Here are 81 books that Frankenstein in Baghdad fans have personally recommended if you like
Frankenstein in Baghdad.
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I have always been intrigued by fantastical world-building that is complex, detailed, forensically credible, and immeasurably encyclopedic in scope. It should propel you to a world that feels almost as real as the world you leave behind but with intricate magic systems and razor-shape lore. Ironically, some of my choices took a while to love, but once they “sunk in,” everything changed. Whenever life gets too much, it has been cathartic, essential even, to transport to another universe and find solace in prose dedicated to survival, soul, and renewal.
This may be considered an odd choice on the surface, given the true events of the Trojan War. This was also another I initially struggled with. Nevertheless, despite the factual elements, it’s viewed as one of the earliest epic fantasies in Western literature, along with The Odyssey, which came after.
Centered on just a few days of the ten-year siege of Troy, the lives of humans and their gods are intricately linked. It is one of the earliest examples of pathos with much sympathy actually lying with the enemies, the Trojans, a people based in Asia Minor, and their allies from all over the region. Outside the gods, it also references monsters such as Bellerophon, the Gorgon, and centaurs, with the gods often used as a plot device to refract the emotions and flaws of the characters.
The world-building is vivid and rich in dactylic hexameter, a rhythmic style.…
One of the greatest epics in Western literature, THE ILIAD recounts the story of the Trojan wars. This timeless poem still vividly conveys the horror and heroism of men and gods battling amidst devastation and destruction, as it moves to its tragic conclusion. In his introduction, Bernard Knox observes that although the violence of the Iliad is grim and relentless, it co-exists with both images of civilized life and a poignant yearning for peace.
War is perhaps the most extreme human activity. I have seen firsthand some of these extremes in Iraq and Afghanistan. I now write about the philosophy and ethics of war and geopolitics, exploring some of the impacts and enduring truths that war and its conduct tell us about ourselves that might be hidden under the surface of our everyday lives. The books I have chosen here explore, with elegance, sensitivity, and sometimes brutal and unflinching honesty, what the battlefield exposes, showing us that there is both tragedy and comedy at the extremities of human nature, and without one, you cannot really truly appreciate the other.
Reading Graves’ biography, I get the sense of not just his wry humour but of his enduring pain. When he covers his First World War service, his jokes are cracked out of exasperation at the orders he receives that led to a succession of “bloody balls-ups,” and retold through a wince.
Graves’ biography has been described as “a version of events that told the poetic truth about his experiences…rather than being primarily fact-driven.” I believe all biographies are a form of fiction as our own memories are more often a product of our imagination than photographic recall.
Graves’ poetic retelling allows a more universal resonance beyond the trenches of the Somme than if he just stuck to the facts of that time and place, and resonated more for me because of this.
On the hundredth anniversary of the end of World War I: a hardcover edition of one of the best and most famous memoirs of the conflict.
Good-bye to All That was published a decade after the end of the first World War, as the poet and novelist Robert Graves was preparing to leave England for good. The memoir documents not only his own personal experience, as a patriotic young officer, of the horrors and disillusionment of battle, but also the wider loss of innocence the Great War brought about. By the time of his writing, a way of life had…
I could say I’ve had a hard life (and I have), but who hasn’t? Life is one adversity after another, and we need all the help we can get. Without that help, moods suffer, hope falters, and our souls are diminished. During my own personal journey through this quagmire called life, I have often been lifted up and out of the mud whilst reading the books I suggest below and more. These books either made me laugh and cry, made me think, or made me change the way I approached things. Quite often, they did all four at the same time. Their insights were invaluable.
Whilst on humour (including satire): it is an important part of REBT. Humor is another one of those character strengths in positive psychology (again, good for you when used appropriately). It’s not for nothing that laughter is called the best medicine (in fact, I wrote my MSc dissertation on the use of humor in psychotherapy).
Humor, especially satire, and wordplay have helped me a lot in life. Regarding those two things, this book is the best bar none. Both funny and tragic (which sums life up pretty well), considering how much saber rattling is happening today, it’s as relevant now as it has always been.
I'm sure this book will change you for the better. It may also have you challenging authority a little more than you currently do (which alone will work wonders for your mental health and well-being).
Explosive, subversive, wild and funny, 50 years on the novel's strength is undiminished. Reading Joseph Heller's classic satire is nothing less than a rite of passage.
Set in the closing months of World War II, this is the story of a bombardier named Yossarian who is frantic and furious because thousands of people he has never met are trying to kill him. His real problem is not the enemy - it is his own army which keeps increasing the number of missions the men must fly to complete their service. If Yossarian makes any attempts to excuse himself from the…
I served in Iraq as Governorate Co-ordinator of Kirkuk for the Coalition Provisional Authority, 2003-2004; and as advisor to the Commanding General of US Forces in Iraq from 2007-2010. I retain a deep love of the country and am a regular visitor. I teach about the Middle East and Global Affairs at Yale University.
