Here are 83 books that Finn Family Moomintroll fans have personally recommended if you like
Finn Family Moomintroll.
Shepherd is a community of 10,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
I’m a writer, a teacher of writers in the MFA program at Stony Brook Southampton, and one of the founding directors of the novel incubation program, BookEnds. In the course of a year, I read as many as 125 novels. It can be tiring on the eyes, but I really love what I do. And each year, I make sure to return to some of my old favorites, the books that keep giving back to me more and more with each reading. Some of these books were tough to love at first, but over time, they’ve become the most important, loved novels in my library. Not everything or everyone needs to be easy to love!
One book I try to read every year is Homer’s Odysseus, the story of crafty Odysseus’ ten-year journey home from Troy at the end of the Trojan War. Along the way, he bests a cyclops, has an affair with Circe and another with Calypso, visits the land of the dead, and makes his way successfully past the sirens who lure most men to watery deaths. Once home, he meets his son Telemachus again for the first time in two decades. The two men then kill the suitors who, believing Odysseus dead, want to marry his wife and take over his kingdom. I love Emily Wilson’s vibrant translation.
The first great adventure story in the Western canon, The Odyssey is a poem about violence and the aftermath of war; about wealth, poverty and power; about marriage, family and identity; and about travellers, hospitality and the changing meanings of home in a strange world.
This vivid new translation-the first by a woman-matches the number of lines in the Greek original, striding at Homer's sprightly pace. Emily Wilson employs elemental, resonant language and an iambic pentameter to produce a translation with an enchanting "rhythm and rumble" that avoids proclaiming its own grandeur. An engrossing tale told in a compelling new…
I’m an anthropologist and writer who has published more than fifty books, ranging from novels and essays to academic monographs and textbooks. I am passionate about trying to make the world a slightly better place, and I am convinced that we need to think differently about the good life and the economy in order to get out of the corner we’ve painted ourselves into. Economic anthropology offers alternative perspectives on the world and the human condition. It's far less obscure than it sounds.
If there is one foundational text in economic anthropology, this is it. The French anthropologist Mauss showed, in this 1924 book, that gift exchange is the glue that connects people in communities with no formal authority. He is perfectly aware that there are no free gifts, but shows that all economic transactions have a moral element: They create social obligations, they connect us to each other.
Since its first publication in English in 1954, The Gift, Marcel Mauss's groundbreaking study of the relation between forms of exchange and social structure, has been acclaimed as a classic among anthropology texts.
A brilliant example of the comparative method, The Gift presents the first systematic study of the custom―widespread in primitive societies from ancient Rome to present-day Melanesia―of exchanging gifts. The gift is a perfect example of what Mauss calls a total social phenomenon, since it involves legal, economic, moral, religious, aesthetic, and other dimensions. He sees the gift exchange as related to individuals and groups as much as…
I’m a writer originally from the UK, but now usually found elsewhere in the world. Currently, I’m based in Sofia, Bulgaria. I have always been fascinated by the subtle art of connecting with strangers, and by the complex ways that human beings forge bonds with those they don’t know. I have an MA in anthropology and a PhD in philosophy. Hello, Stranger is my thirteenth book, and in August 2021 was selected by BBCRadio 4 to be the book of the week.
Dina Nayeri’s powerful book—half memoir and half polemic—challenges us to rethink our assumptions about nations, borders, strangers, and the meaning of asylum.
“Asylum seekers is so mild a phrase,” Nayeri writes. “We weren’t politely seeking, we were ravenous for it, this creature need for the safety for our bodies.” In this hard-hitting book, Nayeri skillfully weaves together stories of exile, asylum, and refuge to ask deep questions about what it means to be at home or not at home, welcome or unwelcome.
What is it like to be a refugee? It is a question many of us do not give much thought, and yet there are more than 25 million refugees in the world. To be a refugee is to grapple with your place in society, attempting to reconcile the life you have known with a new, unfamiliar home. All this while bearing the burden of gratitude in your host nation: the expectation that you should be forever thankful for the space you have been allowed.
Aged eight, Dina Nayeri fled Iran along with her mother and brother, and lived in the…
I’m a writer originally from the UK, but now usually found elsewhere in the world. Currently, I’m based in Sofia, Bulgaria. I have always been fascinated by the subtle art of connecting with strangers, and by the complex ways that human beings forge bonds with those they don’t know. I have an MA in anthropology and a PhD in philosophy. Hello, Stranger is my thirteenth book, and in August 2021 was selected by BBCRadio 4 to be the book of the week.
