Here are 100 books that Everything, Everything fans have personally recommended if you like
Everything, Everything.
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I’m a YA contemporary author that enjoys falling back into the realm of the teenager with all its newness, awkwardness, and angst. I grew up with the Breakfast Club and Sixteen Candles, the genre that encapsulated and empowered the young adult voice. The coming-of-age story is so important because it molds the future of that character which in turn can mold the reader as well. What happens to a young person in their developing years will set the tone for their entire life. As a writer and a mother, I want to share stories that not only entertain but help young adults navigate difficult situations.
First off, it’s set in the 80s. This is my generation. No smartphones. No social media. Just pure teenage angst.
Mostly, I love the back-and-forth conversation and inner thoughts of Eleanor and Park. Rowell nails the authenticity of teens. Their strange humor and insecurities. I want to throw my arms around them and shelter them from the cruel bullies haunting them.
Rowell sucks you into their lives, and it feels so real and raw that you remember the wonder and horror of your own teenage years. The dialogue is rich in its realness, and the tender little moments between Eleanor and Park are precious.
'Reminded me not just what it's like to be young and in love, but what it's like to be young and in love with a book' John Green, author of The Fault in our Stars
Eleanor is the new girl in town, and she's never felt more alone. All mismatched clothes, mad red hair and chaotic home life, she couldn't stick out more if she tried.
Then she takes the seat on the bus next to Park. Quiet, careful and - in Eleanor's eyes - impossibly cool, Park's worked out that flying under the radar is the best way to…
Ever since I penned my first romantic tale Will You Walk A Mile?, I've been enamored with the complexities of young love. For me, writing isn't just a profession; it's akin to breathing. I live to write and write for a living, with a special fondness for narratives that explore the highs and lows of teen romance and human emotion. I have been that ‘teen guy’ next door. That same teenage wonder for love stories that first sparked my passion for writing has stayed with me, maturing into a deeper understanding. to curate a list of teen novels that will tug at your heartstrings.
Honestly, this book crushed me, but in the most beautiful way possible.
It taught me that love can be found in the most unexpected places, even when faced with life's harshest realities. This narrative made me appreciate the small but significant moments in life, a lesson I try to convey in my own writing.
The beloved, #1 global bestseller by John Green, author of The Anthropocene Reviewed and Turtles All the Way Down
"John Green is one of the best writers alive." -E. Lockhart, #1 bestselling author of We Were Liars
"The greatest romance story of this decade." -Entertainment Weekly
#1 New York Times Bestseller * #1 Wall Street Journal Bestseller * #1 USA Today Bestseller * #1 International Bestseller
Despite the tumor-shrinking medical miracle that has bought her a few years, Hazel has never been anything but terminal, her final chapter inscribed upon diagnosis. But when a gorgeous plot twist named Augustus Waters…
My father passed away in early 2005, but it wasn’t until after I finished drafting Touching the Surface, that I became consciously aware of how my writing was deeply connected to the thoughts I had about losing my Dad. The realization only added to my fascination with stories about the afterlife. Simultaneously it also expanded my intrigue with the themes of bad things happening to good people and life-altering mistakes being meant to alter lives. The more I explored the stories I loved and dug deeper into my own writing, the more I realized these themes overlapped like carefully folded origami. Complicated choices are intriguing.
In the blink of an eye everything changes. Seventeen-year-old Mia has no memory of the accident; she can only recall what happened afterwards, observing her broken body being taken from the wreck. Little by little she struggles to put together the pieces—to figure out what she’s lost and what she has left. If I Stay carefully walks the line on being an afterlife story because Mia is suspended--caught between life and death. But we’re suspended too, waiting for her to decide. I love books with tough choices, stories where there are no right or wrong answers, just decisions. This one is perfectly imperfect.
“Sometimes you make choices in life and sometimes choices make you.”
The critically acclaimed, bestselling novel from Gayle Forman, author of Where She Went, Just One Day, Just One Year, and I Was Here.
Now a major motion picture, starring Chloe Grace Moretz! Includes exclusive interviews with Chloe Grace Moretz and her co-star Jamie Blackley.
In the blink of an eye everything changes. Seventeen year-old Mia has no memory of the accident; she can only recall what happened afterwards, watching her own damaged body being taken from the wreck. Little by little she struggles to put together the pieces- to figure out what she has lost, what she has left, and…
I’ve loved, I’ve lost, and everything in between! Just like my protagonist, Jenna, in Just Call Me Confidence, life imitated art and I took a page from her “book,” having to begin anew. I’ve been the friend who has entertained all sorts of stories—sex, love, and rock n’ roll (wink, wink)—all without judgment. That role in my life continues, and what I’ve discovered in my “research” is this: Sex is wonderful, but there’s no greater joy than loving someone, even if it’s only for a little while. Read more about my take on sex, love, and rock n’ roll on my blog “Bone Up.”
