Here are 100 books that Essence and Alchemy fans have personally recommended if you like
Essence and Alchemy.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I am a historian of science who just completed a book on the role of perfume in the quest for the secret of life and vitality. While writing it, I became fascinated with the challenge of translating scent into language. While our nose can recognize a virtually infinite number of odors, there are only a few basic categories of description (“floral,” “woody,” “citrus,” etc.). To fully describe them often requires a poet’s touch – invoking a tapestry of memories, associations, and feelings to create the experience in the reader’s mind. These are some of the best books I’ve encountered for talking about the complex world of scent, and the importance of perfume in human history.
A gruesome story of murder and desire that also happens to have the most vivid olfactory descriptions of any genre.
Suskind’s preternatural ability to summon odor from the page makes you feel as if you are there beside him, walking through the flowered hillsides of Provence, or in the back room of a perfume shop on the Pont au Change. His twisted use of classic perfume techniques is as accurate as it is chilling.
An erotic masterpiece of twentieth century fiction - a tale of sensual obsession and bloodlust in eighteenth century Paris
'An astonishing tour de force both in concept and execution' Guardian
In eighteenth-century France there lived a man who was one of the most gifted and abominable personages in an era that knew no lack of gifted and abominable personages. His name was Jean-Baptiste Grenouille, and if his name has been forgotten today.
It is certainly not because Grenouille fell short of those more famous blackguards when it came to arrogance, misanthropy, immorality, or, more succinctly, wickedness, but because his gifts…
I am a historian of science who just completed a book on the role of perfume in the quest for the secret of life and vitality. While writing it, I became fascinated with the challenge of translating scent into language. While our nose can recognize a virtually infinite number of odors, there are only a few basic categories of description (“floral,” “woody,” “citrus,” etc.). To fully describe them often requires a poet’s touch – invoking a tapestry of memories, associations, and feelings to create the experience in the reader’s mind. These are some of the best books I’ve encountered for talking about the complex world of scent, and the importance of perfume in human history.
A classic of cultural history that shows how thoroughly smell shapes our lived experience.
Corbin details how different (and generally worse) France smelled in the past, and how this world of miasmas and insalubrious airs dictated hygiene practices and social interactions. More recent works, like Jonathan Reinarz’ Past Scents: Historical Perspectives on Smell have further built on the treatment of odor as a powerful cultural force.
In a book whose insight and originality have already had a dazzling impact in France, Alain Corbin has put the sense of smell on the historical map. He conjures up the dominion that the combined forces of smells--from the seductress's civet to the ubiquitous excremental odors of city cesspools--exercised over the lives (and deaths) of the French in the eighteenth and nineteenth centuries.
I am a historian of science who just completed a book on the role of perfume in the quest for the secret of life and vitality. While writing it, I became fascinated with the challenge of translating scent into language. While our nose can recognize a virtually infinite number of odors, there are only a few basic categories of description (“floral,” “woody,” “citrus,” etc.). To fully describe them often requires a poet’s touch – invoking a tapestry of memories, associations, and feelings to create the experience in the reader’s mind. These are some of the best books I’ve encountered for talking about the complex world of scent, and the importance of perfume in human history.
At the center of this rollicking account is the larger-than-life figure of Luca Turin, a perfume aficionado and renegade biophysicist with an uncannily sensitive nose.
Burr followed him as he traded blows with the scientific establishment over his unorthodox theory of how smell works. What emerges is a profound appreciation of just how little understood this sense still is, and how varied and potent the smells of the world are to someone as attentive to them as Turin.
In the tradition of Susan Orlean's The Orchid Thief and James Gleick's Genius, The Emperor of Scent tells the story of Luca Turin, an utterly unusual, stubborn scientist, his otherworldly gift for perfume, his brilliant, quixotic theory of how we smell, and his struggle to set before the world the secret of the most enigmatic of our senses.
I am a historian of science who just completed a book on the role of perfume in the quest for the secret of life and vitality. While writing it, I became fascinated with the challenge of translating scent into language. While our nose can recognize a virtually infinite number of odors, there are only a few basic categories of description (“floral,” “woody,” “citrus,” etc.). To fully describe them often requires a poet’s touch – invoking a tapestry of memories, associations, and feelings to create the experience in the reader’s mind. These are some of the best books I’ve encountered for talking about the complex world of scent, and the importance of perfume in human history.
Ellena is a legendary perfumer, who has devoted his life to the creation of evocative scents.
In this book, he invites the reader into his process. We learn a lot about the inner workings of the perfume industry. But even more interesting are the insights into Ellena’s own mind as he navigates memory, imagination, and pleasure in the pursuit of new scents both soothing and surprising.