The idea of cosmopolitanism goes back to ancient Greece when the ancient philosopher Diogenes the Cynic claimed that his home—his city or his polis—was the cosmos as a whole.
In this humane, wise book, Appiah brings together philosophy, literature, and stories from his own life to update the ancient idea of cosmopolitanism, and to ask why it matters today. Along the way, he sets out a vision for how we can live better—more openly and more hospitably—in a world where almost everybody we meet is a stranger.
Drawing on a broad range of disciplines, including history, literature, and philosophy-as well as the author's own experience of life on three continents-Cosmopolitanism is a moral manifesto for a planet we share with more than six billion strangers.
There is nothing more gratifying when you are reading your own books to a group of children to see that they are eager to know what is going to happen next. My top priority is to create a story that is a page-turner. My second wish is to include social topics that provoke ideas and questions. After I read to a group of schoolchildren, I like to encourage them to discuss the themes in the story; the children are always keen to give their views. Nonetheless, adding social topics to my children’s books needs to evolve naturally; ultimately, for me, the story is king!
Tove Jansson was not only a wonderful writer, but also a superb illustrator. In this collection of stories, I particularly love "The Hemulen who loved Silence." Even now, I go back to this story to reconnect with the soulful main character who longs for solitude. It isn’t that he doesn’t like others, but he needs to be by himself sometimes, and more than the other hemulens around him. It is the story of an introvert, but not a loner. I can relate to the Hemulen! Tove Jansson stories are full of humour, insight, and thought-provoking ideas. They can also be a little bit scary. Like all the best children’s books, the Moomin books have hidden layers, providing a stimulating read for both adults and children.
Featuring the much loved stories in Waterstone's Oxfam bestseller, The Invisible Child and The Fir Tree - the Moomins' gloriously funny and generous take on Christmas - Tales from Moominvalley collects together nine delightful Moomin short stories. Highlights include The Spring Tune (which Jarvis Cocker described as the best story about composing music) and The Last Dragon in the World, revealing the true essence of friendship. A perfect Christmas gift to complete the set of Moomin classics.
I am a freelance illustrator who specializes in children’s literature. I now live in Montreal, surrounded by my little family, after many years spent in London as a Winnie the Pooh character artist for the Walt Disney Company. What's Up, Maloo? is my first book as an author and was inspired by my own experience of suffering with anxiety and depression. I wanted to create Maloo as a tool for children and adults to discuss the importance of being well surrounded and to reach out to a friend when we are feeling low.
This book is a timeless classic that everyone should have. It follows Toffle, a little wallflower who's fearful of the world and too shy to speak to anyone. He goes through his journey, sad and alone, as he watches the joyful lives of others from afar. Until the day he finds a letter... Who Will Comfort Toffle? reminds the reader that isolation is never the solution and that even the most unfit of us can find a special someone.
Who Will Comfort Toffle? is the timeless, magical tale of the wistful wallflower, Toffle-too shy to speak to anyone and too fearful of the world he is watching from afar. Lonely and sad, Toffle runs away from home and watches the magical cast of Moomin Valley-Mymble, My, Snufkin, the merry whompses and the Fillyjonk-celebrate and enjoy life. His insecurity continues to only serve his isolation until he has the courage to overcome his fears by reaching out to another frightened introvert, the mesmerizing Miffle. Who Will Comfort Toffle? is an endearing, introspective story…
I am an author, illustrator, and book designer. I never lost my childhood wonder at the printed page. When I write my own books, I create stories for both adults and children with deep meaning weaved into seemingly naive text and images. I enjoy creating worlds in which stories are told for children's and adults' imaginations to coexist. I think being dyslexic led me to enjoy aspects of visual storytelling so much. I have worked in publishing for many years and I am well known for my work on the Penguin clothbound classics where I use my visual illustration style to entice readers new and old to read classic stories and escape into new worlds.
I loved Moominland Midwinter as a child – admittedly back then I focused on the illustrations more than the text, I loved the friendly appearance of Moomin with his big round eyes and the intricate line drawings of the forest. I revisited the story a few years ago and found solace in its words and finally appreciated the combined beauty of the text and images. I love how the squirrel who freezes in the winter, initially a sad thing, is reframed as a not-so-sad event. Tove Jansson was a master at speaking to children and adults. She poured so much love into her stories. It makes me happy to be able to inhabit her imagination and go on adventures with her characters.
