Here are 68 books that Gangs fans have personally recommended if you like
Gangs.
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During a lonely stretch of primary school, I recall discussing my predicament with my mother. “You only need one friend,” she said by way of encouragement. Some part of me agreed. I’ve been fortunate to have had (and to have) several friends in my life, never more than a few at a time, more men than women, and each has prompted me to be and become more vital and spacious than I was prior to knowing them. The books I’m recommending—and the one I wrote—feature these types of catalyzing, life-changing relationships. Each involves some kind of adventure. Each evokes male friendship that is gravitational, not merely influential, but life-defining.
You think your life is complicated. Alliances in this mammoth, magnificent novel turn on a dime (or a brick), but several deep connections are life-altering.
For one: the Jamaican dealer Weeper defies category; he’s both violent and tender, both gay and appalled by his homosexuality. When he falls for another man post-prison, he has both to confront and to conceal his panoply of contradictions—which becomes excruciating and finally impossible when boss (and friend) Josey Wales flies in to inspect the Bushwick operation.
I love the intrigue, disclosure, and virtuosity. Nothing simple, nothing easy, nothing dull.
*WINNER OF THE MAN BOOKER PRIZE 2015* JAMAICA, 1976 Seven gunmen storm Bob Marley's house, machine guns blazing. The reggae superstar survives, but the gunmen are never caught. From the acclaimed author of The Book of Night Women comes a dazzling display of masterful storytelling exploring this near-mythic event. Spanning three decades and crossing continents, A Brief History of Seven Killings chronicles the lives of a host of unforgettable characters - slum kids, drug lords, journalists, prostitutes, gunmen, and even the CIA. Gripping and inventive, ambitious and mesmerising, A Brief History of Seven Killings is one of the most remarkable…
I’m a filmmaker and writer who made a TV series about street gangs around the world with actor and presenter Ross Kemp. But it was one London street gang, the PDC, that particularly caught my attention. The newspaper reports were full of overblown headlines, terrifying statistics, and quotes from police forces. That’s when I decided to head down to the PDC’s “turf” in a small corner of south London because if you are going to try and tackle this crimewave it’s best to find out who is doing it and why. Right? I spoke to PDC gang members, their friends and families and the surprising truth behind the headlines is revealed in my book.
As a young kid reading Dickens for the first time I was mesmerised by this journey into the underworld of Victorian London. I would go on my own imaginary adventures with the Artful Dodger and his gang of thieving street urchins. Years later, when writing my own book about modern street gang members I had the same sense of going on a thrilling journey of discovery and escapades.
'The power of Dickens is so amazing, that the reader at once becomes his captive' WILLIAM MAKEPEACE THACKERAY
The story of the orphan Oliver, who runs away from the workhouse to be taken in by a den of thieves, shocked readers with its depiction of a dark criminal underworld peopled by vivid and memorable characters - the arch-villain Fagin, the artful Dodger, the menacing Bill Sikes and the prostitute Nancy. Combining elements of Gothic romance, the Newgate novel and popular melodrama, Oliver Twist created an entirely new kind of fiction, scathing in its indictment of a cruel society and pervaded…
I’m a filmmaker and writer who made a TV series about street gangs around the world with actor and presenter Ross Kemp. But it was one London street gang, the PDC, that particularly caught my attention. The newspaper reports were full of overblown headlines, terrifying statistics, and quotes from police forces. That’s when I decided to head down to the PDC’s “turf” in a small corner of south London because if you are going to try and tackle this crimewave it’s best to find out who is doing it and why. Right? I spoke to PDC gang members, their friends and families and the surprising truth behind the headlines is revealed in my book.
What became apparent as I was writing my book was just how difficult it is for young kids to get away from a life of crime on the streets. Once a King, Always a King helped me understand the challenge – it’s not just that bad habits get absorbed into a personality from a young age, or that adults don’t help kids escape from their criminality. The social care and justice system actively collude in trapping young gang members in a cycle of violence, abuse, and poverty.
This riveting sequel to My Bloody Life traces Reymundo Sanchez's struggle to create a “normal” life outside the Latin Kings, one of the nation's most notorious street gangs, and to move beyond his past. Sanchez illustrates how the Latin King motto “once a king, always a king” rings true and details the difficulty and danger of leaving that life behind. Filled with heart-pounding scenes of his backslide into drugs, sex, and violence, Once a King, Always a King recounts how Sanchez wound up behind bars and provides an engrossing firsthand account of how the Latin Kings are run from inside…
I fell in love with Australian history on a school camp to Beechworth, which was also my first introduction to Ned Kelly. As I got older, after having already tried to establish a career trajectory as an English teacher, I realised my passion for writing and history could help me create the books and media that I wished I could access, as well as be a place to store all those decades of research sitting in my head. My fascination with psychology, true crime, and Australian colonial history naturally reached a meeting point with the Australian bushrangers: the bandits that terrorised Australia for over a hundred years, the most infamous of whom was Ned Kelly.
