80 books like Frankenstein in Baghdad

I haven’t recommended The Iliad because it’s the oldest war story (perhaps the oldest work of literature still widely read), but because of the immediacy with which it still speaks of fear, rage, lust, and honour; all drivers of conflicts today as much as they were in our deep past.

The first time I read the verses of vivid, muscular language that Alexander Pope claimed "pour along like a fire that sweeps the whole Earth before it," they reached out across the ages and gripped me by the hilt. Millennia later, the dead can still speak to the living on our shared humanity. 

It’s known more for its brutal tragedy, but there are humorous sequences. Most involve the petty squabbles of the Gods. For me, these scenes, when farce invades the gritty epic, anticipate scenes in later war fiction where lofty generals, far from the trenches, make arbitrary decisions that… show more.

Reading Graves’ biography, I get the sense of not just his wry humour but of his enduring pain. When he covers his First World War service, his jokes are cracked out of exasperation at the orders he receives that led to a succession of “bloody balls-ups,” and retold through a wince.

Graves’ biography has been described as “a version of events that told the poetic truth about his experiences…rather than being primarily fact-driven.” I believe all biographies are a form of fiction as our own memories are more often a product of our imagination than photographic recall.

Graves’ poetic retelling allows a more universal resonance beyond the trenches of the Somme than if he just stuck to the facts of that time and place, and resonated more for me because of this. 

With its repetition and echoing of phrases, Kafkaesque chronology, and circular logic, Catch-22 illustrates the absurdity of war more than any other novel I have read.

Every time pilot Yossarian, the book’s anti-hero, gets close to flying the number of bombing missions required to go home, the requirement is raised. A paradoxical catch keeps them flying. If you ask to be grounded because you understand the dangers, you aren’t insane. Insane soldiers just need to ask to be grounded. But asking proves you aren’t crazy.

Beneath the absurdist comedy, there is an existential dread at the heart of the book. The death of Yossarian’s friend Snowden leads him to see that ‘Man was matter.’ For me, this is the dreadful secret that war exposes - the precarious preciousness of life - as our fragile bodies are turned to quiet, still matter.

What did the Iraq War look like from the perspective of Iraqis? In most accounts of the Iraq War, Iraqis only feature as terrorists or victims. This book explains how Iraqis felt about the invasion of the country; what relations were like between returning exiles and those who had remained in Iraq all along; and the hopes that Iraqis had for their country. It is really well written and engaging.

In To Start a War, Robert Draper investigates how it was that the US came to invade Iraq in 2003. A gifted writer, he reveals the paranoia and fear that led to the collecting of ‘intelligence’ that confirmed the biases of senior US officials – but which was often fabricated and false. 

I’m going to be sneaky here and wedge two books in for the price of one. Kim Ghattas’ Black Wave is a beautifully written and reported, intimate history of the destructive ideological rivalry between Sunni Saudi Arabia and Shia Iran, a rivalry fuelled by the “tilt” policy of the Ronald Reagan administration that pitted the former allies against each other in an effort to keep them both weak (and unlikely to lead OPEC to attack the West again as they did in 1973). Ghattas, a Beiruti journalist who was friends with Jamal Khashoggi, grounds her history of the devastating cultural and geopolitical upheaval that followed in the personal and highly emotional stories of public intellectuals and other progressive thinkers who fought the Dark Age descending on the Middle East.

She finds her creation moment in the 1979 Iranian revolution, which occurred in the same year as the siege of the… show more.

Kanan is an Iraqi exile who was very supportive of the US invasion of Iraq. In The Rope, he provides a fictional account of what happened in the country, placing responsibility for the rise of sectarianism and the descent into civil war at the feet of Iraqi Shia leaders. It’s a brave and honest book. 

Out of all the war fiction and nonfiction I have read, this is the one book I wish I had read before deploying to Iraq as a soldier.

Lewis captures the post-invasion chaos, as the war-fighting military struggles to define its new mission as an occupying force, the farcical situations that arise through deep cultural misunderstandings between occupier and occupied, and the suffering and resourcefulness of the local population.

He is also an elegant writer who, like many of the best war writers, finds humour and intense tragedy in the extremes between the absurd and the sublime he encounters.

This compelling history of the U.S. Army’s 3rd Infantry Division’s armored spearhead into Baghdad details the coup de main that broke the Saddam’s regime’s grip on Iraq. Rich with exploits of individual soldiers, tank operations, and combat this nonfiction work relates the initial success in the war when victory seemed obtainable in months not years. I thoroughly enjoy this history because it illustrates the early war’s events accurately without politicized narrative and details just how daring and complicated this decisive attack was. If more people read this history, then our society could remember and have a fairer discourse on the Iraq War.

This powerful graphic novel illustrates—literally and figuratively—the many casualties of religious conflict. Set in Baghdad in 2003 and told from the perspective of a pride of lions, this book captures the struggle for survival, the loss of innocence, and the collateral damage inflicted by war. A clear allegory, this book has proven an excellent teaching tool. The Pride of Baghdad raises important questions about clashing viewpoints, loyalty, sectarian violence, the true price of war, and who, ultimately, pays it. Although narrated by four lions, the story offers a heartbreakingly realistic glimpse into Iraq during the US-led invasion, the consequences of which reverberate still. As I watch the terrible events playing out daily in Ukraine, my mind drifts back to this book, and I am reminded that past is prologue. We are witnesses right now. And may we all be on the right side of history.