Fans pick 48 books like Fool Me Once

Let me tell you a little about myself. I was born in Dublin, and being the daughter of a diplomat afforded me to experience different cultures. Since childhood my fascination with the unknown caused me to gravitate towards stories related to hauntings. I shared this interest with my maternal grandparents, who contributed to my education by telling me ghost stories (some true whilst others are fictional). Tales of haunted castles were my favorite, which is reflected in my book. In later life, my own experiences with the paranormal cemented the notion of the unexplained and the thin veil between us and those departed.

When I was not yet a teen, a neighbor had what I considered to be a valuable treasure—all of the Nancy Drew Mystery series. Her daughter had died of leukemia, and she had held onto them as a reminder of her precious child. To my surprise, she entrusted them to me to read. That was the beginning of my passion for mysteries. As I got older, I couldn’t get enough of Agatha Christie and P. D. James. I visit them often, like old friends, but I am also eager to make new literary acquaintances. My list has only five, but it could have included thousands. Enjoy this diverse sampling.

As a published author, Debra’s passion for fast-paced, unputdownable novels is unquenchable. She can be ruthless in her criticism, applying the rule, “three strikes and you’re out!”  A firm believer that life is too short to read mediocre books, if she isn’t grabbed by chapter 3, she puts the book down and moves on. She wants a book to make her life better, she wants to feel excitement at picking it back up again, and burying herself in the characters and moods, twists and turns, of a great story. Her writing reflects this same trait, if her words won’t keep the reader totally engrossed, then she won’t write them.

As a published author, Debra’s passion for fast-paced, unputdownable novels is unquenchable. She can be ruthless in her criticism, applying the rule, “three strikes and you’re out!”  A firm believer that life is too short to read mediocre books, if she isn’t grabbed by chapter 3, she puts the book down and moves on. She wants a book to make her life better, she wants to feel excitement at picking it back up again, and burying herself in the characters and moods, twists and turns, of a great story. Her writing reflects this same trait, if her words won’t keep the reader totally engrossed, then she won’t write them.

As a published author, Debra’s passion for fast-paced, unputdownable novels is unquenchable. She can be ruthless in her criticism, applying the rule, “three strikes and you’re out!”  A firm believer that life is too short to read mediocre books, if she isn’t grabbed by chapter 3, she puts the book down and moves on. She wants a book to make her life better, she wants to feel excitement at picking it back up again, and burying herself in the characters and moods, twists and turns, of a great story. Her writing reflects this same trait, if her words won’t keep the reader totally engrossed, then she won’t write them.

I’ve been obsessed with murder mysteries and psychological thrillers for as long as I can remember. My father’s bookshelves were full of anthologies on serial killers, which piqued my curiosity at a very early age (probably too early, but we’re not here to judge my dad’s parenting skills, okay?). As I familiarized myself with the likes of Ed Gein, Jeffrey Dahmer, Charles Manson, and John Wayne Gacy, I became enthralled by the psychology behind what makes people commit heinous acts. Now as an author myself, these same stories fuel my inspiration and keep me motivated to write books that further explore the darker side of human nature. 

With a name like Susan Wands, it was inevitable that I would be drawn to the occult and to the world of tarot cards. In high school, I was drawn to a set of tarot cards, not knowing that this deck, the Ryde Waite deck, was illustrated by Pamela Colman Smith. Pamela was the co-creator of the world’s best-selling tarot deck, and I became obsessed with her and her life story. I have written a historical fantasy series, the Arcana Oracle Series, based on Pamela’s life and lectured worldwide on the Golden Dawn, Tarot, and Magical Women.

Even as a boy, I could see (or maybe just sense) the darkness that resides just below the surface of this otherwise pleasant world. We all have stories, and the ones we hold closest to ourselves are often the darkest. Those are the stories that fascinate me the most. What are the limits of man’s menace? What causes seemingly normal people to snap? To turn on their fellow man? I could do one of two things with this fascination: become a sociopath (perhaps psychopath) or an author of dark, twisted, twisty tales. As you know, I chose the latter. 

I am the New York Times bestselling author of The Paris Library and Moonlight in Odessa. Like the authors on the list I selected for Shepherd, I'm skilled at turning experiences at minimum-wage jobs into novels. I earned $25 a month teaching full-time at a high school in Odessa, which is the setting for my first novel. My second book takes place at the American Library in Paris, where I was the programs manager. Setting is the start of my fiction, because I believe that where we are from has a lot to do with who we are. I hope that you’ll enjoy these selections.

I’m a cognitive scientist, and I love reading, thinking, and researching about the nature of the human – and especially the young – mind, and what it is capable of. Even while I was still doing my PhD in experimental psychology at Oxford in the early 1970s, I was gripped by the new possibilities for thinking about education that were being opened up by science. In particular, the assumption of a close association between intelligence and intellect was being profoundly challenged, and I could see that there was so much more that education could be, and increasing needed to be, than filling kids’ heads with pockets of dusty knowledge and the ability to knock out small essays and routine calculations. In particular, we now know that learning itself is not a simple reflection of IQ, but is a complex craft that draws on a number of acquired habits that are capable of being systematically cultivated in school – if we have a mind to do it.