Here are 100 books that Eggshells fans have personally recommended if you like
Eggshells.
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A writer friend asked me, "If you could write about anything you wanted, what would that be?" I thought immediately of Sicily and then of women (and men) trying to break free from cultural definitions that have historically kept us in traditional roles of housewife, cook, and mother, or breadwinner and protector. Having choice and being able to carve one's path is paramount, a deeply held value for me, both as an individual woman and as a psychotherapist. The courage of some of my clients who have dared to follow their own paths, along with my challenge to steer my own path, were also inspirations for the books I chose.
I fell in love with the entire Brilliant Friend series. Ferrante moves in so closely to her characters, so imitimately, I felt like I was right up next to them in Naples.
And of course, I loved the book because it takes place in Italy. Lila and Lenu, the two main characters, are both struggling to know who they are, not just as Italian women, but as individual women.
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SHORTLISTED FOR WATERSTONES BOOK OF THE YEAR 2015
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Now in B-format Paperback
From one of Italy's most acclaimed authors, comes this ravishing and generous-hearted novel about a friendship that lasts a lifetime. The story of Elena and Lila begins in the 1950s in a poor but…
As the photographer Stieglitz once wrote, “Everything is relative except relatives, and they are absolute.” I was born into what was considered a mixed marriage in Argentina, then moved to LA, where I became a foreigner on top of being a mongrel. My family life was turbulent, but I found surrogate parents through my circle of school friends and, eventually, a close-knit community in the local motorcycle world. As I had no roots in my new culture, I spoke freely to anyone, and found family in all sorts of extravagant situations. I’ve continued to explore the permutations of family in my writing for decades now.
This was my favorite book the year I read it, and I will read it again, with no doubt the same result. The narrator is an anonymous 18-year-old woman navigating family, community, and romantic relationships in the midst of the Irish Troubles.
Almost every character is identified by a local nickname, part town culture and part a way to keep both authorities and rebels off track. I loved the strong writing and the surprising but always plausible twists. I’ve recommended it to every reader I know.
Liberty fabric covered editions bring classics from the Faber backlist together with important modern titles, putting them in conversation and celebrating both the history and the future of Faber & Faber.
In this unnamed city, to be interesting is dangerous. Middle sister, our protagonist, is busy attempting to keep her mother from discovering her maybe-boyfriend and to keep everyone in the dark about her encounter with Milkman. But when first brother-in-law sniffs out her struggle, and rumours start to swell, middle sister becomes 'interesting'. The last thing she ever wanted to be. To be interesting is to be noticed and…
As the photographer Stieglitz once wrote, “Everything is relative except relatives, and they are absolute.” I was born into what was considered a mixed marriage in Argentina, then moved to LA, where I became a foreigner on top of being a mongrel. My family life was turbulent, but I found surrogate parents through my circle of school friends and, eventually, a close-knit community in the local motorcycle world. As I had no roots in my new culture, I spoke freely to anyone, and found family in all sorts of extravagant situations. I’ve continued to explore the permutations of family in my writing for decades now.
I loved this odd and audacious book, which is written in a single stream-of-consciousness sentence over a thousand pages long and follows a mother's struggles with economic duress, raising a daughter, running a small baking business, and dealing with a major flood.
There is a parallel story involving a mother mountain lion searching for her lost cubs that periodically interrupts the main narrative. I loved the interjections of the narrator’s humorous views of the life around her, and I admired the subtle ways the author wove the two stories together so they enhanced each other. I enjoyed it so much I could barely stop reading it to go to bed!
WINNER OF THE 2019 GOLDSMITHS PRIZE • SHORTLISTED FOR THE 2019 BOOKER PRIZE • A NEW YORKER BEST BOOK OF 2019 • A NEW YORK TIMES NOTABLE BOOK OF 2019 • A TIME MUST-READ BOOK OF 2019
"This book has its face pressed up against the pane of the present; its form mimics the way our minds move now toggling between tabs, between the needs of small children and aging parents, between news of ecological collapse and school shootings while somehow remembering to pay taxes and fold the laundry."―Parul Sehgal, New York Times
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
As the photographer Stieglitz once wrote, “Everything is relative except relatives, and they are absolute.” I was born into what was considered a mixed marriage in Argentina, then moved to LA, where I became a foreigner on top of being a mongrel. My family life was turbulent, but I found surrogate parents through my circle of school friends and, eventually, a close-knit community in the local motorcycle world. As I had no roots in my new culture, I spoke freely to anyone, and found family in all sorts of extravagant situations. I’ve continued to explore the permutations of family in my writing for decades now.
Like Milkman above, this was my favorite book the year I read it, and I plan to re-read it soon. It’s a quietly intense and lonely story, in first person, with an unnamed female narrator whose “family” is the community she lives in by a river in England.
She rarely deals directly with these people, though her interactions are generally described in retrospect, and, in a way, her constant observation and evaluation of her surroundings make the urban/industrial landscape part of her family, too.
