Here are 100 books that Dialogue fans have personally recommended if you like
Dialogue.
Shepherd is a community of 11,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
I am through and through a storytelling creature and fell in love with books as a child. I first aspired to be a librarian, then an author. Life took me in other directions, and when I found songwriting as a teen, I figured it would be the closest I would ever come to my original dreams. It was not until I escaped from my abusive family as a young adult and dove headfirst into therapy that I realized my story was far darker than I had ever let myself admit. I am now a singer-songwriter and memoirist who believes that sharing our stories with one another will change the world.
Sent to me by a dear friend just when I needed it, this delightfully cheeky book about writing gave me the push to be courageous and truthful both in life and in my written endeavors.
Full of candid advice, hilarious anecdotes, and helpful information, this book is half manual and half a memoir of Lammott’s escapades in authorship. It speaks directly to the part of us that holds our deepest stories and silently longs to make them into something useful, beautiful, and meaningful–whether or not we plan to share them with the world.
NEW YORK TIMES BESTSELLER • An essential volume for generations of writers young and old. The twenty-fifth anniversary edition of this modern classic will continue to spark creative minds for years to come. Anne Lamott is "a warm, generous, and hilarious guide through the writer’s world and its treacherous swamps" (Los Angeles Times).
“Superb writing advice…. Hilarious, helpful, and provocative.” —The New York Times Book Review
For a quarter century, more than a million readers—scribes and scribblers of all ages and abilities—have been inspired by Anne Lamott’s hilarious, big-hearted, homespun advice. Advice that begins with the simple words of wisdom…
Words have been part of my life since I was ten years old when my father suggested I read a page from the dictionary each school night. “Words have lives and histories,” he said, ”make them your friends.” In my teens, I saw individual words setting the tone for how someone felt, and I promised myself one day I'd write a book about words and how they were a window to one's inner self. Little did I realize that when I wrote that book, it would morph into one about dialogue writing and achieve international kudos. The book offers this simple truth: make sure each line of dialogue moves your story forward...
I find her goal of showing dialogue as a natural extension of breathing and talking both provocative and crucial. Writers need to become the characters they are writing about and Kempton shows how dialogue can set a mood, intensify story conflict, reveal character motives, and develop setting and background. She provides challenging dialogue-writing exercises at the end of each chapter.
When should your character talk, what should (or shouldn't) he say, and when should he say it? How do you know when dialogue--or the lack thereof--is dragging down your scene? How do you fix a character who speaks without the laconic wit of the Terminator?
Write Great Fiction: Dialogue by successful author and instructor Gloria Kempton has the answers to all of these questions and more! It's packed with innovative exercises and instruction designed to teach you how to:
• Create dialogue that drives the story • Weave dialogue with narrative and action • Write dialogue that…
Words have been part of my life since I was ten years old when my father suggested I read a page from the dictionary each school night. “Words have lives and histories,” he said, ”make them your friends.” In my teens, I saw individual words setting the tone for how someone felt, and I promised myself one day I'd write a book about words and how they were a window to one's inner self. Little did I realize that when I wrote that book, it would morph into one about dialogue writing and achieve international kudos. The book offers this simple truth: make sure each line of dialogue moves your story forward...
Savvy writers don't limit themselves to writing dialogue in a single media market; they welcome opportunities and challenges in print and broadcast, whether it's writing fiction or doing film or television scripts. This book spells out how to approach dialogue writing with specific media and how to achieve realistic and dramatic effects. The author urges writers to listen... listen... listen...and “hear the people around you!” Be an eavesdropper, he suggests, and remember what you hear!
Whether you're writing an argument, a love scene, a powwow among sixth graders or scientists in a lab, this book demonstrates how to write dialogue that sounds authentic and original. You'll learn ways to find ideas for literary discussions by tuning in to what you hear every day. You'll learn to use gestures instead of speech, to insert silences that are as effective as outbursts, to add shifts in tone, and other strategies for making conversations more compelling. Nuts and bolts are covered, too - formatting, punctuation, dialogue tags - everything you need to get your characters talking.
