97 books like From Front Porch to Back Seat

Clement explores the working class environment that produced what we think of as “normal” relations between young men and women.

The commonly used term at the time, “treating,” has disappeared. But in the early 20th century this practice, which shared some features with prostitution, turned a search for fun, gendered scripts, and wage discrepancies between men and women into the general model of what would become the classic practice of dating.

This is a tour de force on the lives of girls and young women in the era of World War II and the 1950s.

Littauer makes use of non-traditional sources to show how young women negotiated a sexual landscape that was rapidly changing and which gave them more choices and often more control over their sexuality.

During the war years, young women found that the rapid mobilization and unsettled conditions near military bases gave them opportunities for sexual adventures that settle times would never allow.

And during the post-war, within the “going steady” practices of the time, women could become sexually active with some protection from social stigma.

Michael Moffatt was a professor of anthropology when he embedded himself in the Rutgers student dorms to begin a years-long investigation of what entering adulthood meant for undergraduates at the State University of New Jersey.

Moffatt’s research included survey data, perceptive description of his own experience, and student journals (used with permission, of course). In the great tradition of social science, Moffatt identifies a range of sexual types among the young people he studied. 

I’ve long had a professional crush on sociologist Lisa Wade as her work is a deadly combination of brilliant and compulsively readable.

Her study was published while I was writing my book and serves as a companion piece to understanding how hookup culture operates on American college campuses. As de facto speakeasies, fraternity houses serve as the campus party and, by extension, hookup headquarters.

This isn’t necessarily a bad thing, but it’s not always a good thing either.

I had a great deal of respect for this author from reading her Psychology Today columns. Sophia Dembling is an introvert and from her research and personal experience knows that relationships between different personality types can be challenging to say the least. 

She takes us through all aspects of the dating process and doesn’t slam extroverts. What she does is show us, through her great wit and transparency, how we are not perfect but that we can balance each other. 

Dembling teaches introverts “how to let someone into their hearts while honoring the solitude we need..” I found myself laughing many times, even while reading the table of contents. “Whee! Fun With Extroverts” and “I Love you But Please Don’t Call Me.” And she helps extroverted readers understand and empathize with introverts who don’t find joy in too much socializing. 

This book combines a lot of potentially tired gothic signifiers into one slim package. You’ve got the tortured ghost of the young mother. The scarred young shut-in nearing spinsterhood. The domineering aunt tasked with marrying her off. The cold and distant father just as eager to unload her. However, none of these tropes go where you expect them to go. Iseult Wince, the titular unsuitable young woman, has an inner life and motivations that are deeply weird—borderline horrifying, but most importantly, weird, and all her own. Spinsterhood is the least of her problems. 

Five marriageable girls, a nervy mother, a sarcastic father, a sensible best friend, and a plethora of good-looking young men in uniform and breeches. What’s not to like?

This novel has everything. The story of two people who fall in love with each other in spite of themselves is still as fresh as paint today, and the supporting cast is fantastic. Austen’s writing is pin-sharp, revolutionary, and addictive.

I’ve read the novel hundreds of times, but I never tire of its wit, romance, and perfect plotting. Whether you love a good romance, enjoy digging around in the dusty corners of Regency fiction, or just like seeing a baddie getting their comeuppance, it is universally acknowledged that this is the book for you.

When Darwin proposed the two mechanisms of sexual selection, one was almost immediately embraced by his Victorian contemporaries: male competition. Female choice, on the other hand, had to wait almost 100 years to be fully recognized. This book is an account of the history of female choice and provides fascinating insights into the development of a scientific discipline and how it is intertwined with society. Well written and very accessible, this is a great read.

It might seem strange that this outrageous and thoroughly enjoyable comedy wound up on my list of workplace comedies.

In the original version of Pride and Prejudice, Elizabeth Bennet was stuck in a Regency-era comedy of manners. Her only choice of life “careers” was “wife.”

Grahame-Smith has taken Austin’s words and turned this classic upside down by giving her a very important job—Zombie Killer.

It’s a hilarious take on the power of women, and, strangely enough, adding a Zombie apocalypse has made some of the characters’ motivations much more understandable.

Elizabeth’s workplace is her small village in England, and, always on call, she has lots of work to do.

I loved this book, and I think Austin would have, too. It’s my kind of humor.

Gaiman’s fairytale-like writing gives it a nostalgic feel I didn’t even know I was looking for, and the idea that stars aren’t just big balls of hot gas, but people? That lines up with the idea that every star is an attendant angel, for me—or older ideas of religions past, that the stars themselves were the “visible gods” of our world, watching over us from the cosmos.

All fiction comes from something someone said before, and it’s one of the things I love most about fantasy. Stardust is one of those books that really just gives you the old-school whimsy and magic and romance that, when you’re trying so hard to think of something never-been-done-before, reminds you that there’s a reason stories like these are called classic.