Urban landscapes have been an important part of my life, too; they have shaped much of who I am. There are hints of a lost child and earlier immersions in other, distant river landscapes. Quiet, elegiac, and powerful.
1
author picked
River
as one of their favorite books, and they share
why you should read it.
This book is for kids age
16, and
17.
What is this book about?
"A magnificent novel."—The New Yorker
"This is a book to relish."—The Guardian
A woman moves to a London suburb near the River Lea, without knowing quite why or for how long. Over a series of long, solitary walks she reminisces about the rivers she has encountered during her life, from the Rhine, her childhood river, to the Saint Lawrence, and a stream in Tel Aviv. Filled with poignancy and poetic observation, River is an ode to nature, edgelands, and the transience of all things human.
Human psychology has always fascinated me, and studying what drives human behavior is necessary in writing realistic characters. I bring psychological studies into every novel I write, and realistic characters, often flawed, always receive top billing. One of my hallmarks is presenting a story’s setting as a supporting character, as well—much like the books I’ve recommended. I have written and published seventeen titles, chock full of the many facets of the human condition, whether I’m writing for teens (as Sasha Dawn) or adults (as Brandi Reeds). The books on my list inspire, entertain, and perhaps most importantly feel. I hope you enjoy them as much as I do.
Foley depicts a struggle of finding oneself and learning where one belongs, and holding onto the everchanging definition especially when the geography surrounding us suddenly changes. Maggie and her family migrate from Chicago to Ireland, leaving behind her favorite uncle, and musical influence, the wayward Kevin. Add to this the backdrop of the anticipation of attending a Nirvana concert and you have all the fixings for a well-rounded tale of love, loss, and living. Having had the pleasure of meeting Foley a time or two, I can attest that her sense of setting is as apparent in her identity as an Irish Chicago resident as ever, and this comes through in her characters, who illustrate the same.
ALA 2015 Top Ten Best Fiction for Young Adults Chicago Weekly Best Books of 2014 A Michael L. Printz Honor Award Winner Winner, 2014 Helen Sheehan YA Book Prize Kirkus Reviews Best Books of 2014 Finalist, William C. Morris Award
It's 1993, and Generation X pulses to the beat of Kurt Cobain and the grunge movement. Sixteen-year-old Maggie Lynch is uprooted from big-city Chicago to a windswept town on the Irish Sea. Surviving on care packages of Spin magazine and Twizzlers from her rocker uncle Kevin, she wonders if she'll ever find her place in this new world. When first…
I’m a French-born, London-based novelist and food writer. As an author, I have nurtured my voice at the kitchen counter, where I find language loosens up and as a reader, cookbooks, food memoirs, and novels sit in one pile on my bedside table. Food is never not political and I find that its depiction is a wonderful narrative tool, for plot development with the setting of a meal or to portray a character through ingredients for examples. The relationship between food, culture, and writing is something I also explore with my podcast, book club, and culinary community The Salmon Pink Kitchen. Happy reading, and bon appétit!
I devoured this modern classic comedy of manners like a good period drama.
The novel follows the adolescent years of Sebastian, duke and heir of the country house Chevron, where his mother Lucy plots luncheons and indulges parties where alcohol, games, and affairs are the prime guests. The tone is witty and the food, from the ingredients on display to the behaviours of those who eat, is used as a powerful show of appearances.
An instant bestseller when it was published in 1930, this glittering satire of Edwardian high society features a privileged brother and sister torn between tradition and a chance at an independent life.
Sebastian is young, handsome, moody, and the heir to Chevron, a vast and opulent ducal estate. He feels a deep love for the countryside and for his patrimony, but he loathes the frivolous social world his mother and her shallow friends represent. At one of his mother’s decadent house parties, Sebastian meets two people who shake his sense of self: Leonard Anquetil, a lowborn arctic explorer, who questions…
Ava Winston likes her life of routine in Lexington, Kentucky. Then a tornado blows it away. Ava is safe in the basement, but when she emerges, only one corner of her home stands. Rather than crumbling under the loss, she feels a load lifted. Maybe something beyond the familiar is…
As a female author myself, I always want to uplift and highlight other women-identifying writers who are weaving complicated stories about growing up. The truth is, I think we’re all continuing to change at all ages - it’s never too late to grow from past mistakes and make different choices, especially as we grow older and experience both our first love and first heartbreak. All of these stories are bonded by good women who sometimes do bad things - just like in my novel - and I think it’s important to show that female protagonists, particularly sculpted by female writers, can be just as messy, vulnerable, and complicated as male leads.
To be fair, I read this book on a summer holiday in Cinque Terre, Italy, which perhaps made the experience even more dreamy and lush.
This is a modern love story that celebrates the desire of its female protagonist, and makes no apologies for her ability to take what she wants - in the form of her current romantic partner’s father. The story contains nuance and delicacy, and talks about relationships with honesty and vulnerability.
There is an undercurrent of grief here, as well, which bonds our lovers, and makes the lightness of the romance that much deeper.