A controversial pick, but I believe this is the finest fictionalised version of Ned's life story written so far. Carey captures a very authentic sense of Ned’s voice and character by basing the book heavily on Ian Jones’ work and the Jerilderie Letter that Ned wrote with gang member Joe Byrne. It retains enough of the truth to craft a realistic world for his creations to exist in, and blends so well with his inventions, that someone unaware that the book is fiction will have a hard time working out some of the fact from the fiction. It is lyrical, powerful, and helped turbo-boost interest in the Kelly legend at a time when it had begun to taper off somewhat.
THE BOOK THAT INSPIRED THE MAJOR MOTION PICTURE, TO BE RELEASED IN CINEMAS 28TH FEBRUARY 2020
'Extraordinary . . . So mesmerising and moving.' Mail on Sunday
'Vastly entertaining.' New York Times
To the authorities in pursuit of him, Ned Kelly is a horse thief, bank robber and police-killer. But to his fellow Australians, Kelly is their own Robin Hood. In a dazzling act of ventriloquism, Peter Carey's Booker Prize-winning novel of adventure and heroism brings the famous bushranger wildly and passionately to life.
I have spent over twenty years over (fifteen in Texas) recommending crime fiction as a bookseller in a couple of prominent stores. Texas and its writers have always fascinated me. Now that I get to call myself one, I am connected more to the genre literature of my adopted state and have an insider's view as both writer and resident.
This coverage of the crime wave of the Overton gang who burgled, pimped, and committed various crimes up and down I-35 is nonfiction, but hard to believe at times.
The story paints vivid time in Austin with a supporting cast of colorful lawyers, madams, and even UT Tower sniper Charles Whitman. Jesse Sublett, author, musician, painter, journalist, and photographer is basically as close as Austin has to royalty and portrays the events in a rock n’ roll style.
I’d also recommend Jesse’s fiction series staring bass player and skip tracer Martin Fender.
Timmy Overton of Austin and Jerry Ray James of Odessa were football stars who traded athletics for lives of crime. The original rebels without causes, nihilists with Cadillacs and Elvis hair, the Overton gang and their associates formed a ragtag white trash mafia that bedazzled Austin law enforcement for most of the 1960s. Tied into a loose network of crooked lawyers, pimps and used car dealers who became known as the "traveling criminals," they burglarized banks and ran smuggling and prostitution rings all over Texas. Author Jesse Sublett presents a detailed account of these Austin miscreants, who rose to folk…
As a troubled teen who wasn’t raised in a traditional family environment, I had always gravitated toward books with transformative characters—underdogs who were lost or lost their way by accident and on purpose.
The genre never mattered to me as much as my ability to relate to struggling protagonists who needed to escape their situation or environment, regardless of what they had to do, right or wrong. Love them or loathe them, I learned something from each of them. I hope you enjoy their journeys as much as I have.
I found it easy to sympathize with Ponyboy Curtis as a victim of circumstance. He’s poor and raised by someone other than his parents, just like I was. More than that, I loved how he doesn’t cling to any of the early illusions about himself, his family, the neighborhood gang, or even the rival gang from the West side.
Instead, he tries to see things as they are. And even though this 14-year-old punk, who belongs to a “gang of greasers,” discovers how unfair life can be, he still takes it upon himself to give meaning to what is lost. There is something incredibly noble in seeing a smart, empathetic teen wrestling with loss and struggling to be his own person against all odds.
50 years of an iconic classic! This international bestseller and inspiration for a beloved movie is a heroic story of friendship and belonging.
Cover may vary.
No one ever said life was easy. But Ponyboy is pretty sure that he's got things figured out. He knows that he can count on his brothers, Darry and Sodapop. And he knows that he can count on his friends-true friends who would do anything for him, like Johnny and Two-Bit. But not on much else besides trouble with the Socs, a vicious gang of rich kids whose idea of a good time is…
I’m a scholar of gender and state violence, and I live and work at the US-Mexico border. For the past several years, I’ve worked collaboratively with large teams of Latinx-identified students to study the impacts of US immigration policies on migrants from Mexico and Central America. We realized that even though about half of immigrants are women, around 95% of deportees are men. So, we started to think about how US policies criminalize immigrant men. I became especially interested in how immigration enforcement (at the border and beyond) intersects with mass incarceration. In the list, I pick up books that trace the multinational reach of the carceral apparatus that comes to treat migrants as criminals.
In this book, two journalist brothers reveal how young teens can get wrapped up in the world of transnational gangs.
We follow a young man who watches murder and death all around him and ends up joining a squad of the MS-13 in El Salvador, until his own untimely death. The book brings to life the experience – and unavoidability for poor Salvadorans – of life under gang control.
