100 books like Everything Was Forever, Until It Was No More

The Brezhnev era was when the Soviet elite decided not to come to terms with Stalin. This “fictional” memoir by one of Russia’s most interesting living writers is a penetrating meditation on fathers and sons, set against the backdrop of post-War Moscow. Erofeyev senior was Stalin’s official French interpreter, a believer in world revolution, avid tennis player, and tender parent. Erofeyev junior was a literary enfant terrible, who, by helping edit an almanac of underground writing in 1979, ended his father’s diplomatic career. The book is a beautifully crafted window into the personal and political of late communism.

Pelevin exploded onto the Russian literary scene in the 1990s, propelled by a postmodern sensibility and satirical flair. In his masterpiece, Omon Ra, the Soviet space program becomes a metaphor for all the lies and cant of post-War communism. The Politburo cannot admit it trails the US in rocket technology. So it trains naïve recruits to secretly pilot “unmanned” one-way space missions. In fact, it’s even stranger than that, but no spoilers here. Hilarious satire, while at the same time weirdly true to life. A tale of pimply youths and slogans, empty sacrifices, moon landings, and port wine guzzled in garages.

The emergence of a dissident movement and the KGB’s efforts to control it were one of the dramas of the Brezhnev era. What better way to read the history than through the agency’s reports on the period’s premier dissident? Andrei Sakharov, nuclear physicist and “Domestic Enemy Number One,” survived the mind games and isolation, emerging to lead the campaign for memory in the late 1980s as Gorbachev loosened up. The book is fascinating on the fumbling efforts of Politburo gerontocrats, who often seem confused and outplayed, as well as on the circumlocutions and ideological distortions of a security agency determined to blur the true character of its operations.  

Another literary take on the era that’s impossible to leave out. The suitcase of the title is the one Dovlatov took into exile when he rode the wave of Jewish emigration to New York in 1979. On the bottom of the suitcase, a picture of Karl Marx; on the inside lid, a photograph of Joseph Brodsky—and in between the debris of a life lived between the dual myths of revolution and poetry. Each story in the collection takes off from a different item in the suitcase—three pairs of Finnish stockings, a pair of driving gloves, a prison guard’s belt… Dovlatov is one of those authors who is hard to imagine writing in any other period—his style, mentality, humor, and turn of phrase are so perfectly attuned to time and place. Whimsical, dark, and often funny.

For me, the power of both history and anthropology as disciplines of knowledge is their shared capacity for taking a thing you thought you knew and showing you that you didn’t actually know anything about it at all—in fact, you didn’t even know what questions to ask about it. I would be seriously remiss in a list like this if I did not mention the book that first fascinated me, as a historian, with the anthropologist’s way of posing questions. In this towering classic of British social anthropology, Professor Douglas forces us completely to rethink something we actually never think about at all: dirt. But trust me, once you pose the question, “what is dirt?” you can never think about filth (and its structural counterpart, purity) in the same way again.

This book is a raw peek into America’s troubled past. It’s a series of interviews that Hurston conducts with a man who was on the last slave ship to make the transatlantic passage. It is a difficult read on two levels: subject matter and English. Hurston presents the words of a man named Cudjo Lewis as authentically as possible. What may seem to some today as parody, is translated to the page with accuracy. For me it communicated first-hand some of the past my main character has lived through. Books like this help to inform my protagonist’s current attitude toward the world (Alexander Smith in Blood For The Sun and All The Dead Men).

A lot of Inga Clendinnen’s work dealt with what happens when two very different cultures and ways of making sense of things come into contact. In the subtitle of her book Aztecs: An Interpretation, she boldly asserted her method for approaching history. It is not merely a recitation of facts, it is an elucidation of those facts by an expert steeped in the knowledge of a particular past. Having written about the Maya and the Aztecs, Reading the Holocaust was a departure, topically, geographically, historically. What I found so extraordinary about the book was precisely Clendinnen’s decision to look anthropologically at staggering events historians had often written about in “functional” terms (who did what, when, and where). In so doing, she tried to offer insight into something unthinkable (what the perpetrators thought they were doing) and something unimaginable (what the victims experienced).

The Anti-Witch is kind of a follow-up to Favret-Saada’s complex and brilliant Deadly Words, in which the author wrestled with the phenomenon of modern witchcraft beliefs in northern France’s Bocage region and tried to get inside the logic of those beliefs. I said modern witchcraft beliefs, because for me as a historian, what Favret-Saada contributed most to my understanding of this phenomenon lay in the way that she insisted on its historicity. That’s a historian’s way of saying that she did not treat witchcraft beliefs as “timeless relics” that some people weirdly “still” believe, but rather as an evolving set of practices and ways of thinking about how the world works, and the place of evil within it.

This book explores the Soviet efforts to turn a living person into a propaganda icon that would embody and transmit communist values around the world. While Gagarin’s open and warm personality did resonate with wide audiences, he felt increasingly uneasy about his assigned public role, which forced him to lie, distort, and pretend. 

I find this well-documented story an excellent illustration of the Soviet use of cosmonauts in the propaganda machine: to function effectively as propaganda tools, the cosmonauts had to fulfill ritual public functions at the expense of training for new flights, and to swap their professional identity for the role of an ideologically engaged public speaker.

I learned, to my great surprise, that instead of being isolated from the world Russian ideas, thinkers, artists, revolutionaries, and political movements changed the world in many ways.

I found interesting stories about Russian anarchists in Japan, Russian ballet dancers in France, Bolsheviks in Mexico, and antisemitic thinkers in Europe in this book. And I was completely engrossed by the movements of Russians and Russian ideas across the globe.

The result is a book that you cannot put down because it challenges everything that you thought you knew about Russia and Russian history. After reading the book, I felt more informed and better educated.