Here are 100 books that Eggshells fans have personally recommended if you like
Eggshells.
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As the photographer Stieglitz once wrote, “Everything is relative except relatives, and they are absolute.” I was born into what was considered a mixed marriage in Argentina, then moved to LA, where I became a foreigner on top of being a mongrel. My family life was turbulent, but I found surrogate parents through my circle of school friends and, eventually, a close-knit community in the local motorcycle world. As I had no roots in my new culture, I spoke freely to anyone, and found family in all sorts of extravagant situations. I’ve continued to explore the permutations of family in my writing for decades now.
I found myself fascinated by the development of the friendship between two Italian girls in Naples. They have known each other almost from birth but have held tight to each other as they have grown into very different lives, careers, and marriages in a city plagued by economic chaos and a local mafia.
Every detail is rich and pertinent; I could see and feel the city as they grew into adulthood, and I could agonize over the choices presented to them and cheer when they found their own paths to fulfillment. The story evolves over three more volumes, but this first one can be read on its own.
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From one of Italy's most acclaimed authors, comes this ravishing and generous-hearted novel about a friendship that lasts a lifetime. The story of Elena and Lila begins in the 1950s in a poor but…
As the photographer Stieglitz once wrote, “Everything is relative except relatives, and they are absolute.” I was born into what was considered a mixed marriage in Argentina, then moved to LA, where I became a foreigner on top of being a mongrel. My family life was turbulent, but I found surrogate parents through my circle of school friends and, eventually, a close-knit community in the local motorcycle world. As I had no roots in my new culture, I spoke freely to anyone, and found family in all sorts of extravagant situations. I’ve continued to explore the permutations of family in my writing for decades now.
This was my favorite book the year I read it, and I will read it again, with no doubt the same result. The narrator is an anonymous 18-year-old woman navigating family, community, and romantic relationships in the midst of the Irish Troubles.
Almost every character is identified by a local nickname, part town culture and part a way to keep both authorities and rebels off track. I loved the strong writing and the surprising but always plausible twists. I’ve recommended it to every reader I know.
Liberty fabric covered editions bring classics from the Faber backlist together with important modern titles, putting them in conversation and celebrating both the history and the future of Faber & Faber.
In this unnamed city, to be interesting is dangerous. Middle sister, our protagonist, is busy attempting to keep her mother from discovering her maybe-boyfriend and to keep everyone in the dark about her encounter with Milkman. But when first brother-in-law sniffs out her struggle, and rumours start to swell, middle sister becomes 'interesting'. The last thing she ever wanted to be. To be interesting is to be noticed and…
As the photographer Stieglitz once wrote, “Everything is relative except relatives, and they are absolute.” I was born into what was considered a mixed marriage in Argentina, then moved to LA, where I became a foreigner on top of being a mongrel. My family life was turbulent, but I found surrogate parents through my circle of school friends and, eventually, a close-knit community in the local motorcycle world. As I had no roots in my new culture, I spoke freely to anyone, and found family in all sorts of extravagant situations. I’ve continued to explore the permutations of family in my writing for decades now.
I loved this odd and audacious book, which is written in a single stream-of-consciousness sentence over a thousand pages long and follows a mother's struggles with economic duress, raising a daughter, running a small baking business, and dealing with a major flood.
There is a parallel story involving a mother mountain lion searching for her lost cubs that periodically interrupts the main narrative. I loved the interjections of the narrator’s humorous views of the life around her, and I admired the subtle ways the author wove the two stories together so they enhanced each other. I enjoyed it so much I could barely stop reading it to go to bed!
WINNER OF THE 2019 GOLDSMITHS PRIZE • SHORTLISTED FOR THE 2019 BOOKER PRIZE • A NEW YORKER BEST BOOK OF 2019 • A NEW YORK TIMES NOTABLE BOOK OF 2019 • A TIME MUST-READ BOOK OF 2019
"This book has its face pressed up against the pane of the present; its form mimics the way our minds move now toggling between tabs, between the needs of small children and aging parents, between news of ecological collapse and school shootings while somehow remembering to pay taxes and fold the laundry."―Parul Sehgal, New York Times
As the photographer Stieglitz once wrote, “Everything is relative except relatives, and they are absolute.” I was born into what was considered a mixed marriage in Argentina, then moved to LA, where I became a foreigner on top of being a mongrel. My family life was turbulent, but I found surrogate parents through my circle of school friends and, eventually, a close-knit community in the local motorcycle world. As I had no roots in my new culture, I spoke freely to anyone, and found family in all sorts of extravagant situations. I’ve continued to explore the permutations of family in my writing for decades now.
Like Milkman above, this was my favorite book the year I read it, and I plan to re-read it soon. It’s a quietly intense and lonely story, in first person, with an unnamed female narrator whose “family” is the community she lives in by a river in England.
