Here are 100 books that Fortunes of War fans have personally recommended if you like
Fortunes of War.
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I am passionate about words and reading, and I love books that examine and record the chaos and mayhem of human existence. When I think about why I don’t want to die, it’s mainly because I can't bear the thought of missing out on what happens next. I feel privileged to be alive during this strange, fraught time of epochal change and to be able to use my skills as a writer to record not just the facts of what happens but how it feels to witness it all, the sensibility of our time, the recording of which is, I believe, the essence of great literature.
The ultimate dystopia survival story .. if you can call it survival. Although its title is only 10 years after Francine Prose’s book, it was, of course, written decades earlier by Orwell, who was looking across Europe at the totalitarian Soviet Union for his inspiration.
I read this book in junior high and have returned to it many times; contemplating Orwell’s insights about the ways authoritarian politics infect societies and destroy souls is more urgent and relevant now than ever.
1984 is the year in which it happens. The world is divided into three superstates. In Oceania, the Party's power is absolute. Every action, word, gesture and thought is monitored under the watchful eye of Big Brother and the Thought Police. In the Ministry of Truth, the Party's department for propaganda, Winston Smith's job is to edit the past. Over time, the impulse to escape the machine and live independently takes hold of him and he embarks on a secret and forbidden love affair. As he writes the words 'DOWN WITH BIG…
The World At War, the first and arguably best documentary about the Second World War, was on television when I was 14. It fuelled my interest in history, especially about the reasons for the rise of the Nazis. History has many lessons to teach–if we are willing to listen–and one of the great teachers is Germany between the wars. It was a time of extremes: economic crises, social unrest, much of which was caused by the Nazis, and a flourishing bohemian, liberal culture. This febrile environment in which characters struggle with their personal conflict makes for great story-telling potential.
As I read this riveting account, I felt like I was watching the events leading to the Munich Agreement of 1938. We all know the result of the agreement, but this book is much more than a historical account of what happened.
Harris tells the story through two friends who met at Oxford University in the 1920s. Now, one is an aide to British Prime Minister Neville Chamberlain, and the other a senior German Foreign Office official. They join forces to try to stop Chamberlain from signing the agreement.
I was impressed with the skillful way Harris revealed the story, which the exemplary writing is matched in detail and tension.
My parents both fought in the Second World War – my father as a bomber pilot, my mother as a Wren. Dad often entertained us at family mealtimes with tales of his wartime adventures – of how was shot down over Germany, captured, imprisoned, but finally escaped. My interest in the period grew from there, and my first ‘wartime’ novel The Secret Letter was in fact largely based on my parents experiences. Since then, I have become increasingly fascinated by the period, with now a total of four novels set in WW2, culminating in my present book The German Mother.
Joseph Goebbels was the Minister for Propaganda in Hitler’s Nazi Germany, and is one of the central characters in my latest novel. I recommend Longerich’s biography of this complex man in its own right, and not just because I plundered it for information when writing my novel.
Scholarly but written in a lively style, the book will appeal to anyone interested in what made the ‘master of the dark arts of propaganda’ tick. Drawing heavily on Goebbels’ own diaries (which run to an astonishing twenty-nine volumes), Longerich has written the definitive history of this complex and fascinating man, who was so attracted to Nazi ideology that he ultimately lost his soul to evil.
Joseph Goebbels was one of Adolf Hitler's most loyal acolytes. But how did this club-footed son of a factory worker rise from obscurity to become Hitler's malevolent minister of propaganda, most trusted lieutenant and personally anointed successor?
In this definitive one-volume biography, renowned German Holocaust historian Peter Longerich sifts through the historical record - and thirty thousand pages of Goebbels's own diary entries - to answer that question. Longerich paints a chilling picture of a man driven by a narcissistic desire for recognition who found the personal affirmation he craved within the virulently racist National Socialist movement - and whose…
Saving Raine is a captivating tale of resilience, redemption, and the enduring power of love, penned by the acclaimed author Marian L. Thomas.
This contemporary fiction novel chronicles the compelling journey of Raine Reynolds as she confronts heartache, betrayal, and loss. Against the vibrant backdrops of Atlanta and Paris, Raine's…
My parents both fought in the Second World War – my father as a bomber pilot, my mother as a Wren. Dad often entertained us at family mealtimes with tales of his wartime adventures – of how was shot down over Germany, captured, imprisoned, but finally escaped. My interest in the period grew from there, and my first ‘wartime’ novel The Secret Letter was in fact largely based on my parents experiences. Since then, I have become increasingly fascinated by the period, with now a total of four novels set in WW2, culminating in my present book The German Mother.
I discovered this autobiography some years ago while researching another novel. As I read, I became fascinated by this account of a brave Jewish journalist who managed to escape from Germany in the mid-1930s, and move to London where she worked for the BBC’s German service. At war’s end, she returned to her homeland, where she was employed by the US Army to help with the “de-Nazification” of German women and children to try and restore a sense of decency and democratic ideals among her compatriots. It’s an extraordinary account of one woman’s bravery and served as inspiration for one of my central characters in “The German Mother”.