What did the Iraq War look like from the perspective of Iraqis? In most accounts of the Iraq War, Iraqis only feature as terrorists or victims. This book explains how Iraqis felt about the invasion of the country; what relations were like between returning exiles and those who had remained in Iraq all along; and the hopes that Iraqis had for their country. It is really well written and engaging.
In 1979, journalist Zuhair al-Jezairy fled Iraq and certain death after openly criticising Saddam's regime. Twenty-five years later he is back, and cautiously celebrating the toppling of the hated Ba'ath Party.
As editor of a newspaper, he breaks the Oil for Food scandal, disclosing the names of Arab and Westerners who were involved. He then sets up a television company and travels all over Iraq, documenting the country's descent into sectarianism and hopeless violence, soon becoming a target himself.
Al-Jezairy's first-hand accounts of the looting of Baghdad, the destruction of government buildings, and indiscriminate bombings are a searing, personal and…
I served in Iraq as Governorate Co-ordinator of Kirkuk for the Coalition Provisional Authority, 2003-2004; and as advisor to the Commanding General of US Forces in Iraq from 2007-2010. I retain a deep love of the country and am a regular visitor. I teach about the Middle East and Global Affairs at Yale University.
In To Start a War, Robert Draper investigates how it was that the US came to invade Iraq in 2003. A gifted writer, he reveals the paranoia and fear that led to the collecting of ‘intelligence’ that confirmed the biases of senior US officials – but which was often fabricated and false.
"Essential . . . one for the ages . . . a must read for all who care about presidential power." -The Washington Post
"Authoritative . . . The most comprehensive account yet of that smoldering wreck of foreign policy, one that haunts us today." -LA Times
One of BookPage's Best Books of 2020
To Start a War paints a vivid and indelible picture of a decision-making process that was fatally compromised by a combination of post-9/11 fear and paranoia, rank naivete, craven groupthink, and a set of actors with idees fixes who gamed the process relentlessly. Everything was believed;…
I’ve been fascinated by the Middle East ever since being taken to see Kismet at the age of 3. I travel there extensively, married into it, and have lived inside the
Middle East community in the US for the past thirty years. I’m also a
journalist, a playwright, and the author of three non-fiction books, Making the World
Safe for Tourism, Aaronsohn’s Maps,
and INTERLOCK: Art, Conspiracy, and The Shadow Worlds of Mark Lombardi.
Although I wouldn't argue that the issue of women’s rights isn't an urgent one, as a woman who focuses on history and geopolitics, I’m often
disturbed at how it's being used to whip up popular emotion
and obscure other driving forces.
I’m going to be sneaky here and wedge two books in for the price of one. Kim Ghattas’ Black Wave is a beautifully written and reported, intimate history of the destructive ideological rivalry between Sunni Saudi Arabia and Shia Iran, a rivalry fuelled by the “tilt” policy of the Ronald Reagan administration that pitted the former allies against each other in an effort to keep them both weak (and unlikely to lead OPEC to attack the West again as they did in 1973). Ghattas, a Beiruti journalist who was friends with Jamal Khashoggi, grounds her history of the devastating cultural and geopolitical upheaval that followed in the personal and highly emotional stories of public intellectuals and other progressive thinkers who fought the Dark Age descending on the Middle East.
She finds her creation moment in the 1979 Iranian revolution, which occurred in the same year as the siege of the…
'Blistering' Sunday Times 'Indispensable' Observer 'Fascinating' The Times 'Brilliant' Peter Frankopan 'Revelatory' Lindsey Hilsum
A timely and unprecedented examination of how the modern Middle East unravelled, and why it started with the pivotal year of 1979. Shortlisted for the Cundhill History Prize 2020
'What happened to us?'
For decades, the question has haunted the Arab and Muslim world, heard across Iran and Syria, Saudi Arabia and Pakistan, and in the author's home country of Lebanon. Was it always so? When did the extremism, intolerance and bloodletting of today displace the region's cultural promise and diversity?
I served in Iraq as Governorate Co-ordinator of Kirkuk for the Coalition Provisional Authority, 2003-2004; and as advisor to the Commanding General of US Forces in Iraq from 2007-2010. I retain a deep love of the country and am a regular visitor. I teach about the Middle East and Global Affairs at Yale University.
Kanan is an Iraqi exile who was very supportive of the US invasion of Iraq. In The Rope, he provides a fictional account of what happened in the country, placing responsibility for the rise of sectarianism and the descent into civil war at the feet of Iraqi Shia leaders. It’s a brave and honest book.
From the best-selling author of Republic of Fear, here is a gritty and unflinching novel about Iraqi failure in the wake of the 2003 American invasion, as seen through the eyes of a Shi‘ite militiaman whose participation in the execution of Saddam Hussein changes his life in ways he could never have anticipated.
