Here are 100 books that Cosmopolitanism fans have personally recommended if you like
Cosmopolitanism.
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I enjoy thrillers of all kinds. Creating a good thriller for a middle-grade or young-adult audience is challenging and fun. These stories offer opportunities for unexpected situations, making for an action-packed page-turner full of twists and turns. Creating characters that are full of surprises and promise, with obstacles that unleash mayhem–whether in dreams or reality–the task is to create wonder for the reader. There is plenty to amaze and ways to fill a mind with wonder. Plus, every good narrative includes some educational aspects–about extraordinary things–all of which serve to change the lives or expand the horizons of everyone involved. Here are several stories that did that for me.
The instant I saw the marvelous illustrations of plump little hippo-trolls floating on clouds, I was captivated by their fun-loving world of wonder-full adventures.
This book is about moments of discovery that add richness to our lives–like when Moomintroll ventures to the top of a mountain with his friend, Snufkin, and they discover a hat–the “Hobgoblin’s hat”–which supposedly has magical powers. Or when the Hattifatteners, ghost entities, steal Hemulen’s barometer. Or when everything the moomintrolls need can be found in moominmamma’s purse.
Well, you can imagine the sort of fun and childish interplay of these curious characters as they make enchanting discoveries full of awe and whimsey while spreading kindness and fun-folly in and around Moomintroll Valley.
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A beautiful collectors' edition of this classic Moomin story, using original 50s and 60s cover artwork, a fold out map and gorgeous endpapers
In case you didn't know, the Moomins are kind, loyal and welcoming creatures with smooth round snouts, who live in a tall blue house shaped like an old stove in a valley in the forests of Finland. They love sunshine and sleep right through the winter, when the snow turns their…
I’m a professor at Cambridge University, and following years of training in ancient languages and linguistics, I am currently running a research project on the visual aspects of writing systems. Recently, I’ve become passionate about using research on ancient languages and writing to try to help communities today who are in danger of losing their linguistic traditions (I've started an Endangered Writing Network)–which is why the fragility of human culture is high on my agenda. Ultimately, I’d like the world to be a better place for my baby son to grow up in, and I hope to use my academic work to help people in some small way.
This story has always struck me as a quest to identify and regain humanity, as its hero repeatedly faces strange and powerful obstacles to his voyage home. I first read it as a child and then again, but in Greek, as a student—a time in life when anyone is trying to find their feet as a human being!
Perhaps the most comforting thing is that amongst all the gods and monsters and cursing and fighting, eating habits often characterize the work’s characters. Odysseus is always looking for sitophagoi, bread eaters, i.e. civilized people who make their own food, rather than man-eating monsters. I can identify with a hero looking for nice people to share a nice meal with.
The first great adventure story in the Western canon, The Odyssey is a poem about violence and the aftermath of war; about wealth, poverty and power; about marriage, family and identity; and about travellers, hospitality and the changing meanings of home in a strange world.
This vivid new translation-the first by a woman-matches the number of lines in the Greek original, striding at Homer's sprightly pace. Emily Wilson employs elemental, resonant language and an iambic pentameter to produce a translation with an enchanting "rhythm and rumble" that avoids proclaiming its own grandeur. An engrossing tale told in a compelling new…
I’m an anthropologist and writer who has published more than fifty books, ranging from novels and essays to academic monographs and textbooks. I am passionate about trying to make the world a slightly better place, and I am convinced that we need to think differently about the good life and the economy in order to get out of the corner we’ve painted ourselves into. Economic anthropology offers alternative perspectives on the world and the human condition. It's far less obscure than it sounds.
If there is one foundational text in economic anthropology, this is it. The French anthropologist Mauss showed, in this 1924 book, that gift exchange is the glue that connects people in communities with no formal authority. He is perfectly aware that there are no free gifts, but shows that all economic transactions have a moral element: They create social obligations, they connect us to each other.
Since its first publication in English in 1954, The Gift, Marcel Mauss's groundbreaking study of the relation between forms of exchange and social structure, has been acclaimed as a classic among anthropology texts.
A brilliant example of the comparative method, The Gift presents the first systematic study of the custom―widespread in primitive societies from ancient Rome to present-day Melanesia―of exchanging gifts. The gift is a perfect example of what Mauss calls a total social phenomenon, since it involves legal, economic, moral, religious, aesthetic, and other dimensions. He sees the gift exchange as related to individuals and groups as much as…
I have gone through the refugee experience, and it has shaped me. I grew up queer in Syria, became a man in Egypt, a refugee in Lebanon, then an author in Canada. At the expense of romanticizing something so deeply painful, I do believe that the experience has made me a better man. It matured me, offered me a deep connection with others within my community, and built an unmatched appreciation of my culture of home back in Syria and my culture of diaspora here in Canada. As a fiction writer, I am obsessed with writing queer stories about immigration.
I only knew of this book because my British publisher introduced me to it. For that, I’m truly thankful. The book feels honest and unflinching and makes for a great read for both myself as an immigrant as well as for those navigating a world where immigration is a constant daily reality.
