100 books like The Ohio Frontier, Crucible of the Old Northwest, 1720-1830

Lori Benton is an award-winning, multi-published author of historical novels set during the 18th century North America. Her literary passion is bringing little known historical events to life through the eyes of those who lived it, particularly those set along the Appalachian frontier, where European and Native American cultural and world views collided. Virginia Governor Lord Dunmore’s campaign against the Shawnee nation on the eve of the Revolutionary war, culminating in the Battle of Point Pleasant, is a fascinating, complex, and poignant example of the armies and individuals that planned, fought, and resisted the campaign.

Lori Benton is an award-winning, multi-published author of historical novels set during the 18th century North America. Her literary passion is bringing little known historical events to life through the eyes of those who lived it, particularly those set along the Appalachian frontier, where European and Native American cultural and world views collided. Virginia Governor Lord Dunmore’s campaign against the Shawnee nation on the eve of the Revolutionary war, culminating in the Battle of Point Pleasant, is a fascinating, complex, and poignant example of the armies and individuals that planned, fought, and resisted the campaign.

Lori Benton is an award-winning, multi-published author of historical novels set during the 18th century North America. Her literary passion is bringing little known historical events to life through the eyes of those who lived it, particularly those set along the Appalachian frontier, where European and Native American cultural and world views collided. Virginia Governor Lord Dunmore’s campaign against the Shawnee nation on the eve of the Revolutionary war, culminating in the Battle of Point Pleasant, is a fascinating, complex, and poignant example of the armies and individuals that planned, fought, and resisted the campaign.

Lori Benton is an award-winning, multi-published author of historical novels set during the 18th century North America. Her literary passion is bringing little known historical events to life through the eyes of those who lived it, particularly those set along the Appalachian frontier, where European and Native American cultural and world views collided. Virginia Governor Lord Dunmore’s campaign against the Shawnee nation on the eve of the Revolutionary war, culminating in the Battle of Point Pleasant, is a fascinating, complex, and poignant example of the armies and individuals that planned, fought, and resisted the campaign.

I came to Indigenous history through the experience as a settler growing up at the edge of a reservation. I also love cities as “texts,” and the ways in which urban places never fully erase what came before. These two interests led me to urban Indigenous studies. Urban and Indigenous histories are often treated as though they are mutually exclusive, when in fact they are deeply entangled with each other: for example, the majority of Indigenous people in the United States live in urban areas. These works capture the rich history of migration, political organizing, and cultural production that has taken place in Indigenous cities.

Most people know the slowburn romance. A spark flickers at deliberate pace until finally passion ignites. But what about the slowburn mystery? As a reader and a writer, I’m drawn to mysteries that twine as a well-drawn character, usually an amateur sleuth, gets pulled into investigating some eerie event. These mysteries begin with a straightforward query, and as the sleuth digs, the mystery grows. The pace leaves room for well-developed subplots—often, in my favorites, a slowburn romance, too. I love a book where I can settle into the world while the story gathers steam. And in the end, when that slow flame finally blazes… Oh, it’s so worth the wait. 

My newest YA novel, Home Field Advantage, is your typical cliché sports romance between a high school quarterback and aspiring cheer captain…except that they’re both girls. Sports is such a fascinating setting for queer YA to me, because it adds a whole extra social dynamic of being teammates and how that can work for or against you, depending on the culture and who you are. It’s also a great venue for subversion of gender norms, which is always welcome to me! And in general, I really just love protagonists who are really passionate about what they do. If they happen to be queer as well, that’s just a nice bonus!

I was a book-loving Black Girl and am now a Black woman, professor-writer, and lifelong books and popular culture junkie. As a young reader, I marveled at the storytelling in books that took us into the diverse lives and deep interior of teen girls - from Are You There God It’s Me Margaret to especially ones like the five books I name which place Black girls and women at the center of the narrative. In most of the films and writings that I teach and my own book Snitchers, there’s some tragedy and pain, some blues, and perspectives that add to the truth and richness of our human and American story. 

I grew up in a culture that both fears and embraces spirits or outrightly rejects the idea that spirits live on beyond death. I grew up on stories of rolling calves and duppies that caused havoc among the living. Since then, I’ve been fascinated by what haunts us—whether it be our familial spirits that float among the living and continue to play a role in our lives, our memories, or our past actions. I’ve written three books that play with this idea of past actions lingering long into the characters’ lives and returning in unexpected ways.  

My first memoir, Overlay, has been called “the very best teenage suicide prevention tool ever created” for which I am eternally grateful. I've been told that it's a miracle I survived my childhood at all, but I don't take credit or satisfaction in that statement. Instead, I've aspired to understand what it is that gives some of us the grit that allows us to power through the unfathomable. Voraciously reading similar stories from my fellow authors continues to inform me that we all have the power to push through the pain of a disadvantaged childhood. Whether it's an inner light, luck, fate, a higher power or some combination of some or all of the above, I don't know. I do know that the children like me who grew up to tell their story with the hope of helping others deserve a read. And sometimes, a good cry.