THE SUNDAY TIMES BESTSELLER ONE OF THE EVENING STANDARD'S BLOCKBUSTER BOOK TRENDS OF THE YEAR SHORTLISTED FOR FOYLES FICTION BOOK OF THE YEAR NOMINATED FOR THE GOODREADS CHOICE AWARDS FOR ROMANCE A ZOELLA BOOK CLUB PICK
'This book filled me with excitement and possibilities.' Jenny Colgan 'Fabulous, fabulous, fabulous.' @savidgereads 'Say hello to the book of the summer' @bettysbooksuk 'Fantastic . . . I cannot put it down.' @thebibliotucker ____________ Have you fallen for this INTERNATIONAL BESTSELLING novelist's sizzling hot entrance into the world of romance?
I am the author of the DI Winter Meadows series. I love reading and writing crime fiction, especially books set in rural locations. I live in South Wales where I go hiking mountains, exploring caves, and discovering waterfalls. I take inspiration from these remote areas and close-knit communities to create the settings, characters, and plots for my books.
This book kept me turning the pages well into the night.
The Rev Jack Brooks moves to a new parish for a fresh start with her teenage daughter but they have barely unpacked when strange things begin to happen.
The book is well-paced with clever use of local superstitions which gives the story a supernatural feel. There is a looming threat to the main protagonist which builds the unease till the explosive end.
The darkly compelling new novel from the Sunday Times bestselling author of The Chalk Man, The Taking of Annie Thorne and The Other People, soon to be a major TV series
'Hypnotic and horrifying . . . Without doubt her best yet, The Burning Girls left me sleeping with the lights on' CHRIS WHITAKER, bestselling author of Waterstones Thriller of the Month We Begin at the End
'A gothic, spine-tingling roller-coaster of a story . . . CJ Tudor is a master of horror' C.J. COOKE, author of The Nesting ______
I’m a Chinese Vietnamese American author who writes about the Asian girls I never saw in books as a kid. Growing up in Southern California, I was part of an Asian community that was extremely diverse—a reality that was rarely reflected in American pop culture. For years, I longed to see messy, flawed, fully humanized Asian characters in all different kinds of stories, not just the typical child-of-immigrant narratives. As a result, I now spend a lot of time thinking about representation (whether I want to or not!), and I’m always looking for writers who pull it off with nuance and realism. I hope you’ll find these books are great examples of that.
There isn’t another young adult book out there that makes me feel as seen asLucy and Linh, alternately titled Laurindain its native Australia.
It was the first novel I’d ever come across with a Chinese Vietnamese protagonist, and the details about her life as the daughter of working-class refugees really hit home.
That the prose is impeccable, the social observations incisive, and the themes not at all didactic (the main character Lucy makes plenty of mistakes) instantly turned me into an Alice Pung superfan.
From an author Amy Tan calls “a gem,” this is a witty, highly acclaimed novel that’s “part Mean Girls, part Lord of the Flies” (The Bulletin, Starred review) about navigating life in private school while remaining true to yourself.
Lucy is a bit of a pushover, but she’s ambitious and smart, and she has just received the opportunity of a lifetime: a scholarship to a prestigious school, and a ticket out of her broken-down suburb. Though she’s worried she will stick out like badly cut bangs among the razor-straight students, she is soon welcomed into the Cabinet, the supremely popular…
Saving Raine is a captivating tale of resilience, redemption, and the enduring power of love, penned by the acclaimed author Marian L. Thomas.
This contemporary fiction novel chronicles the compelling journey of Raine Reynolds as she confronts heartache, betrayal, and loss. Against the vibrant backdrops of Atlanta and Paris, Raine's…
I have always loved reading about individuals and the ways they behave in extraordinary or unusual circumstances. Stories that are about a person growing up and coming to an understanding that the world around them is deeply flawed, and that they themselves are patched-up, imperfect creatures, fascinate me. I find myself observing people and the words they say. Those are the kinds of stories I write, about regular people stumbling along and discovering some truths about themselves.
The protagonist is a Pakistani girl moving from the urban city of Rawalpindi to a rural city in the US, as part of a program that places students abroad for a year in high school.
There were so many instances when I completely understood Hira, the way she talked about the US, about growing up in Pakistan, about language. Her adjusting to life far from home is complicated by her illness, a disease the perception of which further makes us question our prejudices about a place and its people.
'Prose that dances with charge and potency' LOS ANGELES REVIEW OF BOOKS
WINNER OF A 2023 ASIAN/PACIFIC AMERICAN AWARD FOR LITERATURE
On a year-long exchange programme, sixteen-year-old Hira must swap the bustle of urban Pakistan for church and volleyball practice in rural Oregon.
Stuck between two worlds, her experience of America is sometimes freeing, sometimes painful, often quite painful. And while she faces racism and Islamophobia, she also makes new friends and has her first kiss.
But when her new life is blown apart by a shocking health crisis, Hira's sense of belonging is overturned once…