The remarkable story of Jella Lepman, who, having left Germany to escape the Nazi regime in the 1930s, chose to return in the aftermath of the Second World War, as 'Adviser on the Cultural and Educational Needs of Women and Children in the American Zone'. She soon decided that what Germany's war-ravaged children needed was to see a world of the imagination, beyond their landscape of bombed-out buildings and military vehicles.
Battling with bureaucracy and meeting with generals and statesmen, including Eleanor Roosevelt, she founded the International Youth Library, filling a huge void in the lives of Germany's children with…
I grew up exploring the semi-decayed air-raid shelters near my grandmother’s home in London—to her horror: she said they were full of rats and drunks. The Second World War and its effect on people, especially women, off the frontline has long fascinated me. To pursue my obsession with writing stories on this subject, I have made trips to genocide memorials in former Yugoslavia, bunkers in Brittany, and remote towns in Poland. My novels concern themselves with how the violence, and sometimes heroism, of the past trickles down a family’s bloodline, affecting later generations of women.
I could have chosen any of the three in Manning’s Balkan Trilogy, about a young couple who rush to get married on the eve of war and find themselves living first in Romania, then Athens (the setting for this book), and finally Cairo. I love the portrait of Athens in the period before the German invasion: the beauty of Greece in springtime, the shortages of food, the strange collection of people making up the expatriate community, and how the marriage of two young, probably mismatched people, is tried by the constant presences of war and death. The characters who drift along with the Pringles are beautifully drawn studies in their own right.
It is 1940, and Guy and Harriet Pringle and their friends in the English colony in Bucharest find their position growing ever more precarious. The 'phoney war' is over and invasion by the Germans is an ever-present threat. Harriet finds her new husband's idealism clashing with her own more down-to-earth attitudes, his generosity to all comers frustrating her attempts to survive in a city of shortages. Their easy life among Bucharest's cafe society is gradually eroded as rumours become reality, and the Germans march in. The Spoilt City is a dramatic and colourful portrait of a city in turmoil -…
Louise Ross is a non-fiction and fiction writer, speaker, and podcaster. Originally from Australia, she moved abroad in the mid-'80s, living in the UK, France, the US, and since 2014, Portugal. Her book, Women Who Walk: How 20 women from 16 countries came to live in Portugal, (2019), is a collection of mini-memoirs. In 2020, she released the sequel and comparative read, The Winding Road to Portugal: 20 Men from 11 Countries Share Their Stories. Louise lives on the Estoril coastline where she continues to interview women living in Portugal, and around the world, for her podcast, Women Who Walk.
Part spy novel, part historical fiction, this book tells the tale of a young Jewish boy who’s been deposited by his parents at the Hotel Palacio in Estoril for safekeeping during WWII, when the hotel was home to exiled European nobles and royalty, British and German spies. We meet the Polish pianist, Yan Paderewski; Ian Fleming, the British spy novelist and creator of James Bond; French writer and flyer Antoine de St. Exupery; the ex-king of Romania, Carol II, and his mistress Elena Lupescu, the woman for whom he renounced the crown. We’re privy to the goings-on at the Hotel via the lives of this cast of colourful characters in a way that’s reminiscent of the quirky movie, The Grand Budapest Hotel.
Set in a luxurious grand hotel just outside Lisbon, at the height of the Second World War, Estoril is a delightful and poignant novel about exile, divided loyalties, fear and survival. The hotel's guests include spies, fallen kings, refugees from the Balkans, Nazis, American diplomats and stateless Jews. The Portuguese secret police broodingly observe the visitors, terrified that their country's neutrality will be compromised.
The novel seamlessly fuses the stories of its invented characters with appearances by historical figures like the ex-King Carol of Romania, the great Polish pianist Jan Paderewski, the British agent Ian Fleming, the Russian chess grandmaster…
Emmitt’s plans collapse when his wife, Mirai, suddenly backs out of purchasing their dream home. Disappointed, he’s surprised to discover her subtle pursuit of a life and career in Tokyo.
In his search for a meaningful life in Japan, and after quitting his job, he finds himself helping his mother-in-law…
I love stories about human connection and creativity. I came to writing later in life; I was moved to research and write a memoir about raising our two daughters, both of whom were born deaf. I discovered in my Jewish ancestry two deaf great-great aunts who tied strings to their babies’ wrists at night so that when their babies cried, they would feel the tug in the darkness and wake to care for them. This innovation of connection has shaped me as a mother, a writer, and a reader. In my novel, The Yellow Bird Sings, a mother and daughter stay connected through music and the power of imagination.
I read this magical, mystical novel on an airplane, and had to retrieve a spare t-shirt from my suitcase to sob into! A beautiful, heart-wrenching work about family history, memory, and the power of imagination, the story is narrated by a girl, Lena, who leads her village to imagining their way out of the reality of the Holocaust's horrors. For a time, the villagers are spared, even repaired, until the outside world presses its way in and the myths crack, then shatter.