To women the whole world over, perfume means glamour, and in the world of perfume, Jean-Claude Ellena is a superstar. In this one-of-a-kind book, the master himself takes you through the doors of his laboratory and explains the process of creating precious fragrances, revealing the key methods and recipes involved in this mysterious alchemy. Perfume is a cutthroat, secretive multibillion-dollar industry, and Ellena provides an insider's tour, guiding us from initial inspiration through the mixing of essences and synthetic elements, to the deluxe packaging and marketing in elegant boutiques worldwide, and even the increasingly complicated safety standards that are set…
I am an author, film composer, guitarist, multimedia artist, and perfumer. As a music journalist, I’ve written extensively for many major U.S. and international guitar publications before launching the website, The Guitar. My music has been featured on National Public Radio and worldwide at major U.S. and international art and design museum festivals. Part of being a writer is about expressing one’s curiosity through constant delving and engaging in the ongoing process of discovery. What compels me is the attempt to understand the inspiration that drives an artist to create a distinctively beautiful melody, fragrance, or artwork—one that grabs your attention with a mesmerizing, transfixing, and soulful quality.
Mazzeo’s book provides fascinating insight into a perfume that has enjoyed insane sales longevity when most tend to fade from the market. The book offers a portrait of the orphaned young woman’s convent upbringing to her days as a chanteuse and milliner to her rise in society as a fashion designer. Some say Chanel No. 5 resulted from a happy fluke of dumping too much aliphatic aldehydes into the juice, yet it became instantly iconic as the first clean, modern perfume, one that did not fall into the established vamp/ingenue fragrance categories of the day. It reached iconic status during WWII as a tax-free product sold in military commissaries around the world. Not all smells sweet: Coco proved to be a Nazi sympathizer in a failed attempt to regain control of her business.
With its rich golden hue, art deco-inspired bottle, and timeless, musky scent, Chanel Number 5 is the world's bestselling perfume. Reverently known among industry insiders as "le monstre" - the monster - it is arguably the most coveted consumer luxury product of the twentieth and twenty-first centuries. Yet how did this pioneering celebrity fragrance, introduced in the early 1920s, eventually take on a life of its own, becoming a cultural monument celebrated by millions of devoted consumers? "The Secret of Chanel Number 5" is Tilar J. Mazzeo's far-ranging and fascinating search beyond the stuff of legend to uncover the full…
As a travel writer, author, broadcaster, speaker, and producer, I’ve reported from over 100 countries on 7 continents for major print and digital publications worldwide and networks like National Geographic and Travel Channel. I kicked off my career with a solo, 12-month round-the-world backpacking adventure, largely inspired by the formative books I read below. Embracing the world with insatiable curiosity, an open heart, an open mind, a sense of humour, and enthusiasm to share my stories clearly resonated. Here I am, two decades later, author of a half-dozen bestselling books that focus on my own eclectic travels, which will hopefully inspire others as these books inspired me.
Nobody writes like Tom Robbins, although admittedly, his wild wit, metaphorical overkill, and commitment to not taking anything too seriously might not appeal to everyone.
Put me on a long train ride or a slow ship with a worn paperback copy of any of his books, and I can happily lose myself in his zany, funny, thought-provoking, and sexy world. Exotic locations are baked into most of his books, and you can burn your retinas on each page’s creative flair.
Put down this book, and you’ll never look at beets, immortality, or life in quite the same way again. Tom Robbins inspired me to read more, write more, and, most importantly, live more.
Jitterbug Perfume is an epic. Which is to say, it begins in the forests of ancient Bohemia and doesn't conclude until nine o'clock tonight [Paris time]. It is a saga, as well. A saga must have a hero, and the hero of this one is a janitor with a missing bottle. The bottle is blue, very, very old, and embossed with the image of a goat-horned god. If the liquid in the bottle is actually the secret essence of the universe, as some folks seem to think, it had better be discovered soon because it is leaking and there is…
I’m obsessed with the exploration of what it means to be a human being. We’re coming into an era where we see more characters who aren’t good or evil but both—they possess the potential to save someone from jumping off a bridge one day and beating someone the next. We’re all capable of the greatest acts of kindness and the most abominable atrocities imaginable. I believe we need to be reminded of that fact so that when there comes a time when we can decide whether to hurt or to help someone, we become the better version of ourselves and make the right decision.
Michael Faber is one of my favorite writers of all time, and the same author of Under the Skin, another wonderful book with a female protagonist you’ll hate yourself for loving. Faber’s range as a storyteller is incredible, and along with his mastery of horror and science fiction, he shows that he can put together a Victorian epic that is gorgeously written, with a main character, Sugar, who is a complicated character—a sex worker by trade who sometimes makes bad choices but is admirable in how she has to navigate the world of pompous, detestable men to survive.
'Watch your step. Keep your wits about you; you will need them . . .'