I read it over a weekend in 2020 and have read it once more in 2022. I had to return to it, especially when I was faced with microaggressions or felt unheard in my new home in Canada.
What is it like to be a refugee? It is a question many of us do not give much thought, and yet there are more than 25 million refugees in the world. To be a refugee is to grapple with your place in society, attempting to reconcile the life you have known with a new, unfamiliar home. All this while bearing the burden of gratitude in your host nation: the expectation that you should be forever thankful for the space you have been allowed.
Aged eight, Dina Nayeri fled Iran along with her mother and brother, and lived in the…
To me, political and moral questions have always seemed intertwined. My career as a political theorist is dedicated to using philosophical argument to untangle the moral questions surrounding real-world politics. I am especially interested in ethics and international affairs, including the ethics of intervention, what a just world order would look like, and how our understandings of familiar ideals—like justice, democracy, and equality—would change if we thought they were not only meant to be pursued within each nation-state, but also globally, by humanity as a whole. As faculty in Political Science and International Affairs at The George Washington University, I explore these issues with colleagues and students alike.
The first half of this book offers a rich, careful textual engagement with the works of Immanuel Kant and his intellectual descendants. It is sure to be rewarding to those interested in Kant’s cosmopolitanism and its present-day variants.
But, to me, the real beauty of Valdez’s book lies in its second half, where she discusses W.E.B. Du Bois’s political thought and the history of his transnational activism against racism and empire.
Drawing on Du Bois, Valdez presents a radical vision of what democracy and political community can look like beyond the nation-state. She also offers an excellent model of how to discuss oppressed people not as helpless victims, but as political agents in their own right with lessons to teach the world about how best to struggle for justice.
Based on the theoretical reconstruction of neglected post-WWI writings and political action of W. E. B. Du Bois, this volume offers a normative account of transnational cosmopolitanism. Pointing out the limitations of Kant's cosmopolitanism through a novel contextual account of Perpetual Peace, Transnational Cosmopolitanism shows how these limits remain in neo-Kantian scholarship. Ines Valdez's framework overcomes these limitations in a methodologically unique way, taking Du Bois's writings and his coalitional political action both as text that should inform our theorization and normative insights. The cosmopolitanism proposed in this work is an original contribution that questions the contemporary currency of Kant's…
I am a historian based in England, raised in Texas. While undertaking a summertime spoken Latin course at the Vatican in 2001 I found myself in the midst of Italian protests against that year’s G8 summit in Genoa. The strength of the anti-globalization movement, and the violent response from the Carabinieri, sparked an early interest in the historical controversies surrounding globalization and US foreign policy. Ten years later, I had a PhD in History from the University of Texas at Austin and the first draft of what would become my book,The “Conspiracy” of Free Trade.
Where to begin. Hoganson’s first book had already transformed our understanding about why the US acquired a colonial empire in 1898 through the politics of gender.
In Consumers’ Imperium she once again flips the script by investigating the domestic side of the Gilded Age capitalist empire. In doing so, wealthy white women are recast as power brokers of American globalization and imperialism through their purchasing habits, exhibitions, and armchair travel clubs.
Histories of the Gilded Age and Progressive Era tend to characterize the United States as an expansionist nation bent on Americanizing the world without being transformed itself. In ""Consumers' Imperium"", Kristin Hoganson reveals the other half of the story, demonstrating that the years between the Civil War and World War I were marked by heightened consumption of imports and strenuous efforts to appear cosmopolitan. Hoganson finds evidence of international connections in quintessentially domestic places - American households. She shows that well-to-do white women in this era expressed intense interest in other cultures through imported household objects, fashion, cooking, entertaining, armchair…
I became interested in social and family history when my Turkish friend, Ahmet Ceylan, told me amazing stories about his family. An academic by training, I used my expertise in the history of Turkey to explore the archives and uncover extraordinary details about the lives of the Robinsons. My field research took me to the wolds of Lincolnshire, the side streets of Istanbul, and the foothills of the Himalayas. I am keen to learn more about my own family, and for my next book, I am exploring the lives of people who owned/occupied the land/property where I live in Oxford, UK.
I was fascinated by this book and its colourful stories about the lives of individuals who played a role in the formation of today’s Istanbul. The backdrop is the famous Pera Palace in the centre of Istanbul, the much-loved hotel of the crime writer, Agatha Christie. Much of the book concentrates on the inter-war period. Superbly written, you can almost see and hear the sights and sounds of the alleyways, nightclubs, shops, and restaurants of a now almost forgotten Istanbul.
When the Ottoman Empire collapsed, so many spies mingled in the lobby of Istanbul's Pera Palace Hotel that the manager put up a sign asking them to relinquish seats to paying guests.
