Fans pick 100 books like Every Anxious Wave

Vonnegut’s book is a unique combination of satire, science fiction, and raw war critique. Billy Pilgrim, the protagonist, lives out the trauma of surviving the Dresden bombing by becoming "unstuck in time," drifting through different moments of his life, from past to future. This strange, nonlinear structure mirrors how we process trauma in fragments and waves, never in a neat, chronological order. The randomness of death, the meaninglessness of war—all these themes come together in a way that’s both absurd and deeply moving. As we witness terror and violence continually unfold across the globe, the echoes of Slaughterhouse-Five feel ever-present.

The phrase “So it goes” serves as a refrain throughout the novel, after every death—reminding us of the inevitability of loss in wartime, no matter the scale. This book hit me hard with its dark humor and cynical commentary on the glorification of war. Vonnegut forces you to laugh in… show more.

The Compass Rose is certainly less well-known than many other Ursula K. Le Guin books, but I think it’s a fantastic example of a book that takes you to unexpected places. It’s a fascinating and varied collection, but my favorite piece by far is “The Author of the Acacia Seeds and Other Extracts from the Journal of the Association of Therolinguistics.” It starts out wonderfully nerdy and weird, with a scholar’s detailed reporting of the “writings” of an ant as written, using touch-gland exudation, on seeds in an anthill. From there it gets weirder, and more esoteric, until it lands in a place sweeping and unimaginable. It’s one of those stories that did something a story had never done to me before, and because of that, it holds a very special place in my heart.

And speaking of, who better than Le Guin to inspire sci-fi and fantasy stories that are truly unexpected? Dispatches from Anarres, edited by Susan DeFreitas, is an anthology of stories by Northwest authors, all inspired by and in tribute to Le Guin, and the offerings are rich and unique. Like Michelle Ruiz Keil’s poetic war cry of ghost cats in “The Kingdom of the Belly,” Jason LaPier’s fascinating tale of the life of a bee colony—with some of the coolest names I’ve encountered in fantasy—in “Bee, Keeper,” and Stevan Allred’s clever Ib and Nib folk-story interludes. I read much of this book in an ER waiting room as my husband was being examined and then treated for a scary collapsed lung, and the uniqueness of these stories kept me beautifully distracted.

I read Sequoia Nagamatsu’s Where We Go When All We Were is Gone on audiobook, having picked it up knowing nothing about it. The first story opens on a wildlife refuge where experts protect and study… Godzilla. Mothra. And other wonderful monsters of Japanese pop culture. Right then and there, I knew this was going to be a favorite book. Nagamatsu’s stories are nonstop rampant imagination, from the man who can stretch his neck and send his head on long journeys in secrecy via the sewer (!), to the clone child that emerges from an underwater cave—but as much as I can fall in love with a book for its creativity, Where We Go goes deeper, often centering its tales on grief and loss. This short collection is equal parts droll and poignant, fun, and devastating.

With almost 3000 positive reviews on Amazon alone, it’s not hard to see that Mariah Stone’s first in series, Highlander’s Captive, is a good book. But why do I love it? Because this medieval highlander romance doesn’t just make me swoon, but it tugs at my heartstrings. There’s such a depth of emotion here that it’s hard to put down, and even when you’re finished, you’re going to want to come back again and again. 

I love this book for its deep dive into the music and time period of the 1960s and 1970s. It’s a wonderful discovery of the bands that made this era of music so wonderful and how Laurel Canyon was in the center of it.

There are great behind-the-scenes stories and interviews with the people who were there, in the industry and making the music. It’s a great glimpse into the vision, values, and freedom of the time and how it all got funneled into that fantastic music I so love.

Of all the legendary bands that are part of the history of Rock and Roll, Pink Floyd is the one that appears to have the least amount written about them. That is why this book is so important and so good. Other books had touched on their history, but none of them went as deep and thorough as this one.

I cannot explain why, but this book is the book I will always find some reason to recommend. Krit is my original book boyfriend, and Blythe is, if I had to pick, the character I would bring to life to be friends with. Krit calls Blythe “Love,” which always makes me smile.

I loved how simple it was to call her that, but it's not necessarily something we hear often in the United States. It was an endearment that wasn't overtly sexual–sometimes, he would call her that, and it was only to calm or comfort her. I also think it was perfect for the character of Blythe, who unfortunately hadn't felt loved by anyone before Krit. 

I appreciate this book for how authentically Dave Grohl opens up about his life. His reflections on creativity, passion, and overcoming challenges with Nirvana and Foo Fighters feel surprisingly relatable, especially in the context of my own personal journey. Recent events in Grohl's life remind us that we all make human errors in judgment, and it's important not to judge or dehumanize those in the public eye. Celebrities, just like the rest of us, are on their own journeys, facing struggles and moments of self-discovery.

Grohl’s stories highlight the importance of staying true to yourself and learning from both success and failure—showing that even failure has its benefits. Reading his book reminds me of the power of sharing our experiences and the value of resilience. Despite their fame, it reinforces that even those who seem larger than life are navigating their own paths and that growth and transformation are within… show more.

Published in 1968, this is the only authorised biography of the Beatles.

Davies was in the room when Lennon and McCartney were songwriting, providing insights worth the price of admission alone. He could have interviewed more of the outriders but on the other hand, this is a brilliant account of their claustrophobic world.