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The year after I got tenure, I became a chairperson, overseeing more than twenty faculty members in my department at Ohio State University. I continued in administration for the next seventeen years, serving as a dean at Notre Dame for more then a decade. I am convinced that the best books on higher education interweave ideas, anecdotes, and data. I pursued that genre here, engaging the questions, what makes a university distinctive and how can one best flourish as an administrator.
When I received tenure in 1990, I bought this book for myself as a gift.
I thought that now that my university, at the time Ohio State, had agreed to invest in me, I should think more seriously about the idea of a university. I enjoyed it tremendously. It is lively, colorful, and witty. Written by the former dean of arts and sciences at Harvard, the book offers a wide-ranging overview of the American university.
Even if some of the statistics are dated, this book remains one of the most appealing introductions to, and overviews of, the American research university.
A view of America's colleges and universities and how they are run, the challenges they face and the issues that affect their "owners" - students, faculty, alumni, trustees and others. Among the issues covered are tenure, the admission process in elite institutions and curriculum.
The year after I got tenure, I became a chairperson, overseeing more than twenty faculty members in my department at Ohio State University. I continued in administration for the next seventeen years, serving as a dean at Notre Dame for more then a decade. I am convinced that the best books on higher education interweave ideas, anecdotes, and data. I pursued that genre here, engaging the questions, what makes a university distinctive and how can one best flourish as an administrator.
When I became a dean, I bought a few books on being a dean, and for some time, even after my term ended, continued to follow the literature.
Most such advice is commonsensical, but one needs to be reminded of common sense. The Academic Deanship offers a thoughtful and often wise account of the broader responsibilities and daily work of deans. Chairpersons, who work closely with deans, might also benefit from its perspectives.
A deanship is now seen as more of a phase in an overall academic career than as a permanent shift from teaching to administration. In fact, the nature of the job itself has changed, as has the range of likely options at the end of a dean's tenure. This book serves as a guide for the aspiring or new dean, offering practical advice on how to approach the interview process and the new job, as well as providing a thoughtful assessment of the deanship in its wider context. The authors-both experienced academic deans at a variety of institutions-encourage the new…
The year after I got tenure, I became a chairperson, overseeing more than twenty faculty members in my department at Ohio State University. I continued in administration for the next seventeen years, serving as a dean at Notre Dame for more then a decade. I am convinced that the best books on higher education interweave ideas, anecdotes, and data. I pursued that genre here, engaging the questions, what makes a university distinctive and how can one best flourish as an administrator.
When I became a dean in 1997, much of my serious reading moved from my discipline to higher education.
It made sense to me that the differences between chairperson, dean, provost, and president had more to do with demands on one’s time than the kind of work one needs to do, and indeed, I learned much from this book, which makes the case for strong and charismatic leadership.
While it is among the most compelling books on presidential leadership and its possible impact on a campus, much of the advice is transferable to persons in less senior positions.
Koch and Fisher have updated and expanded the latter's highly respected 1984 book, Power of the Presidency. In Presidential Leadership, the authors explore the transformational style of leadership in greater depth. This theory is based on a strong, charismatic university president who leads and transforms the university through the power of his or her own vision for the future. The provocative arguments offered throughout the book are based both on empirical studies and on the authors' personal experiences as university presidents. Chapters on total quality management, presidential spouses, and fund raising are new to this edition, as are 11 appendixes…
The year after I got tenure, I became a chairperson, overseeing more than twenty faculty members in my department at Ohio State University. I continued in administration for the next seventeen years, serving as a dean at Notre Dame for more then a decade. I am convinced that the best books on higher education interweave ideas, anecdotes, and data. I pursued that genre here, engaging the questions, what makes a university distinctive and how can one best flourish as an administrator.
When you enter higher administration, you need a vision and you need the people and resources to realize that vision.
Most books for chairpersons and deans are about vision and about hiring and mentoring faculty and staff, but how to garner resources is perhaps the area that is addressed the least. I found this book helpful as an initial guide.
Basically, it offers a comprehensive account of academic fundraising, with practical advice and detailed examples from academic leaders and senior development professionals. The introduction and first two chapters provide a superb introduction for persons new to academic fundraising.
Successful Fund Raising is a compilation of essays by university presidents and chief advancement officers who share their fundraising successes and demonstrate the importance of a team effort among the campus chief executive officer, the trustees, and the senior staff officer in charge of the advancement program. The authors discuss how the advancement function is integrated into an institution's ongoing planning process, as well as the respective roles and responsibilities of key players in this process. The contributing authors also share specific information about their advancement programs, including their goals, strategies, and tactics. The successful programs covered in this book…
I’m a historical novelist originally from Ohio. In Civil War lessons at school, we learned about battles and generals and read The Red Badge of Courage and other books centering on men’s experiences. With the exception of Florence Nightingale, women were largely absent from the discussions. I want to know about the women. As an adult, I lived in Roswell, Georgia, where I learned of the mill workers, mostly women and children, who, in 1864, were arrested and sent north by Federal forces for making Confederate cloth. Their fates largely remain a mystery, and I wrote my book in order to imagine what we may never know.