I couldn’t compile a list of books without including Judy Blume. In the forty years since I read my first Blume novel, a lot of things have changed, and—many have stayed the same. Forever, first published in the mid-70s, is mildly erotic—and raw, and sensuous, and tender, and all the things that love and sex are. The sensual scenes are peppered in with great dialogue between the characters.
I especially love this book because no matter how many experiences I’ve had, I can still find a small piece of myself in protagonist Katherine—first sex, first love, first breakup, first death, and the many “firsts” that I’ve carried through my own life (divorce, pandemic, post-divorce love).
Forever may not always last, but it never fails to define chunks of our lives—always.
Forever is still the bravest, freshest, fruitiest and most honest account of first love, first sex and first heartbreak ever written for teens. It was a book ahead of its time - and remains, after forty years in print, a teenage bestseller from the award-winning Judy Blume.
With a contemporary cover, Forever is a teen classic ripe for a new generation of readers.
In my previous role as a teacher, I often encountered teens who never, ever read outside of school – and hated having to read in school. Finding YA retellings of the classics became an indispensable tool for me in terms of not only linking the past with the present for the young adults in my classes, but also in terms of helping them see themselves in fiction, finding representation there, and discovering their own importance. It opened up whole worlds for all of us, and offered a pathway to a love of reading that I hope they will never forget!
I’m one of those rare English teachers who was never much of a fan of Austen, but Pride is such an incredibly powerful YA read that it had me looking back at the original with fresh eyes when I finished it. A contemporary, diverse retelling of Pride and Prejudice, it tackles issues of race, culture, heritage, and gentrification head-on, all set against the familiar backdrop of first love. Brilliantly showcasing the power and importance of not only the YA genre, but also the original novel which inspired it, I found Pride to be a massively thought-provoking and hugely important twist on the classic. (If I had my way, I’d make it required reading alongside its predecessor!)
In a timely update of Jane Austen's Pride and Prejudice, National Book Award finalist Ibi Zoboi skillfully balances cultural identity, class, and gentrification against the heady magic of first love in her vibrant reimagining of this beloved classic. A smart, funny, gorgeous retelling starring all characters of color.
Zuri Benitez has pride. Brooklyn pride, family pride, and pride in her Afro-Latino roots. But pride might not be enough to save her rapidly gentrifying neighborhood from becoming unrecognizable.
When the wealthy Darcy family moves in across the street, Zuri wants nothing to do with their two teenage sons, even as her…
I can’t guess how many great poems I have committed to memory. In waiting rooms, or in the checkout line, I recite them to myself. In this way, poetry helps me not only understand the world we live in, but live in it without going crazy. And while I love all poetry, I’ve always found that poetry in traditional forms—with meter and rhyme—is easier to remember. That’s one reason why I’ve always been drawn to formal verse. In my own poetry, I strive to uphold that tradition, while inventing new forms that spring organically from the subject at hand. I trust these books will demonstrate I’m not alone.
This book, justly honored with the Pulitzer Prize, surprised me with its formal range and intensity of experience.
Trethewey is celebrated as a chronicler of our collective history, but I was far more taken with the poems of personal history—and, more specifically, personal loss. The poems that examine the absence left by her mother’s untimely death are, to me, the defining poems of the book. These often exemplify her gift for presenting the most telling detail or selecting the word that will resonate on the broadest level.
Let me hone in on one poem, “Myth,” a recasting of the Orpheus story. What astonished me about this poem was the formal structure. It consists of two sections of nine lines, each arranged in terza rima stanzas. The second section rewrites the first half—in reverse! The effect is to convey the experience of descending into the darkness of the underworld and then…
Winner of the 2007 Pulitzer Prize for poetry and former U.S. Poet Laureate, Natasha Trethewey's elegiac Native Guard is a deeply personal volume that brings together two legacies of the Deep South. The title of the collection refers to the Mississippi Native Guards, a black regiment whose role in the Civil War has been largely overlooked by history. As a child in Gulfport, Mississippi, in the 1960s, Trethewey could gaze across the water to the fort on Ship Island where Confederate captives once were guarded by black soldiers serving the Union cause.? The racial legacy of the South touched Trethewey's…
I’m most drawn to stories of overcoming. My own childhood was about exactly that-overcoming a multi-generational inheritance of family separation and orphaned children. When I wrote my first book about that story, A Chance in the World, an unanticipated magic unfolded: I began to receive stories of strangers from all across the world who wrote to tell me their own story of overcoming. Each and every day I hear from someone and the steady stream of those stories of overcoming affirms something I have to come to learn: we all have a story and none of us look like that story.
Even a casual glance at today’s headlines will show how race continues to be a perplexing issue in our society. And it shouldn’t be. But we need examples of how to navigate the complexities of race and McBride’s powerful memoir shows us how.
His deep love – and appreciation – for his mother and coming to terms with her story while still standing in his own truth as a Black man is instructive and inspiring…and a reminder that there is nothing greater than love.