Words have been part of my life since I was ten years old when my father suggested I read a page from the dictionary each school night. “Words have lives and histories,” he said, ”make them your friends.” In my teens, I saw individual words setting the tone for how someone felt, and I promised myself one day I'd write a book about words and how they were a window to one's inner self. Little did I realize that when I wrote that book, it would morph into one about dialogue writing and achieve international kudos. The book offers this simple truth: make sure each line of dialogue moves your story forward...
Here is a “look-see” at writing fiction dialogue while mindful of and applying some of Elmore Leonard's classic Ten Rules of Writing: when to use dialogue tags... why using “said” is best... why not to use adverbs to modify “said”...? There's history here, too, as Hough traces the refining of fiction dialogue as an art form from the nineteenth and early twentieth century to the present while providing stunning examples along the way.
Dialogue is often overlooked as a necessary and potent instrument in the novelist's repertoire. A novel can rise or fall on the strength of its dialogue. Superb dialogue can make a superb novel. F. Scott Fitzgerald wrote, "Action is character." George V. Higgins said, "Dialogue is character." They were both right, because dialogue is action. It comprises much, if not all, of the clarifying drama of any novel. How much physical action can there be in 300 pages, even in a crime novel or a thriller? And all conflict, even physical, begins as dialogue.
I want to make the world a better place. After many failed attempts to achieve this goal, I realized that I didn’t understand the world well enough to make a positive impact. Serendipitously, I started working with Farnam Street, a company that is dedicated to mastering the best of what other people have figured out. One of our most significant projects is The Great Mental Models book series, which consists of four volumes of fundamentals about the world. Learning and using the models to co-write this book series is how I found all the books on this list. I plan to give a set to each of my children to give them a jump start on living effectively.
I often think that so many problems in the world could be solved with better communication. More and more we stick with people who think like us, because the challenge of bridging ideological gaps seems too great.
So, how to talk to people who have values that are in opposition to yours? How can you connect with people whose experiences have given them a life that you can’t relate to? In On Dialogue, David Bohm gives us a way to tear apart the fear and hesitation of the no-man’s land between ourselves and people we don’t understand.
There are always people with whom we don’t know how to communicate. We can’t let that stop us from trying. Bohm’s book will give you the tools to do just that.
I have always been drawn to the ocean. When I decided to start writing novels, I knew that I wanted to set them in coastal locations. I live in the Boston suburbs and spend time whenever I can at the beach. I have written books centered in Cape Elizabeth, Maine, Portsmouth, New Hampshire, and Cape Cod. I am working on a story set on the north shore of Massachusetts. I am a high school social studies teacher of twenty-four years and a parent of two teenagers. All of my writing includes cooking and the enjoyment of good food as a major focus. I hope my books make you hungry!
I love books that take me to other places, particularly when the settings are vivid and almost another character in the story.
A wedding book is the perfect beach read as we get a peek into family and friend dynamics and all the drama that goes with such a major event. This book is full of all of the above, with charming dialogue, road-not-taken romance, and memorable characters.
I am a Professor at MIT and co-founder of both the inter-university Program on Negotiation at Harvard Law School and the not-for-profit Consensus Building Institute that provides help in resolving some of the most complex resource management disputes around the world. I have been teaching negotiation and dispute resolution, doing research about the circumstances under which various negotiation strategies do and don’t work, and offering online training for more than four decades. Given the many negotiations I've observed, I’m convinced that negotiating for mutual advantage is the way to go -- avoid unnecessary conflict, get what you want in all kinds of negotiating situations, and walk away with good working relationships and a solid reputation.
Bill Isaacs offers a pioneering approach to communicating in business and in life. His book starts with the assumption that people don’t know how to talk in a way that will make it easier for them to work together with others to solve shared problems. His company, DIAlogos, has organized dialogues in a wide variety of public and private settings. In the book, his discussion of “the architecture of the invisible” makes clear why better communication begins with listening, respect, suspending our own opinions, and finding our voice. I’m particularly taken with his discussion of how we can “cultivate organizational and system dialogue.” He also has some important ideas about how we can return to civility in our public discourse in the current time when “Red” and “Blue” have forgotten how to communicate at all.