She rarely deals directly with these people, though her interactions are generally described in retrospect, and, in a way, her constant observation and evaluation of her surroundings make the urban/industrial landscape part of her family, too.
Urban landscapes have been an important part of my life, too; they have shaped much of who I am. There are hints of a lost child and earlier immersions in other, distant river landscapes. Quiet, elegiac, and powerful.
1
author picked
River
as one of their favorite books, and they share
why you should read it.
This book is for kids age
16, and
17.
What is this book about?
"A magnificent novel."—The New Yorker
"This is a book to relish."—The Guardian
A woman moves to a London suburb near the River Lea, without knowing quite why or for how long. Over a series of long, solitary walks she reminisces about the rivers she has encountered during her life, from the Rhine, her childhood river, to the Saint Lawrence, and a stream in Tel Aviv. Filled with poignancy and poetic observation, River is an ode to nature, edgelands, and the transience of all things human.
Human psychology has always fascinated me, and studying what drives human behavior is necessary in writing realistic characters. I bring psychological studies into every novel I write, and realistic characters, often flawed, always receive top billing. One of my hallmarks is presenting a story’s setting as a supporting character, as well—much like the books I’ve recommended. I have written and published seventeen titles, chock full of the many facets of the human condition, whether I’m writing for teens (as Sasha Dawn) or adults (as Brandi Reeds). The books on my list inspire, entertain, and perhaps most importantly feel. I hope you enjoy them as much as I do.
Foley depicts a struggle of finding oneself and learning where one belongs, and holding onto the everchanging definition especially when the geography surrounding us suddenly changes. Maggie and her family migrate from Chicago to Ireland, leaving behind her favorite uncle, and musical influence, the wayward Kevin. Add to this the backdrop of the anticipation of attending a Nirvana concert and you have all the fixings for a well-rounded tale of love, loss, and living. Having had the pleasure of meeting Foley a time or two, I can attest that her sense of setting is as apparent in her identity as an Irish Chicago resident as ever, and this comes through in her characters, who illustrate the same.
ALA 2015 Top Ten Best Fiction for Young Adults Chicago Weekly Best Books of 2014 A Michael L. Printz Honor Award Winner Winner, 2014 Helen Sheehan YA Book Prize Kirkus Reviews Best Books of 2014 Finalist, William C. Morris Award
It's 1993, and Generation X pulses to the beat of Kurt Cobain and the grunge movement. Sixteen-year-old Maggie Lynch is uprooted from big-city Chicago to a windswept town on the Irish Sea. Surviving on care packages of Spin magazine and Twizzlers from her rocker uncle Kevin, she wonders if she'll ever find her place in this new world. When first…
I’m a Chinese Vietnamese American author who writes about the Asian girls I never saw in books as a kid. Growing up in Southern California, I was part of an Asian community that was extremely diverse—a reality that was rarely reflected in American pop culture. For years, I longed to see messy, flawed, fully humanized Asian characters in all different kinds of stories, not just the typical child-of-immigrant narratives. As a result, I now spend a lot of time thinking about representation (whether I want to or not!), and I’m always looking for writers who pull it off with nuance and realism. I hope you’ll find these books are great examples of that.
There isn’t another young adult book out there that makes me feel as seen asLucy and Linh, alternately titled Laurindain its native Australia.
It was the first novel I’d ever come across with a Chinese Vietnamese protagonist, and the details about her life as the daughter of working-class refugees really hit home.
That the prose is impeccable, the social observations incisive, and the themes not at all didactic (the main character Lucy makes plenty of mistakes) instantly turned me into an Alice Pung superfan.
From an author Amy Tan calls “a gem,” this is a witty, highly acclaimed novel that’s “part Mean Girls, part Lord of the Flies” (The Bulletin, Starred review) about navigating life in private school while remaining true to yourself.
Lucy is a bit of a pushover, but she’s ambitious and smart, and she has just received the opportunity of a lifetime: a scholarship to a prestigious school, and a ticket out of her broken-down suburb. Though she’s worried she will stick out like badly cut bangs among the razor-straight students, she is soon welcomed into the Cabinet, the supremely popular…
I have always loved reading about individuals and the ways they behave in extraordinary or unusual circumstances. Stories that are about a person growing up and coming to an understanding that the world around them is deeply flawed, and that they themselves are patched-up, imperfect creatures, fascinate me. I find myself observing people and the words they say. Those are the kinds of stories I write, about regular people stumbling along and discovering some truths about themselves.
The protagonist is a Pakistani girl moving from the urban city of Rawalpindi to a rural city in the US, as part of a program that places students abroad for a year in high school.
