Craft Compelling Dialogue
When should your character talk, what should (or shouldn't) he say, and when should he say it? How do you know when dialogue--or the lack thereof--is dragging down your scene? How do you fix a character who speaks without the laconic wit of the Terminator?
Why read it?
1 author picked Dialogue as one of their favorite books. Why do they recommend it?
I find her goal of showing dialogue as a natural extension of breathing and talking both provocative and crucial. Writers need to become the characters they are writing about and Kempton shows how dialogue can set a mood, intensify story conflict, reveal character motives, and develop setting and background. She provides challenging dialogue-writing exercises at the end of each chapter.
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