As the multi-ethnic empire became a Turkish republic, Russian emigres sold family heirlooms, an African American impresario founded a jazz club and Miss Turkey became the first Muslim beauty queen. Turkey's president Kemal Ataturk, Muslim feminist Halide Edip, the exiled Leon Trotsky and the future Pope John XXIII fought for new visions of human freedom. During the Second World War, German intellectuals ran from the Nazis while Jewish…
I was a pretty poor student in high school and college but did reasonably well in my history classes. Much of the credit goes to a few inspired teachers who, at least in memory, made me feel that I was a witness at every turn to some grand Gibbonesque moment of truth. Perhaps they aroused in my mind the wonderful prospect of a life spent roaming unfettered in the realm of ideas. In reality, much else comes with the territory but it is nevertheless true that we academic historians get to use up a fair number of unpoliced hours doing just that. Mine have largely been expended on problems of collective identity and the formation of national movements.
Tagore (1861-1941) is generally known as a Nobel Prize-winning poet, but he was also a frequent commentator on contemporary political affairs and the crises of his age. Nationalism, which was composed over the years 1916-17, features long ruminations on imperialism, modernity, and the question of Indian independence, among other subjects of pressing interest to Tagore and his contemporaries. Each chapter affords the reader with an opportunity to experience in full the author’s talents as he strives to put into words his vision for a future shaped neither by "the colourless vagueness of cosmopolitanism, nor the fierce self-idolatry of nation-worship." Instructors may find the work to be an especially valuable resource for stimulating class discussions.
Nationalism' by Rabindranath Tagore is a compilation of lectures written in lucid, metaphoric, poetic prose during the 'First World War' and the 'Swadeshi movement' in India. It explicates the idea of moral and spiritual growth for the welfare of people, making it even more relevant in today's environment of violence. These lectures bear testimony of its eternity and cannot be wrapped or concealed under the influence of ancient limitations of historical consideration.
Rabindranath Tagore (1861-1941) was a renowned poet, musician, polymath, Ayurveda-researcher and an artist who recast music, Bengali literature and Indian art in the late 19th and early 20th…
I first went as a student to Beijing in 1984 with a camera and a suitcase of film but not much of a plan. I found myself in a country whose young people were suddenly empowered to put their skills to use rather than let state planning order every aspect of their lives. My academic studies rapidly evolved into a vocation to photograph the changes around me. There was demand for this: one of my first assignments being for Life magazine and then a slew of US and European publications eager to expand their coverage of all that was reshaping China and in turn the world. I chose street-level life as the most relatable to an international audience and in recent years also for Chinese eager to see how this era began.
Shanghai is a city that fascinates and repels both Chinese and foreigners alike. The harsh exploitative past and the contemporary resurgence embrace a sometimes unsettling mix of wealth, style and brutality. The architectural reshaping of the megalopolis of more than 20 million souls reflects this context and no one has captured it better than Greg Girard, a Canadian photojournalist who spent much of his career in Asia. The twilight of eerie neon tones in the smoggy half-demolished city is fertile territory for this image maker chasing the phantoms.
“Shanghai—a city in the process of dismantling its history to accommodate China’s new cosmopolitan vision of itself.”—Greg Girard
As Shanghai modernizes and seeks acceptance as an international city, buildings and neighborhoods that were once preserved simply by lack of intervention are now being purposefully demolished.
Phantom Shanghai is a spectacular look at a Shanghai that won’t survive the vision the country has for itself. For the past five years, Greg Girard has been photographing the city’s buildings, shops, homes, and neighborhoods. This stunning photographic journey is a look at present-day Shanghai, where politically inspired neglect meets politically inspired development.
I’m a Sydney, Australia born sociologist and writer and back in 1990 I hitchhiked through the UK, travelled in Europe and arrived in Turkey just as the Gulf War was starting. After three months in the country I was hooked. I now live in Istanbul and write about the people, culture, and history. Using my less than perfect Turkish language skills I uncover the everyday extraordinary of life in modern Istanbul even though it means I’ve accidentally asked a random stranger to give me a hug and left a butcher convinced I think Turkish sheep are born with their heads on upside down.
I’m always seeking to learn more about Istanbul’s multicultural past and Kuzguncuk, on the Asian side of Istanbul, is an area rich in history. The leafy streets and community vegetable garden are now extremely popular with Turkish hipsters, but Mills looked behind the surface by doing an incredible amount of research and conducting fascinating interviews with residents, to bring the past into the present. Jews, Greeks, Armenians, and Turks have always lived together here and in Streets of Memory their individual stories, ethnic histories, and differing memories are carefully woven together to create a deeply nuanced, complex picture of Istanbul.
In this study of Kuzguncuk, known as one of Istanbul's historically most tolerant, multiethnic neighborhoods, Amy Mills is animated by a single question: what does it mean to live in a place that once was--but no longer is--ethnically and religiously diverse? ""Turkification"" drove out most of Kuzguncuk's minority Greeks, Armenians, and Jews in the mid-twentieth century, but they left behind potent vestiges of their presence in the cityscape. Mills analyzes these places in a street-by-street ethnographic tour. She looks at how memory is conveyed and contested in Kuzguncuk's built environment, whether through the popular television programs filmed on location there…
