have written one novel for adults and one for middle-grade readers. My past jobs include being a television engineer, an adjunct professor, and a publishing professional.
Single and self-sufficient Dottie O’Connell farms her 300 acres with strength and independence, not needing anyone. When she finds herself the primary caretaker to her friend’s young daughter Mattie after the girl is orphaned by a tragic fire, Dottie suddenly is thrust into guardianship with a young person she had no desire to raise. While I admired Dottie for taking on such a life-changing responsibility, at times I couldn’t fathom Dottie’s choices involving the girl. Thankfully, the author peels away the layers of Dottie’s wounds, allowing us at least to understand her while maybe not agreeing with her. Each of us has a Dottie story that influences our decisions for good or for bad.
This is an unforgettable debut novel about the nature of forgiveness, the debts we owe, and the mysteries of what we call grace. When Dottie Connell adopts her best friend's daughter out of a combination of spite and loyalty, she must confront her ideas on motherhood, sexuality, and God. Set in rural Ohio, "This Heavy Silence" spans ten years in Dottie's life. She loves the land despite its bitterness and hardship. She raises her adopted daughter and farms her family's three hundred acres in a time and place unaccustomed to independent women. Her struggle to buy back the farm comes…
I have lived on or around sailboats for over thirty years. I had never sailed before meeting my husband. Many people dream of sailing off but few actually go. In 1996, we sailed away to the Caribbean with our seven-year-old daughter. Although I didn’t want to go, by the end of the voyage I found an inner strength that has stayed with me. The books I chose are all about making huge changes, taking leaps of faith. I hope you enjoy them as much as I have!
James Rebanks was born in England’s Lake District into a family who valued the hard work and ancient traditions of shepherding in the high hills. Later, he winds up at Oxford, seemingly headed for a life of financial success in the city, and realizes that while the world at large may value such success, he values the quiet, steady, solitary shepherd’s life and chooses that instead. He beautifully depicts a life steeped in tradition, honoring the seasons, and filled with characters. I loved learning about a slice of life that I knew little about.
'Affectionate, evocative, illuminating. A story of survival - of a flock, a landscape and a disappearing way of life. I love this book' Nigel Slater
'Triumphant, a pastoral for the 21st century' Helen Davies, Sunday Times, Books of the Year
'The nature publishing sensation of the year, unsentimental yet luminous' Melissa Harrison, The Times, Books of the Year
Some people's lives are entirely their own creations. James Rebanks' isn't. The first son of a shepherd, who was the first son of a shepherd himself, he and his family have lived and worked in and…
I grew up on the high plains of eastern Montana. Like most rural folks, we lived close to the bone, even in the best of times. Then, when I was nine, my father died—and things got even harder. We finally had to put our acres up for lease, and I made a goal to leave that hard place. Though I worked hard for this new life I find myself leading—I studied, won scholarships, earned an MFA, and became a professor—ever since I left Montana, I’ve been trying to understand the distance between there and where I find myself now. I’ve been trying to understand rural America.
This book takes on class, gender, and addiction, plus a host of other contemporary issues facing rural America and the nation—and Smarsh still manages to craft a compelling, human memoir.
This book might be the antidote to all the easy, anodyne, partisan conclusions the talking heads offer about rural America. As someone who grew up in rural America but now lives in a small city on the West Coast, I felt challenged reading this memoir.
Smarsh is the best kind of rabble-rouser; she’s telling it straight no matter who is listening.
*Finalist for the National Book Award* *Finalist for the Kirkus Prize* *Instant New York Times Bestseller* *Named a Best Book of the Year by NPR, New York Post, BuzzFeed, Shelf Awareness, Bustle, and Publishers Weekly*
An essential read for our times: an eye-opening memoir of working-class poverty in America that will deepen our understanding of the ways in which class shapes our country and “a deeply humane memoir that crackles with clarifying insight”.*
Sarah Smarsh was born a fifth generation Kansas wheat farmer on her paternal side, and the product of generations of teen mothers on her maternal side. Through…
My name is Kenden, I’m a psychotherapist and executive coach who focuses on Enneagram personality assessment and financial psychology and behavior. I have a side passion for writing Jewish cookbooks and creating modern minimalist Judica. I grew up in Maine, USA, and have since lived and worked in Afghanistan, India, DR Congo, Switzerland, and Cambodia. Nowadays I live in Paris.
I first read Wendell Berry’s The Unsettling of America: Culture & Agriculture (published in 1977) in high school.
In Bringing It to the Table, Berry shares excerpts of his essays exploring what has shaped farming and food in the last four decades: the declining state of American agriculture, the dangers of industrialized food farming, and the importance of farming to the human community – for body, mind, and soul.
This book cuts deep into food, one of the most important issues of our century because it impacts climate change, resource depletion, financial insecurity, and health issues created by poor food choices.
Only a farmer could delve so deeply into the origins of food, and only a writer of Wendell Berry’s caliber could convey it with such conviction and eloquence. A progenitor of the slow food movement, Wendell Berry reminds us all to take the time to understand the basics of what we ingest. “Eating is an agriculture act,” he writes. Indeed, we are all players in the food economy. For the last five decades, Berry has embodied mindful eating through his land practices and his writing. In recognition of that influence, Michael Pollan here offers an introduction to this wonderful collection…