There were so many instances when I completely understood Hira, the way she talked about the US, about growing up in Pakistan, about language. Her adjusting to life far from home is complicated by her illness, a disease the perception of which further makes us question our prejudices about a place and its people.
'Prose that dances with charge and potency' LOS ANGELES REVIEW OF BOOKS
WINNER OF A 2023 ASIAN/PACIFIC AMERICAN AWARD FOR LITERATURE
On a year-long exchange programme, sixteen-year-old Hira must swap the bustle of urban Pakistan for church and volleyball practice in rural Oregon.
Stuck between two worlds, her experience of America is sometimes freeing, sometimes painful, often quite painful. And while she faces racism and Islamophobia, she also makes new friends and has her first kiss.
But when her new life is blown apart by a shocking health crisis, Hira's sense of belonging is overturned once…
The heights of American literature are crowded with coming-of-age tales like Huckleberry Finn and Catcher and the Rye. It’s probably because for us, as Americans, figuring out what it means to be American is something that isn’t as clear as what it means to be from another country with thousands of years of existence behind it. Yet, the stories I was given rarely had people who looked like me (Asian) or lived lives that weren’t solely defined as being “foreign.” These books tell coming-of-age stories in different ways that I wish I had read when I was coming up to broaden my own mind with what was possible.
Waylaid is a bawdy coming-of-age novel about a Chinese American teenage boy working in his parents’ seedy motel – a vibrating bed kind of place – in New Jersey.
He broods about how to lose his virginity. He learns about the adult world from the patrons: Johns, sex workers, the families kicked out of their homes, and the rest of the down and out of American life. I gravitated to Waylaid because it isn’t wholesome yet doesn’t fall into the spirals of toxicity of a Bukowski poem.
It speaks to how sex is used to distract us from the working-class problems all around us, many of which our young are well aware of, but still holds onto this little flame of hope that even in such dark and down-and-out spots, we can find light.
Waylaid is the story of a Chinese American boy who struggles to grow up in the grip of an overcharged sexual environment. With a daily routine that involves renting out rooms to johns and hookers at his parents' sleazy hotel, the narrator loses his grip on concepts of friendship, family and childhood. As he pursues his all-consuming quest to lose his virginity, issues of race, class and sex cripple his sense of self-worth. It is a story told with a Gen-X-style bleak humor that doesn't pander to conventional notions of immigrant narrative. Waylaid doesn't cut a wide swath through Asian…
I am a forty-five-year career educator, sharing my classrooms with students from primary school through graduate programs in creative writing. What I love most in every classroom I enter is sharing the books and stories and poems I love with my students. The best days: when I’m reading one of my favorite parts of the book out loud to the group and I look up and they laugh or gasp, or I look up and see their eyes full of joy. If it’s my own work I’m reading from, all the better!
Ah, these juvenile narrators: they think they know it all. Lucille Odem has it all figured out. She can fix her broken family and heal her parent’s broken hearts—because of course she can. For me, the pleasure of a great young adult narrator is watching as even the smartest of these smarty pants comes to learn that we all have blind spots and that it’s often the things we can’t see or don’t know that are the most important part of the equation. What a sweet book this is.
At the age of seventeen, Lucille Odom finds herself in the middle of an unexpected domestic crisis. As she helps guide her family through its discontent, Lucille discovers in herself a woman rich in wisdom, rich in humor, and rich in love.
Growing up, I hardly ever saw books written by people who looked like me, about people who looked like me. When I did, the Asians were often side characters, typecast as nerds (and not in a good way). I didn’t get to see Asians being “cool” kids, and I definitely didn’t see them as love interests. When I went to a performing arts boarding school, it was the first time I wasn’t the only Asian student in my class, and it was life-changing. I think if I had had these books when I was a kid, it would’ve been easier to be confident about who I was.
I fell for this book because of its lyrical sentences, multiple narratives uncovering long-buried secrets, and exploration of the tensions and traumas of family, friendship, romantic love, and the immigrant experience. The people in this novel are all memorable and well-developed—even the adults, which can sometimes be hard to come by in YA books.
I was swept up in the world of the high-pressure Cupertino suburbs, and I love that nearly all the characters were Asian American. It also didn’t hurt that it’s narrated by a talented and troubled teen artist.
"Picture me madly in love with this moving, tender, unapologetically honest book."—Becky Albertalli, #1 best-selling author of Simon Vs. the Homo Sapiens Agenda
Danny Cheng has always known his parents have secrets. But when he discovers a taped-up box in his father's closet filled with old letters and a file on a powerful Bay Area family, he realizes there's much more to his family's past than he ever imagined.
Danny has been an artist for as long as he can remember and it seems his path is set, with a scholarship to RISD and his family's blessing to pursue the…