Set just prior to the Civil War, this novel is one I’ve often recommended since first reading it years ago. The novel’s four main characters, enslaved mistresses of Southern men, are well-rendered and complex and stayed with me long after I finished the book. I was drawn by the women’s distinct personalities and how they responded to the harsh realities of their lives.
The novel also introduced me to a piece of my home state’s history: Tawawa House was a summer resort in southwestern Ohio popular among southern planters who brought their enslaved mistresses despite Ohio being a free state. (The resort would later become the site of Wilberforce University, the nation’s oldest private, historically black university owned and operated by African Americans.)
Wench by Dolen Perkins-Valdez is startling and original fiction that raises provocative questions of power and freedom, love and dependence. An enchanting and unforgettable novel based on little-known fact, Wench combines the narrative allure of Cane River by Lalita Tademy and the moral complexities of Edward P. Jones’s The Known World as it tells the story of four black enslaved women in the years preceding the Civil War. A stunning debut novel, Wench marks author Perkins-Valdez—previously a finalist for the 2009 Robert Olen Butler Short Fiction Prize—as a writer destined for greatness.
I was born and raised in Nyack, New York, and all of my degrees are from colleges and universities in New York. I have always been interested in race relations in America and understanding their causes and consequences. Hope and despair are two themes that run through the experiences of people of African ancestry in America. The books I selected include fiction and nonfiction works that highlight promises made and promises unfulfilled.
I love Toni Morrison's works and consider her one of my favorite authors. I would argue, as others have, that Morrison is one of the greatest American writers ever. I appreciate that the characters in all of her books, including this one, are always dynamic. I also appreciate how Morrison shares the main characters' traumas, tragedies, and triumphs.
'Extravagantly beautiful... Enormously, achingly alive... A howl of love and rage, playful and funny as well as hard and bitter' New York Times
As young girls, Nel and Sula shared each other's secrets and dreams in the poor black mid-West of their childhood. Then Sula ran away to live her dreams and Nel got married.
Ten years later Sula returns and no one, least of all Nel, trusts her. Sula is a story of fear - the fear that traps us, justifying itself through perpetual myth and legend. Cast as a witch by the people who resent her strength, Sula…
Around age thirteen I discovered Perry Mason and put Nancy Drew on a back shelf. By the time I discovered Raymond Chandler’s mean streets, I was hooked. A vastly over-protected child, I longed to explore places that would make my mother faint. To paraphrase Chandler, I wanted to read about the best woman of her world and a good enough woman for any world. The kind of woman (or yes, a man) who would never ever need to be rescued. And when I sat down to write, I wanted to write about men and women who could handle themselves on those mean streets without turning mean themselves.
This book is the first in a strong series about another woman pressed into a “man’s job” when her husband, the sheriff, is murdered. The streets of Lily Ross’s town in 1920s Ohio may seem bucolic at first, even cozy. But Montgomery delves deep into the vicious side of small towns.
I grew up in some mean streets in Ohio, which is why I picked up the book, and this series made me believe they ain’t changed much. And you gotta admire a woman who takes on vicious killers and corrupt authorities in between raising kids and canning tomatoes. By the way, the book is based on a true historical person. You can look it up.
“The Widows kept me on the edge of my seat. Montgomery is a masterful storyteller.” ―Lee Martin, author of Pulitzer Prize-Finalist The Bright Forever
Kinship, Ohio, 1924: When Lily Ross learns that her husband, Daniel Ross, the town’s widely respected sheriff, is killed while transporting a prisoner, she is devastated and vows to avenge his death.
Hours after his funeral, a stranger appears at her door. Marvena Whitcomb, a coal miner’s widow, is unaware that Daniel has died, and begs to speak with him about her missing daughter.
From miles away but worlds apart, Lily and Marvena’s lives collide as…
Reading about antislavery constitutionalism literally changed my life. Lysander Spooner’s 1845 book, The Unconstitutionality of Slavery, which I discovered in the 1990s, exposed me to a version of “originalism” that would really work. This was also a version of originalism that was not just for political conservatives. This led me from being primarily a contract law professor to a constitutional originalist who would argue in the Supreme Court, develop the theory of originalism, and work to achieve an originalist majority of Supreme Court justices. By reading these five books, you, too, can become an expert on antislavery constitutionalism and our forgotten constitutional past.
