Fans pick 100 books like Ducks, Newburyport

A writer friend asked me, "If you could write about anything you wanted, what would that be?"  I thought immediately of Sicily and then of women (and men) trying to break free from cultural definitions that have historically kept us in traditional roles of housewife, cook, and mother, or breadwinner and protector. Having choice and being able to carve one's path is paramount, a deeply held value for me, both as an individual woman and as a psychotherapist. The courage of some of my clients who have dared to follow their own paths, along with my challenge to steer my own path, were also inspirations for the books I chose. 

As the photographer Stieglitz once wrote, “Everything is relative except relatives, and they are absolute.” I was born into what was considered a mixed marriage in Argentina, then moved to LA, where I became a foreigner on top of being a mongrel. My family life was turbulent, but I found surrogate parents through my circle of school friends and, eventually, a close-knit community in the local motorcycle world. As I had no roots in my new culture, I spoke freely to anyone, and found family in all sorts of extravagant situations. I’ve continued to explore the permutations of family in my writing for decades now.

As the photographer Stieglitz once wrote, “Everything is relative except relatives, and they are absolute.” I was born into what was considered a mixed marriage in Argentina, then moved to LA, where I became a foreigner on top of being a mongrel. My family life was turbulent, but I found surrogate parents through my circle of school friends and, eventually, a close-knit community in the local motorcycle world. As I had no roots in my new culture, I spoke freely to anyone, and found family in all sorts of extravagant situations. I’ve continued to explore the permutations of family in my writing for decades now.

As the photographer Stieglitz once wrote, “Everything is relative except relatives, and they are absolute.” I was born into what was considered a mixed marriage in Argentina, then moved to LA, where I became a foreigner on top of being a mongrel. My family life was turbulent, but I found surrogate parents through my circle of school friends and, eventually, a close-knit community in the local motorcycle world. As I had no roots in my new culture, I spoke freely to anyone, and found family in all sorts of extravagant situations. I’ve continued to explore the permutations of family in my writing for decades now.

After writing a novel about the toll true crime can take on victims’ loved ones and the risk it runs of glamourizing killers while overshadowing victims, I’ve been on the hunt for true crime books that don’t fall into these traps. The titles on this list showcase beautiful writing and tell compelling stories without dehumanizing the victims or glamourizing the perpetrators. 

Lori Benton is an award-winning, multi-published author of historical novels set during the 18th century North America. Her literary passion is bringing little known historical events to life through the eyes of those who lived it, particularly those set along the Appalachian frontier, where European and Native American cultural and world views collided. Virginia Governor Lord Dunmore’s campaign against the Shawnee nation on the eve of the Revolutionary war, culminating in the Battle of Point Pleasant, is a fascinating, complex, and poignant example of the armies and individuals that planned, fought, and resisted the campaign.

Lori Benton is an award-winning, multi-published author of historical novels set during the 18th century North America. Her literary passion is bringing little known historical events to life through the eyes of those who lived it, particularly those set along the Appalachian frontier, where European and Native American cultural and world views collided. Virginia Governor Lord Dunmore’s campaign against the Shawnee nation on the eve of the Revolutionary war, culminating in the Battle of Point Pleasant, is a fascinating, complex, and poignant example of the armies and individuals that planned, fought, and resisted the campaign.

My first memoir, Overlay, has been called “the very best teenage suicide prevention tool ever created” for which I am eternally grateful. I've been told that it's a miracle I survived my childhood at all, but I don't take credit or satisfaction in that statement. Instead, I've aspired to understand what it is that gives some of us the grit that allows us to power through the unfathomable. Voraciously reading similar stories from my fellow authors continues to inform me that we all have the power to push through the pain of a disadvantaged childhood. Whether it's an inner light, luck, fate, a higher power or some combination of some or all of the above, I don't know. I do know that the children like me who grew up to tell their story with the hope of helping others deserve a read. And sometimes, a good cry.

I have a passion for the theme of building self-esteem and finding self-identity at middle and high school age because I taught secondary English for 30 years. So many of my students struggled with this issue; reading novels about kids with similar situations offers a way for readers to help themselves work out their own problems. I deliberately chose both recent and classic novels with a wide variety of protagonists, settings and plots, each with a unique author voice to show how universal the need to build self-esteem can be. My own novel, Eaglebait, is another strong novel with a similar theme.

I am a lifelong lover of books. As a child, one of my most prized possessions was my library card. It gave me entrance to a world of untold wonders from the past, present, and future. My love of reading sparked my imagination and led me to my own fledgling writing efforts. I come from a family of storytellers, my mother being the chief example. She delighted us with stories from her childhood and her maturation in the rural South. She was an excellent mimic, which added realism and humor to every tale.