As a boy, Miguel Angel Tobar fled a small town in El Salvador torn apart by warring guerrillas and US-backed death squads. As a teen in Los Angeles, he fought discrimination and beatings by joining a gang, MS-13. By the time the US deported him to San Salvador, the Hollywood Kid joined a wave of US-bred gangsters, whose violence-in concert with corrupt offiicals-have in turn helped propel new waves of refugees.
The incomparable Salvadoran journalist Oscar Martinez got to know the Hollywood Kid and met with him as he first turned on MS-13, killing gang members, and then in turn…
I’ve been a newspaperman for 40 years, the last 25 at The New York Times, and crime is the meat and potatoes of the business. My mother came from an Irish American clan in the Pennsylvania township where the Molly Maguires were born – my great-uncle died at 13 in the mine where the Mollies made one of their first recorded appearances. So I’ve been fascinated by Irish American true crime ever since the Sean Connery film The Mollies Maguires came out in 1970. I’ve spent most of my adult life researching the subject, and have given lectures on it all over the country.
This work came out in the Roaring Twenties, but the gangsters of that decade had nothing on the 19th-century outfits like the Dead Rabbits and the Gas House Gang.
When the dive bars have names like the Tub of Blood and they’re kept in business by the likes of Razor Riley, One-Lung Curran, and Stumpy Malarkey, you can’t go wrong. But to me the most compelling part was Asbury’s account of New York’s horrendous Civil War draft riots.
The Molly Maguires of Pennsylvania were born in opposition to that same draft, after a Protestant Republican allied with the coal industry used conscription to try to rid the coal fields of Irish Catholic Democrats and mine labor activists before a crucial election.
First published in 1928, Herbert Asbury's whirlwind tour through the low-life ofnineteenth-century New York has become an indispensible classic of urban history.
Focusing on the saloon halls, gambling dens, and winding alleys of the Bowery and the notorious Five Points district, The Gangs of New York dramatically evokes the destitution and shocking violence of a turbulent era, when colorfully named criminals like Dandy John Dolan, Bill the Butcher, and Hell-Cat Maggie lurked in the shadows, and infamous gangs like the Plug Uglies, the Dead Rabbits, and the Bowery Boys ruled the streets. A rogues gallery of prostitutes, pimps, poisoners, pickpockets,…
My earliest filmgoing memory is of a bad guy getting pushed down the stairs in Alfred Hitchcock's The Man Who Knew Too Much. That shocking scene has stayed with me, leading me into a lifetime of exploring the dark visions of crime stories. It was only natural that my love of rock music, and in its interaction with other media would draw me to mystery writers whose books were fueled by their love of rock, blues and pop. "If not for music and movies, I wouldn't be a novelist," George Pelecanos once told me. "They have influenced me more than any author. I want to shout about it." Me too.
A lot of people know George Pelecanos from his work as a TV writer, but long before he contributed to The Wire and The Deuce, he was turning out great mysteries, most of them set in his hometown of Washington, D.C. These are smart, sociological thrillers that teach you a lot about life on the city's mean streets. What sets books like King Suckerman apart for me is how much they teach you about the way popular music—heard from car radios, boom boxes, and record store systems—defines people's lives. For me, one of the book's many highlights is a fierce exchange between a guy who, based on Jimi Hendrix's funky playing in Band of Gypsys thinks the guitarist should be filed under soul rather than rock because that was the direction he was going and a friend who responds, "What you think you are, man, the Amazing Kreskin... gonna…
While out looking to buy drugs, small-time dealer Dimitri Karras and his friend, record-store owner Marcus Clay, stumble into a big deal gone bad, acquire some cash that is not theirs, and become players in a savage game of cross and double-cross.
I came to Indigenous history through the experience as a settler growing up at the edge of a reservation. I also love cities as “texts,” and the ways in which urban places never fully erase what came before. These two interests led me to urban Indigenous studies. Urban and Indigenous histories are often treated as though they are mutually exclusive, when in fact they are deeply entangled with each other: for example, the majority of Indigenous people in the United States live in urban areas. These works capture the rich history of migration, political organizing, and cultural production that has taken place in Indigenous cities.
This collection of short stories draws from Van Alst’s experience as a Native American growing up in Chicago, where racism and gang violence were everyday realities. Gripping and uncompromising, the stories walk a line between the traumas of Indigenous life in America and the possibilities of resilience and resistance.
Growing up in a gang in the city can be dark. Growing up Native American in a gang in Chicago is a whole different story. This book takes a trip through that unexplored part of Indian Country, an intense journey that is full of surprises, shining a light on the interior lives of people whose intellectual and emotional concerns are often overlooked. This dark, compelling, occasionally inappropriate, and often hilarious linked story collection introduces a character who defies all stereotypes about urban life and Indians. He will be in readers' heads for a long time to come.