From the award-winning author of Sons and Daughters of Ease and Plenty and the new story collection, Awayland.
In 1939, the families in a remote Jewish village in Romania feel the war close in on them. Their tribe has moved and escaped for thousands of years- across oceans, deserts, and mountains-but now, it seems, there is nowhere else to go. Danger is imminent in every direction, yet the territory of imagination and belief is limitless. At the suggestion of an eleven-year-old girl and a mysterious stranger who has washed up on the riverbank, the villagers decide to reinvent the world:…
In my “day job” I write about architecture, which means I often write about things I see in photos. When I began writing fiction, I continued using photos as inspiration and research. My novels are inspired by my family’s circumstances at the end of World War II and my fascination with the work of the Monuments Men. Photos show me details like a little girl playing with her doll under a sign that declares her building to be at risk of collapse, or a woman using the ruins of a building to hang out the wash. I love finding ways to use these elements in my writing.
Technically about World War II, this work covers Chim’s work depicting culture, politics, and life before and after the war, so the circumstances leading to conflict and its aftermath. Chim was the co-founder of Magnum Photos, so his contribution to photojournalism is immense, and his photos are beautifully lit and composed even as they capture fleeting moments: Polish school children waiting for a bus in the rain, a baby reaching for bread at a displaced person’s camp or a boy playing in the ruins of a bombed building. The book also includes later photos of celebrities and movie stars, which, when seen alongside his earlier work creates an interesting narrative of a world putting itself back together and once again seeking out joy and beauty.
Born Dawid Szymin in Warsaw, Chim began his career in the early 1930s photographing for leftist magazines in Paris. In 1936, one of these magazines, Regards, sent him to the frontlines of the civil war in Spain, along with comrades Robert Capa and Gerda Taro. Although war formed the backdrop of much of his reportage, Chim was an astute observer of twentieth-century European politics, social life, and culture, from the beginnings of the antifascist struggle to the rebuilding of countries ravaged by World War II. Like millions of other Europeans, Chim had suffered the pain of dislocation and the loss…
In writingThe Lost Son, which is loosely based on family history, I immersed myself in the history of World War II and in the world between the wars. It was important to me to understand this period from both sides—from the perspective of Germans who were either forced to flee their homeland or witness its destruction from within by a madman, and from the perspective of Americans with German ties who also fought fascism. The stories of ordinary people during this time are far more nuanced than the epic battles that World War II depicted, as the stories of ordinary people often are.
Born in 1934 in Berchtesgaden, in the shadow of Hitler’s Eagles Nest, Irmgard Hunt witnessed the growth of fascist ideology among the people she loved during an otherwise idyllic childhood. As the shadow of World War II fell over the mountain, however, Hunt began to question and then disavow the Nazi doctrines she had accepted as a young child. As time went on and the regime crumbled literally before her eyes, she was vocal in confronting her country’s criminal past and in championing the democratic principles her elders had so easily dismissed.
Irmgard Hunt was born into Nazi Germany in 1934 and brought up in the Bavarian village of Berchtesgaden, just outside the fence that surrounded Hitler's alpine retreat and headquarters. On Hitler's Mountain is her account of a childhood under the Third Reich as the daughter of low-level Party members. As a model Aryan toddler, she was photographed sitting on Hitler's knee, and attended school with the children of Albert Speer and Fritz Sauckel. Like many ordinary Germans her parents considered themselves to be moral and honourable: her father was a porcelain artist (at the workshop that provided Hitler with his…
In May 1941, Bartlesville, Oklahoma, hums with talk of spring flowers, fishing derbies, and the growing war in Europe. And for the residents of a quiet neighborhood boarding house, the winds of change are blowing.
Self-proclaimed spinster, Bessie Blackwell, is the reluctant owner of a new pair of glasses. The…
I'm a poet and creative mentor, and it’s the intensity of poetic language – its expansiveness and limitations – that shows up in my fiction and in the novels I love. Quinnis an exploration of male violence, incarceration, and radical forgiveness. I’ve spent a decade working with long-term prisoners in Scotland, trying to understand and come to terms with notions of justice and responsibility: does guilt begin and end with the perpetrator of a violent act or are we all in some way culpable? How can literary form dig into this question aslant? Can the unsettled mind be a space for innovative thinking?
Kristóf (1935-2011) was a Hungarian writer who fled to Switzerland during the war and wrote in French.
The Notebook (the first in the trilogy) is currently number one on my list of all-time favourites. It has all the elements of storytelling that I love: deep, psychological insight into the human heart; adroit use of archetypes, which give the book a timeless, folkloric feel; concision (no waffling) and a poetic, pared-back language that creates a sense of startling immediacy.
Kristóf writes about World War II through the eyes of two young brothers in a Nazi-occupied country (unnamed), and she shocks us awake not through sensationalised violence but through matter-of-fact narration.
It reads like a cross-between dramatic monologue and biblical parable – she stretches the novel form and opens up new possibilities for writing.