When the nameless narrator stumbles upon a corpse on April 10, 2003, the day of the fall of Saddam Hussein, he finds himself swept up in the tumultuous politics of the American occupation and is taken on a journey that concludes with the discovery of what happened…
War is perhaps the most extreme human activity. I have seen firsthand some of these extremes in Iraq and Afghanistan. I now write about the philosophy and ethics of war and geopolitics, exploring some of the impacts and enduring truths that war and its conduct tell us about ourselves that might be hidden under the surface of our everyday lives. The books I have chosen here explore, with elegance, sensitivity, and sometimes brutal and unflinching honesty, what the battlefield exposes, showing us that there is both tragedy and comedy at the extremities of human nature, and without one, you cannot really truly appreciate the other.
Out of all the war fiction and nonfiction I have read, this is the one book I wish I had read before deploying to Iraq as a soldier.
Lewis captures the post-invasion chaos, as the war-fighting military struggles to define its new mission as an occupying force, the farcical situations that arise through deep cultural misunderstandings between occupier and occupied, and the suffering and resourcefulness of the local population.
He is also an elegant writer who, like many of the best war writers, finds humour and intense tragedy in the extremes between the absurd and the sublime he encounters.
As a young intelligence officer stationed in Naples following its liberation from Nazi forces, Norman Lewis recorded the lives of a proud and vibrant people forced to survive on prostitution, thievery, and a desperate belief in miracles and cures. The most popular of Lewis's twenty-seven books, Naples'44 is a landmark poetic study of the agony of wartime occupation and its ability to bring out the worst, and often the best, in human nature. In prose both heartrending and comic, Lewis describes an era of disillusionment, escapism, and hysteria in which the Allied occupiers mete out justice unfairly and fail to…
Being an Iraq War veteran and former Army officer, I cringe at the prevailing Hollywood cliché that stereotypes everyone that served in Iraq as Special Forces with crazy PTSD or being some broken human being. It’s apparent that popular movies and books on this war were produced without any veteran input, usually done by authors completely unfamiliar with the military and this region. I wrote my book Dodgebombto insert reality into the narrative—that most servicemembers were regular men and women who expertly fought jihadists, rebuilt this country, and tried to instill democratic self-determination while reconciling impossible political and strategic goals that muddled completing the job.
This compelling history of the U.S. Army’s 3rd Infantry Division’s armored spearhead into Baghdad details the coup de main that broke the Saddam’s regime’s grip on Iraq. Rich with exploits of individual soldiers, tank operations, and combat this nonfiction work relates the initial success in the war when victory seemed obtainable in months not years. I thoroughly enjoy this history because it illustrates the early war’s events accurately without politicized narrative and details just how daring and complicated this decisive attack was. If more people read this history, then our society could remember and have a fairer discourse on the Iraq War.
“A Pulitzer Prize–winning reporter provides a brilliant account of the harrowing drive into Baghdad by an American armor brigade.” —Seattle Post-Intelligencer
Based on reporting that was a finalist for the Pulitzer Prize, Thunder Run chronicles one of the boldest gambles in modern military history: the surprise assault on Baghdad by the Spartan Brigade, the Second Brigade of the Third Infantry Division (Mechanized). Three battalions and fewer than a thousand men launched a violent thrust of tanks and Bradley Fighting Vehicles into the heart of a city of five million people—and in three days of bloody combat ended the Iraqi war.…
I feel compelled to write political works when I see an injustice, violation, corruption, or travesty that needs to be addressed. It's possibly the result of my heritage as a citizen of a British-colonized country and the child of parents from a Christian-colonized slice of a continent. As a journalist, I experienced censure and censorship by editors who wished to maintain their held beliefs about certain people, races, issues, and subjects. As a novelist, I was rejected by mainstream publishers for writing deemed too political. However, I made a commitment as a writer not to change my words to appease publishers or editors because it made them uncomfortable.
As most Western media, from CNN on down, parroted the Bush administration’s talking points on the Iraq War, intellectually curious Americans turned to blogs written by Iraqis who gave first-person accounts of the war. I was riveted by the blogs of a 24-year-old Iraqi woman, an engineer, who posted under the pseudonym Riverbend, “I’m female, Iraqi, and 24. That’s all you need to know. It’s all that matters these days anyway,” she wrote in her first post on Aug. 17, 2003.
From 2003 to 2004, Riverbend wrote prolifically about life under American Occupation. The blogs were compiled into this book in 2005. Riverbend cataloged and chronicled life in wartime—a litany of rations of food, water, gas, and electricity; bombings, raids, and kidnappings; and the emotional and financial toll on her family as their ordinary middle-class lives were destroyed by the war.
Intelligent and opinionated, Riverbend gave a comprehensive testimony on…