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'A triumph' - New York Times Book Review
'A startling, tender-hearted tribute to a woman for whom the expression tough love might have been invented' - The Times
'As lively as a novel, a well-written, thoughtful contribution to the literature on race' - Washington Post
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MORE THAN TWO YEARS ON THE NEW YORK TIMES BESTSELLER LIST
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From the New York Times bestselling author of Deacon King Kong and The Good Lord Bird, winner of the National Book Award for Fiction, came this modern classic that Oprah.com calls one of the best memoirs of a generation and that…
I am a historian of the American West and a professor at the University of Southern California. I also direct the Huntington-USC Institute on California and the West. I love the way very smart and ambitious family histories illuminate the fascinating (or sometimes mundane) lives of people in the past and, at the same time, use those stories to help us understand bigger-picture issues, eras, and all the turbulence of American life. That little-girl-in-the-well book I wrote is the first time I’ve attempted family history. It was so hard to try to get it right but, at the same time, exhilarating to think that maybe I did.
Novelist as genealogist, genealogist as novelist. A fiercely loyal portrait of a range of amazing women whose lives feel as if they were fictional, but they were and are not. A tender portrait of several generations of smart and loving mothers, wives, and daughters whose California is not the place of wealth and glamor but rather of making do, getting by, and loving your people and landscapes.
“Straight’s memoir is a lyric social history of her multiracial clan in Riverside that explores the bonds of love and survival that bind them, with a particular emphasis on the women’s stories . . . The aftereffect of all these disparate stories juxtaposed in a single epic is remarkable. Its resonance lingers for days after reading.” —San Francisco Chronicle
In the Country of Women is a valuable social history and a personal narrative that reads like a love song to America and indomitable women. In inland Southern California, near the desert and…
Maybe it was too much reality TV growing up, especially being raised on figures like Tiffany "New York" Pollard or A Different World's Whitley Gilbert, but bad girl protagonists are insta-buys for me. I love them, and I have a particular fondness for when they're black girls. We're already seen as so angry, but bad girl books show you not only why a girl could get to be so angry but also that you ain't seen nothing yet. I need more people to see how much joy there is in rage, and I chose to explain it with YA horror because it's a genre so driven by catharsis and mood that it's a perfect fit.
Maddy is not, and never will be, a bad girl. She's just a scared girl that did some very, very bad things.
That doesn't mean I wasn't cheering her on. Maddy is the kind of heroine that I fantasized about jumping into the pages to fight for. I cussed out many a side-character in my head, just wishing they would try to talk to me like that so I could give them what they deserve.
But Maddy gets her lick back without my help - and it's a remorseless gorefest. The ending of this book is part slasher, part action film that I needed. After getting frustrated with all her hardships, I needed Maddy’s revenge to take over the book, just like her rage took over her.
* AN INSTANT NEW YORK TIMES BESTSELLER * INDIE BESTSELLER * JUNIOR LIBRARY GUILD SELECTION * KIDS' INDIE NEXT LIST PICK * NPR BEST PICK * KIRKUS BEST BOOK OF THE YEAR *
New York Times bestselling author Tiffany D. Jackson ramps up the horror and tackles America's history and legacy of racism in this suspenseful YA novel following a biracial teenager as her Georgia high school hosts its first integrated prom.
When Springville residents-at least the ones still alive-are questioned about what happened on prom night, they all have the same explanation . . . Maddy did it.
I am a professor who teaches and works in the field of African American History. Because I am both white and Jewish, I’ve been repeatedly asked to give talks about relationships between African Americans and white Jewish Americans, and about what “went wrong” to shatter the “grand alliance” of the civil rights movement embodied by Dr. Martin Luther King, Jr. and Rabbi Abraham Joshua Heschel. I had no answer, but I suspected that none of the stories that we had been told, whether good or bad, were fully true. So I went back to the sources and uncovered a complex and multilayered history. Black and Jewish collaboration was never a given, and underlying tensions and conflicts reflected the broader realities of race and class in the U.S. In the book I explored how these historical and political forces operated, and continue to resonate today.
Not all Jews are white. Again, there are a number of wonderful books by African American Jews that remind us of this fact, and how often we use the word “Jewish” to refer only to Jews of European descent. Azoulay insists on confronting this unthinking racism head-on by reflecting on her experiences as a Black woman who struggled to feel at home in the Jewish community. Too often “Black-Jewish relations” as a phrase defines two discrete communities. This book reminds us that this distortion of the truth both erases Jews of color and lets white Jews avoid taking responsibility for challenging social systems that privilege whiteness.
How do adult children of interracial parents-where one parent is Jewish and one is Black-think about personal identity? This question is at the heart of Katya Gibel Azoulay's Black, Jewish, and Interracial. Motivated by her own experience as the child of a Jewish mother and Jamaican father, Gibel Azoulay blends historical, theoretical, and personal perspectives to explore the possibilities and meanings that arise when Black and Jewish identities merge. As she asks what it means to be Black, Jewish, and interracial, Gibel Azoulay challenges deeply ingrained assumptions about identity and moves toward a consideration of complementary racial identities. Beginning with…