Special collectors' hardback editions lovingly restored to original designs
'I love these editions-so beautifully produced, so solid and permanent, just as Tove Jansson deserved.' Philip Pullman
A beautiful collectors' edition of this classic Moomin story, using original 50s and 60s cover artwork, a fold out map and gorgeous endpapers.
Moomins always sleep through the winter while the snow settles all around them, waking up in time for spring and the arrival of Snufkin and other friends. Or they did until one year when Moomintroll happened to wake up and find himself all alone in a sleepy, dusty house in a…
Novels are my medium and my first love, but I’m a huge fan of comic books too. Even though visual arts have never been my strength, I adore how many different things are possible in superhero stories. Sci-fi and epic fantasy and all different kinds of horror coexist in these enormous fictional universes. You’ve got comedic, child-friendly mysteries and pitch-black serial killer thrillers and deep meditations on love and family all going on at once. Comic book tropes and general disregard for genre boundaries definitely inform my writing style, and I love when I discover other novelists who incorporate comic book inspiration in various ways.
Superpowers are a classic allegory for coming of age, and Giftsuses them as such in an especially timeless and effective way. When the children of the Uplands reach adolescence, they develop powerful gifts that can be equal parts useful and dangerous. Most of them start off applying these gifts exactly according to their parents’ instructions. But ultimately, their gifts are their own, and part of accepting them is accepting the responsibility of choosing how to use them. It’s a wonderfully moody, atmospheric exploration of uses and abuses of power.
'She's showing no signs of losing her brilliance. She is unparalleled in creating fantasy peopled by finely drawn and complex characters... GIFTS has the simplicity of fairy tale and the power of myth' GUARDIAN
'Le Guin is a writer of phenomenal power' OBSERVER
Orrec, the son of the Brantor of Caspromant, and Gry, daughter of the Brantors of Barre and Rodd, have grown up together, running half-wild across the Uplands. The people there are like their land: harsh and fierce and prideful; ever at war with each other.
Only the gifts keep the fragile peace. The Barre gift is calling…
I have been a passionate devourer of fairytale retellings ever since I happened upon Robin McKinley’s Beauty at the library when I was eleven years old. Fairytales have such a timelessness to them that allow them to be retold over and over, reinterpreted, and reimagined in seemingly countless ways, and I’m honored to have now written a few of my own. Fairytales have shaped my own writing from the beginning.
This fascinating, gender-swapped Pinnochio retelling has a few hints of Frankenstein, and is gorgeously written. The main character, Pirouette, begins life as a tree and is carved into a puppet by her father, then brought to life by the magic of the blue moon. When the powerful Margrave of Tavia commissions Pirouette and her father to make one hundred wooden soldiers or risk imprisonment, they have no choice to comply. And then the Margrave makes an additional demand: he wants Pirouette to carve him a life-sized assassin—and then bring it to life. But is she making a monster or a masterpiece? And can she keep her own origins a secret?
Impressed by the work of the puppetmaster and his apprentice, Tavia's ruler, The Margrave, has ordered dozens of life-size marionette soldiers to be sent to Wolfspire Hall. When the orders for more soldiers come in with increasingly urgent deadlines, the puppetmaster's health suffers and Pirouette, his daughter and protege, is left to build in his stead. But there is something far more twisted brewing at Wolfspire - the Margrave's son wants Pirouette to create an assassin. And he wants her to give it life.
With Tavia teetering on the brink of war and her father dying in the dungeons, Pirouette…
I grew up on books, every page filling my mind with words. I have since written many novels, but WORDS ON FIRE is my love letter to books and the power of words. From the moment I first discovered the story of the Lithuanian Book Smugglers, I wanted to better understand why these brave people risked their lives to save their books. I came to understand that books were their way to preserve their language, their culture, even the very existence of their country. If it was so important to them, would it not be just as important for us to ensure that children – all children – have access to books.
Mickey is angry about nearly everything in his life, which makes the ad for the Anti-Book even more tempting. When it comes, it has only one line of instruction: To erase it, write it. He fills the book with everything he dislikes, and soon it begins to change. But is that really what he wants? This is a darkly funny book about life, struggle, and learning to accept change.
Mickey is angry all the time: at his divorced parents, at his sister, and at his two new step-mums, both named Charlie. And so he can't resist the ad inside his pack of gum: "Do you ever wish everyone would go away? Buy The Anti-Book! Satisfaction guaranteed." He orders the book, but when it arrives, it's blank - except for one line of instruction: To erase it, write it. He fills the pages with all the things and people he dislikes...
Next thing he knows, he's wandering an anti-world, one in which everything and everyone familiar is gone. Or are…