The one political figure who tied all these developments together was Salmon P. Chase. The more I learned about Chase in my own research, the more of a personal hero of mine he became. And yet, he has been completely forgotten. With Stahr’s book, Chase finally has the biography he deserves.
Chase began his career representing fugitive slaves in court, earning him the nickname “The Attorney General of Fugitive Slaves.” When his legal challenges were rebuffed, he helped found and wrote the political platforms of the Liberty, Free Soil, and Republican parties. As a Free Soiler he became a U.S. Senator from Ohio, as a Republican, he became the governor of Ohio, Lincoln’s the Secretary of the Treasury, and Chief Justice of the United States.
His personal story weaves together all the elements described in the previous books.
From an acclaimed New York Times bestselling biographer, an “eloquently written, impeccably researched, and intensely moving” (The Wall Street Journal) reassessment of Abraham Lincoln’s indispensable Secretary of the Treasury: a leading proponent for black rights during his years in cabinet and later as Chief Justice of the United States.
Salmon P. Chase is best remembered as a rival of Lincoln’s for the Republican nomination in 1860—but there would not have been a national Republican Party, and Lincoln could not have won the presidency, were it not for the groundwork Chase laid over the previous…
When I was little, I would draw for hours, captivated by the female experience. Art, film, and literature focused on women’s lives have always felt the most compelling to me. Whether it’s gazing at a woman painted centuries ago, watching a film about a woman navigating her time, or reading a book that delves into her inner world, I’m drawn to their stories. Their complexities and imperfections are often what I love most. This lifelong fascination has shaped my career. Whether illustrating fashion, designing book covers, or authoring my own books, the emotions and experiences of female characters inspire me, fuel my creativity, and remind me of the power and importance of their stories.
It’s devastating to reconcile a world that could treat anyone, especially children, the way Pecola Breedlove is treated in The Bluest Eye. The cruelty of racism and oppression, both historical and ongoing, feels unbearable to confront. The idea that worth, beauty, and love could be tied to a single, narrow ideal is profoundly heartbreaking. I want to reach through the pages, take Pecola in my arms, and tell her she is beautiful, that her self-worth is inherent, and free her from the horrors she endures.
Throughout the book, I yearn for someone in her world to lift her up, hold her, and tell her it will be okay. But they, too, are trapped in cycles of pain and suffering. Morrison’s writing is unflinchingly honest and achingly beautiful, taking me to a raw, vulnerable place where pain demands confrontation.
This book captures the depth of human experience, reminding me that…
Read the searing first novel from the celebrated author of Beloved, which immerses us in the tragic, torn lives of a poor black family in post-Depression 1940s Ohio.
Unlovely and unloved, Pecola prays each night for blue eyes like those of her privileged white schoolfellows. At once intimate and expansive, unsparing in its truth-telling, The Bluest Eye shows how the past savagely defines the present. A powerful examination of our obsession with beauty and conformity, Toni Morrison's virtuosic first novel asks powerful questions about race, class, and gender with the subtlety and grace that have always characterised her writing.
I’ve loved cinema since I was 9 years old growing up in New York City and my grandmother took me to see The Ten Commandments at the Paradise Theater, Loew’s magnificent flagship theater in the Bronx. The theater’s famous canopy of twinkling stars on the ceiling was the perfect magical venue, and I was thunderstruck not only by the epic sweep of the movie but also by the opulence of the theater, which mirrored the monumental pyramids that Ramses constructs in the film. Ever since, my passion for movies has been as all-consuming as DeMille’s jello sea was for the infidel Egyptians who doubted the power of special effects and cinematic illusion.
Based on the boyhood memories of author Sherwood Anderson, Winesburg, Ohio is one of the best portraits of small-town American life in the 19th century.
Centered around the coming-of-age of George Willard, the 22 stories in the book provide numerous character sketches of people in the fictional town of Winesburg. Anderson writes in a plain style that suits the world he describes.
The book pioneers an approach to fictional portraiture also taken up by Wiseman in his later Our-Town cycle of films that focus on individual rural communities—Aspen, Belfast, Maine, In Jackson Heights, and Monrovia, Indiana—and adopt a seemingly similar straightforward style. Like those films, the book features a series of glimpses that together add up more than just the sum of its parts.
Anderson profoundly changed the American short story, transforming it from light, popular entertainment into literature of the highest quality. His art belonged as much to an oral as a written tradition, and, as this collection shows, the best of his stories echo the language and the pace of a man talking to his friends. They explore with penetrating compassion the isolation of the individual and capture the emotional undercurrents hidden beneath ordinary events.