So begins this irresistible voyage into the dark side of Victorian London. Amongst an unforgettable cast of low-lifes, physicians, businessmen and prostitutes, meet our heroine Sugar, a young woman trying to drag herself up from the gutter any way she can. Be prepared for a mesmerising tale of passion, intrigue, ambition and revenge.
I have loved fairy tales since I was a little girl and watched my first Disney movie. Over the years, I’ve read many fairy tale retellings, as well as the original versions. I love how writers can see a story like Beauty and the Beast and find ways to make an almost completely new story, but still hold true to the original concepts of the fairy tale. Fairy tales connect us to our childhood and when we read these new versions, it lets us relive a part of our childhood. Not many books can do that!
Beauty and the Beast is my favourite fairy tale, so not only do I read every retelling I can get my hands on, but I’m quite particular about how I rate them. Stalking Shadowsexceeded all expectations. I loved how she changed the genders of her Beauty and Beast (or Beasts). I love when women are allowed to be beastly and monstrous. Panin also didn’t shy away from talking about tough subjects in her book, another reason I loved it so much. I especially liked how she tackled racism and Lord Sebastian’s experiences as a biracial child growing up in the village.
A gothic YA fantasy debut about a young woman striving to break her sister's curse and stop the killing in her small French town—now in paperback
Seventeen-year-old Marie mixes perfumes to sell on market day in her small 18th-century French town. She wants to make enough to save a dowry for her sister, Ama, in hopes of Ama marrying well and Marie living at the level of freedom afforded only to spinster aunts. But her perfumes are more than sweet scents in cheap, cut-glass bottles: A certain few are laced with death. Marie laces the perfume delicately—not with poison, but…
I’m a science writer, and I’m often inspired to explore topics in my daily life. I grew up shying away from being touched, and it wasn’t until I was older that I started to consider why. I was so compelled by this question, and more basic scientific ones such as what the sense of touch even is, that I wrote a whole book about it. Along that journey and beyond, I read about the other senses to see how other authors tackled similar subjects. Each book reminds me that I’m not just a brain floating around but a body full of sensation.
Luca Turin, a biophysicist and writer, is obsessed with smell. You know those poetic-seeming, almost made-up descriptors we see in wine marketing? Well, that’s how he talks about smells. Turin also wants to figure out how we smell, which we still don’t know the answer to. Ultimately, by delving into some past research and building on it, he finds some answers, though they’re still not widely embraced.
Burr shares Turin’s story about the complexities of navigating the world of sensory science, especially as a passionate iconoclast. It also left me thinking about the art and science of sensing and about who has more expertise–the seasoned perfumer who can detect the fine notes within a glass bottle or the research scientist trying to describe the smell in a purely factual, scientific way.
The Emperor of Scent tells of the scientific maverick Luca Turin, a connoisseur and something of an aesthete who wrote a bestselling perfume guide and bandied about an outrageous new theory on the human sense of smell. Drawing on cutting-edge work in biology, chemistry, and physics, Turin used his obsession with perfume and his eerie gift for smell to turn the cloistered worlds of the smell business and science upside down, leading to a solution to the last great mystery of the senses: how the nose works.
I can’t remember how many times I thought someone was The One, but I know I’ve had to kiss a lot of frogs before I found my own Prince Charming. The path was riddled with self-doubt, interfering wicked witches, and wondering whether it was all worth the heartache. As it turns out, none of them were until I finally did find my HEA. I’d become an expert on navigating all the Single Lady tropes: moving to another country in search of the elusive happy ending, getting a better job, enduring the gossip about why I was single. I’d recommend all of these if you are having relationship trouble or doubts about yourself. You're not alone!
In this novel Florist Sadie Drew thinks her marriage depends on how good an impression she can make on the other corporate wives. Too bad she’s anything but a housewife.
She has her own career, her own personality, and her own friends. She doesn’t need to wear Mary Archer dresses. And yet, her husband Tom seems very disappointed at her inability to blend in with the other wives. Why can’t she be a good wife like all the others? Good question. Especially when we find out that Sadie and Tom had lost a baby. Now she wants to try again, but Tom is not having any of it.
Does he not love her anymore? Is he having an affair? What she doesn’t know is how much Tom has suffered for their loss, and how afraid he was to see Sadie shutting down after the miscarriage.
Sadie Drew thinks she must be the world's worst wife. She only needs to walk into a room to make it untidy. She wears flannel pyjamas in bed. Furry things breed in her fridge. But she's a busy working mother not a wifebot and husband Tom loves her as she is. Until he gets a hot new job and things change. There are alpha-wives to entertain. Nuclear rows. Unsettling secrets. And the smell of another woman's perfume on his suit. Sadie risks losing everything if she can't transform herself into the perfect wife...