Dialogue provides practical guidelines for one of the essential elements of true partnership--learning how to talk together in honest and effective ways. Reveals how problems between managers and employees, and between companies or divisions within a larger corporation, stem from an inability to conduct a successful dialogue.
Saving the planet one death at a time is truly what the world needs now: to reduce our carbon footprint and go out in eco-friendly style. As the one-woman funeral service in the rural town of Boring, Oregon, I support the philosophy of old-school burial practices that are kinder to both humans, the earth, and our wallets. I have humbly been baptized the Green Reaper for my passionate advocacy of green burial, and as an undertaker and the owner and undertaker of Cornerstone Funeral, the first green funeral home in the Portland area. I love to devour all literature possible on green burial and environmentally friendly death care.
I first learned of the Death Dialogue Projects through Instagram. The author has a standing open call for Tiny Death Stories of 100 words or less, and a few of mine were showcased along with many lovely true tales of personal loss and grief. What a welcome resource as well as her emotionally raw nature of her podcast translates well into her pages. The book is an obvious project of passion embracing death literacy. I love how healing and understanding are weaved through the shared stories.
The impending or actual death of someone close to you can be devastating. It doesn't matter if you knew it was coming, or if it was a total shock-you'll never be the same. There is no right way to grieve, and no appropriate time frame. It's different for everyone.
Author and therapist gone rogue, Becky Aud-Jennison, the creator of The Death Dialogues Project and podcast, has sewn together threads from people's shared personal stories and her own experiences, using them to offer insight and comfort to those who are experiencing the…
Crime and espionage are a lifelong fascination for me. I used to think my dad was a spy when I was young because he didn’t talk about work. Turned out he didn’t think I’d be interested in his day as a Quantity Surveyor, my Grandad was a LEO so talking about work wasn’t really a thing. Or they were both spies. Over the years I have made some good friends in the espionage community and various policing agencies and they’re kind enough to share their expertise with me. I’m a big fan of fast-moving stories with intricate plots and action and hopefully they'll draw you in as well. I hope you enjoy the books.
This book is set in the late 70’s/early 80’s in Wellington. Even the cover is a familiar image to me (my father was involved in the construction/ finishing of the building depicted).
I will say that the dialogue was hard to get used to because it is very clipped but the story set in a city that I knew at that time was great. It centres around a police officer which is something else that’s familiar to me.
I did struggle a bit with the dialogue because it was difficult to tell who was speaking if there weren’t attributes but I couldn’t put it down because I really wanted to know what happened to Felicity Daniels. Setting wise this book is a trip down memory lane and I loved the journey.
I had the passion to write Necessary Deeds because: 1) as someone who'd spent 20+ years writing novels, dealing with untrustworthy literary agents, and book-doctoring other writers’ novels in order to pay rent, I'd come to know betrayal (“best friend” writers who stole drafts of mine and called them their own, novelists who backstabbed me after I helped them land agents and book contracts, and so on); 2) like many people who lived through the drug-and-alcohol-laced Eighties, I had a long relationship with someone that ended because they cheated on me. So I never doubted that, as I wrote Necessary Deeds, my heart knew well what motivated its characters.
How can I not include an Elmore Leonard title in a list of favorite novels about murder and matters of the heart?
Of course, no compliment by me of Mr. Leonard will be anywhere in the vicinity of new, but I will add to the heap of praise of the man that in this particular novel of his, the snappiness of the dialogue, the overall wit, and the surprising nature of the twists and turns will always strike me as ideals to strive for as I write my own noir.
![Cat Connor Author Of [Whiskey Tango Foxtrot]](https://res.cloudinary.com/hzpwrwfdi/image/upload/c_thumb,g_face,h_160,w_160/media/profiles/Cat_Connor_rgp4bs.webp "Cat Connor Author Of [Whiskey Tango Foxtrot]")
